FX’s American Horror Story
Season 3, Episode 2: “Boy Parts”
Directed by Michael Rymer
Written by Tim Minear
* For a review of the previous episode, “Bitchcraft” – click here
* For a review of the next episode, “The Replacements” – click here
“Boy Parts” begins with Misty Day (Lily Rabe) apparently risen from the grave herself. A couple gator hunters come across her in the swamps, Steve Nicks’ “Edge of Seventeen” playing in the background. She’s dancing and lamenting the killing of the beautiful creatures – gators hung from the trees, gutted, being skinned. When the hunters threaten her, she brings a gator back to life and then another comes out of the swamp, so bye bye hunters. Chomp chomp. I love that she’s back already, I thought we might have to go an episode or two before Misty cropped up once more. But here she is. Lily Rabe has been a revelation since the second season and I cannot get enough. Hopefully her character has lots to do coming up.
Back at Miss Robichaux’s Academy, Cordelia (Sarah Paulson) is waking all the girls up, readying everyone for a meeting. Poor Madison (Emma Roberts) is obviously still reeling from her gang rape, like any sensible young woman would. Then there’s Zoe (Taissa Farmiga), whose feelings for Kyle (Evan Peters) are obvious; he died, yet she knows he wasn’t a bad guy, he tried to do the right thing after he discovered what happened with his frat brothers.
Most intriguing, Fiona (Jessica Lange) has Madame Delphine LaLaurie (Kathy Bates), fresh out of the living grave, tied and gagged in her room. What’s the rub here? I’m so interested to find out where this is headed.
Flash to Queenie (Gabourey Sidibe) back in 2012, where she worked at a fried chicken place called Chubbie’s – a guy is giving her shit about not having enough pieces in his basket. Instead, she jams her hand into the boiling fat behind the counter, voodoo dolling the jackass yelling at her. Flashback to the young witches sitting around, talking to Cordelia and each other about where they came from before the academy.
Up show the police looking to talk with Madison and Zoe about their presence at the frat party. Things are getting tense. Even worse, Zoe gets awkward and nervous and breaks down, telling the police everything. And I mean EVERYTHING! Yet luckily, she is a witch. Among witches. After things go awry, Fiona struts in to undo it all with that sweet feminine magic. Or straight up devilish magic, either way it works. Then she goes back to the girls’ room, tosses Zoe and Madison at the walls and lays down the law about how things are going to go from here on in: shape up, or ship the fuck out.
Fiona: “I couldn‘t toast a piece of bread with the heat they were putting on you”
To try mending Zoe’s sadness over Kyle, the usually hateful Madison has a plan to help. She takes them to the city morgue, in order to return the favour of Zoe killing the guy who raped her. In one room there are the pieces of all the guys killed in the crash. Kyle was dismembered terribly, so they’ve got to mix and match a few pieces in order to get him back together. The title of this episode “Boy Parts” comes to bear on their process, as Madison decides they’ll find the best pieces then top it all off with Kyle’s head: the ideal Ken doll.
Meanwhile, Cordelia and her husband Hank Foxx (Josh Hamilton) are trying to put together their own boy, or girl – they want a baby, no matter what. However, Cordelia can’t seem to get pregnant. Her womb has troubles, for whatever reason. Hank seems supportive, but wants her to use the witchcraft to make things possible for them. Cordelia’s against it, not wanting to turn into her own mother; someone who has taken the shortcuts of life at every turn.