Discover’s Frontier
Season 2, Episode 4: “Mutiny”
Directed by David Frazee
Written by Adriana Maggs

* For a recap & review of the previous episode, “The Wolf and the Bear” – click here
* For a recap & review of the next episode, “Cannonball” – click here
Screen Shot 2017-11-28 at 11.59.39 AMIn Montreal, we find Malcolm Brown (Michael Patric) running into Declan Harp (Jason Momoa). The big man needs a buyer for pelts. He wants to get a meeting with Elizabeth Carruthers (Katie McGrath) via Malcolm’s brother, her new husband Douglas (Allan Hawco). Of course he wants a bit of money for the trouble. But he takes Harp, along with Charleston (Demetrius Grosse), to meet the widow. She’s pleasantly surprised. They chat briefly, and she invites him to her place for dinner that evening. While McTaggart (Jamie Sives), Charleston, and Harp plan, there’s always Cobbs Pond (Greg Bryk) lurking, plotting, keeping an eye out out for Mr. Samuel Grant (Shawn Doyle).
What a devious business, the fur trade.
What about Michael Smyth (Landon Liboiron) and Sokanon (Jessica Matten)? They’re watching the root cellar, the storehouse. It’s obvious they care for one another, yet the divide between their worlds is always evident, as well. In the meantime, they’re going to talk with Grace Emberly (Zoe Boyle) for more help with their latest plans. Except that Grace isn’t around, she’s in Montreal. There’s nastier stuff about within the fort itself, as women like Imogen (Diana Bentley) have to sell themselves to the awful men there, and Mary (Breanne Hill) is only safe because she tends bar. It’s a hideous situation. One that Sokanon hates to witness.
Out on the ship, Chaulk (Kathryn Wilder) and Lord Benton (Alun Armstrong) hear the vicious whipping of Mr. Darragh (Joel Thomas Hynes) before he’s tossed in a cell, as well. The Lord is getting his brutishness back. I suspect he’ll be staging quite the mutiny soon enough.
At the Carruthers house, Elizabeth and Douglas receive Harp for dinner. The others, including Malcolm, have to eat in another room, of course. Ah, the class divisions even amongst friends and family! What a time. Harp works on establishing a “business relationship” with the widow. The two end up talking alone together, about the fact Declan is known for “hunting men” not beaver. She wants to know about the death of his wife, he briefly speaks of Lord Benton, though without naming him. He’s mostly concerned with everyone who lives “in the shadow of the HBC.” He’s a revolutionary, and she’s impressed enough to want to give him a chance. They’ve struck a deal.


Sokanon is finding it difficult amongst the evil of white men. Young girls and women prostituted for petty coin. A young Native girl at the ale house is unknowingly sold to an officer, she’s attacked in the back room by him. Mary refuses to allow it. She stabs the officer in the neck. When he fights back a bit, she stabs him with another knife in the top of the head. They’ve got quite a crime to cover up. Governor Chesterfield (Evan Jonigkeit) is mostly drowning himself in alcohol, letting whatever happens happen.
On her journey, Grace is with Jean-Marc Rivard (Paul Fauteux). She tells him of her father’s death, a couple years ago. She never went to see him when he requested. Now she’s going to fake that her father is still alive with Rivard’s help, so that she won’t lose everything back home.
Charleston: “White folks are white folks. No offence.”
McTaggart: “None taken. Im Scottish.”
When Grace goes looking for her father’s things, speaking with an innkeeper (Codco alumni Greg Malone), she finds his seal, which ought to help trick people into believing him not dead. There’s also suggestions that Grace didn’t have such a wonderful relationship with dear ole dad.
On the streets, Charleston is taken hostage by Pond when he goes for the gunpowder, letting McTaggart and Harp get away. Uh oh. His “black loyalist” line doesn’t do him any good. On the ship, Chaulk and Benton put together a plan to have the ship turn around, spoiling the water to force a return to land.
Screen Shot 2017-11-28 at 12.02.17 PMPond is using Charleston as a bargaining chip against Harp. So the big guy goes into the street willingly. He’s not afraid, even with a bounty out on his head. He heads off with Pond and his men, leaving Charleston in the street, McTaggart in an alley. Harp is brought to the town square, thrown in the stocks. Grant shows up gloating, wanting to offer the big man a way out if he gives up information concerning the widow. But you know Harp’s not having that shit: “Youre blocking my view,” he quips from his precarious position.
Can McTaggart get his buddy out? Maybe he and Charleston make a proper team. They acquire a few items necessary for the task of freeing Harp. Then, Vlad (James Preston Rogers), that unkillable Siberian offers to take the big guy to his trial. At the same time, Rivard stumbles onto the scene; he rushes back to tell Grace. McTaggart unlocks Harp, setting into motion quite a bout of chaos, as Charleston waits in the wings with a rifle. Grace gets there just in time with the sealed declaration from Chesterfield concerning the bounty being dropped. BAM! What a woman. Although Harp hates to hear what she’s had to sacrifice personally to get it done.
At Fort James, Sokanon and Michael run into Mary and the young Native girl disposing of the officer’s body. They help get rid of him. Sokanon fears for the girl, wanting to get her back to her people, to be safe. Mary knows this is best. Sad to see here the disconnect between the young girl and her rightful home, taken away to the cities, assigned a dehumanising job, forced to speak English versus Sokanon, a strong warrior for her tribe.
Screen Shot 2017-11-28 at 12.02.37 PMWonderful episode! A favourite of mine so far. Glad they’ve already announced a Season 3. “Cannonball” comes next. Excited to see more action.

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I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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