[Yuletide Hauntings] BLACK X-MAS (2006) Eviscerates Your Christian Christmas

Cannibalism, incest, and misogyny; oh, my!

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[Yuletide Hauntings] BLOOD BEAT (1983): Colonialism, Sexual Repression, & (Christian) Christmas Day

What’s an undead samurai warrior doing in rural Wisconsin? Coming home for Christmas, duh.

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[Yuletide Hauntings] LAMB (2021) of God, Who Makes Clear All the Sins of The World

Merry Christmas from the terrifying Lamb & Ram of God, making clear all the sins of our awful modern world.

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[Yuletide Hauntings] Resisting & Reproducing Gendered Ideologies in BLACK CHRISTMAS (1974)

Abortion and monstrous queerness dominate BLACK CHRISTMAS, which is one of horror’s most surprisingly political pieces of work.

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[31 Days of Halloween – Day 15] POSSESSOR: The Future of Political Violence & the Digital Self

Brandon Cronenberg’s POSSESSOR takes the Day 15 place in the 31 Days of Halloween; a film about the erosion of identity in a capitalist world.

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[31 Days of Halloween – Day 14] Attacking the Patriarchy’s Penis in HOSTEL: PART II

Another day in the 31 Days of Halloween, this time looking into the interesting HOSTEL: PART II, a sequel with things to say about its predecessor and about men.

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[31 Days of Halloween – Day 13] PRIMAL (2010): Settler Patriarchy’s Destruction of Women & Mother Nature

Day 13 in the 31 Days of Halloween examines PRIMAL (2010), which features a bunch of white folks messing around where they shouldn’t, and a lot of patriarchy.

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[31 Days of Halloween – Day 12] Enduring Gothic Racism in Nia DaCosta’s CANDYMAN

Another day of 31 Days of Halloween, another forbidden name. This time? Candyman, Candyman… dare I? Not this time.

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