A&E’s Bates Motel
Season 5, Episode 10: “The Cord”
Directed by Tucker Gates
Written by Kerry Ehrin & Carlton Cuse
* For a recap & review of the penultimate episode, “Visiting Hours” – click here
Here we are at the series finale! The title of the episode refers to Norman Bates (Freddie Highmore) talking to Mother (Vera Farmiga) about “the cord” between their hearts connecting them. Well, I bet it’s about to be cut, or snap in two. One way or another.
Alex Romero (Nestor Carbonell) has Regina (Aliyah O’Brien) and Norman in the car, heading to where the young man put Norma while he was off taking care of everything else. No telling how far the vengeance will go, or if it’ll even happen. Who knows where any of this is headed.
I know it’s nowhere any good. He lets Regina go, then he and Norman are left to trek in the woods by themselves.
Sheriff Jane Greene (Brooke Smith) is picking up the pieces after Romero’s daring break-in to find the object of his revenge. She brings Dylan (Max Thieriot) in to tell him what happened, as well as to try figuring out where they may be gone. “He took him somewhere to kill him,” says Dylan with grim confidence.
What’s super interesting about the back half of this final season is how the older brother is concerned for the younger’s mental health. He knows he’s dangerous, but also there’s the knowledge that Norman is mentally ill; there is something wrong with him and there has been a LONG TIME. No one ever helped, Mother made it worse, now he’s a lost cause. Much like real life many want to only concern themselves with the crime, instead of paying attention to the terrible reasons for why it happened. And not always as easy done as said, which Dylan understands.
In the snowy woods Romero starts seeing the disconnect in Norman’s brain, between him and Mother. Although, unfortunately, he doesn’t quite comprehend it yet. Not enough to save him, as Mother takes over duties and remedies their situation. Once Alex helps uncover the cold corpse of Mrs. Bates he lets his guard down long enough to get himself killed by having his head smashed followed by a couple bullets from his own gun. In his dying words the former sheriff taunts, and Mother comes to tell Norman she has to leave. There’s no longer any need for her to protect him.
The cord’s been cut.
Romero: “You killed your own mother. You can‘t hide from it.”
Norman wakes up to Mother, next to him in bed. Things are bright and sunny and beautiful. She isn’t dead, they’re together. She makes breakfast for them. Only it’s all illusion; or, better put, delusion. He’s still in the snow bleeding, remembering happier times with Mother before they moved away from their old home. What a creepy sequence. As if he and Mother are first heading to White Pine Bay all over again, the beginning of a new life.
After all the horror, Norman Bates has gone back home.
In town, Dylan gets together with his old pal Remo Wallace (Ian Tracey), who’s still working for a marijuana grow op but a bigger, better one. They reunite, reminiscing on happier things. Remo’s brought him a little package: a gun. What for, exactly? Protection? Perhaps it’s a tool, a permanent and fatal medication for his ailing brother.
Speaking of Norman, he’s literally lost in delusion. Believing it’s the first time they’ve come to the motel, that he’s setting the pace up for business. A woman and her kids come to stay, which already scares me. With him hallucinating, forgetting, remembering things as current day, it’s a volatile place to be; anywhere near the Bates Motel for that matter.
Norman calls Dylan and this makes his delusional mind even clearer, saying that they’ve gotten to the “new house” and so on. Jesus. It’s just another reason for Dylan to think about whether he should help solve his younger brother’s problems permanently.
Mother’s corpse is put away in her room, as Norman prepares for dinner with his brother. This is a tense moment leading up to their meal. We can feel Dylan struggling within. He calls up Emma (Olivia Cooke) and tells her what’s happening. She, obviously, suggests to call the sheriff, but he thinks it’ll end with cops rushing in, his brother dead. Their phone call is devastatingly emotional, as it could be the last time they ever talk. W’re about to find out.
Dylan readies himself to go up there with his gun. He also sees there are guests in the motel, whom he goes to warn. After they flee Dylan goes to the house, where Norman is happy to greet him, busy cooking supper. He tries to break through the psychosis, the delusional thought. However, it becomes terrifying for him once he sees that Mother is literally there for dinner with them, dead and half frozen at the head of the table. Actually makes him vomit.
Then everything gets intense. Dylan pleads with Norman to see the truth. Afterwards, young Bates grabs a knife and goes toward his brother who takes out his gun. “I just want to be with her, Dylan,” he says. When he charges at his brother with the blade Dylan is forced to shoot him. As Norman slips away he sees a vision of Norma, alive again, waiting for him out there in the forest with open arms, together once more.
A rendition of “Dream a Little Dream of Me” plays while the cops flood the Bates Motel, the woods where they locate Romero’s dead body. We see the motel go up for sale all over again, that old, eerie house with all its secrets sitting up on the hill, waiting for new owners to give it life. Emma and Dylan are still together, living happily after all the terror. And out in a quaint graveyard sits the Bates grave, Mother and her boy eternally in the ground. Noticeably, his side is a little empty while hers is filled with praise. Oh, Norman.
What a great series! Loved the end. Even though I expected Dylan to be the one to finish off the legacy, I also didn’t know how it would go down. Great stuff, horrific and dramatic and all around excellent. An amazing adaptation, as I’ve said time and time again. Kudos to the entire cast and crew for a job well done.