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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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Holy! Shit! THE WALKING DEAD swung hard for the fences tonight. Devastated. What an incredible Season 9 it's been— one episode left. 💀💀💀 #Horror #TheWalkingDead #TheWhisperers #SamanthaMorton #TWD #InstaHorror #HorrorFan

[WICKER MEN] THE WICKER MAN Directed by Robin Hardy Cinematography by Harry Waxman v. MR. JONES Directed by Karl Mueller Cinematography by Matthew Rudenberg #Horror #Film #TheWickerMan #HorrorFan #ChristopherLee #MrJones #InstaHorror #FolkHorror

[CREEPY PALE EYES] THE BEYOND Directed by Lucio Fulci Cinematography by Sergio Salvati v. THE HAUNTING OF HILL HOUSE 1x02 "Open Casket" Directed by Mike Flanagan Cinematography by Michael Fimognari #Horror #LucioFulcio #MikeFlanagan #TheBeyond #TheHauntingOfHillHouse #InstaHorror #Film #HorrorFan

Very sad— RIP to filmmaker Larry Cohen. Larry's a huge inspiration to me & countless others. His indie spirit has given the horror genre a bunch of unique, innovative work to admire for eternity. Big loss in the genre movie world particularly. GOD TOLD ME TO is a hugely underrated movie (as are several of his works) & one of the best pieces of genre fiction out there to criticise Christianity. Cohen was making 'social horror' before it became a buzzword in the last couple years for lazy writers to use. #InstaHorror #RIP #LarryCohen #GodToldMeTo #TheStuff #ItsAlive #Horror #Film #HorrorFan

When you want to walk on a bunch of babies but you don't want to get arrested, either. #Horror #InstaHorror #Weird #Disturbing

North Bergen High School in New Jersey put on Ridley Scott's ALIEN as their school play. Rejoice in the creative madness of these kids & their teachers! (Unless I heard wrong, all the props & some set pieces were made with recyclable materials.) 💀👽 #InstaHorror #RidleyScott #Alien #Xenomorph #HRGiger #Horror #SciFi #HorrorFan

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A Place for Horror Critical Theory + TV Recaps & Reviews

Tagged Space Blood

Nightflyers – Episode 5: “Greywing”

Lommie enters the crystal matrix to face Cynthia along with Thale.

Published: 12/10/2018

Words: Father Gore

Angus Sampson
David Ajala
Eoin Macken
George R. R. Martin
Gretchen Mol
Nightflyers
Sci-Fi
Syfy

Abusive Father
Crystal Matrix
DNA
Gretchen Mol
L1
Luddite
Maya Eshet
Memory
Nightflyer
Space Blood
Telepath

Featured Articles

Father Son Holy Gore’s Interview with Larry Fessenden
[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
[The Twisted Parallels of Cinema] Edition #1
SUSPIRIA Bathes in (Blood &) the Power of Women
“No more pain, no more death”: Fatalism, Free Will, & Fighting the Past in THE RITUAL
Destructive Legacies of Fatherhood in Larry Fessenden’s DEPRAVED
Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
BLOOD RAGE’s Gory Freudian Nightmare
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
[Slamdance 2019] The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

$5.00

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society.

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