From November 2016

The Walking Dead – Season 7, Episode 5: “Go Getters”

AMC’s The Walking Dead
Season 7, Episode 5: “Go Getters”
Directed by Darnell Martin
Written by Channing Powell

* For a review of the previous episode, “Service” – click here
* For a review of the next episode, “Swear” – click here
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After the events of the season opener, we’re back at Hilltop with Maggie (Lauren Cohan). She’s safe and sound, feeling better. At least physically. Dr. Carson (R. Keith Harris) helped her out with pregnancy troubles; she’s out of the woods, for now. The baby is fine, as well. A little Glenn or Glenda is still on the way down the road. Sasha (Sonequa Martin-Green) is well, too. They both go to where their men are laid to rest. Sasha gives Maggie the watch Hershel gave to Glenn, still in his pocket the moment he died. “All Abraham had was a cigar,” she quips. Going forward, these two women will be even stronger than they were already. They’ll take this and make it into more strength. You just wait.
Jesus (Tom Payne) is on the side of Maggie and Sasha, but Gregory (Xander Berkeley) isn’t keen on having the soon-to-be mother around any longer. He feels they’ve put themselves out enough on their behalf. I don’t like this dude’s attitude. Although he was promised to have the Saviors taken care of, and that didn’t happen. He’s concerned with “plausible deniability” and wanting to not get his head cracked open by Negan (Jeffrey Dean Morgan). For his part, Jesus does his best to stand up to the Hilltop leader. Not that it does much to sway the guy.
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Rick (Andrew Lincoln) and Aaron (Ross Marquand) are headed out from Alexandria, leaving a pissed off Carl (Chandler Riggs) and a reluctant Michonne (Danai Gurira) behind. Nothing is good in their world, still with a Negan boot against their windpipe permanently. One nice thing is that Michonne and Rick feel back on the same page again. She refuses to let up with him, unlike when he had Lori around only to bitch at him, to tell him what he’s doing wrong. Now, Michonne does her best to both encourage Rick, as well as let him know when he’s out of line. Even if she doesn’t, she always makes sure there’s a Plan B. As for Carl, he’s always concerned, about everything. That shit happens when you lose your mother, lose your eye. He sees Enid (Katelyn Nacon) sneaking over the walls to go to Hilltop, to make sure Maggie’s okay. And Carl says he doesn’t want to save her anymore, like a cocky little prick. Up at Hilltop, Jesus tries to reassure Sasha things will be fine. But he isn’t the take charge-type, he isn’t a leader admittedly. She does her best to help him realise he might have to “do more” in order to make Hilltop what he wants it to become.
Later in the night, music starts playing from a car. The Hilltop gates are open and fires are lit nearby. Sasha and Maggie try to figure out what the hell is going on. Walkers invade the premises by the dozens. When Sasha heads into the streets, so do Jesus and others. It’s take charge time. The car with the music is locked tight, caged in. And what does cowardly Gregory do? He cowers inside while the others work hard. Then Maggie shows off, driving a bit of farm equipment through Hilltop to crush a bunch of zombies, as well as that damn car. Good show, Mags!

 

 


Carl catches up with Enid on the road, running down walkers in his own car. They then walk on the road together. He tells her about needing to watch what Negan did to their friends, to remember. For the day when they need to kill the bastard. Enid likewise worries for Maggie, not wanting anything bad to have happened to her. They share a kiss together afterwards. Once she realises Carl is trying to hunt Negan and his people. She tries to stop him, but you know him. Hard-headed just like dad.
Simultaneously, Gregory is bitching about Maggie, not wanting her around, as Jesus fights for her. I mean, she helped them fight off an attack the night before. And he’s quite ungrateful. The Saviors have shown up, that makes it all worse. Simon (Steven Ogg) is there to have a little chat about going forward, recent developments and all. He brings the message that people at Hilltop ought not forget how bad things are out there in the world, outside the walls. He’s impressed the walkers were all cleared up by the Hilltop citizens. But worries Gregory’s people are getting “soft.” One thing is painfully evident, that Gregory is Negan’s full-time bitch, on his knees serving the master.
When the meeting’s over, he takes Simon to where Maggie and Sasha were hiding. But not for them: for Scotch. This will make a nice gift for Negan, though Simon takes the credit. Plus, they’ll take half of the supplies on-hand at Hilltop. On top of that he makes Gregory kneel for him. Like a bitch, as I said. Seeing the whole thing makes Jesus sick to death looking at their supposed leader. Gregory actually tried giving up the women, though Jesus did the right thing and hid them elsewhere. He’s taking charge a little more, or at least he’ll be making sure the leader makes less decisions without the whole community.

 

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Maggie finds Enid outside in Hilltop, near the graves. They head inside after and eat, chatting about old times, laughing a little. Sasha soon joins in and they’re like a family again. In a sweet gesture, Maggie gives Enid the watch Glenn was given by her father. However, she also says they don’t need any items to remember the dead by; they have each other, they have the memories in their minds, never to be forgotten.
And their time will come. They’ll have revenge, in some shape or form, some way. Maybe not today or tomorrow. Someday, though. Amazing enough, Jesus sneaks on the Saviors truck as they go, meeting Carl stowed away out back.

 

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Very slow episode, yet there was a lot going on all the same. We’re getting a shape and sense of the whole world going on in the zombie apocalypse, instead of the finite plots and stories of Rick and his crew. Lots of things happening as they mingle together.
Next episode is “Swear” and I feel like Season 7 is gaining steam with every episode, setting up good things for the latter half.

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The Exorcist – Season 1, Chapter Eight: “The Griefbearers”

FOX’s The Exorcist
Season 1, Episode 8: “The Griefbearers”
Directed by Louis Milito
Written by Marcus Gardley

* For a review of Chapter Seven, “Father of Lies” – click here
* For a review of Chapter Nine, “162” – click here
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Casey Rance (Hannah Kasulka) is still possessed, her body tortured, her mind even worse. Father Marcus (Ben Daniels) is trying to do the exorcism, and now Pazuzu comes face to face with Regan MacNeil (Geena Davis) a.k.a Angela Rance, who came with Father Tomas (Alfonso Herrera). “Rags, bloody Rags,” the demon speaks to Angela. When Kat (Brianne Howey), Henry (Alan Ruck), and Chris MacNeil (Sharon Gless) arrive things get even more complicated. The demon lets Casey out long enough to haul them in. Taunting Kat about her dead lover, yikes. Then Pazuzu starts to toss the people around, and warns Angela about Casey’s new place in Hell: “Theres room for you, too.”
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Fathers Marcus and Tomas go about their exorcism, as Chris and the Rances wait outside. Finally a nice reference to Merrin in a quip from Henry. At the same time, Angela is staying strong to try making things easier for her family. Mother Bernadette (Deanna Dunagan) is out trying to keep a lid on the media, as well as the police. Naturally everybody’s sniffing around.
Over with Cherry and Lester Rego we find Father Bennett (Kurt Egyiawan) getting patched up after his encounter with the possessed homeless. They call the police on a burner to report the organs, too.
Continually we see Tomas and Marcus in each other’s faces. They resort to blows after insulting one another, all the while Bernadette is brought to her knees with the sound of flies swarming around them. Evil lurks around them all, as the demon laughs to itself at their fighting. So damn creepy, I love it. Marcus and Tomas know their best chance to fight the demon is to let Angela help. And she’s ready.
Despite the objections of Marcus, they let Angela into the room. He warns that if she starts feeling it poke around her head then they need to back off. “Hello, mommy,” says the demon. It gets going on everyone, taunting more all the time. Especially vulnerable is Tomas, who feels the pressure of the demon in his head. Angela does her best to distract her daughter, though Pazuzu keeps on talking. The worst is when it calls Angela out for having an abortion, saying she “scraped it out.” The priests and Angela come together telling the demon it is forgiven, hoping to use love against it. But will that work? I’m not so sure.
Bennett takes the pictures he took of the corpses to Cardinal Guillot (Torrey Hanson), as the news flashes about the police finding them in that warehouse. Will this Cardinal help, or is he another of the greasy Roman Catholic Church members in league with Maria Walters and Co?


Packing up to take off and hide awhile, Kat, Henry, and Chris argue over what happens next. They’re all on different pages, which is understandable. Even for all they’ve seen, Chris included, there is no rational way to react to the situation. Simultaneously, Casey suffers through the tortures of an exorcism, and Angela has a tough time watching what she’s already experienced so long ago.
Pazuzu makes it back up inside Angela’s mind. He takes her back to that house in Washington, D.C. Down in the old basement where Captain Howdy first spoke to Regan. She sees herself playing with the Ouija. If only she could replay that moment in time, do it all over. The Salesman (Robert Emmet Lunney) returns, little red bird on his shoulder. This scene is written so well. Perfect, in fact. The way the Salesman speaks for Regan, the way he talks to Angela. There’s an incredibly tense bit of dialogue between him and Angela, which they both play impressively.
Why me? Because you were under my foot, you stupid bitch.”
In the exorcism room things are going just as intense as ever. Angela makes it out of that old place in her head. Just in time to watch the demon start twisting itself into terrifying positions. Then it levitates, the chains break from Casey’s arms. And the evil washes away, as the girl returns to her mother. Have Marcus, Bernadette, and Tomas done away with Pazuzu for good this time? Oh, I wouldn’t get too cocky. Not just yet.

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Out Casey goes to an ambulance, the media swarming. Angela prays that her daughter is finally safe from the demon. She and Tomas ride with the girl to the hospital, as police and others look on with proper scepticism, and Bernadette quells the crowd of hungry reporters.
A SWAT team busts in on a derelict apartment. A homeless man, possessed, sits in the dark. Crosses hang upside down from the ceiling everywhere. The man then blows his brains away after asking if they can “hear the angels.” Nasty.
In a bar Marcus and Tomas celebrate, drinking beers together, joking for the first time in far too long. I love these guys, separately and together. Two fascinating characters, well written and well acted. “To standing in the doorway and pushing back the night,” Marcus toasts. Their night ends a little earlier than he’d like when Tomas heads out. ON television we see that there’s a plan to assassinate the Pope, which drives Marcus elsewhere.
Cardinal Guillot and Father Bennett ride in a car together, as the former talks of the Church, and those who are no longer loyal to its goals. Just as I suspected, Bennett is tragically dispatched with a plastic bag over his head.

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In church, Tomas finds Jessica (Mouzam Makkar) and her husband Jim (Andrew Rothenberg). Oh, that’s awkward. And not good, for anybody. He definitely isn’t pleased. He wants to know all about their affair. Jim says he’ll be reporting Tomas for his indiscretions, devastating both the priest and Jessica. I saw this coming a mile away, though hadn’t anticipated such a wild turn of events all the same. A rough turning point for Ortega.
Father Marcus begins piecing together bits and pieces of what is truly going on involving the possessed homeless. He may be onto something here.
Oh, and back at the Rance house with all the packing there are scarier revelations than anything else. Pazuzu, he found another way to carry on doing his dirty work. He’s made it back into Angela, after all these years. And when she calls her mother Chris a “little stinkpot” like Chris did to Regan back in her youth, grandma MacNeil gets her neck snapped backward, and the demon tosses her down the stairs.
Holy. Fuck.
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Another fantastic episode. They, literally, keep on bringing the twists! So unbelievably excited for the two part finale. First up is “162” next. Let’s stay tuned together, and let’s make sure FOX renews this series for at least another season.

American Horror Story – My Roanoke Nightmare: “Chapter 10”

FX’s American Horror Story
Season 6, Episode 10: “Chapter 10”
Directed by Bradley Buecker
Written by Brad Falchuk & Ryan Murphy

* For a review of Chapter 9, click here.
screen-shot-2016-11-17-at-2-07-35-amThe cast of My Roanoke Nightmare attend Paleyfest, where Shelby (Lily Rabe) and Matt Miller (André Holland), Audrey (Sarah Paulson), Lee (Adina Porter), Dominic (Cuba Gooding Jr), Monet (Angela Bassett), William Van Henderson (Denis O’Hare), Rory (Evan Peters), Sidney James (Cheyenne Jackson) – they all answer questions for the crowd on a panel. The fans all go wild. One especially for Lee, who she feels has been unfairly judged. Shit. If the girl only knew.
The Lee fanatic posts online about the second series being “crass” instead of doing anything artistic. We also find out Lee’s headed for a murder trial. And the remaining Polk brother Lot intends on murdering her if the courts won’t do the job.
screen-shot-2016-11-17-at-2-12-23-amWe get television special on Lee and her history. Her family, the addiction, the custody battle, her husband’s murder. Once Return to Roanoke: 3 Days in Hell was filmed, things changed, as we know. The trial went on. The video of her torture by the Polks was used to get her acquitted, playing sympathy to the juror. But the murder of her ex-husband Mason is still on the books. Her own daughter witnessed Lee crack her dad in the head with a rock: “You killed daddy,” she says on the stand. Only problem is that Flora sounds crazy because she saw ghosts in and around the Roanoke House. And so the verdict comes back Not Guilty.
Now we get Lana Winters (Sarah Paulson) back for another season! A survivor in her own right, she is now interviewing Lee Harris after her big murder trial. “Questions remain,” Lana explains. She’s come out of retirement and everything, just for the live TV interview. We get a very familiar looking format, makes the whole bit feel genuine. Lana asks her questions, starting off with soft lobs and working up towards the harder stuff. First, it’s about the custody. Secondly those murders still linger on in public consciousness. Then we get a Bloody Face namedrop, as Lee brings up Lana’s own history with maniacs.
Afterwards comes an intense moment. Lana asks where Flora is, after reports of the girl going missing just before they began their interview. Suddenly outside is the sound of assault weaponry. Lot Polk has arrived. He wants revenge. Lana tries talking him out of it and only gets knocked out with the butt of a gun. Luckily, a cop busts in and blows the guy away. Lee makes away again.

 


A show called Spirit Chasers takes Ashley Gilbert (Leslie Jordan), star in the original series’ reenactments, out to the Roanoke House in order to try figuring out: is it all real? A steel fence went up around the place trying to keep people out, but the show’s crew heads in on their own. During the Blood Moon. Isn’t that great? They head on in without understanding how real any of the madness there is, and surely something nasty is poised to happen. As night falls the crew go about their usual routine, detecting spirits and hoping to find conclusive evidence. Soon, the spirits start to wake. Doors slam shut. Air rushes through the rooms. Ashley even finds a bonnet laying around: “The Real McCoy,” he says and not a prop.
Craziest of all, Lee shows up from out of the blue. That is fucked up. She wants to find her daughter, and she looks crazy as hell. She warns the crew and Ashley away. The Spirit Chasers want to help her, although she isn’t too keen. On one of the crew’s thermal videos they see one of the Chen family, creeping around the walls. A recording captures the eerie voices of children, Priscilla to be exact. When Piggy Man turns up, game over! Ashley is dispatched first. Then another, as one of the Chens hauls them off. Police show up and by that time even The Butcher is carving people to bits.

 

screen-shot-2016-11-17-at-2-42-44-amIt seem as if the whole thing’s turned into Lee in a hostage crisis. We get plenty news coverage on the ordeal, including Lana Winters at home recuperating well. People want all the reality they can get. From reality television series to complete reality. “When we latch onto something it becomes our destiny,” says Lana prophetically.
At the Roanoke House, Lee and Flora are inside just fine. Her mother asks about what she ate in the woods, how she survived. Mostly she tries to explain to Flora how things ever got so bad, what it’s like to be a parent trying to make the best life for her and her family. None of that is any good when the girl clearly saw her own mother murder her father. The hardest part of everything is the fact Flora still has Priscilla kicking around in her head, or y’know, right in front of her.

 


Then the house begins to burn, out walks Flora safe and sound. Inside, Priscilla helps Lee dies, and the house blows nearly to smithereens, the top exploding with fire. While Flora is taken away from the old house her mother and Priscilla walk into the darkness together, torches light the woods, and the Lost Colony descend with the Blood Moon high in the sky.
screen-shot-2016-11-17-at-2-50-35-amI absolutely fucking adored this season! So many interesting things went on and the format really worked out in the end. Very fun to bring Lana Winters back, too. Such great stuff. I’m excited now to see what they’ll do next season. This series, for me, gets better each year. Some don’t agree, but I couldn’t care less. A spectacular bit of television, and this season was beyond expectation.

Scream Queens – Season 2, Episode 5: “Chanel Pour Homme-Icide”

FOX’s Scream Queens
Season 2, Episode 5: “Chanel Pour Homme-Icide”
Directed by Barbara Brown
Written by Ian Brennan

* For a review of the previous episode, “Halloween Blues” – click here
* For a review of the next episode, “Blood Drive” – click here
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Chanel Oberlin (Emma Roberts) hears #5 (Abigail Breslin) from across the hospital. As #3 (Billie Lourd) explains, #1 has developed a “fine tuned” addiction to #5’s pain. Along with Munsch (Jamie Lee Curtis), the Chanels and Zayday (Keke Palmer) find #5, as well as the corpse of Denise Hemphill (Niecy Nash). So now sleazy Cathy has to come up with a story while they dispose of the body. Oh, and they leave #5 to wallow in agony alone. With more dead bodies piling up they’re forced to call the police in.
Downstairs, Munsch shows Zayday a cryogenic chamber she bought with some of the Radwell cash. They put Denise’ s body inside to test it out. Meanwhile, Cathy is still dying little by little.
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No longer blue, Chanel and Dr. Brock Holt (John Stamos) continue getting closer. He apologises for the mix up with the medicine, then goes on about his relationship with Ms. Munsch, how he did it only because of being distraught from missing out on Chanel. But she has no “emotional object permanence” and surely they’ll be together sooner than later.
A week later after the publicity surrounding the murders, Munsch’s CURE Institute is booming again. All kinds of strange illnesses pour in and the place is on wheels. Ingrid Hoffel (Kirstie Alley) is up in her business trying to get more and more all the time. Otherwise things are fine, except the fact Cathy is a complete fucking loon. She winds up on a case trying to treat a woman who’s switching from accent to accent, all over the globe. Her name is Penelope Hotchkiss (Mary Birdsong), and she can’t control the voice she uses. Now that’s an interesting one.
Ingrid gets under everybody’s skin, including the Chanels; she calls them “nondoctor idiots“, “dead inside“, “Dr. Tiny Bitch“, among other names. Usually I find Alley a irritating pain to watch, but the writing is too good not to enjoy. Her delivery is perfectly condescending. She has #1 and #3 doing the worst of chores around the hospital, which they’re obviously not happy about, and thems the breaks, right? Not when Ms. Oberlin’s putting her mind to it. Or, y’know, trying to.
Zayday goes to see Munsch about Chamberlain Jackson (James Earl). Turns out there aren’t any candy stripers. Cathy says she hasn’t hired anybody. Certainly not off Craigslist. Might have something to do with all the serial killing going on. Like Season 1, another baby mystery is at hand, and Zayday decides she’s in to solve the puzzle.


Chanel sent out word she’s accepting applications for more Chanels. Concerned about the Green Meanie. #1 wants “cannon fodder” in case he’s intent on doing her in. So when everybody on their previous list passes, they turn to the patients in the hospital getting a couple new recruits.
Then, they have no choice but to talk to someone named Tristan St. Pierre (Pablo Castelblanco). He started writing explicit, lesbian fan fiction about Chanel. He got extremely obsessed with her. Creepy. Tristan is brought in as a Chanel Pour Homme; brilliant title. They have Chanels #7 and #8, as well. All for human shields in the face of murder.
Dr. Cassidy Cascade (Taylor Lautner) and Chanel #3 try to work on Ms. Hotchkiss. In rushes Brock with information, but then it seems as if the accent issue goes viral. All three of them start talking like Penelope, shifting accents themselves.
In the lower levels of the hospital, Chanel gets a scare from Hester (Lea Michele). She tries to ingratiate herself to the Chanels again. And #1 lets her back in. She’s intent on finding the Green Meanie. No matter how crazy things must get.
Zayday and #5 go visit Jane Hollis (Trilby Glover) about her husband who died that night two decades ago. She believes Dr. Mike and the nurse covered that up. Obviously Chamberlain is out of the running for the baby. Or is he? Because Jane’s husband was black.

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The accent virus keeps going strong, changing in everybody. The writing does a smart job poking fun, as they even make fun of how bad the accents are, too. Great little bit. They also drop a lot of movie references. Also, Doctors Holt and Cascade and Chanel #3 come up with a treatment to help Ms. Hotchkiss. Moreover, Dr. Holt figures out they’ve contracted “Madonna syndrome.” They have to lock themselves up watching American films to get themselves back on track.
Zayday keeps on trying to figure Chamberlain out. He explains his presence there is only about making people feel good. “Ima let my freak flag fly,” he tells her going about doing his Willy Wonka hospital routine. In other news, Cathy has a talk with Ingrid; to fire her. She doesn’t dig the way Ingrid treats the staff. The woman has a drug addiction, however, she knows of Cathy’s disease – blackmail.
The Chanels have a big night planned. A slumber party, including makeovers. Never a good sign when the girls are being nice. Chanel #8 has to go to the morgue to find a gift they’ve supposedly left her. A “sacrifice” to the Green Meanie. Will he take it? Tristan confronts #8 because he wants the gift, putting himself in the way of possible death. When #8 turns up it’s clear who’ll be killed. And boy, is he ever dead.
Naturally, Munsch is pissed. The Chanels are always bringing her more trouble, as if she doesn’t have enough on her own. Chanel #7 is now down with being a human shield, and #8’s been in for a while. Now, Cathy has three more Chanels for admittance; #11 even has eleven fingers. #1 has the girls put to work already cleaning up #5’s “monster dumps” in her bedpan. Man, the writing kills me sometimes. I rarely laugh out loud by myself unless something is really funny; this series does it to me often. Anyways, Munsch wants to find Hester, and she wants #1 to give up the info.
The Green Meanie kills #11, after first doing a bit of homemade machete surgery on her extra finger. That poor girl didn’t last long.
Most intriguing is the finish, as Jane Hollis receives her son for dinner: it’s Cassidy. He was the baby in the belly. And now he tells her that their secrets will be safe: “Ill take care of everything.”

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Solid episode. Well worth the wait!
Next up is “Blood Drive” and I anticipate more intensity, foolishness, and more importantly – MURDER.

The Walking Dead – Season 7, Episode 4: “Service”

AMC’s The Walking Dead
Season 7, Episode 4: “Service”
Directed by David Boyd  (“Secrets“, “Heads Up“)
Written by Corey Reed

* For a review of the previous episode, “The Cell” – click here
* For a review of the next episode, “Go Getters” – click here
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Back in Alexandria once more. Rick (Andrew Lincoln) and Michonne (Danai Gurira) lay in bed next to one another. She rests uneasy, her breath heavy. She heads downstairs and gets a gun from the chimney, then leaves the house, as Rick watches her go.
In an open field Michonne walks by herself. She stops at a rusty old truck and gets up to look around. She sits there, waiting with the rifle in her hands. At the house Rick holds his little Judith. Eugene (Josh McDermitt) fumbles around with a radio outside while Rosita (Christian Serratos) and others hope to gather more for Negan (Jeffrey Dean Morgan) when he arrives.
But he has already arrived: “Little pig, little pig, let me in.” Rick meets him at the gates. As always, Negan talks shit. He’s brought his Saviors, Dwight (Austin Amelio) and captive Daryl (Norman Reedus) included.
Negan lets himself into their little town. Even makes Rick hold Lucille while he waltzes. And seeing Rick hold that bat, new blood splattered over it, there’s a hate in his eyes we’ve not seen in a long, long time. If ever.
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Negan’s pleased with the looks of Alexandria. Plenty of spoils to take. When Rick tries talking to Daryl, the bad man makes clear he is “help” and nothing more. Scariest part of this guy is that he’s also sexually threatening to the women. We’ve already seen, and heard from his own mouth, about what happened to Dwight; not good. He’s got women amongst the Saviors, as well. But just like hardline right-wing women, there is a seething hatred likely underneath their hard exterior. No telling what Negan’s offered them, what type of options they’ve been given to this point to make them follow his orders. On top of everything else, Alexandria gets pillaged of supplies, so on. Leaves them withered to even think about taking on Negan if they’re struggling to keep themselves in goods to appease him.
Out in the field Michonne takes shots at a walker in the distance. She never quite hits the thing in the head. So it’s back to the sword. Moments later she happens across a deer in the woods, dead, bullet hole in its neck.
More and more we see that Negan is happy with what Alexandria provides: “This is the kind of stuff that just tickles my balls!” Moreover, he finds the tapes Deanna left long ago. The tape shows a bearded, wild Rick. Not the man he is today. Such a stark contrast, one heavy reminder. Then Negan begins taunting some about Maggie (Lauren Cohan), talking about widows in a real nasty manner. Oh, and Father Gabriel (Seth Gilliam) shows up. They tell Negan that Maggie is dead, buried. We know it isn’t true. That isn’t something we’d not see. But this baseball wielding bastard doesn’t need to know.
A gun goes off down the street. Carl (Chandler Riggs) isn’t letting the Saviors take all their things. He’s holding them at gunpoint. This pisses the big guy off when they catch up. Negan does feel slightly impressed with Carl’s balls. Eventually the kid gives up, his father watching with tears welling in his eyes, not wanting another person – especially his son – dead in front of his eyes. Shitty thing is that Negan will be taking firepower with him when he leaves. Again, withering Alexandria worse than before.

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Lots of psyching out from Negan. He continually batters people, physically and mentally, no matter with whom he’s dealing. Even his own guys, now and then. With Rick it is brutal. To see such a strong, relentless leader as him be crushed into submission by anyone shitty, let alone this dude, is a bit of Shakespearean tragedy. Yes, it’s needed story wise. And I love it. But still a hard pill to swallow when you love Rick, as well as Andrew Lincoln (gives him a proper role to chew into this season though).
Rosita and Spencer (Austin Nichols) head out and find Daryl’s motorcycle in the woods. “This is where Rick got us,” he tells her. Sad that he sees it that way. A defeatist attitude. Rosita then runs into the woods out of nowhere while he talks.
Negan gets his hands on the RPG the gang used – Daryl specifically – to blow those guys off the road last season. Furthermore, he discovers an accounting error in the books Olivia keeps for the armoury. Missing guns. Uh oh. “Two handguns short.” This might cause trouble. Lucille is thirsty for Olivia.
In the church Rick asks his group who’s holding the guns. Nobody speaks up, though Rick and the core few witnessed what happened to Abraham and Glenn. “Im not in charge anymore; Negan is,” he tells the people in front of him.
Rosita tracks a couple zombies in the woods and then takes down a group of them like a bad ass. She snags a gun off one of them. No ammo. She wants to make sure Alexandria has some protection left when Negan rolls out. “This is not our life,” she tells Spencer. I love her, and hope she continues to be a bigger character from here on in.

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Whereas Rick panics looking for the guns, Gabriel tries reassuring him that things will change for the better. He has faith in Rick, after all they’ve been through together. Aaron (Ross Marquand) searched Rosita’s room, nothing, and there are less places by the minute to check. When Rick steps on a floorboard there’s a hiding place with canned food, liquor, and… you betcha, a couple handguns. A Savior accosts Enid (Katelyn Nacon) outside like a dirty creep. Nobody can do anything except watch on, which doesn’t make Carl happy, or anybody for that matter.
So Negan’s got his guns, for now Olivia is safe. But the bad man and his bat wants Rick to keep a lid on his people. If not, I imagine more head smashing. Oh, I can’t wait to see someone get the upper hand on Negan! I want his villainy to last, but very much looking forward to the tension once he and Rick (or whoever) go up against one another in a more violent way.
The toughest is when Rick has to go to Michonne for her rifle. He knows that she’s been practising. She refuses to let go of her weapon. Rick is done losing people, regardless the price. I understand that, in a way. Upsets me to see these two divided amongst themselves after so much.
When the Saviors are ready to leave, Rick wants Daryl to stay. Seeing as how they’ve given over so much. No dice. Next time Negan comes through he wants “something interesting” or somebody will get fed to Lucille.


With nothing left Alexandria goes on as it did before, only hungrier, less equipped. At least Rosita has a gun. Not sure what good one will do, but one is better than none. Not everything is swell around town, not even mattresses to sleep on. Rick and Michonne are at odds over this new defeated way of living. For the first time in so long he talks about Shane, and the beginning of the zombie apocalypse, how Lori got together with Shane, the whole story. He admits: “I know Judith isnt mine. I know it.” Although he loves her like his own. He hopes to teach her to survive. Mostly, he talks of having to accept so many things out of his reach. It’s either take this life now, or nothing at all. But for how long?
Back in that field Michonne goes. Up on the rusty truck. On the horizon she sees smoke. In the road are their mattresses, burning. All for the Saviors to have fun with, not for sleeping.
More importantly, Rosita remembers something crucial with no bullets in her gun: Eugene knows how to make ammo.
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Lots of good stuff setting up here. Great dialogue and tension between Rick and Negan, as well as the fact we get more Rosita, which is unusual yet welcome, and the other characters aren’t being left behind.
Next up is “Go Getters” and I’m hoping the tune changes from this episode. Really good one, just felt that by the end the Negan-speak was getting on my nerves. I dig the dialogue, the whole smug personality irks me after a while.