Father Son Holy Gore

A Place for Long Form Film & Horror Essays

FX’s Taboo

screen-shot-2017-01-11-at-12-31-13-pm “Shovels and Keys”
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DEATH TO VIDEODROME - LONG LIVE THE NEW FLESH!

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Cinemax’s Banshee
A General Disclaimer
Hulu’s The Path
Chiller TV’s Slasher
A&E’s Damien
The Films of Eli Roth
Hulu’s 11.22.63
Sundance TV’s Hap and Leonard
HBO’s Vinyl
Sinister and Sinister 2
AMC’s Better Call Saul
FX’s American Crime Story
The Duke of Burgundy Bechdel Test
AMC’s Breaking Bad
Star Wars: Episodes I-VII
Cinemax’s The Knick
Stephen King and Folklore
Black Hole by Charles Burns – The Grotesque Imagery of Sex and Adolescence
Gabriel Garcia Marquez v. Hegel, Hume and Burke
Longinus: Sublime v. Trash in Horror Cinema
David Hume v. Film Criticism
Christmas Horror Movies
John Carpenter Films
Hegel and Chuck Palahniuk: The Master-Slave Dialectic of Fight Club
eXistenZ: Cronenbergian Philosophy
Marxism and Charles Dickens: Money and Class Mobility in Great Expectations
HBO’s True Detective
Human Centipede Trilogy
Psycho Franchise
FX’s Fargo
AMC’s The Walking Dead
Texas Chain Saw Massacre Series
Halloween I-VIII and Remakes
The Romero Dead Series
Halloween Horror Lists
Wrong Turn I-VI
FOX’s Scream Queens
Fritt Vilt Trilogy
The Hills Have Eyes Series
The Fantastic Films of Nicolas Winding Refn
Saw I-VII
Insidious Trilogy
Hannibal Lecter Films
AMC’s Fear the Walking Dead
FX’s American Horror Story
NBC’s Hannibal
BBC’s Peaky Blinders
About Father Son Holy Gore
Stan’s Wolf Creek
The Films of Stanley Kubrick
AMC’s Preacher
Cinemax’s Outcast
Based on the Works of Stephen King
The Godfather Trilogy
NBC’s Aquarius
Freeform’s Dead of Summer
CBS’ American Gothic
TNT’s Animal Kingdom
Stan’s The Kettering Incident
Netflix’s Stranger Things
HBO’s The Night Of
Uwe Boll Films
The Limits of Control – Narrative Perspective in Abbott, Auster, & Lethem
Laura & Red Harvest: The Depersonalised Women of Caspary & Hammett
Cinemax’s Quarry
FOX’s The Exorcist
HBO’s Westworld
SyFy’s Channel Zero
Charlie Brooker’s Black Mirror
Discovery Canada’s Frontier
ÉVOLUTION’s Sci-Fi Medical Redefinition of Gender
Of Shadows & Smart Directors: Herk Harvey’s Carnival of Souls
SCREAM Slashes to the Core of Media Exploitation
LEFT BANK: A Horror Allegory on the Eternal Return of Existence
EYES WITHOUT A FACE & The Modern Gothic
EXHIBIT A Offers Emotionally Superior Found Footage in a Sea of Mediocrity
Female Psyche Under Patriarchal Pressure: Under the Shadow’s Haunting Allegory
Angst: You’re in His Head & He’s in Yours
Cronenberg’s The Fly Affirms Alexander Pope: A Little Learning is a Dangerous Thing
CHAINED: The Tale of a Journeyman Killer’s Reluctant Apprentice
SURVEILLANCE Twists Through Labyrinthine Crime-Horror
The Childhood of a Leader is One Darkly Vivid View of the Birth of Dictatorship at the Family Level
Maryland: A Post-Modern Analysis of PTSD
Brian De Palma’s Sisters is One Hell of a Fractured Psychological Journey
Bad Day at Black Rock: An Open, American, Hardboiled Wound
The Last House on the Left Points Out a Sick Audience
Refn’s Fear X: Paranoia Abound as Turturro Goes Mad
Prometheus Explores the Absent, Cruel Creator of Humanity
Menace II Society and Visions of a 1990s Clinton Nightmare
FatherSonHolyGore’s Exclusive Interview with Bradley James and Glen Mazzara from DAMIEN
Bad Lieutenant: Ferrara’s Hard Look at the Intersection Between Crime and Faith
Paul Thomas Anderson’s The Master: Two Men in (Forbidden) Love on a Journey Towards Meaning
Bullhead’s Deadly Construction of Masculinity is Wrapped Up in Greek Tragedy
Possession: Jealousy, Love, Repressed Desire
Unbreakable: Comics in Real Life
Sensory Assault: The Experience of Time in Irreversible
The Never Ending Terror of Eden Lake
The Pre-9/11 Paranoia of Arlington Road
A Nightmare on Elm Street: Wes Craven, Torturer of Dreams
Rob Zombie Presents Halloween: The Horrific Origins of Michael Myers
Hostel: Part II – A Deservedly Misandrist Romp
The Texas Chainsaw Massacre 2: Dark Comedy and the Repression of Leatherface
MAY: The Lonely Ms. Frankenstein of Lucky McKee
FX’s Taboo
FX Legion
A&E’s Bates Motel
Hulu’s The Handmaid’s Tale
Starz American Gods
Showtime’s Twin Peaks
CBC’s Bellevue
Spike’s The Mist

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Inspired by the work of SAUL BASS, ART GOODMAN, and DAVE NAGATA. Hitchcock typeface by MATT TERICH.

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