FX’s American Horror Story
Season 3, Episode 8: “The Sacred Taking”
Directed by Alfonso Gomez-Rejon
Written by Ryan Murphy

* For a review of the previous episode, “The Dead” – click here
* For a review of the next episode, “Head” – click here
screen-shot-2016-11-26-at-1-33-20-amWith Delphine LaLaurie (Kathy Bates) at the savage mercy of Marie Laveau (Angela Bassett), and Queenie (Gabourey Sidibe) on her side too, things seem to be changing in New Orleans.
Out under the cover of the city’s darkness, Queenie is searching for something. Under a bridge somewhere she lurks among the homeless community, the destitute and drugged up washouts either on the bottle or on the pipe. From one of the little tents comes a terrifying man, looking to “carve her up“. But Queenie easily fends her off with voodoo doll shit. From out of nowhere come Madison (Emma Roberts) and Zoe (Taissa Farmiga). They don’t want her to leave, they seem to want her back and actually appreciate her. They know she’s tough. Still, Queenie has things to do for Laveau: she cuts open the aforementioned homeless guy, apparently a rapist, and hauls a heart out; no problem. Apparently it’s going to help her gain power, some kind of ceremony Marie is planning.

War is coming. And youre gonna lose.”

screen-shot-2016-11-26-at-1-33-27-amFiona (Jessica Lange) is slowly getting sicker and sicker. All the treatments and the medications, the chemotherapy, it’s making her feel “as if I’ve been dipped in the River Styx.” She writhes on the floor and in a voice-over laments that her body is no longer her own, she has given herself over to terminal illness, which will take her away from the earth soon enough. Cordelia doesn’t care, only taunting her over Thanksgiving cooking. The only one who does care is the dear ole Axeman (Danny Huston), who lays with her in bed smoking, looking at her with a swollen twinkle in his eye and longing only for a life with her, anywhere, somewhere. “Youre watching me decay,” says Fiona. He doesn’t see it that way, though, the illness is destroying any bit of faith she once had. All that’s keeping her living and breathing properly at the moment is spite, not wanting to give her daughter or anyone else the satisfaction of leaving a moment too soon.
More creepiness comes by way of Luke Ramsey (Alexander Dreymon) and his mother Joan (Patti LuPone). She is upset, in all her puritanical glory, about her son’s newfound uncleanliness. She mixes up a chemical cocktail in a hot water bottle, connected with a catheter-like tube, and then has him lay down in the tub. We don’t exactly see what happens, or where exactly the tubing goes. However, we can easily assume it’s a nasty way of Joan cleansing her son and his sinfulness, y’know, all that deep grimy sin on the inside. Yuck. I’m guessing it was an enema, not anything in the front end.
At the academy, Misty Day (Lily Rabe) shows up in a panic, feet filthy, raving a little. After she was able to get Myrtle (Frances Conroy) resurrected, turns out a man with a gun came to get her. A man trying to shoot witches? No doubt witch-hunter Hank Foxx (Josh Hamilton). When Cordelia meets Misty, she sees everything with her newly gained sight, all the troubles she’d seen up until then. Now she is a part of the coven. Even better, Myrtle is back with them again like old times, back from the burning dead. Also, there are conflicting thoughts on who will be the next Supreme. Who could it be? Is it Misty? Or Zoe? Or who else? We’ll see what happens.
They start a ceremony called The Sacred Taking, title of the episode. It’s meant to prove Misty is the next Supreme. The whole thing starts with Cordelia talking about the ceremony is meant to also help the survival of the coven, starting back in the days of the Salem Witches. Great little sequence here with a black-and-white flashback to the Invoking of the Sacred Taking.

 


Poor Fiona is losing her hair, throwing up, and she thinks maybe losing her mind. A cover of “Season of the Witch” by Donovan plays and Madison, red dress belonging to Fiona, dances around the room: “Surprise bitch,” she exclaims. She talks about breaking in her new bed, and so on, being the new Supreme and all. Claiming she brought herself back and the Council ought to be called. Such a surreal scene the way they shot everything, which adds to the fact Fiona probably believes her mind is caving in. Sad to see Fiona try and open a door, the thing barely moving a few inches. Madison tries to convince her to kill herself with a bottle of pills. Furthermore, Myrtle shows up to freak Fiona out. But she takes it fairly well, all things considered; not sure if they’re back to life, or she’s in hell. Fiona plans to go away with the Axeman, while Myrtle fills her head with visions of him getting tired of the smell of her death, tired of waiting around.

You guys suck balls

After Nan (Jamie Brewer) storms off, upset that she’s not even being considered as in the running for Supreme, we see Hank waiting outside, lurking in the darkness. She finds Luke in his house, tied up. What’s happening?
We cut back to Fiona, who wants to die now. She wants to give up, asking Myrtle to look out for her daughter as best she can. Taking all the pills to plummet to her death, Fiona goes to sleep. But eventually comes to, as Spalding (Denis O’Hare) wakes her. He explains his tongue, his death, and reveals Madison was revived by Misty and they are exploiting Fiona, trying to kill her and make way for the new Supreme. With help from Spalding she purges the pills. Then vows revenge for them both against the coven.

 

 


Back over at Marie’s salon, Queenie brings Delphine – now locked in a cage for regular bleedings – some food. Before they can have any meaningful conversation, and LaLaurie can get any answers, Marie shows up and squashes that situation. Marie plans to keep Delphine, who of course cannot die, and make her suffer. Starting now with a chop of the hand and a warning there is much, much more to come for the immortal racist.
Now we switch back quickly to Nan and Luke, who are prevented from going anywhere by the religiously psychotic Joan. Not for long, though. Soon a rifle’s laser points through the windows. Joan is shot twice, Luke takes a bullet trying to make sure Nan survives.
At the academy, Cordelia and the others await Fiona’s death. Only the Supreme is still quite alive. She saunters through the living room, asking about Misty. Which leads her over the commotion next door. Cordelia ends up discovering the bullets were meant for witches, not the Ramseys.

 


My favourite part of this episode, though, is the very end. The academy receives a package at the door. When Fiona answers and opens it, there is the head of Delphine LaLaurie, staring up at her, and whispering to be helped. Very ominous. A horrific message from Laveau. Is a war coming between the voodoo sect of witches and the descendant witches from Salem? Looks like it.
screen-shot-2016-11-26-at-2-08-34-amStay tuned for the next episode with me, titled “Head” directed by Howard Deutch and written by Tim Minear.

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