Tagged The Countess

American Horror Story – Hotel, Episode 6: “Room 33”

FX’s American Horror Story
Season 5, Episode 6: “Room 33”
Directed by Loni Peristere
Written by John J. Gray

* For a review of the previous episode, “Room Service” – click here
* For a review of the next episode, “Flicker” – click here
screen-shot-2016-11-17-at-1-11-31-amThis week’s episode, “Room 33”, begins with a nice flashback to 1926 in Los Angeles. The Countess (Lady Gaga) goes to – yes – MURDER HOUSE from Season 1. She’s pregnant, and ole Charles Montgomery (Matt Ross) has the solution.
I’m loving this return to the first season, such an excellent connection. It isn’t passing either, like the earlier episode with Marcy the realtor. This opening sequence is slightly gruesome, especially once Montgomery takes a good huff of the inhalants to get things going. But the real fun begins when the baby ripped from Countess’ womb attacks the nurse helping Charles with the abortion.

Congratulations— it’s a boy.”

screen-shot-2016-11-17-at-1-11-44-amBiggest trip of all for John Lowe (Wes Bentley) comes after waking up in bed, his little lost boy Holden next to him. When he chases the kid downstairs, John finds his wife in one of the glass coffins in the empty pool. This prompts a good fainting spell, like it would.
Then we move to Liz Taylor (Denis O’Hare) and Tristan Duffy (Finn Wittrock) rolling around in bed together, having sex. Wow – did not expect this at all. Pretty wild scene. Not only that, there’s some strange connection between these two already. They each reminisce about what it’s like to see one another, both of them with their own sweet sort of poetry about the other. Strange moments, though, only because they’re so quickly coming on! Otherwise I think these two make an excellent pairing.
Meanwhile, The Countess has got Will Drake (Cheyenne Jackson) on her own bed, giving him the business. But naturally, he is a gay man: “My cock and my mind operate separately,” Drake tells her. She decides there’s a need for an extra hand in all the fun, sending a text to Tristan. Then he has to go upstairs, to help out with Will’s dick. Well Tristan continually tries denying he is gay, even though he isn’t opposed to having sex with a pre-op transsexual (nothing wrong with it – no judgement on my part – but he IS at least bisexual). And still, The Countess easily persuades him into doing the deed, then she says: “Just fluff him up a little. Ill finish him off.”
Alex Lowe (Chloë Sevigny) drugged her husband up, put him back in the room and then set things to look as if he’d called her, probably drunk. Not as if she’s a vampire now, carrying that ancient virus, and sleeping in a glass coffin. She’s luring John into believing he is having a “psychotic break.” I feel so god damn bad for Dt. Lowe, and it only gets deeper when he heads down to the emptied pool – where, of course, not a single coffin is still lying on the floor. I’m constantly wondering how far this breakdown of John’s will go: is the Ten Commandments Killer, or is he just a good guy being done wrong by all the evil forces around him at Hotel Cortez?
Perhaps my favourite moment of the episode’s start is when Countess goes into a darkened room, picking up her supposed child, and tells him/her she’s going to Paris. Afterwards, they’ll have a massive amount of money it seems. But what is the child? Has it not grown since? It looks like a tiny infant still. Or is it another child? I doubt it. I imagine that’s still the child. So what, who, is it?


Finally, Donovan (Matt Bomer) and Ramona Royale (Angela Bassett) show up at the hotel in order to start enacting a bit of revenge. Ramona is clearly the most keen on doing in The Countess. She and Iris (Kathy Bates) are both surprised, for the worse, when they discover the kids in the coffins aren’t where they ought to be. A wrench is jammed into things for now. Although, between two feisty women like Ramona and Iris, I’m sure something will happen soon enough: Ramona wants the key to ROOM 33. Isn’t that where The Countess keeps her survived abortion baby?
At the same time, Donovan runs into the two Swedish girls who died at the hotel – they find out the tough way what’s really going on. I thought this whole sequence was awesome! Bomer is a great actor, in my opinion. He leads us into a scene with a girl named Carol who committed suicide at the Cortez – turns out, she came back and found a purpose in terrorizing guests. You never get to leave, sadly.

Eternity can be tedious without something enjoyable to break up the day

Ramona heads into Room 33, looking for little Bartholomew – The Countess’ feral abortion child. There’s a highly creepy scene here, with P.O.V shots from the baby, then a good one as it attacks Ramona. Everyone is in league, or almost everyone, against The Countess. Liz and Ramona are catching up, in a friendly way. Even Donovan, despite loving her and sniffing her panties, wants some revenge on the woman. Iris wants none of it, which is clear. So there is a lot going on against the lady of the house. Tristan is caught in the middle somewhere, I’m not sure if he’s going to fully fall in love with Liz, or if Countess will reel him back in. Either way, I feel a showdown at some point coming between Liz/Countess, as she may feel utterly betrayed by his loving Tristan. We’ll certainly see how things go from here.
The two dead Swedish girls find a purpose, or at the very least fun, in the hallways of the Cortez. They bang then kill a guy (well one of them bangs him), a bloody, nasty mess. After that, they unhappily talk with Alex Lowe about their purpose – she suggests crushing the minds of their prey, instead of so much gory murder. Apparently, Alex says she knows a guy who’s always wanted a threesome. Oh no…
John Lowe shows up at a new crime scene, asking his partner whether or not it’s a Ten Commandments Killer murder. But the cops don’t want or need him around, he’s obviously spinning into a downward descent. Back over at the Cortez, former Dt. Lowe lies around in the halls with a bottle of booze. He’s full of self pity, as well as self loathing. Then around the corner come the two Swedish walking corpses. They’re going to seduce John into bed, which they proceed to do. It’s a weird and bloody ride for Lowe, whose mind can’t handle whatever is happening. He takes off into the darkness,blood all over him, and heads to the front desk. Upstairs, Miss Evers (Mare Winningham) is cleaning up the bedroom, talking about the sheets and how full of blood they are, but ultimately it’s all about John losing his mind.


In the corner of the room, after everyone leaves, James March (Evan Peters) appears. Then quickly disappears. This almost drives John fully to the brink, banging his head off the wall. He knows he has to leave, so he begins to pack frantically. Will he make it through the doors and back out into the world alive?

This is my breakdown— Im gonna have it!”

Before Lowe leaves, little Bartholomew climbs into his suitcase without him noticing. SHIT! Where is this going to lead?
At home, John arrives with his daughter Scarlett (Shree Crooks). The girl is obviously pissed with her whole family after the strange events of the past couple episodes, even worse she was left at a friend’s house indefinitely, so that’s never a fun thing for kids. You can see John wants to repair his family, if that’s even going to be possible with a vampiric wife/son, and an emotionally damaged daughter now.
But again, we see the perspective of Bartholomew creeping around the Lowe house. John tries to track it down and finds it in the kitchen. We don’t get to see the child-thing. We watch in horror as John sees it, his eyes widened. Then he fires off shots, scaring the shit out of his daughter and making her afraid of him. There’s no sign of Bartholomew. Only a bloody trail. More adding to John’s deteriorating mental state, except we know the truth.
After the daughter is carted off to the grandparents and John is deemed even more insane, Alex finds little Bartholomew in the grass. Still, we don’t get to see him! I love how it’s being drawn out. The suspense kills me, in the best sort of way.
Liz finally confronts The Countess about Tristan. There’s an awkwardness at first, and then we come face to face with her jealousy. They all meet in one of the hotel rooms, she wants to have it all out in the open. The Countess doesn’t like the taste of betrayal, which she says tastes like charred spots on meat. A great scene comes here with Tristan laying everything out there, telling Countess about his “real love” for Liz, as opposed to her method, the sort that only brings sadness and despair and agony.
Nothing lasts forever, though. She lets Liz have Tristan, but immediately slits the boy’s throat right there. A fantastically gory gush comes rushing out, flying everywhere. Poor Liz, I thought this was going to be a good thing for her.
Then, in Room 33, Alex has brought the child back for The Countess. They bond over saved sons, each saving the other’s now, I guess. Does Alex really feel this way? Is she merely playing a game to lull in The Countess? What will truly happen
screen-shot-2016-11-17-at-1-20-06-amFINALLY! We see the face of Bartholomew. An eerie shot to say the least.
screen-shot-2016-11-17-at-1-20-38-amVery excited to see the next episode, “Flicker”, which is directed by Michael Goi – he’s a regular Director of Photography on American Horror Story. Stay tuned with me for another creep next week, fellow fans!

American Horror Story – Hotel, Episode 3: “Mommy”

FX’s American Horror Story
Season 5, Episode 3:
 “Mommy”
Directed by Bradley Buecker
Written by James Wong

* For a review of the previous episode, “Chutes and Ladders” – click here
* For a review of the next episode, “Devil’s Night” – click here
screen-shot-2016-11-17-at-12-25-28-amBack for another night checking in at the Hotel Cortez.
Tristan Duffy (Finn Wittrock), former badboy model cum vampire, heads back to try and find Mr. James March (Evan Peters). He said he didn’t understand March, but now he does and is a self proclaimed “fan.” Tristan has obviously studied up on ole James, even going so far as to list off his birth date. Though, he chalks it up to Google (“That sounds obscene,” says March).
There’s comedy, dark, here in spades. At the same time most of it is creepy throughout this scene. Loved the Black Closet. Impressively morbid fun.screen-shot-2016-11-17-at-12-25-49-amWill Drake (Cheyenne Jackson) is bringing his high profile Vogue friend Claudia Bankson (Naomi Campbell) around the hotel for a tour. Naturally, they run into Tristan. Is this going to spell trouble for them, made even worse by the fact Tristan is falling into line as being an apprentice to James March? Absolutely, at least for Drake. March proclaims he can’t be allowed to “touch a single room“, so to preserve the legacy Tristan offers to take care of him saying “Dont worry, I got this.” Such a nonchalant attitude towards murder. A dark soul, that one.
Dr. Alex Lowe (Chloë Sevigny) continues to deal with the anti-vaxxer parents. One child has come down with the measles, all due to the pseudoscientific approach to parenting and medicine so many seem to be adopting in the 21st century, more and more. This is, again, a reason why I love American Horror Story in general. Ryan Murphy/Brad Falchuk & Co. always manage to work in present day issues of relevance with each season. It’s part of why I keep coming back, aside from the horror and the psychosexual thriller aspects.
Furthermore concerning Dr. Lowe, she recounts the tragedy of her son, from the way he affected her life coming into it to how devastating it was to see him go out of it. This is an incredible sequence, very intense and dramatic. I love Chloë Sevigny, even if she says some wild shit as a famous personality (I won’t go into that here; she’s said a few dumb things during her time in the spotlight). She is a great actress who is not at all afraid to take risks. Coupled with her, literally in terms of character, is Wes Bentley as Detective John Lowe. He is great, too. Always been a fan of him since American Beauty, and he keeps doing great work in each of these episodes. He and Sevigny have excellent chemistry, working well as a troubled married couple.
Oh, Claudia Bankson. I feel bad for her. She’s obviously a high class type woman. Now here she is staying at the Cortez, a hotel which may as well be a tourist stop on the Dante vacation guide. When she lays down to go to bed, poor Gabriel (Max Greenfield) emerges screaming from the mattress after having been sewn in last episode by Sally (Sarah Paulson). Even worse? He stabs Claudia to death in a mad rage. Wow. I expected her to go, just didn’t see her getting slashed so quickly into the episode. Fair enough, though. A vicious and welcomed surprise.
In another part of the city, Dt. Lowe and his partner Dt. Hahn (Richard T. Jones) investigate more work by the serial killer they’re hunting. Once Lowe arrives back at the Cortez, though, out comes Gabriel painted in blood, panting, falling into the unsuspecting detective’s arms. Another whoa moment and I dig it. Later at the hospital things get crazy – Lowe’s given little morsels of information before Gabriel dies on a gurney suggesting Sally did something to him, as well as the fact there was a murder.


But I’m genuinely worried for Will Drake. The newly vampirised Duffy is lurking around, tempting weak-willed Will with a bit of skin and seduction. Out of nowhere, The Countess (Lady Gaga) emerges to cut off Tristan’s fun.
Another interesting dynamic so far in Season 5 is the one between Hypodermic Sally and Detective John Lowe. There are several things at play in their tenuous relationship at the Cortez. First, we have Lowe as cop versus Sally the criminal. Secondly there’s Lowe as a man who is trying hard to abstain from alcohol, while Sally is – clearly – an relentless junkie. And finally we don’t know how deep Sally’s influence goes, how embedded in the hotel she truly is in terms of what her ultimate power holds.
The other team I’m loving is Iris (Kathy Bates) and Donovan (Matt Bomer), the troubled mother-son relationship. Iris is stuck at the hotel by necessity, not in terms of the supernatural like it seems Sally is trapped. She wants to be close to Donovan. On the other side of things, Donovan himself would rather be far away from her. Within all the supernatural/ghostly this is some of the solid real life drama happening among a cast of pretty kooky (though awesome) characters.

Fine, you make a list of all the ways I failed you. And you know what I say to your list? Shit on it. ‘Cause my list beats yours. Item 1: I gave you life. Item 2: I saved your life.”
I wanted to die!

More good music in this episode with “Rich Kids Blues” from Lykke Li playing over a scene where Donovan feeds on whoever he can along the streets, wandering where he pleases. Except he stumbles across someone he never expected, a woman named Ramona Royale (Angela Bassett) who immediately tasers him before he can do anything with the knife he wields.
Liz Taylor (Denis O’Hare) is always a treat to see. We’re going to find out more about her soon, I guarantee. She serves up some soda pop for Dt. Lowe, whose troubles are beginning to get worse. Meeting with Alex, she brings him divorce papers, which seem a huge surprise to him; he is devastated, actually. This is more of the solid acting from Bentley especially. He does a fantastic job with the emotional aspects of his characters, I’ve found that even in the worst of the films he’s been in over the course of his career; here, with Dt. Lowe, we’re able to see a lot of his range come out because of the insane situation he’s found himself in at the Cortez. Their situation gets murkier with each step throughout “Mommy.”
Alex wanders down one of the hallways to find a bloody Claudia Bankson standing there, mocking. Creepy enough for you? She then sees Holden down another corridor. Just what she needs after all the horrible tension and resentment happening between her and husband John.
screen-shot-2016-11-17-at-12-33-53-amUp in the penthouse, The Countess meets with Drake – “What if I told you Will Drake had to die?” she asks him. Figuratively? Literally? Either way some saucy stuff is happening in a dangerous triangle between Tristan, The Countess and Drake.
Apparently The Countess has moved on, once more. Obviously to Drake now because of his money. It’s amazing how they work Bernie Madoff into the script as the reason The Countess has depleted funds in the old life savings account. Turns out Bernie did her in, similar to Kevin Bacon and Kyra Sedgwick and many other less famous victims. So that’s a fun little modern addition. Turns out she’s now planning on marrying Will – which has begun with her trying to switch him from the gay team (seriously?) – before killing him. No wonder she stopped Tristan earlier. She needs that cash before they can feast on his delicious blood.
Possibly the most strange and shocking moment in “Mommy” comes when Sally is readying herself to shoot Iris up with heroin. Apparently Iris has decided there are no reasons left to live. Following the huge altercation earlier with her son, Iris obviously doesn’t see any point in going on (Iris: “I just dont get the joke anymore I am the joke?”). Will Sally help Iris, or is she going to do something terrible with her like she did with Gabriel, and who knows how many countless others before him?
Once the weary Donovan wakes up, he finds Ramona Royale in his face. He’s strapped to a chair by the neck. She is pumping his blood, trying to clean him out for some purpose. Then we have an amazingly executed sequence where Angela Bassett playsa very Pam Grier type character; I could not get enough of this, at all! She’s on a set very similar to something like Coffy and playing a definite homage, at certain points, to Grier. I have no doubt about that.


CAN YOU SAY HOLY FUCK? A lesbian love scene between Bassett and Gaga? I mean, that’s just unreal. But the whole sequence here is what’s worth it – they’re together, as lovers and partners, throughout decades, falling apart eventually because of The Countess’ never ending need for variety. Then it moves into Ramona and her new lover, which becomes something DEVASTATING. I won’t spoil this any further. Totally need to see it yourself.
What I’m very intrigued about now is how the relationship between Donovan and Ramona will work going forward. There’ll definitely be a lot of fun happening from here on in. Even though it seems things end between them here, I can almost certainly say we’ll find them together again soon enough.
The episode’s finish is a real gut punch, as Donovan finally comes to find love for his mother once she has died in Sally’s room. He cuts his wrist and pours blood into her mouth. Now she won’t be able to die, well at least not easily anyways according to the rules set out last episode by The Countess. An interesting last minute development in “Mommy”, which made it more enjoyable than I found most of the episode. A good one, just not as good as either of the first two.
screen-shot-2016-11-17-at-12-36-00-amCan’t wait for the next episode titled “Devil’s Night” directed by the man himself Ryan Murphy. Stay tuned and I’ll be back for another review next week, my fellow horror fans!