This edition looks at stills from American Horror Story v. movies from various genres.
[The Twisted Parallels of Cinema] Edition #4: American Horror Story (Vol. I)

This edition looks at stills from American Horror Story v. movies from various genres.
FX’s American Horror Story
Season 4, Episode 13: “Curtain Call”
Directed by Bradley Buecker
Written by John J. Gray
* For a review of the previous episode, “Show Stoppers” – click here
The finale of American Horror Story‘s Freak Show, “Curtain Call”, is here. And it’s surely about to get nasty before the curtain closes for the last time.
Dandy Mott (Finn Wittrock) is about to make his debut at the show, crooning show tunes. Paul (Mat Fraser), the newest freak Penny (Grace Gummer), Amazon Eve (Erika Ervin) and Ima Wiggles (Chrissy Metz) are none too happy. Though, Paul thinks they ought to squeeze all they can out of the rich idiot whilst they still can. Dandy doesn’t know anything about the business yet and treats the freaks like garbage, blaming them for no tickets sold as of yet. “Audiences want a new type of freak; something different,” he claims. The whole confrontation ends with Eve punching Dandy out, and the crew taking him over, Paul leading the attack calling him “rubbish” and worst of all “boring.” Not just that: they quit. Dandy is left to run the place on his own, with a skeleton crew left, having proved he is far more a freak than any of them ever could be.
Ominous beginnings for the finale. I’m sad to see this season end because it’s at the top of my list; I love them all, but honestly I think, for me, Freak Show and Asylum are tied for numero uno. Edit: My Roanoke Nightmare is also tied now after Season 6, loved it personally.
The finale sees Hollywood in 1960 through a few black-and-white clips. Elsa Mars is the Queen of Friday Night on television with her variety hour show, and she also has a nice music career in her native Germany, as well as the world over. We get an awesome look at Elsa’s television set. There’s also Neil Patrick Harris’ husband David Burtka playing Michael Beck, Elsa’s saviour and now also husband: they’ve got a bit of a BDSM relationship going on at home, taking her back to those Berlin days before WWII. There’s a great take on commercials and advertisement with Elsa having to hawk coffee; she isn’t pleased with being “wrangled” by her husband in the commercial, not wanting to be dominated by the patriarchy. Dig it. Someone shows up to talk about Elsa’s Halloween special, though, she isn’t too impressed with this plan: she will not perform on Halloween. And why not? Edward Mordrake (Wes Bentley), that’s why. She hasn’t forgotten her roots. Even further, she hasn’t forgotten about Massimo Dolcefino (Danny Huston) who shows up to see her and talks about where he’s been since Jupiter, Florida; funny enough, he did work for the army building whole towns to be vaporized by the government in the desert, for the nuclear tests. Nice inclusion of history, as I always expect with the show.
The terrifying videos of which Elsa was a part in Germany come to light. The studio head Henry Gable (Richard Holden) comes to visit Elsa, to tell her all about it. There’s no denying, obviously, it is her in those videos. How can they blame her for such hideousness? Sure, she was involved in awful business before that video, but surely having her legs sawed off is not her own fault? More of the victim blaming inherent in the world of law and order. Worse, Gable had Elsa tracked and they figured out she once ran a freak show: he tells them, her people back at the show, “they‘re all dead.” All of this goes against the Morals Clause in Elsa’s contract, so off she goes. Though, she agrees to perform on Halloween now. A last goodbye, of sorts. “Why not? Might as well go out with a bang,” she says. Or go back to the other side, she means; with Mordrake. This is certainly her plan.
Amazing part of the “Elsa Mars Hour” begins with her doing another Bowie cover, “Heroes” this time. Love her take on Bowie, especially with that German accent she puts on. Such an interesting part of the show overall this season, the musical choices.
This leads in to Elsa’s big sendoff. First, though, we watch Desiree with Angus T. Jefferson (Malcolm-Jamal Warner) in their newly wedded life, kids and all. Jimmy and the Tattlers now at home, their home, together as husband and wives – and buns in the oven. All of them watching Elsa on television somewhere or another. I love the morbidity and macabre nature of American Horror Story, but the happy endings mixed in for some characters is usually a great way to top off a season. Among the murder and loss, some of the characters here get a happy end, while Elsa’s is sort of a bittersweet release. Mordrake comes back, along with Twisty (John Carroll Lynch) and other dead freaks, to take Elsa away in front of her television audience.
Only he doesn’t take her. Elsa returns to a different afterlife than that of Mordrake’s little cabinet of souls. She is back at the freak show, Ma Petite still running around, Paul and Legless Suzi and Penny alive once more. Everything is as it once was, before all the tragedy and the blood and death. Even Ethel (Kathy Bates) is there running the ship for Elsa, happy to see her again. Ethel tells her: “The sins of the livin‘ don‘t add up to much around here. In life, we play the parts we‘re cast in.” A wonderful, weird, and intriguing end. One of my favourites to any season.
FX’s American Horror Story
Season 4, Episode 12: “Show Stoppers”
Directed by Loni Peristere
Written by Jessica Sharzer
* For a review of the previous episode, “Magical Thinking” – click here
* For a review of the Season 4 finale, “Curtain Call” – click here
The penultimate Season 4 episode starts with a large party at the freak show. Elsa Mars (Jessica Lange) watches on and toasts her family and friends. As well as the new owner, Chester Creb (Neil Patrick Harris). Everyone is in attendance, from Marjorie to Maggie Esmerelda (Emma Roberts), Paul (Mat Fraser), Amazon Eve (Erika Ervin), Desiree Dupree (Angela Bassett) and the Tattlers (Sarah Paulson).
Elsa asks for time alone with the original freak family. She thanks Richard Spencer a.k.a Stanley (Denis O’Hare) for helping to change their lives. Only we know the truth. And now, Elsa knows, too. They’re reeling him in with food, drink, as well as entertainment – nice callback to Season 2 and The Sign of the Cross, as Legless Suzi (Rose Siggins) complains they don’t want to see that one again. But Stanley says he has to go, lots to do before their move to Hollywood. Elsa doesn’t want him to go, nobody does. They want to give him a nice present. Out comes a big, heavy box. They beg him to open.
And what’s inside? The head of the museum owner floating in a jar. Cut to a scene where Maggie and Desiree lured her in, before killing her. “Now it‘s your turn,” Desiree tells Stanley. He of course squirms like a snake about to be cut in half. He keeps flaring up the dreams of Hollywood, but Elsa won’t have it. He’s put up on the knife wheel, as Elsa tosses a few blades. Then things progressively get worse with Stanley cornered by the entire crew of freaks.
Let’s see where ole Stanley ends up after they’re finished with him.
Jimmy Darling (Evan Peters) is turned onto what really happened with Richard a.k.a Stanley. Maggie gave herself up to everyone, too. But Jimmy is not happy. He is completely disfigured now and doesn’t want to be the leader Elsa says they need. She’s bringing an old friend who can help with his new predicament. Maggie’s left to help change the bandages on Jimmy, though, he would rather not have her around. Still, she tries her best to be there for him in his weakest time of need.
At the same time, Elsa is working on her show not having much luck with anything. Out of the darkness comes the doctor who helped her so long ago – Massimo Dolcefino (Danny Huston). He is the old friend come to help Jimmy with the missing hands. Elsa and Massimo embrace, having not seen each other for so long.
Switch over to Chester and the Tattlers having sex, while Marjorie (Jamie Brewer) is watching. Or at least Chester sees her as very real and embodied, looking on. He throws her on the floor, out of the way, as requested by Bette and Dot. Then the lovemaking gets more intense after Marjorie is out of the way. Afterwards, she’s not too impressed with Chester, who says he simply got “carried away.” The twins obviously don’t want to be watched by a creepy doll. But Marjorie convinces Chester, more and more, they’re only trying to twist him up. He doesn’t want to see it, though, I’m sure Marjorie will drive him to seeing things her way. Even if Chester still believes Alice/Lucy, his wife and her lover, were killed by Marjorie the doll.
QUICK CUT TO: Chester beating his wife’s lover to death with a hammer, blood everywhere. He remembers it. He just doesn’t want to, that’s all.
Dandy Mott (Finn Wittrock) pokes his head into the Tattler Twins’ tent. He has “relevant information” pertaining to Chester and his other life before the freak show. He appears like a friend would, trying to look out for them. Of course, we’re well aware of the true dark heart in Dandy. Even if he fakes some tears, saying he’s not “half the man” they deserve. Funny little line, I thought. Sadly, though, the guy has real information about Chester and the girls don’t heed his warnings. They’re not entirely above board, his intentions. But Dandy is sort of looking out for them, in his own backhanded way. And Chester is actually a psychopath, so y’know.But now we’re getting back to Elsa visiting Jimmy in his bed, feeding him a bit of liquor and telling him he “looks like shit.” Well, duh – he has no hands. Then she readies some penicillin as Massimo reveals himself. He is going to craft some new hands for Jimmy, to make his life a little more manageable with wooden hands.
Excellent flashbacks to Elsa’s past, in the black-and-white snuff films. More connection to Season 2 Asylum with a young doctor Arden (played here by John Cromwell; James’ son) leading the crew of people cutting the legs off Elsa. Massimo tracked down Arden, or Hans Gruber as he was known then. He tried to kill the doctor, but only received capture and hideous torture. Luckily, Massimo survived because a higher ranking general wanted a bookshelf, and he was needed to build it. Later he escaped to America and away from it all. Amazing story and a great inclusion of Danny Huston in this season, giving him more screentime than I originally imagined he would have.
At the carnival, the Tattler Twins are at odds over who Chester really is; Bette is worried, Dot thinks she is influenced too much by Dandy. They say they don’t want to be his assistants any more. This shakes Chester. He says they’ll be ‘sawed in half’ during his big finale, instead of a member from the audience. They don’t want any part of being in that box, refusing to do so. But Maggie says she’ll do it, she wants to be a “part of the show” and seems very eager.
Now, Chester is hallucinating it’s his wife, and then her lover getting in, not Maggie. This spells danger already. When the trick is being performed, Chester starts hallucinating more. He handcuffs Maggie at the feet. He sees Marjorie, the wife, the lover, Maggie, all in the box. Maggie is terrified and then he proceeds to saw her completely in half, blood spurting everywhere. Paul and the others are mortified by what has happened, as he hauls the box open and Maggie’s guts spill everywhere. Supremely nasty stuff. In the audience, Marjorie sits laughing: “That‘ll pack ‘em in, Chester.” No one is too broken up, as Maggie helped kill some of the freaks. Desiree tells the rest of the crew: “She had it comin‘.”
In his trailer, Chester finally stabs Marjorie to death. Or to splinters, I don’t know anymore.
FX’s American Horror Story
Season 4, Episode 11: “Magical Thinking”
Directed by Michael Goi
Written by Jennifer Salt
* For a review of the previous episode, “Orphans” – click here
* For a review of the next episode, “Show Stoppers” – click here
Back to the moment where Stanley (Denis O’Hare) proposes an idea to “raise the funds” needed for a top notch lawyer to represent Jimmy Darling (Evan Peters). He tells Jimmy there’s a man who collects memorabilia belonging to freaks, but the kid has nothing. Stanley proposes cutting off just one hand. Jimmy rightfully says no. Except the greasy snake oil salesman in Stanley keeps edging it on. He produces a small glass bottle for Jimmy, telling him to take it and he’ll “take care of the rest.” And even sadder is the fact Jimmy sucks down whatever liquid sat in the bottle. Cut to an extremely sick Jimmy, while Stanley bullshits an office outside screaming for an ambulance to take Jimmy for some care. Outside, in an ambulance, sits Stanley’s boy toy who played the part of Dr. Sugar awhile back. “Don‘t worry, Jimmy,” says Stanley. “You‘re in my hands now.”
Waking up in a hospital bed to a cold nurse at his bedside, claiming her friend “Mirna was at that Tupperware party,” Jimmy discovers not only his left hand is gone, but also the right one, too. Each remaining a bloody stump. What a horrifying scene. Evan Peters’ characters get the shaft every season, even when they’re the good guys. I love his acting, he gets a great character this year and he is doing lots of fine work with Jimmy.
Bette and Dot Tattler (Sarah Paulson) are watching the rest of the freaks at the camp. Dot believes they are all wonderful people, who have fun and give themselves over to pleasure. Bette is back to being happy just having her sister there with her, gone back to the original brown hair Plain Jane look she and Dot share so well. “We are where we belong,” Dot writes in her diary. They’re both looking for sex now, trying to find the perfect guy to take their virginity once and for all.
And then up shows Chester Creb (Neil Patrick Harris). He’s been showing Paul (Mat Fraser), Amazon Eve (Erika Ervin) and the gang a bunch of chameleons. He has a hothouse back home where they were bred. But Chester has issues, that much is clear. He hallucinates two entirely different heads on the Tattlers, shaking it off quickly; he was on Normandy Beach in the Second World War and has a metal plate in his head. PTSD? We’ll see. Either way, Harris is an amazing addition to this Season 4 Freak Show cast. He is an interesting talent and has a ton of range, despite what anyone else may say. I don’t particularly watch anything else with him in it, I just love his charisma and his willingness to be weird (i.e. the Harold and Kumar flicks). Plus, now Bette and Dot have a bit of sexy love interest.
Down at the hospital, Dell Toledo (Michael Chiklis) runs to his son. He finds the boy now disfigured. Dell warns him about Stanley, or Richard as he’s known around Jupiter these days. He tells Jimmy Stanley is a “lying prick.” Worst of all this is the fact I’m sure Stanley will leave Jimmy up the creek. Best of all? We’re treated to a tender father-son moment between this once distant pair. Jimmy is fed his hospital food by Dell, who eagerly sits down to help his son. He even reminds Jimmy “prosthetics are good these days.” They make light of things and try to smile a little bit. Turns out, even in a Lobster Claw Clan like the Toledos, Dell was actually the outcast; no claws, no family. He was the “black sheep” and as Jimmy puts it “a freak for being normal.” Dell ran off because of Jimmy’s claws, lamenting “I‘m 50 years old and I‘m feeding my son for the first time.”
Over with Elsa Mars (Jessica Lange), the newly arrived Chester shows off terrible magic tricks. She does not want to see any of those. Then he produces his puppet Marjorie – voiced by the wonderful and returning Jamie Brewer. It seems there’s a little more to all this than what appears to us up front. The voice indicates there’s something either wrong with Chester, or wrong with the doll— anticipating it’s probably mostly the former. Chester desperately tries to get Ms. Mars to take him in, even showing off a book of numbers to give her a taste of his profits. She would rather have him as a bookkeeper, and a warm-up act for their crowd. He is properly “speechless” (even though he has plenty to say), sharing the joy with Marjorie the puppet, as if she were completely real, as if she were his partner. Creepy stuff already from Harris and his Chester character.
In his new tent, we hear Chester go back and forth with Marjorie. She’s not happy about their new billing; she isn’t on it, only him. Paul walks in while Chester is supposedly “rehearsing,” giving him tips on makeup, at which Marjorie laughs and taunts him. Interesting, and I want more of these two now. They’re definitely building towards something weird, macabre, and specific.
FX’s American Horror Story
Season 4, Episode 10: “Orphans”
Directed by Bradley Buecker
Written by James Wong
* For a review of the previous episode, “Tupperware Party Massacre” – click here
* For a review of the next episode, “Magical Thinking” – click here
With only a few episodes left, the freak show in Jupiter is experiencing all sorts of madness descending upon it, from Elsa Mars (Jessica Lange) and her dangerous ties with Stanley (Denis O’Hare), to Jimmy Darling (Evan Peters) who now finds himself at the mercy of the police; so, so much is happening. And still, there’s more!
This episode commences with the death of Salty (Christopher Neiman). Poor Pepper (Naomi Grossman) is devastated, clinging to his corpse on his beautiful deathbed. Paul (Mat Fraser) and Amazon Eve (Erika Ervin) try to tear her away, though, she misses him obviously. Elsa claims to know the “depth of that girl‘s soul” even if others don’t always. We get a couple very sad moments where Pepper discovers Salty dead during sleep, a stroke they assume. Such a tragic thing, to see two people who loved each other in spite of the world around them, now one of them left alone to remain on earth.
But we get more of Stanley looking for specimens, as he takes the body of Salty, chopping off its head, and sending it over to the Museum of Morbid Curiosities. Where the head is displayed next to Ma Petite, floating in a jar of formaldehyde. More of a sad end in the life of Salty.
Over at the camp, Pepper lays in bed while Desiree Dupree (Angela Bassett) reads her a bedtime story. The part-newly changed Dell (Michael Chiklis) shows up, moved by her reading the book and claiming she’ll be “a great mom someday.” He’s still a bad guy, but to see this shift in him is a bit incredible. For all the terribleness that is Dell, he still cares for Desiree, as well as seems to have started caring for the freaks around him after finally admitting that he, essentially, is just as much a freak. Inside the tent, Pepper cries while Desiree has to leave to prepare for the night’s show.
Elsa and Desiree have a drink together, talking a little about Pepper’s dilemma. Further, they chat about Elsa’s new move off to Hollywood, or at least what Elsa believes is her coming big break. Will Stanley, a.k.a Richard, do anything for her? We’ll see. For now, we get more flashbacks into the life of Elsa Mars and her first days in America playing in a group from Boston. Soon enough, though, Elsa found her niche, proclaiming the circus owners as “morons” and saying they couldn’t “see the future.”
But Elsa could. She understands entertainment, what people want, what they crave, even the darker things. “Most people don‘t see beauty in someone like Pepper. They see shame, they see human garbage,” Elsa tells Desiree. This is where she arrived at an orphanage to find Pepper alone in a corner, playing with blocks by herself. Such a touching scene, highly emotional to see Elsa connecting with Pepper in those first beginnings of their long relationship/casual friendship. She was Elsa’s “first monster,” one who made her feel real and unconditional love for the first time, as well. Moreover, Elsa saw the maternal instincts in Pepper grow, but knew she couldn’t have children.
Then came Ma Petite (Jyoti Amge), who satisfied the curiosity of Elsa, and also helped to quell the maternal longing of Pepper. What a beautiful sequence where we see the origins of these freak show relationships! Such fun to see Ma Petite back, too. Even when she’s traded for 3 cases of delicious Dr. Pepper into Elsa’s arms. But, although Petite became a part of a carnival of so-called freaks, she was let off the leash to which she’d been held by the Indian prince, and so I say: good. One of the most emotionally challenging and intense sequences out of this season, as we get this really romantic and nostalgic sort of thing happening throughout these scenes. Especially after Salty is first introduced to Pepper, and they fall in love at first sight! They have a nice carnival wedding, officiated by Elsa and flowers tossed around by the sweet little Ma Petite. Definitely a favourite overall from Season 4 Freak Show, with an extended sequence stretching out a bit. This gives more depth to the other characters. It also makes Elsa a little more human, regardless of her terrible faults.Still, Desiree suggests maybe Pepper’s sister may take her back in now that she’s older, not eighteen and hard to handle anymore. But, as we know, Pepper later ends up in Briarcliff during Season 2 Asylum. Are we to see that transition in this season, better yet in this episode?
Maggie Esmerelda (Emma Roberts) receives Desiree and Angus T. Jefferson (Malcolm-Jamal Warner) in her tent, looking for a reading of their future. Shyster Maggie shows off her skills, or at least her skills of excellent perception; pretending to look at the crystal ball, only gleaning facts about him from looking at his shoes, his coat, et cetera. She feeds them both a good line of bullshit, as they lap it up eagerly, loving on one another. But then Maggie’s own feelings work into the reading, talking about how their perfect little little will go “all to shit.” Because that’s life. They have no time for her nonsense, even Angus claiming he’s a “God–fearing Christian” who doesn’t believe reading the future is possible. Yeah, like he didn’t love it before that.
Outside, Maggie and Desiree have a confrontation. Then Maggie reveals: she and Stanley are “on the grift,” and they’ve been working together since 1941. A little flashback to Maggie’s days grifting as a young sneak selling papers, supposedly, as a boy. Stanley yanks her out of trouble, then makes her his partner; for a bad price on her part. Maggie is upset, but Desiree knows there’s something nasty afoot on their part, and threatens the younger woman – if she finds out anything happening at the carnival, the freak deaths, has something to do with her and Stanley, there will be hell to pay.
In her tent, Maggie is awaited by Bette and Dot Tattler (Sarah Paulson). They want her to do right by Jimmy. They have money to pay for a lawyer, so he won’t “turn out like Meep,” which finally frightens Maggie into helping. Or at least so it seems.
At Jimmy’s cell, up turns Stanley. He says he’s there to help and knows exactly how Jimmy feels. He reels off a story about losing his mother, being an orphan. Is it more sleek sales pitch, or is it real? I doubt that. Jimmy doesn’t remember killing those women in his drunken rage. Though, he can’t be sure. He had a long blackout. “I didn‘t kill them. Did I?” Jimmy asks Stanley. The latter says he has an attorney for Jimmy, one who wants a retainer. Stanley is greasing his way towards something: what is it? He says he has an idea on how to “raise the funds”, after which we get a flip-screen shot zooming in Jimmy’s hands. NO! Is Stanley going to do what I think he’s out to do? Will he convince Jimmy to cut the hands off? Will Jimmy die? Oh, man. I can’t handle that.
In tent city, Desiree is busy cooking for all her fellow freak family. She and Maggie are still flitting around each other. Maggie wants to help Jimmy and tries to gain Desiree’s trust: “Everyone in this entire camp will be dead soon if you don‘t listen to me,” Maggie tells her.
Mare Winningham returns to the Ryan Murphy-Brad Falchuk universe as Pepper’s sister, Rita Gayheart. She seems a very prim, proper type, an upper class housewife in the 1950s with a nice hairdo, high heeled shoes, and a drink during the afternoon with a little cherry in it. Elsa doesn’t want to leave her there evidently, but seems to believe it’s best for Pepper. Rita, for her part, is not too interested. Especially seeing as how her husband has no idea Pepper exists. “Pepper is a gift,” Elsa says and tries to express how Pepper needs someone now, after suffering “great losses.” More emotions flow again now, as Elsa says a teary goodbye to her friend, her companion Pepper, who also shows that she will miss her. But the trouble has only begun for dear Pepper.
In other news, Maggie brings Desiree to the museum where Stanley unloads all his freak bodies and body parts. Sad to watch Desiree walking around, seeing Ma Petite and Salty in their jars, dead and gone. Right as they’re moving around from one exhibit to another, up shows a new exhibit: lobster hands. Maggie faints, but is this real? ARE THOSE JIMMY’S FUCKING HANDS?
FX’s American Horror Story
Season 4, Episode 9: “Tupperware Party Massacre”
Directed by Loni Peristere
Written by Brad Falchuk
* For a review of the previous episode, “Blood Bath” – click here
* For a review of the next episode, “Orphans” – click here
Once again, we come back to Elsa Mars (Jessica Lange) and her treacherous Cabinet of Curiosities.
This chapter starts with Maggie Esmerelda (Emma Roberts) doing a reading for the psychotic Dandy Mott (Finn Wittrock), who last we saw murdering his mother, bathing in her blood. We get a nice, creepy cut to an Avon saleswoman at Dandy’s door, who he invites in to keep his mother “company.” What proceeds is Dandy building his own “puppet mother,” standing in as a two-headed corpse simulating Bette and Dot Tattler (Sarah Paulson). But Maggie foretells: “Your indiscretion will soon be forgotten.” He gives her a hundred dollar bill, “a hundred thank yous“, and tells her not waste the powers she holds inside of her. Which we know, or at least are pretty sure, are total bullshit anyways.
Over with Ima Wiggles (Chrissy Metz) sits being fed by Jimmy Darling (Evan Peters), who has a glass of liquor nearby. Paul (Mat Fraser) and Amazon Eve (Erika Ervin) are worried about his state. When Dandy shows up at the tent city, Jimmy goes on a drunken, sad rant, ending up on the ground after trying to swing a punch. Everyone’s worried about the twins, but now Dandy has showed up to tell Jimmy clearly: “I am your god, and I have decided you need to suffer.”
The Tattler twins are holed up in a motel room with Elsa and the greasy moustached Stanley (Denis O’Hare). They’ve whisked Bette and Dot off in the dark of night, after tossing through Ethel’s things back at the camp in Jupiter. Elsa claims Dr. Sugar is on his way there, he can perform the surgery. Although, Bette doesn’t look too happy about it.
At camp, Desiree Dupree (Angela Bassett) and Maggie are interrupted by Angus T. Jefferson (Malcolm-Jamal Warner). He has a thing for Desiree, seemingly hot and heavy. He’s her “beau.” But they run into Jimmy who has Ima bent over and is giving it to her pretty good. He’s drunk and off his head unfortunately.
Cut to Jimmy at a little house party where women are again paying him for pleasure. Only he’s hammered and can’t get the job done. He stumbles out seeing a vision of his mother Ethel (Kathy Bates) chastising her son for being drunk, for “wasting his life grieving” over her. It’s a surreal scene where even the other women seem to be talking to Ethel. Except Jimmy snaps out of it – all the women scared, telling him to leave quietly. And so he does. Poor Jimmy.
Even worse for him is the fact right after they usher him out, Dandy comes knocking and says his car has broken down. He needs to call “the auto club.” Will this be the episode’s name coming to bear: a true Tupperware party massacre after all?
What little humanity is left in Elsa melts away before our eyes. We flash from present to the near past, where Stanley essentially talks Elsa into bringing the girls for the surgery. Then back to the present again, Stanley continues pumping bullshit into everyone around him, trying to convince the twins they’ll be able to live, each of them, on their own. Bette does not like the idea whatsoever. And you can see a little worry in Dot’s eyes, as they’re left in a shed by Stanley and Elsa, alone in the dark.
But first, back to the bloody massacre at the Tupperware party. A husband comes home to find Dandy left the place in quite a mess. His wife, and all the Tupperware friends, are floating in a bloody pool.
Over at the Mott residence, Dandy is filling his bathtub with a little water and a lot more blood. Up shows Regina Ross (Gabourey Sidibe), who quickly gets the confession: “I killed your mother.” He reassures Regina her mother was buried “weeks ago“, the blood in the room was mostly his mother’s who is now dead, and some blood from “some lovely ladies” he’s putting into the bath. Very eerie scene watching Dandy prance around, raving, stripping down for a bloody bath saying “I AM A GOD. A god who was chosen to walk among men.” I don’t every usually use this word, but that whole scene is god damn epic. He sends Regina running, alive, and doesn’t worry; not only is he god, apparently, he screams “I AM THE LAW!”Bette and Dot are at odds, regarding the separation. Bette knows they both can’t survive, she isn’t stupid. Dot knows it, too, we already understood that. Bette tries to convince her they can do anything together: “How much would you give for the health and happiness of the one you love?” And she further tells her sister she couldn’t survive alone, not without her. She says she’d give her life for Dot, if there had to be a choice mad. They love one another unconditionally, despite all that’s happened in their lives.
Stanley still has Dell Toledo (Michael Chiklis) under his thumb. Because Dell, for all his faults, has started to gain a conscience. Of some sort. Then out of nowhere, Stanley whips out his apparently massive penis. “You‘re a freak,” utters Dell. He’s tempted, you can see. In the present moment, he’s writing a note to Desiree, saying he “can‘t go on” with a noose hung up behind him and Ma Petite (Jyoti Amge) coming to him in ghost form. Even Ethel’s ghost haunts the trailer, eternally disappointed in her ex-husband. And when Dell finally tries to hang himself, the light almost closing in and taking him, Desiree comes in and cuts him down: “Sorry,” he tells her.
Meanwhile, Stanley is with another man friend, dressed up as a very unprofessional doctor. He’s practicing to be Dr. Sugar: memorizing the Brody names, the various things he’ll have to say. Very nasty intentions here, but Stanley simply calls it “euthanasia.”
A police officer and Regina show up at Dandy’s door. He invites the man in, offers a drink, but the officer wants some answers. Then we get a little lesson in what 1950s Florida felt like for any people of colour. Dandy spirals his way through a conversation about his power, his white power. “I have seen the face of God and he is looking at me from the mirror,” says Dandy. The rich young man offers the officer a million dollars to “dig a hole” for Regina, and easy as that: the cop blows a hole through her head and asks for a shovel.
FX’s American Horror Story
Season 4, Episode 5: “Pink Cupcakes”
Directed by Michael Uppendahl
Written by Jessica Sharzer
* For a review of the previous episode, “Edward Mordrake Part 2” – click here
* For a review of the next episode, “Bullseye” – click here
At the top of “Pink Cupcakes”, we’re privy to a scene back at the Morbidity Museum with owner Lillian Hemmings (Celia Weston). In the audience, Stanley (Denis O’Hare) and Maggie Esmerelda (Emma Roberts) fume over not being top in the game, or at least Stanley does for his part. A new exhibit is shown – Paul (Mat Fraser) the Seal. Or is it?
Just a fantasy in Stanley’s head, ruminating on what can be done at the Jupiter freak show. The pair scheme back at Stanley’s motel room. He drops a few gay magazines and Maggie tells him the only thing people in Florida hate worse than freaks are “poofs.” She also negotiates a bit of a pay raise, having to be the one in amongst the crowd at the show. There’s plenty sinister brewing with the both of them working together. But will Maggie/Esmerelda the Mystic follow her heart and get more involved with Jimmy Darling (Evan Peters), will she not want to do what Stanley wishes later on? We’ll see.
Jimmy definitely has feelings for her, as well as vice versa. She offers to read his future, all in an attempt to warn him away from the danger Stanley (and her) are bringing. She foreshadows the liar coming – Stanley – that he will make false promises, she says “go north, to New York.” But when he moves in to kiss her, Esmerelda shies away and wounds his pride. Dammit, Maggie! Almost worked.At the Mott residence, Gloria (Frances Conroy) discovers a dead Dora (Patti LaBelle) on the floor in their dining room. Dandy (Finn Wittrock) pretends to have known nothing about it all, yet Ms. Mott knows better. She chastises Dandy, who leaves with a smirk on his face behind her back. Such a nasty, nasty, spoiled little boy. Later, it seems as if Gloria is fine with helping Dandy, her little boy – his father was similarly afflicted with the need to murder. She reminds him that it’s 1952 and he can’t just go around killing anybody.
Meanwhile Elsa Mars (Jessica Lange) gets together in her tent with Stanley, still posing as a big California agent in town scouting for talent. He’s shining a whole lot of rainbows up poor Elsa’s ass. Although, I can’t say she might not deserve a bit of bullshit for all the trouble she begins to bring on Bette & Dot Tattler (Sarah Paulson), jealous of their budding supposed fame.
Either way, Elsa hates television. She makes it clear that it is “the death of art and civilisation,” but simultaneously there’s a part of her which only wants to be famous, she wants to glamour and the limelight. There’s a weird paradox in Elsa: she wants stardom, would do so much for it almost anything and at that same time scoffs at opportunity all because of her trumped up pride.
Looking for strongman Dell (Michael Chiklis), Jimmy finds only Desiree (Angela Bassett) at the trailer. Turns out, Dell is missing, she doesn’t know where he is or when he’s coming back. So they start to bond a little, albeit slightly passive aggressively at times. This leads to a very tense, awkward and sort of sexy moment between Jimmy and Desiree, as they’re both feeling reject – him from Esmerelda, her from Dell. Furthermore, it leads to a discovery by Desiree.
When he puts his lobster claw between her legs, she begins to bleed profusely. Ethel (Kathy Bates) takes Desiree to the nice doctor who gave her the diagnosis on her liver. Doctor Bonham (Jerry Leggio) explains Desiree’s own body to her, that she was officially born a woman and that her penis is actually an enlarged clitoris due to massive estrogen uptake in her body. She also discovers a pregnancy, now miscarried, but the doc lets her know she can try to have another baby again soon. Good news, right? If only Dell weren’t Dell.
We’re seeing the becoming of Dandy. He’s narrating his new life, he’s destined to speak the “sweet language of murder” and he is out for blood. This is now where he decides to head out, to an underground gay bar no less, in search of a victim.
Funny enough, he runs into Dell almost knocking his beers over. Whaat? Dell obviously liked more of one particular half of Desiree’s genitals more than the other. He’s sitting down at a table with some pretty young artist named Andy (Matt Bomer). Clearly they’ve been very involved, in some way, for a long time now. Andy isn’t only an artist, he’s a working boy. But Dell is in love with him, he wants to go wherever Andy goes. Still, there’s Desiree back waiting for him at home. Andy knows there’s nothing actually going to happen, they’re not going anywhere together.
FX’s American Horror Story
Season 4, Episode 4: “Edward Mordrake Part 2”
Directed by Howard Deutch (The Strain, Pretty in Pink)
Written by James Wong
* For a review of the previous episode, “Edward Mordrake Part 1” – click here
* For a review of the next episode, “Pink Cupcakes” – click here
Back to it with Part 2 of the double bill for Halloween, Edward Mordrake (Wes Bentley) moves on to the other freaks – Paul (Mat Fraser), Legless Suzi (Rose Siggins), and so on – who each tell him and the devilish face their respectively sad, depressing stories. Pepper (Naomi Grossman) and Salty (Christopher Neiman) are deemed to have “no shame” by Edward.
Suzi ended up on the streets, no work for someone with no legs and lower half at all. She confesses the crime of stabbing a man in his legs, simply for spite, which actually killed the man. Though, Suzi went into performing afterwards because she had no other options and Edward deems this inspiration.
Paul meanwhile had to turn himself into a freak because he says he could “never make the world love me.” He only decided not to tattoo his face because it was the only part of him left normal, handsome, and therefore ought to stay natural.
Mordrake does not accept any of them and so moves on through the campgrounds.
Finally, Mr. Mordrake finds himself in the tent of Elsa Mars (Jessica Lange). She’s more than happy to see him, still not under the correct impression about who he is; still thinking he’s there to make her famous, to pluck her from the obscurity of Jupiter, Florida and its muggy swamps.
Soon enough, though, Edward reveals himself and stakes his claim. He wants to hear all about Elsa Mars, her deepest fear, her darkest shame, everything and anything at all.
Turns out Elsa, during 1932 in the Weimar Republic, was doling out lots of nasty fetishism – apparently before Hitler turned it into war, the Germans were working it all out “with their cocks.” She never had sex, but worked as a dominatrix catering to plenty of rotten men. One of the more brutal moments in the entire series comes when she makes a man sit down on a toilet; its seat full of upturned nails. She did lots of shows for men she called The Watchers, becoming quite popular among the perverts of Brandenburg.
Eventually she found herself lured into a truly terrifying situation, which led to the removal of her legs – The Watchers got her nice and drunk, drugged up, for a little solo show. No co-star this time, only a chainsaw they use to chop off her legs at the knee.
And still, after all the tragedy and horror in Elsa’s past, Edward opts not to take her.
Jimmy Darling (Evan Peters) is having a tough time dealing with Esmerelda (Emma Roberts) and her attitude. At the same time, he clearly enjoys her company.
They find themselves crossing paths with Twisty the Clown (John Carroll Lynch), who chases down Bonnie (Skyler Samuels) after she escapes. Ever heroic Jimmy decides to go after the creepy clown, not wanting to let the girl he carries off into the night to suffer any more.
But things go to hell, as Dandy is about with Twisty. What happens is Esmerelda and Jimmy end up tied and trapped back at the rusty bus camp for an impromptu show. The so-called mystic finds herself in a real circus act when Dandy tries to saw her in half with a huge saw. Jimmy gets free, luckily, and knocks Dandy down while Twisty tries to get everyone clapping, madman that he is. Things devolve and Jimmy finds himself choked out by the terrifying clown. Lucky for him, Mordrake and his second face show up, green smoke curling inside the bus.
And so with Mordrake goes the evil clown. I honestly didn’t see that coming first time around when I watched this season as it aired. Still, though, it’s clear with Mordrake and his legions of dead, no matter in the afterlife or not we’ll probably see more of Twisty at some point or another. In a way, now he’s at peace in the beyond with all the other dead; even his face is back to normal again.
Of course, sick Dandy comes by and takes the clown’s mask for his own face. Better off, now he looks more outside like he does on the inside, anyways.
Jimmy Darling comes off as the big hero after he and Esmerelda are found when the cops show up. When a bunch of cars show up at the freak show, Elsa thinks they’re being laid siege upon. Instead, the townsfolk wanted to come and shake Jimmy’s hand – HIS HAND! – all for saving the children and the town as well. A really beautiful scene where the “normal” people come together with the “freaks”, the divide no longer so distant now that one side has proved to be capable of loving the other, being gentle with the other. Great bit out of this episode, kind of heartwarming. If only for a brief reprieve.
Finally, the greasy Stanley (Denis O’Hare) – a.k.a Richard this time – shows up and flaunts the idea of Hollywood, California in front of Elsa.
The episode ends with Dandy, his new and fitting clown face on, slitting a nice rip across Dora’s throat, letting her bleed all over the floor to her death. A disgustingly satisfied and happy smile forms across Dandy’s face and he laughs himself almost to tears.
FX’s American Horror Story
Season 4, Episode 3: “Edward Mordrake Part 1”
Directed by Michael Uppendahl
Written by James Wong
* For a review of the previous episode, “Massacres and Matinees” – click here
* For a review of the next episode, “Edward Mordrake Part 2” – click here
Kicking off a two-parter, “Edward Mordrake Part 1” starts with the introduction of slick Stanley (Denis O’Hare) and his sidekick Maggie Esmerelda (Emma Roberts). At a museum of oddities, the pair are trying to sell off some supposed medical specimens. The authorities at the museum call bullshit on Stanley – a.k.a Sylvester to them – and his so-called baby sasquatch specimen. The owner, Lillian Hemmings (Celia Weston), slyly tells Stanley and Maggie if they brought back a real specimen, a legitimate one, she wouldn’t be keen on asking too much about where it came from, how they got it, et cetera. You can already see the sparkle in their eyes. On a suggestion from Ms. Hemmings, Stanley says they’re off to Florida.
So clearly, the devious duo are off to cause some problems in the lives of Elsa Mars (Jessica Lange) and her crew of freaks, or as she so lovingly calls them “my monsters.”Moving on we’re back to Halloween on American Horror Story – Devil’s Night, 1952. A little girl named Jessie (Lauren Gobuzzi) is terrified of clowns. Her brother dresses up like one to torment her. Meanwhile, in the background, Twisty the Clown (John Carroll Lynch) lurks like Michael Myers in John Carpenter’s Halloween, like a piece of scary shrubbery in the neighbourhood.
Poor Ethel Darling (Kathy Bates) gets bad news from her doctor. She’s got cirrhosis of the liver, headed towards a most certain death at some point. Doctor Bonham (Jerry Leggio) gives her six months to a year to live. But it’s the way he deals with Ethel which is most full of impact. He treats her with a respect, like he would anyone else. He doesn’t see her as the freak others do, putting his hand on her shoulder in comfort. It touches Ethel deeply to be given this respect and they share a moment. Such quality acting from Bates! She consistently proves how important an actor she has been, for a long, long time. Here she’s just giving it her best. Intensely emotional scene.
The freaks are all partying, getting drunk and being foolish. Dot and Bette Tattler (Sarah Paulson) are sort of put off by it all, seeing as how Meep died at the end of last episode. When Dot speaks up, Ethel ends up telling the sisters about Edward Mordrake (Wes Bentley) – a man in the Victorian era who had another face on the back of his own head, which spoke to him, commanding him to do things, putting him in an asylum until his eventual escape to a carnival’s freak show. He killed himself on Halloween after murdering all the freaks in his troupe.
Ethel is back on the drink. And though her son Jimmy (Evan Peters) doesn’t know she’s dying, as of yet, he still believed her swore off the liquor. He loves his mother, it’s obvious, but she only lashes out at him; naturally. Wouldn’t you? She’s dying. Drink away, Ethel.
Over at the Mott house, Gloria (Frances Conroy) tries to please Dandy (Finn Wittrock). Even maid Dora (Patti LaBelle) dresses up like Woody the Woodpecker to make things fun, although she hates it. A Howdy Doody costume sends spoiled brat Dandy over the edge, throwing a massive fit; Dora’s not impressed, seems like there may be a confrontation brewing between them at some point down the line. He takes the costume upstairs and it looks as if he’s cutting it up to make: a clown costume.
The freaks at the carnival are having their own legitimate troubles, as opposed to Dandy. Jimmy and all the others bury Meep trying to give him an appropriate send off.
At the same time, Esmerelda shows up at the campgrounds – alone without Stanley for now – claiming to be a mystic, Miss Esmerelda, and looking for a job. Hmm. The greasiness begins.
Bette and Dot – the former wailing – find themselves on a surgical table, a doctor and his team readying themselves to separate the two. Dot seems pretty fine with it all, very calm, collected. Out goes Bette with the drugs, doctor beginning to saw inside them, blood flowing.
But then “Wake up,” says Bette. She’s stuck inside one of the dreams Dot is having. Sick, that is, right? They’ve got to seemingly deal with the dreams of the other, which in this case is their respective nightmare.
FX’s American Horror Story
Season 4, Episode 6: “Bullseye”
Directed by Howard Deutch
Written by John J. Gray & Crystal Liu
* For a review of the previous episode, “Pink Cupcake” – click here
* For a review of the next episode, “Test of Strength” – click here
Fittingly, the beginning of this episode see Elsa Mars (Jessica Lange) pulling out a big bull’s eye target wheel. She’s obviously bringing out a new, or old, act for the show after last time. I’m sure part of it has to do with her jealousy, she wants to make sure her act is the best, the most entertaining. Not for the show, but for herself.
But Elsa is still stuck on the idea of television. She believes the knife act will make it into her show. We know better, though. Ethel (Kathy Bathes) is slightly worried, yet Elsa assures they’ll all be brought out to Hollywood soon enough.
The Mott residence is zany. Gloria (Frances Conroy) tries to make sure Dandy (Finn Wittrock) is being safe with his new toys: Bette and Dot Tattler (Sarah Paulson). Dandy says he feels normal while with them and Gloria is only concerned for the Mott image, I’m sure. He plans on marrying them. Is there any fate worse than this for the twins? Almost wish they’d taken the cupcakes.
Over at the campgrounds, Elsa’s birthday is underway. Paul (Mat Fraser), Pepper (Naomi Grossman), Amazon Eve (Erika Ervin), Ma Petite (Jyoti Amge) and the entire gang line up to give her a present. When the gang asks about the twins, Elsa goes off and threatens to put someone up on the bullseye for a few throws.
Then back in Elsa’s tent, she beds Paul. They have a brief chat afterwards; Paul seems to be put off slightly about the way Elsa acts, though, they’ve still had fun.
Paul is later with Penny (Grace Gummer), whose time at the freak show obviously hasn’t left her fully. Although he’s got to hide under her bed when Penny’s father Vince (Lee Tergesen) barges in. He’s obviously a strict man, worried about her but being a little crazy over it all. The typical 1950s man with too much stress under the collar.
On another love front, Bette appears enamoured with Dandy. In opposition, Dot – the less naive of the duo – does not trust him whatsoever. Funny to see them, both in the same body, each with a highly differing opinion on the man who wants their hand in marriage. Watching them write in their respective diaries is a great sequence, you can see how vastly different they feel about Dandy so easily in these moments. And soon, Dot figures out their purpose for falling into Dandy’s lap: she will try and use his money to separate her and her sister. We get a little dreamy flash-forward to Dot, Dorothy that is, meeting Jimmy somewhere in a diner, after the operation which claimed Bette’s life. Then after the little dream scene, very brief, we’re back to the girls writing more in their diary. I loved this whole section! The music was perfect, the look and feel of the shots in those scenes were all excellent together.
Paul comes across Dandy in a pharmacy. He finds clues of the Tattler twins when Dandy drops a load of items onto the counter, clearly pointing to the fact the girls have been taken off to the Mott house.
FX’s American Horror Story
Season 4, Episode 2: “Massacres and Matinees”
Directed by Alfonso Gomez-Rejon
Written by Tim Minear
* For a review of the previous episode, “Monsters Among Us” – click here
* For a review of the next episode “Edward Mordrake: Part 1” – click here
Some of the sweeping shots of the carnival itself, such as the opening shot of “Massacres and Matinees,” really remind me of certain scenes in HBO’s Carnivale. Great look and feel.
This episode begins with a news report of a missing policeman. Of course, he was buried, dead, by the freaks – led by Jimmy Darling (Evan Peters) – at the end of the first episode. Everyone is on edge, naturally. Things get even worse once two more detectives show up poking around, they advise Elsa Mars (Jessica Lange) a curfew will be put in place, which effectively poises to ruin her business.
Bette and Dot Tattler (Sarah Paulson) find themselves called into the mix. The police are very interested in her, the entire band of freaks, and in plain language make it clear to Elsa they’ll be regulars around their neck of the woods.
Twisty the Clown (John Carroll Lynch) is up to more murderous fun again. In a shop full of toys, Halloween decorations, and so on, he hides as a clerk looks for his boss. When the clerk does find him, only a head, Twisty stabs him through the back of the neck, piercing his throat. A pretty unsettling scene and then it turns into a bloody, nasty little mess for a minute.
Back at the carnival, Jimmy’s having a harder time than anyone else dealing with what happened to the cop. He was the one who killed the man, after all. Back at the hole, he tells Paul (Mat Fraser) and Amazon Eve (Erika Ervin) how he feels back, worrying the man may have had a family and children. They tell him he had no choice, it had to happen. Meanwhile, they’ve got to transplant the body somewhere else with all the cops and their heat sniffing around.
Good thing, too. Eve spies the man’s badge in the dirt. That could’ve certainly caused a few problems down the line.
Worse than any of them at the show – by FAR – is rich boy Dandy Mott (Finn Wittrock). I mean, the guy has a little baby’s bottle made of crystal he drinks from, it has a gold cover over the nipple. Fuck this guy. Worse than that, if you can imagine it, is the way his mother Gloria (Frances Conroy) cleans up his messes and caters to his every whim. Then their maid Dora (Patti LaBelle) tries not to lose her mind in the middle of it.
Things get thicker in the plot of Ethel Darling (Kathy Bates). Once a new performer named Dell Toledo (Michael Chiklis) and his wife Desiree Dupree (Angela Bassett) show up, everything changes a little. Elsa eventually agrees to take them on: not only is Dell a strongman, a good one at that albeit a terribly troubled one, Desiree has got lots going on under the hood with a set of male and female genitals + three breasts. It takes some convincing, but Elsa goes with their talent, despite any suspicions.
We come to discover Dell and Ethel were together at one time. In fact, Dell is a father to Jimmy. But he’s only there to capitalise. He reveals to Ethel, who is not impressed with his showing up to the carnival at all, Elsa has hired him on as security for their show and grounds. Lots of good tension already between these two, plus Bates and Chiklis in scenes together? The chemistry is there already, now let’s watch this one play out!
Dandy even ends up at the freak show asking to be taken in. He believes himself to be a freak, like them, only on the inside. Jimmy tries talking some sense into him; wouldn’t you like normal hands instead of flippers? It’s sort of offensive to someone like Jimmy if a ‘normal’ guy like Dandy walks in claiming to know what it’s like to be an outcast as they’ve been. He’s tossed aside. Spoiled little brat he is, Dandy loses his mind and smashes his face off the steering wheel in his car.
Luckily back home in the mansion, Gloria, mother dearest, has picked up a clown for Dandy, so they can play together. Best part? It’s Twisty; she’d found him wandering along the road. I’m sure those two have a lot in common. That’s not at all a joke, Dandy is clearly a budding psychopath.
Bette and Dot are being touted as the headliners of Elsa’s show, though, she would much prefer to be deemed the star. Only problem being neither of them are particularly brimming with talent. At least not until Jimmy is able to draw out a beautiful voice from Dot.
In this moment, a zoom on Lange’s face, eyes pointed, we see how Elsa is immediately threatened by this emerging talent. It’s the start of a big dynamic between the twins and Ms. Mars. Works well because in each season from Asylum on, Sarah Paulson and Jessica Lange have been setup as these very opposite characters, in strained relationships with one another. So I’m glad to see a new one, with a fresh and intriguing aspect. Great actors working together constantly in such a consistently solid manner is impressive.
Oh, Dandy. What a sick, twisted bastard this young man with too money is, and how painful yet fun it is to see his character open up with each episode. Watching him with Twisty is downright scary at times. First, I was beginning to think Twisty might hurt him, or even actually kill him; especially after Dandy goes through the clown’s bag and looks at his things. But no, Twisty just picks up and runs off leaving Dandy with a goose egg on the back of his head.