More and more murder. But Rijkers is getting closer to The Widow's true identity, too.
Author: C.H. Newell
C.H. Newell is first and foremost a passionate lover of film— especially horror. He's also a PhD student at Memorial University of Newfoundland with a concentration in postmodern critical theory and Queer Gothic. He wrote for Film Inquiry frequently during 2016-17, and regularly contributed to Scriptophobic during 2018-2019 in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, C.H. Newell is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic. He has covered major film festivals such as Fantasia Festival (2019, 2020) and Fantastic Fest. During September 2019, Father Son Holy Gore was one of several media outlets helping to present Randfilmfest in Germany, & will be once again in 2020— Newell will also serve as part of the jury for the prestigious Rand Award.
Slasher – Ripper Ep. 6: “Resurrections”
Dt. Rijkers tries getting to the truth in the wake of another brutal Widow murder.
Slasher – Ripper Ep. 5: “Everybody’s Darling”
Another one bites the dust, as The Widow goes on killing, and more of Margaret's story is revealed.
Slasher – Ripper Ep. 4: “Left Handed Justice”
Rondeau is arrested for the murders, and yet The Widow keeps on killing.
Slasher – Ripper Ep. 3: “Backbone”
More of Margaret's past is revealed. The Widow strikes close to Basil.
Slasher – Ripper Ep. 2: “The Painful Truth”
The Widow's struck again, but Garvey isn't free of suspicion, either.
Slasher – Ripper Ep. 1: “The Slaughterhouse”
A killer dubbed The Widow has begun a spree in 19th-century Toronto. Is it only the rich under attack? Or is it everybody?
Animal Kingdom SERIES FINALE: “Fubar”
The Codys try to pull of Pope's escape, but nothing goes as they imagined, and in the worst ways possible.
Father Son Holy Gore 
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