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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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Your wife has such a beautiful neck 🦇

drink me in, baby.

an angel in her natural habitat

Screening GIRL ON THE THIRD FLOOR— the feature debut of producer Travis Stevens, starring CM Punk & Trieste Kelly Dunn— which plays at the Brooklyn Horror Film Festival in a few days! One of my most anticipated films of the entire year. #GirlOnTheThirdFloor #InstaHorror #BrooklynHorrorFilmFestival

Tonight's entertainment #InstaHorror #SilentHill

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Tagged Know Thyself

I Am the Night – Episode 3: “Dark Flower”

Fauna looks for Tamar at Corinna's home, where she starts unravelling the truth.

Published: 02/11/2019

Words: Father Gore

Chris Pine
Crime
I Am the Night
India Eisley
Patty Jenkins
Sam Sheridan
TNT

1945
A Dream Within a Dream
Edgar Allan Poe
Elizabeth Short
Hill 1240
Know Thyself
Korean War
PTSD
Puddin' N' Tain
Shell Shock
The Alley Cats
the Black Dahlia

Seek & Ye Shall Find

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SUSPIRIA Bathes in (Blood &) the Power of Women
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Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
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FEAR: Queasy Male Jealousy and Patriarchal Control
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An Interview with STARFISH Director Al White
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
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[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
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SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
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PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
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Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
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THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

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Father Gore is first and foremost a passionate lover of film— especially horror. He's also a PhD candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory. He wrote for Film Inquiry frequently during 2016-17, and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic. He has covered major film festivals such as Fantasia Festival and Fantastic Fest. During September 2019, Father Son Holy Gore will be one of several media outlets helping to present Randfilmfest in Germany.

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