Twin Peaks – Season 3: “The Return, Part 9”

Showtime’s Twin Peaks
Season 3: “The Return, Part 9”
Directed by David Lynch
Written by Lynch & Mark Frost

* For a recap & review of Episode 8, click here.
* For a recap & review of Episode 10, click here.
Pic 1Bad Coop (Kyle MacLachlan), after being resurrected by the dark forces of the Black Lodge, wanders down a country road spattered in blood. At the same time, Gordon Cole (David Lynch), Special Agents Albert Rosenfield (Miguel Ferrer) and Tamara Preston (Chrysta Bell), and Diane Evans (Laura Dern) are flying high in the sky over South Dakota. Gordon gets a call from Colonel Davis (Ernie Hudson) about a case over in Buckhorn concerning Major Briggs. Should be interesting to see how that old “Blue Rose case” gets wound into the rest of the story.
The bad Coop runs across a man named Gary Hutchens (Tim Roth). He needs a “clean phone” and some guns. Also there is Chantal Hutchens (Jenifer Jason Leigh), who’s going to help patch him up proper.
On their flight, Gordon gets a second call from the warden of the prison where bad Coop has flown the coop. Many dangerous things happening, as the doppelganger is also setting further plans into motion. Including having the Hutchens’ go kill the warden, before a “doubleheader” they’ll meet for in Las Vegas. Nasty stuff.
Pic 1ADown at the LVPD, Dougie Jones (MacLachlan) and his wife Janey-E (Naomi Watts) are dealing with the fallout of almost being murdered. An investigation being conducted into the whole ordeal, talking to Dougie’s boss, so on. His strange behaviour is one thing. The fact someone’s blown up his car, tried having him killed, it’s all getting more suspicious. The cops also find out there’s nothing about Dougie before 1997, no proof of his existence. Is it a Witness Protection thing? Or something stranger?
Dougie-Coop has a bit of a moment with the American flag, a pair of red heels on a secretary. As well as an electrical outlet, which gives off a sinister vibe while he stares it down. There are bits of Coop in there, things he remembers – from the coffee to the sound of a secretary’s heels and the flag and his duty as a sworn officer of the law, pieces of his training, and the electricity, the strange horror of the Black Lodge. It’s all in there somewhere.
Ike the Spike (Christophe Zajac-Denek) leaves his motel room only to be confronted with the LVPD, arresting him for arrested murder. The whole bit is surreal, as are the cops in their absurd hilarity, the one giggling constantly at the jokes of his fellow officers. In only a way Frost and Lynch can deliver.
Back in Twin Peaks, Lucy Brennan (Kimmy Robertson) and Deputy Sheriff Andy Brennan (Harry Goaz) have a passive-aggressive conversation over furniture, specifically chairs. Fairly quickly he apologises and gives in to his love for her. Although she orders the one he wanted. Across town Johnny Horne (Eric Rondell) runs himself into the wall, smashing his face and knocking himself unconscious.
And Betty Briggs (Charlotte Stewart) tells her son Bobby (Dana Ashbrook), Sheriff Frank Truman (Robert Forster), and Deputy Chief Hawk (Michael Horse) about the day her husband and Cooper met for the last time. Garland told her to give them a message; in the living room chair she takes out a capsule. Inside, obviously information of potentially great importance.
Screen Shot 2017-07-10 at 12.44.23 AMIn Buckhorn, Gordon arrives to see the body at the morgue. More importantly? The message bad Coop sent earlier from a cellphone arrives on the phone of none other than Diane. Shit. I never anticipated there was possibly something shady about her.
We find out that William Hastings (Matthew Lillard) was publishing a blog about an “alternate dimension” and he’d recently written about “the Zone” where he met “the Major.” This prompts Gordon and Albert to wonder about the connections between Garland Briggs and Special Agent Dale Cooper. Not to mention there was a ring belonging to Dougie Jones in the corpse’s stomach at Buckhorn. Hmm. There’s further connection considering there aren’t any records on Mr. Jones prior to ’97, which is not that long after Briggs supposedly died, and the events in Twin Peaks 25 years ago. The plot thickens!
At the station, Bobby says his dad brought home one of those capsules before, he knows how they open. He takes Hawk and Sheriff Truman outside where he tosses it against the  pavement, it makes the thing ring with a strange noise, then he tosses it again and the capsule opens. It has a small drawing of the towns titular peaks, symbols above them, dates and times, instructions. Alongside the mystery, it’s fun to see Bobby connecting through time and space with his father, the clues having relevance to him personally. With the drawing is also a cutout of the correspondence Briggs once got, from his THE OWLS ARE NOT WHAT THEY SEEM message between matrix code. And the COOPER written twice. Hawk deciphers it clearly in line with the plot: “Two Coopers.”
Everything Twin Peaks comes full circle.
Screen Shot 2017-07-10 at 1.02.45 AMGordon wants to chat with Hastings, who’s in no fucking shape to do anything, crying and moaning in the interrogation room. Special Agent Preston goes in first, asking about the Zone, the other dimension. He talks of going with others to where the Major was “hibernating” in this place, asking them about “important numbers.” When they brought the numbers people came for Hastings, asking about his wife. After which she turned up dead. The Major also disappeared, saying “Cooper, Cooper” as he went. When Preston shows him a six-pack of faces, he correctly picks out Mjr. Garland Briggs. Although we get bits and pieces, connecting back with the original series, so much still is unknown. Love it.
Back in Twin Peaks, Ben Horne (Richard Beymer) and Beverly Paige (Ashley Judd) are consistently on the case of the odd hum coming from the room in the Great Northern, unable to figure it out. A ringing tone, less sharp than tinnitus. What’s more, Ben and Beverly have more than a working relationship.
Screen Shot 2017-07-10 at 1.11.25 AMAt the Roadhouse, a couple women meet over beers. They both look and seem down on their luck. One has a nasty armpit rash that’ll make you cringe as she scratches. They talk in code about a “penguin” and a “zebra” amongst talking about their bummer lives. Meanwhile, Au Revoir Simone plays in the background, a sharp contrast from the two women and their drug ravaged teeth.
Another solid chapter! Adding to the mysteries of Twin Peaks as a whole. Excited for more next week, love the building momentum that takes steps back, forward, back, then big time forward again. Wouldn’t expect any less.

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Twin Peaks- Season 3: “The Return, Part 7”

Showtime’s Twin Peaks
Season 3: “The Return, Part 7”
Directed by David Lynch
Written by Lynch & Mark Frost

* For a recap & review of Part 6, click here.
* For a recap & review of Part 8, click here.
Pic 1Jerry Horne (David Patrick Kelly) is in the woods, a bewildered look on his face. More than just a good bake on from his killer bud. It’s like he knows there’s something bad in that forest. He calls his brother Ben (Richard Beymer). Seems as if he’s had his car stolen. Turns out he’s actually just high. Too high.
Deputy Chief Hawk (Michael Horse) finds pages of Laura Palmer’s (Sheryl Lee) diary, from the previous episode, and shows Sheriff Frank Truman (Robert Forster). These are the pages torn from the diary, connecting not only to the TV series, but also to Twin Peaks: Fire Walk With Me. They talk about who Bob was possessing, as well as relay the message from Annie – about the “good” Dale Cooper (Kyle MacLachlan) being stuck in the Black Lodge. Hawk susses out that whoever it was came out of the lodge  those 25 years ago was the “bad Cooper.”
Afterwards, Frank calls his brother Harry to talk about the whole thing. What I’d like to know is where is our former sheriff? Is he ill? Sounds like it. A little later the new sheriff calls Dr. Will Hayward (Warren Frost) about the night he went to the Great Northern, to check on Agent Cooper. The doc remembers it, very well. Seeing the agent and that “strange face again.” Moreover, we hear our first rumblings about Audrey Horne (Sherilyn Fenn), how she was in a coma after the bank exploded.
Pic 1AOut on the road Deputy Sheriff Andy Brennan (Harry Goaz) talks with a very nervous, paranoid man. They’re set to meet at 4:30. This guy seems like he’s up to no good, but I don’t see Andy as being the type to be up to anything shady. So what’s the deal?
One of the cops with the case concerning the decapitated head, the body in bed receives a military visit. About the prints they’ve found, what seems likely to be the corpse of Major Garland Briggs. Only there’s a bit of an age discrepancy. Briggs would be much older by now, the body’s less than a week old. How can it be him? Oh, I have a few ideas. Involving space and time. Colonel Davis (Ernie Hudson) gets a call about the prints, the body, and now there’s so much more afoot.
Gordon Cole (Lynch) sees Special Agent Albert Rosenfield (Miguel Ferrer) at his office, reporting on going to see Diane (Laura Dern), who wasn’t exactly forthcoming. Their relationship is hilarious and perfect. They go speak with Diane, she tells them both to go fuck themselves. She and Coop apparently didn’t leave things on good terms. They want somebody close to him to go talk with the Coop sitting in federal lockup, to gauge what’s happening. Eventually she agrees and they’re on the plane. Then Special Agent Tamara Preston (Chrysta Bell) shows them a slight problem with the fingerprints, tedious, almost unnoticeable to untrained eyes. Like someone did a bit of doctoring. Or perhaps, Coop slightly changed.
At the prison, Diane comes face to face with her old pal. He’s clearly different, his voice is unsettling and deep. He wonders why she’s so upset. She asks about the last time they saw one another. “At your house,” he replies (almost like the Mystery Man from Lost Highway; eerily reminiscent). A night they’ll both never forget, apparently. She can see a different person sitting behind those eyes, someone she doesn’t know inside his skin.
Diane: “That isnt the Dale Cooper that I knew
Armed with this affirmation from her which he trusts in wholly, what’s Gordon to do next? Back in his cell, the bad Coop asks to speak with the warden “about a strawberry.” Uh oh.
Pic 2On a lonely road, Andy waits for the paranoid man with whom he met earlier. At the guy’s house, we get the feeling of something ominous behind his open front door. Only Lynch could make a simple shot of a door like that feel creepy. One of the many reasons the man is a master filmmaker.
Coop and the warden meet. The bad man speaks in cryptic fashion, as usual. About “dog legs” and other bits. He mentions Joe McClusk, the late “Mr. Strawberry” and this puts the warden in his chair. Bad Coop requests a car for himself and Ray Monroe. Gun in the glove compartment.
At the Lucky 7 offices, Dougie (MacLachlan) goes about his infant-like day, Anthony Sinclair (Tom Sizemore) snooping around wanting to know more about what he’s been up to lately. Of course he gets no answers, nobody does. Then the police come to speak with Mr. Jones about his car. They mention deaths during the explosion of his car, gang members and such.
Outside the office, Janey-E (Naomi Watts) and Dougie are attacked by the small hitman, wielding a gun now. Instinctively Dougie moves “like a cobra” wrestling him to the ground, chopping him in the throat. In the pavement he sees the Man from Another Place, in his newest form, that brain on a tree. It commands him to “squeeze his hand off.” So Dougie chops the guy in the throat one more time, freeing the gun from his grip. SO INTENSE! The sound design in this scene is so foreboding, you can feel something coming
At the Great Northern, Beverly Paige (Ashley Judd) shows Ben a strange hum emanating from one of the rooms. They can’t pinpoint where it’s coming from, or what’s making it. They follow it around awhile, but still can’t figure it out. At the same time they’ve received the key from Cooper’s old room, from all those years ago. A slice of strange nostalgia for Mr. Horne. Beverly has her own difficult life; a very ill husband named Tom (Hugh Dillon) to look after, being cared for in hospice. They also don’t have a great relationship, it seems. He makes her feel guilty, or she perceives it that way.
Pic 3I love Lynch because he intrigues us, and he also gives us slices of anticipation where we see a long shot of the Bang Bang being swept, Jean-Michel Renault (Walter Olkewicz) at the bar working silently. And nothing happens, for so long. Because Lynch knows we’re paying attention. He doesn’t do this for shits, he does it to make sure we haven’t fallen off.
Then a call comes in, Jean-Michel running his greasy business as it always was, like 25 years ago. Trouble, too. I wonder who owes him, and what this will mean for the plot in coming episodes.
In jail, the bad Coop is released from his cell, as is Ray. They’re let out the back quietly, given a phone, keys to a vehicle. Off again, jiggity jig. Wonder where they’re heading first? Meanwhile at the diner in Twin Peaks, life goes on as usual. I love the way Lynch intertwines the mystery and the everyday, going from such a dark, mysterious moment into one of comfort, one of familiarity. And even underneath the beautiful music, the old 50s and 60s guitar swooning in the background, there’s an undercurrent of that threatening, foreboding sound design, building and festering. Perfect atmosphere.
Screen Shot 2017-06-19 at 12.38.08 AMAnother good episode, this one a bit less heavy on the surrealism and the absurd, more a classic episode of Twin Peaks we’ve come to know. I’m excited because with 18 episodes, Lynch and Frost have the opportunity to take their time a bit, which they do with relish. All the same it’s good, it isn’t frustrating for those of us Peakheads who love the mystery, the intrigue, the surreal. Can’t wait for the next episode already.