July 2018 – Father Son Holy Gore

FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body

Xavier Gens delivers a political piece of brutal body horror with FRONTIER(S)

Generally disregarded by the mainstream, John Carpenter's THEY LIVE ('88) is a prophetic piece of sci-fi cinema.

To save Tulip from Angelville, Jesse's got to arrange a new heist: at the bank where Madame Boyd's souls are stored.

Camille gets to know Dt. Willis more, as she tries to fend off the dark memories of Wind Gap.

Clive Barker's NIGHTBREED explores the difference between experiences in the city, focused on those with power v. those without.

THE DEN touches a nerve because of how much time we spend in our daily lives attached to screens.

STREET TRASH is just a B-movie with nothing to say. Or, maybe it says a lot of things about NYC in the 1980s. Maybe?

14 CAMERAS will leave you making sure you pay your rent on time this month— or else!!!

INTO THE FOREST is an allegorical look at a divorced family grappling with mental illness. Or is it?

Jack falls deeper into Thelema, as he and Richard split further apart. At the lodge, he has a vision of Nazis on the moon.

Henry finds more trouble in Castle Rock. Molly is busy dealing with the past.

Henry manages to get inside Shawshank to meet with the feral inmate found in the basement. Alan Pangborn harbours secrets.