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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

TV Recaps & Reviews

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Gradually, my personal filmmaking journey's beginning. 💀 #NoBudget #Filmmaking #DIYFilmmaking #Movies

RENDEL (2017) is a Finnish superhero. He's brutal. He's bad ass. He hasn't got time for any of your shit. And he's going to tear down the bloodsucking capitalists, along with everything else they love. #Rendel #Superhero #Movies #ActionMovie #FinnishFilm #Superheroes #RendelDarkVengeance #RevengeMovie #Crime #JesseHaaja #Vigilante #Film #Violence

DEVIANT (2017) A terrible film about an important subject. There's so much right about the focus, but it's all poorly executed. Sex addiction is a real thing. For many it's a debilitating addiction as bad as any pill, powder, or alcohol. The situations the film's protagonist Jake finds himself in are powerful, scary, & ultra realistic. Problem is, the acting isn't even mediocre. The delivery of lines, aside from a couple minor players, is wooden. The screenplay's dialogue isn't great, but, again, the focus is honest. Too bad the film isn't better. Sex addiction's often treated with ridicule by those who don't understand it, so fiction, as it is with all important aspects of life, needs to help address it with a serious face to allow some the chance to better realise how badly it can destroy peoples lives. DEVIANT has its heart in the right place. The final product simply doesn't do the subject matter justice, & doesn't do much other than be unapologetically raw. The finale's the best part, &, lord, is it ever harrowing. #Deviant #PsychologicalHorror #InstaHorror #SexAddiction #Addict #Movies #PsychologicalTrauma #Addiction #BadMovies #Film #Disturbing

FREDDY'S DEAD: THE FINAL NIGHTMARE (1991) has some unsettling imagery. #FreddyKrueger #RobertEnglund #HorrorFan #Horror #ANightmareOnElmStreet #ANOES #FreddysDead #90s #TheFinalNightmare #1991 #RachelTalalay #Sequel #InstaHorror #HorrorMovies #Movies #DarkFantasy

Octavia Spencer is MA (2019) Be careful when you're making friends. #OctaviaSpencer #Blumhouse #Trailer #InstaHorror #Horror #Movies #HorrorFan #Ma #2019 #Thriller #HorrorMovies #TateTaylor #MaMovie #Creepy

"You're not my son" "What's wrong with you, mommy?" 🔪 THE HOLE IN THE GROUND (2019) is available on iTunes later this month, premiering in UK theatres March 1st. 💀 #LeeCronin #TheHoleInTheGround #Trailer #IrishFilm #Horror #Movies #HorrorFan #InstaHorror #CreepyKid #HorrorMovies #Folklore #2019

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A Place for Horror Critical Theory + TV Recaps & Reviews

Tagged Know Thyself

I Am the Night – Episode 3: “Dark Flower”

Fauna looks for Tamar at Corinna's home, where she starts unravelling the truth.

Published: 02/11/2019

Words: Father Gore

Chris Pine
Crime
I Am the Night
India Eisley
Patty Jenkins
Sam Sheridan
TNT

1945
A Dream Within a Dream
Edgar Allan Poe
Elizabeth Short
Hill 1240
Know Thyself
Korean War
PTSD
Puddin' N' Tain
Shell Shock
The Alley Cats
the Black Dahlia

Featured Articles

[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
SUSPIRIA Bathes in (Blood &) the Power of Women
BLOOD RAGE’s Gory Freudian Nightmare
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society.

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