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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

TV Recaps & Reviews

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Anyone else checking out LEPRECHAUN RETURNS today? Interesting throwback, returning to the setting/location of the original— even Ozzie from the 1993 LEPRECHAUN shows up in the beginning, half chewed off ear & all! Linden Porco (who played a terrifying character in Season 3 of Channel Zero, Butcher's Block) plays the Leprechaun this time around, so if anything he should provide a few creeps. 🍀 #Leprechaun #reboot #sequel #LeprechaunReturns #VOD #Syfy #horrormovies #horrorfan #instahorror #franchise #LindenPorco #fantasy #horrorcomedy #horrorfilm #movies #film #RatedR #gore #slasher

All hail Alan Moore! His first original feature film screenplay to be produced. And he's also doing some acting, by the looks of it. Pardon Father Gore while he drools into oblivion until THE SHOW arrives for us. #TheShow #AlanMoore #comics #graphicnovel #tvshow #weirdliterature

Father Gore wrote an article on his favourite movie of the year, SUSPIRIA, & how it celebrates the power of women. Click the link in the bio for more! What's your favourite movie of 2018? #horrormovies #horrorfan #Suspiria #LucaGuadagnino #DavidKajganich #2018 #BestOf2018 #horrorfilm #movies #film #witchcraft #remake #DarioArgento #moviereview #gore #allegory

NIGHTFLYERS is wild, y'all! Space blood, cannibals, & a crystal matrix— oh, my! #Nightflyers #Syfy #horror #scifi #horrorfan #instahorror #sciencefiction #GeorgeRRMartin #creepy #spacehorror #tvshows

I feel good about my site showing up on Page 2 of this particular Google search #CharlesDickens #Marxism #MarxistDickens #GreatExpectations

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Father Son Holy Gore

A Place for Horror Critical Theory + TV Recaps & Reviews

Based on the Works of Stephen King

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DEATH TO VIDEODROME - LONG LIVE THE NEW FLESH!

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Featured Articles

BLOOD RAGE’s Gory Freudian Nightmare
PEEPING TOM Implicates Us All
Trip Into a Horror of ’80s Fears with MANDY
FEAR: Queasy Male Jealousy and Patriarchal Control
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
HEREDITARY’s Dark Heart of Grief and Mental Illness
[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's student at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society.

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