Make Satire, Not War.
The British are Cumming in Bruce LaBruce’s THE VISITOR
Make Satire, Not War.
To Self-Destruct, or Not to Self-Destruct—That is the Question in TOPPER
TOPPER explores the weight of trauma and how hard it is to get the weight off your shoulders.
REDUX REDUX: Revisiting Grief, Unmaking Monstrosity
REDUX REDUX takes one woman into parallel universes, as she struggles against monstrosity and the abyss.
FSHG’s Best of Film 2024 List
The roundup has come, yee-haw! It's C.H. Newell's favourite films, across all genres, of 2024.
FSHG’s Favourite Horror of 2024
Ah, 2024. What a year for the grim, the grotesque, and the Great Satan!
Home is a (Queer) Horror for the Holidays in YOU ARE NOT ME
A Christmas at home for this lesbian daughter is hell amongst the terror of the bourgeoisie.
Andrew Bell’s BLEEDING: Vampires in the Age of the Opioid Crisis
BLEEDING is a great take on vampirism as addiction in the Age of the Opioid Crisis.
The Past is Never Dead, It’s Not Even Past in HE NEVER LEFT
HE NEVER LEFT has its moments but never quite gets where it wants to go with its slasher aspirations.
You must be logged in to post a comment.