REDUX REDUX: Revisiting Grief, Unmaking Monstrosity

REDUX REDUX takes one woman into parallel universes, as she struggles against monstrosity and the abyss.

Home is a (Queer) Horror for the Holidays in YOU ARE NOT ME

A Christmas at home for this lesbian daughter is hell amongst the terror of the bourgeoisie.

Andrew Bell’s BLEEDING: Vampires in the Age of the Opioid Crisis

BLEEDING is a great take on vampirism as addiction in the Age of the Opioid Crisis.

The Past is Never Dead, It’s Not Even Past in HE NEVER LEFT

HE NEVER LEFT has its moments but never quite gets where it wants to go with its slasher aspirations.

Ryan Kruger Doubles Down on STREET TRASH’s Social Horror Satire

This new STREET TRASH doesn't hold back on taking a stance against the wealthy's war on the houseless.