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American Horror Story – Coven, Episode 10: “The Magical Delights of Stevie Nicks”

FX’s American Horror Story
Season 3, Episode 10: “The Magical Delights of Stevie Nicks”
Directed by Alfonso Gomez-Rejon
Written by James Wong

* For a review of the previous episode, “Head” – click here
* For a review of the next episode, “Protect the Coven” – click here
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This episode opens with Marie Laveau (Angela Bassett) being tended to with a cup of tea and a warm bed from Fiona Goode (Jessica Lange). Marie even admits to being over “300 years old.” They talk about their new situation only briefly. “Tomorrow we’ll draw the battle lines,” says Fiona. So we’re in for a good deal of interesting stuff.
Even better, as Marie sleeps in the night up shows Papa Legba (Lance Reddick), the voodoo father. He looks incredibly, almost impossibly creepy. Apparently, Legba and Marie have some sort of agreement. He wants what’s coming to him, the terms of their bargain they made “so long ago.” Love the choice of having Reddick play this character. He is a great talent, who has showed it time and time again from The Wire to Oz and much more. Nice addition to this season, and so late in the game.
Then we see Marie saunter into a hospital ward, lightly crying babies behind a glass door. She voodoos her way in to where the unsuspecting infants lay. The music and the cinematography here are beyond eerie, setting such a perfectly unnerving sequence. Marie picks out a cute little baby, takes him away, and runs into some armed security guards. But they’ve got nothing on her. She rolls her eyes back, they go cloudy, and then BANG, BANG! The guards are dead. What does Legba want with the baby? Does he eat them? Oh, goody. Something new and sinister to add into the American Horror Story lexicon of weird and disturbing characters.
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With the fallout from Hank Foxx (Josh Hamilton) comes a revelation by Marie to Fiona and Cordelia (Sarah Paulson): she hired him. Now, there’s no doubt going to be further tension and problems between Cordelia and her mother. Fiona sees it as a sign of weakness that Hank infiltrated them: “Youre not just blind, you are wilfully blind. You married Hank to prove some childish point and brought a viper into this sacred house!” They’ve now go to face the task of finding “the hive,” as Fiona calls it. They need to take down the whole group of hunters, not just one; they travel in packs, like vultures.
In other news, Misty (Lily Rabe) is weary of getting too close to Fiona, whose murderous impulses aren’t exactly secret. Fiona tries to talk Misty up, but the swamp witch is not too interested. Is Fiona driving towards something here? Surely she can’t be trying to kill another one; can she? Well, Fiona brings Misty downstairs. She has a guest to meet her: it’s god damn Stevie Nicks, a white witch in her own right apparently. As they’re introduced, Misty faints. Excellently, Fiona steps over her claiming “You owe me $5” and giving Stevie a friendly smooch. This was hilarious, and fucking awesome. Even further, Stevie sings and plays “Rhiannon” on the piano as the young witches come home. Such a fun inclusion to have Nicks here, like a little treat on top of an already delicious ice cream that is Coven.
Madison: “Im a huge fan of Eminem. Whens he get here?”
Fiona: “Marshall? Youre not his type. And more importantly, youre not the next Supreme.”
There’s new jealousy afoot. Madison doesn’t want any of Misty and her shit, she thinks she has what it takes; her heart murmur is even gone since coming back from the dead. Madison even gives Nan shit, which prompts Nan to use mind control almost ending with Madison jamming a cigarette in her vagina. Lots of inter-coven trouble happening.
But the witch hunters are still the biggest threat to anything, whether or not the young witches are all clamouring over who the next Supreme could end up being. Cordelia tracked down the Delphi Trust, the witch hunters hub. She found out who Hank was, the son of Harrison Renard; Renard is, of course, Francais pour Fox(x). So now, Marie, Cordelia and Fiona are scheming. Trying to figure out a way to get at the witch hunters. Shouldn’t be hard to take down some capitalist pigs, right? Fiona won’t have any help from Cordelia who she sees as “tainted.” There’s a violent emotional nature to the relationship between these two. Sad, because Cordelia is a tough, smart, capable witch. Doesn’t matter, though. Marie and Fiona together? Two bad witch bitches. They set up a cross between the Salem witchcraft and Marie’s Haitian voodoo, attacking the Delphi Trust at the source of their money and causing lots of problems for the hunters. Except it might take the good out of Fiona, who collapses after their spell is cast.


Now we get more talk between Fiona and Marie. Fiona talks about her new love, the Axeman (Danny Huston). Marie explains her debt to Papa Legba, who she conjured back when she thought she was “the shit” and “shockingly strong” magic. Then in the night, Papa showed up to give her eternal life and strength. Unknowingly she “made a deal forged in Hell.” Only problem then was, she had to provide Legba with his price: her baby. And after that she was shackled to their agreement, requiring her to give him an innocent child’s soul when he comes calling. Nasty, huh? But immortality has its prices. That’s a part of why I love this season, there are very interesting portrayals of immortality between the dead coming back, Marie herself and also the curse she threw on Delphine. So it’s fun to see how immortality isn’t all it’s cracked up to be. All these situations help us understand the horrifying aspect of living forever (it’s always been horrifying to me anyways).
Meanwhile, Madison takes Misty on a walk through New Orleans. Fittingly they stroll behind what looks like a music funeral, horns and drums ringing through the streets. Madison tries to fill Misty’s head with the concept that being Supreme will bring more needless stress than it does perks, such as plenty free “merch” and “swag“. Gotta watch out for Madison, though. They end up at a graveyard, deserted except for a couple groundskeepers. Madison wants to show Misty they have equal powers; she literally raises a man from out his coffin and back to life. Certainly impressive. Trusting Madison too much, Misty ends up knocked out by a brick and tossed into the casket; Madison returns the groundskeepers to normal after they were frozen in a spell, and Misty is entombed in a small grey mausoleum. Didn’t see that coming before this sequence, honestly. But should have. Madison is just as vindictive and paranoid as Fiona.
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Zoe and Nan drop over to see Joan, after they discovered at the hospital Luke is now dead. Nan wants to see the body; she needs to find out what happened to him in the end. He was cremated, but Nan knows what happened: he was suffocated by his mother. Then Nan goes wild on Joan, forcing Zoe out of the way and making Joan drink down a few gulps of bleach. Yikes – though, I can’t say I hated it. Joan deserved what she got.
In the basement of the academy, Myrtle plays away on the theremin while she and Cordelia have another heart to heart. The younger of the two feels she has “nothing left to offer this coven.” But we know different, as does Myrtle.
The worst comes when Fiona conjures Papa Legba on her own. She wants to do whatever possible to attain eternal life. Only Legba can’t make a deal because she has no soul with which to bargain: “You have nothing to sell.”
Things get dicey now, as Fiona ends up determined to kill all the others in the coven if necessary, all in order to figure out who will be the next Supreme. She has truly gone over the edge. Is this going to do her in, or the others?


The finale sees Nan discovering a newborn child meant for sacrifice over to Legba. Marie and Fiona label her a threat. Then, Legba accepts her as a substitute. The two older witches drown Nan in the upstairs bathtub, and Papa Legba deems Marie/Fiona’s union as “big trouble.” No doubt. A sad and tragic end for a character like Nan, who could’ve been a contender for Supreme had she not been disturbingly murdered.
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Very excited for the next episode titled “Protect the Coven” – more wildness to come!

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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