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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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I think DOOM coming out when I was 8 years old awoke the horror in me. Plus seeing the movie HOUSE (1985) around the same age late one night on television & for years thinking it wasn't a movie but actually a fever dream. #Horror #InstaHorror #Doom #HorrorMovies #Film #HorrorFan #Doomguy #Gore #1985 #1993 #HorrorAddict #Creepy #HorrorLover #HorrorFan

MINDHUNTER casting is on point. Outrageously good. Killers in order: William 'Junior' Pierce David Berkowitz a.k.a Son of Sam William Henry Hance Elmer Wayne Henley Charles Manson #Mindhunter #Netflix #SerialKillers #Horror #InstaHorror #Creepy #SerialKiller #Murder #TrueCrime #MindhunterSeason2 #SonOfSam #CharlesManson #DavidBerkowitz #WilliamHenryHance #ElmerWayneHenley #WilliamJuniorPierce

Strong DAWN OF THE DEAD vibes on this Sunday's episode of FEAR THE WALKING DEAD. Don't miss it! #Horror #InstaHorror #Zombies #DawnOfTheDead #Homage #FearTWD #AMC #GeorgeARomero #FearTheWalkingDead #Zombie #GeorgeRomero

tfw the wife says you can't wear your nice pearls or your heels in the house anymore #Mindhunter #Horror #BTK #DennisRader #InstaHorror #SerialKillers #Netflix #MindhunterSeason2 #BindTortureKill #SerialKiller

Put it in my veins! Very interested to see how they handle the Atlanta Child Murders, particularly post-Monster podcast (wonder if Fincher or others listened to it?). Jonathan Groff & Anna Torv are fantastic. But it's Holt McCallany who's finally getting his chance to shine. #Horror #InstaHorror #Mindhunter #Netflix #DavidFincher #SerialKillers #AtlantaChildMurders #JonathanGroff #AnnaTorv #HoltMcCallany #HorrorFan #SerialKiller #CriminalPsychology #CriminalProfiling #HorrorAddict

Loved William McGregor's GWEN. Highly recommended! Available today on VOD. Harsh look at a woman's world in the mid-1800s. Hauntingly Marxist portrait of Wales being ravaged by modernity during the Industrial Revolution. Ultra-atmospheric horror. Maxine Peak is on another level & Eleanor Worthington-Cox is just wonderful. #Horror #InstaHorror #Film #IndustrialRevolution #WelshFilm #Gothic #PsychologicalHorror #Movies #FeministHorror #GothicHorror #Creepy #Gwen #WilliamMcGregor #EleanorWorthingtonCox #MaxinePeak

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Tagged James Wolk

Tell Me a Story – Chapter 2: “Loss”

Jordan reels after the shooting. Kayla's life is upside down. Eddie is questioned by police.

Published: 11/08/2018

Words: Father Gore

Billy Magnussen
Danielle Campbell
James Wolk
Kevin Williamson
Paul Wesley

Big Bad Wolf
Danielle Campbell
Fairy Tale
James Wolk
Murder
Pig Mask
Shooting
Three Little Pigs

The Juiciest Gore

The Twisted Parallels of Cinema— A Series
Father Son Holy Gore’s Interview with Larry Fessenden
[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
SUSPIRIA Bathes in (Blood &) the Power of Women
“No more pain, no more death”: Fatalism, Free Will, & Fighting the Past in THE RITUAL
Destructive Legacies of Fatherhood in Larry Fessenden’s DEPRAVED
Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
BLOOD RAGE’s Gory Freudian Nightmare
Make a Case #2— Wes Craven’s SHOCKER (1989)
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
STARFISH’s Apocalyptic Grief and Unexplored Spaces
An Interview with STARFISH Director Al White
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
[Slamdance 2019] The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

$5.00

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic.

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