Tagged Finn Witrock

American Horror Story – Hotel, Episode 5: “Room Service”

FX’s American Horror Story
Season 5, Episode 5:
 “Room Service”
Directed by Michael Goi
Written by Ned Martel

* For a review of the previous episode, “Devil’s Night” – click here
* For a review of the next episode, “Room 33” – click here
screen-shot-2016-11-17-at-1-02-42-amGreetings, friends – another night at Hotel Cortez, is it?
“Room Service” starts out back with Alex Lowe (Chloë Sevigny), whose recent path has taken her into the arms of The Countess (Lady Gaga). Remember last episode at the finish, Alex had taken the drink, she now has the ancient virus. Here, she sort of wanders the hospital where she doctors in a fugue. Her senses, especially sound, are heightened. I love the P.O.V shots we often get on American Horror Story, but these are so great. Alex can hear a woman’s pulse pounding in her neck, almost as if it could pop right through the skin.
Then – nasty – Dr. Lowe heads in to where the blood is stored. Kind of perfect, isn’t it? She’s a vampire now and essentially has an almost unending supply of blood without all the murder.
Yet she further decides to inject a young sick boy’s IV with a syringe full of blood. An unsettling moment, watching the boy shake around, speckled with what looks like measles possibly. And his eyes come upon, springing alive before the credits. A spooky sequence to start off this episode. Gotta love it.screen-shot-2016-11-17-at-1-03-27-amDonovan (Matt Bomers), with his mother Iris (Kathy Bates) in tow, shows up at the door of Ramona Royale (Angela Bassett). It seems the son wants to use his mom in order to help Ramona with her vengeance against The Countess. He is one truly scorned lover. I love how there are all these vampiric characters crashing against one another. Iris isn’t happy, though, she’s terrified. Though, Donovan brings up a good point: “She never looks at you. Youre invisible.” Which is true, really. Iris is at the call of The Countess, but she is not a friend, barely an acquaintance. All boss. So this might be a damn good plan after all.
Does anything ever go the way it’s supposed to, though, in this series? No, no, no.
Then, in other ancient virus news, turns out the young boy Alex injected with the blood has made a speedy recovery. Well, is that a surprise? Certainly not.
Iris manages to get back to the Cortez where Liz Taylor (Denis O’Hare) chastises her a little. She can tell Iris is not feeling right, and mixes up “Lizs special sumin sumin.” Liz reveals the cocktail is blood with a splash of Triple Sec.
Poor Iris. Even though she was one of the people doing bad shit around the hotel (think: Swedish tourists), there’s been a consistently tragic aspect about her I find redeemable. The whole purpose of going to the Cortez in the first place, for Iris, was trying to save her son, and then she got roped into staying. And now – it’s for-e-ver.
Such a great meeting of the acting minds here with a solid scene of dialogue between Kathy Bates and Denis O’Hare. They’re two wonderful actors who I’ve enjoyed before American Horror Story. Yet Ryan Murphy/Brad Falchuk & Co. are able to bring out their best qualities here, giving them each very intriguing roles season after season.screen-shot-2016-11-17-at-1-03-54-amOh, the bad little boy, Max, whom Alex saved has fed on his parents. Then off to school he goes. Awesome little scene right after we see his parents bled out on the floor, as Max digs his hands into eyeballs and guts at a table setup in his classroom; fake, of course. Still, there’s a creepy aspect to this moment. EVEN MORE INTENSELY UNNERVING – Max goes in a dark room with a young girl named Madeline, where he introduces her to a bit of the measles (or whatever the hell he had), as well as that tricky ancient virus. This begins on an insane outbreak of measles throughout the class. Plus, Max kills a couple teachers.
Some of the best gore we’ve seen yet in this episode! CREEPY CHILDREN – CREEPY CHILDREN EVERYWHERE. The part where they all attack and feed on the male teacher, blood spurting everywhere, his clothes soaked through… so damn good. Then, like there would be, absolute panic breaks out.
If anybody tells you there’s no wild horror in this series, promptly tell them to fuck off somewhere. Because this was one hell of a horrific sequence. It wasn’t all gore, either. Certain people want to try and act like the show simply goes for savagery over any substance. Wrong – the entire angle of what happens with the children, all those varied moments from the classroom to the chilling scene which follows as all the kids are brought out to their unsuspecting parents, they’re an amazing bunch of scenes. Truly full of gorgeous madness.
Detective John Lowe (Wes Bentley) is seeing the fallout from his little serial killer dinner party last episode. A Lieutenant (Robert Knepper; awesome) questions him on what exactly happened. Certainly the man is a bit disturbed by Lowe’s statements, involving John Wayne Gacy, Jeffrey Dahmer (et cetera). Lowe is a truly sympathetic character. Unless it turns out, as some believe online, John is the Ten Commandments Killer. Though, I think there are some time issues there that won’t play out correctly for that to be real. We’ll see! For now, I feel bad for John because he is being put through the ringer in so many different ways. He’s bound to snap, or fall into a vicious spiral which could lead to death.
A couple idiots show up to test Iris and her patience. Meanwhile, Tristan (Finn Wittrock) and The Countess are dressed up, to the nines, and heading out for Halloween; love Tristan’s Gary Oldman costume. Iris is clearly thrown off and nervous, while Tristan almost sniffs her out right there and then. Both of them, in fact.
What’s even better is the conversation Iris has afterwards with the douchebags who recently checked in. They want grilled salads and other things the hotel doesn’t offer. So, she enlists the help of Liz who really seems to know people well enough – these dummies are going to live to regret their stay, I would imagine.

Bitches want pâté, pâté they shall have.”


Amazing bit of Liz Taylor here, as she gives us a look at the past, his old home life. Nick, her original name, was a medical representative. On trips out of town, he lived the life he WANTED while alone in the room. I can’t get enough of O’Hare. He is a constant treat, and it’s gold watching him do drag, the character finding himself.
Then once Countess shows up, things get even more interesting. She tells him “you smell like a woman“, but it’s not the perfume – “Its your skin, your blood,” she says. Such a dark yet also beautiful scene. We watch Nick become Liz Taylor in front of our eyes.
What’s most interesting to me here, above everything else, is how the Countess comes across as a helpful woman, someone who cares and loves and wants to be there for other people. Even when Liz is confronted in the hallway by the two men her former male self came to the hotel with, Countess kills them to save any trouble. Either way, Liz never went back to her life as Nick ever again. Neither did The Countess infect her. She and Iris bond over their respective strengths. He advises her to “teach that hipster couple some manners.” Oooh, I love this – delightful mischief! I won’t spoil this bit any longer. Wait and see the brutality for yourself.

Become who you were born to be: a goddess.”

Now former detective John Lowe wakes up in his bed, scratches across the chest, next to Hypodermic Sally (Sarah Paulson). He appears to not remember, until a moment later when the foggy memories of the previous night come back. Obviously Lowe went on a nasty bender, which led him up to the room where he surely had unprotected sex with a half-woman/half-ghost. All the while dildo drillbit man shows up in the mirror behind John to spook him out. Wouldn’t that be awful? Hard enough to get one off when you’re drunk, let alone seeing that eerie bastard around your room.


There are more rough nights ahead for John. I dread seeing the sad, tragic events which are bound to follow for him. But I’ll eat those words if certain internet theories come true later in this season.
Even sadder, Alex and Holden have a little moment together where the boy tells her “now youre like me.” It’s very touching, in the wrong sort of way. Not fuzzy. It is a dark conversation, especially with The Countess alongside. Slowly I think Alex is starting to comprehend the idea of eternity. All the same, I don’t think she’s fully grasping how long and drawn out that can be, and on top of that her son will grow old. He’ll be frozen as a child forever and she won’t ever watch him become a young adult, then a man.


An amazing episode. One of the best this season so far, I can easily say that. Excited to seem “Room 33”, as well as what “the thing” in there is – remember back in one of the first episodes, Iris made fleeting reference to something being kept in there? We’re going to find out next week.
Stay tuned with me, my fellow horror fanatics!

American Horror Story – Freak Show, Episode 6: “Bullseye”

FX’s American Horror Story
Season 4, Episode 6:
 “Bullseye”
Directed by Howard Deutch
Written by John J. Gray & Crystal Liu

* For a review of the previous episode, “Pink Cupcake” – click here
* For a review of the next episode, “Test of Strength” – click here
screen-shot-2016-11-20-at-1-59-34-amFittingly, the beginning of this episode see Elsa Mars (Jessica Lange) pulling out a big bull’s eye target wheel. She’s obviously bringing out a new, or old, act for the show after last time. I’m sure part of it has to do with her jealousy, she wants to make sure her act is the best, the most entertaining. Not for the show, but for herself.
But Elsa is still stuck on the idea of television. She believes the knife act will make it into her show. We know better, though. Ethel (Kathy Bathes) is slightly worried, yet Elsa assures they’ll all be brought out to Hollywood soon enough.
The Mott residence is zany. Gloria (Frances Conroy) tries to make sure Dandy (Finn Wittrock) is being safe with his new toys: Bette and Dot Tattler (Sarah Paulson). Dandy says he feels normal while with them and Gloria is only concerned for the Mott image, I’m sure. He plans on marrying them. Is there any fate worse than this for the twins? Almost wish they’d taken the cupcakes.
screen-shot-2016-11-20-at-2-00-29-amOver at the campgrounds, Elsa’s birthday is underway. Paul (Mat Fraser), Pepper (Naomi Grossman), Amazon Eve (Erika Ervin), Ma Petite (Jyoti Amge) and the entire gang line up to give her a present. When the gang asks about the twins, Elsa goes off and threatens to put someone up on the bullseye for a few throws.
Then back in Elsa’s tent, she beds Paul. They have a brief chat afterwards; Paul seems to be put off slightly about the way Elsa acts, though, they’ve still had fun.
Paul is later with Penny (Grace Gummer), whose time at the freak show obviously hasn’t left her fully. Although he’s got to hide under her bed when Penny’s father Vince (Lee Tergesen) barges in. He’s obviously a strict man, worried about her but being a little crazy over it all. The typical 1950s man with too much stress under the collar.
On another love front, Bette appears enamoured with Dandy. In opposition, Dot – the less naive of the duo – does not trust him whatsoever. Funny to see them, both in the same body, each with a highly differing opinion on the man who wants their hand in marriage. Watching them write in their respective diaries is a great sequence, you can see how vastly different they feel about Dandy so easily in these moments. And soon, Dot figures out their purpose for falling into Dandy’s lap: she will try and use his money to separate her and her sister. We get a little dreamy flash-forward to Dot, Dorothy that is, meeting Jimmy somewhere in a diner, after the operation which claimed Bette’s life. Then after the little dream scene, very brief, we’re back to the girls writing more in their diary. I loved this whole section! The music was perfect, the look and feel of the shots in those scenes were all excellent together.
Paul comes across Dandy in a pharmacy. He finds clues of the Tattler twins when Dandy drops a load of items onto the counter, clearly pointing to the fact the girls have been taken off to the Mott house.

 


Stanley and Maggie Esmerelda (Denis O’Hare/Emma Roberts) plot to get one of the freaks and kill them in order to take back for the museum. Esmerelda doesn’t want to hurt Jimmy, so she steers as much away as possible from suggesting him. Instead, she offers up Ma Petite – the easiest, low hanging fruit out of the entire group. A creepy, sad flash-forward happens showing them drowning her in a little glass jar. So tragic, poor Ma Petite! For now, though, she’s left alive. But for how long?
Things are breaking down, anyways. Paul confronts Elsa about the twins, after she smells another woman on her. He lets her in on the fact everyone believes she’s done something “nefarious” with them, so she calls them all out making a massively dramatic scene. Overacting all in the name of keeping herself out of the guilty spotlight. Still, Paul isn’t fooled at all, he knows the truth after running into Dandy.
When Paul agrees to be put up on the wheel of knives, Elsa throws one directly into his guts. With purpose, or by accident? The look says it all, right on her face.
At the same time, Penny is trying sneak out of the house. Only her father emerges: with a shotgun. He’s not letting her leave. But Penny stands her ground and says she’s off to be with the man she loves. And if dear ole dad wants to stop her, he’ll have to shoot. Then she goes.
Out at the freak show tent city, Maggie goes into Ma Petite’s room and takes her out. She says they’re off to play a game, taking her to another tent and convincing the little lady to get inside a butterfly jar. As the scene cuts, Maggie is about to pour formaldehyde into the big jar with her.
Penny gets back to the freak show looking for Paul. He’s out back, basically dying, as Elsa smokes opium and telling him she wouldn’t care if he dies because he supposedly betrayed her. And Paul knows she didn’t call any doctor. Tragic, and hideous on Elsa’s part.

 


The next morning, Ethel ices a cake for Elsa’s birthday. Her son Jimmy (Evan Peters) is none too pleased, as he believes Elsa isn’t being upfront with her freaks, none of them; about anything at all. Amazon Eve is also worried, about Ma Petite. Then out of nowhere, she returns, alive, with Maggie chasing fireflies somewhere.
A change of heart comes for Maggie: she tells Jimmy they ought to run away together, but he claims he has things to do first. But to pack her bags. Only when Maggie gets back to Stanley, he is furious, and tells her there is only one way forward: to take Jimmy’s hands for the museum.
Back over to the Mott residence – Dandy is torn to pieces after finding Dot’s diary, in which she relays her disgust with him. When Gloria reads it aloud, he cries. “I was never destined to feel love. The desert knows no mercy. Anything you try to plant out there dies. I must accept this emptiness as a blessing, not a curse. I know why I was put here, Mother. My purpose is to bring death,” says Dandy.
Then, up shows Jimmy Darling at the door, saying he is a friend of Dandy’s and that he is there to look for the girls. He’s invited in, but what awaits him now?
Ethel brings Elsa a piece of cake.  Elsa muses about a sister she had who died as a child; born two years before Elsa, she died in infancy and it damaged her parents about beyond repair. She says that Ethel is like her sister, that the freaks are the same as a family to her.  Although, Ethel tells Elsa that if she finds out there are any lies, she’ll kill Elsa herself. The episode ends with Elsa blowing out her candles, lamenting all she wants is “to be loved.”

 


Excited to review the next episode. Freak Show is such an overall wonderful season full of grim, macabre delights. Stay tuned for the next one, fellow horror-ites!