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Black Mirror – Season 3, Episode 5: “Men Against Fire”

Netflix’s Black Mirror
Season 3, Episode 5: “Men Against Fire”
Directed by Jakob Verbruggen
Written by Charlie Brooker

* For a review of Episode 4, “San Junipero” – click here
* For a review of Episode 6, “Hated in the Nation” – click here
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Stripe (Malachi Kirby) dreams of someplace better, a time before when he was happy and things were nice. When he wakes, he’s in a military barrack. The troops are rallied for a “roach hunt.” Just so happens to be Stripe’s first time out. We’ve got the typical bully, the nice girl, all those army archetypes we’re used to seeing.
Everyone is transported to a camp where people stay, speaking of encounters with the roaches. Their food and supplies have been torn up, now useless. People in the camp are scared, worried for what will happen next if the roaches come back.
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The military crew are led by Medina (Sarah Snook), who takes them up to a local religious freak’s land where the roaches supposedly headed last the camp’s people saw. Armed with all sorts of gadgets, the soldiers start pressing down on the house in question. By all accounts it looks as if they’ll be able to take care of things fairly efficient and fast: “Optimal outcomeno shots fired,” Medina explains confidently before they prepare to lay siege to the man’s home. His name is Parn Heidekker (Francis Magee). He’s a little secretive, or just guarded. Either way, after a moment he lets the soldiers inside. He acts like there’s nothing going on. But is that what he wants them to think? Medina thinks that Heidekker’s religious conviction makes him even unable to turn against the “roaches.” She expresses the need to wipe them out, to stop kids from being born “like that” – are they feral, mutant people?
A great, creepy build-up leads to the upstairs where Stripe encounters some of these feral creatures. They leap from out of their hiding places. Guns are fired. Blood sprayed. Some of the creatures make it out of the house and into the woods. Stripe fights one viciously to the bitter end, stabbing it deep in the chest. And what is the strange glowing wand they carry? Like a sort of device to implant something? When Stripe picks it up, it shines into his eyes. Uh oh.

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Downstairs, Raiman (Madeline Brewer), Medina and the others keep everything under control. Well, Medina does, anyways. Raiman toys with Heidekker. Meanwhile we see something is not right with Stripe after those green lights shined into his pupils. What is the purpose of that device? Does it infect people? Wait. See.
The soldiers torch Heidekker’s place to make sure no contamination makes it out of those walls. They head out, everyone congratulating Stripe on his two confirmed roach kills, especially the second knifing. Only I feel like there’s something far more sinister headed for ole Stripe. At the barrack, he slips back into that nice dream again, a beautiful woman (Loreece Harrison) speaking “I love you” to him sweetly. But the dream changes. He sees quick cuts to blood smearing everywhere.
Raiman and Stripe do a bit of training the next day. She’s pretty pissed about letting a roach get away at the house. Their interface, the technology they use, it’s not unlike a Call of Duty game. They’ve got the technological edge. Or do they? That device the roach at Heidekker’s place had with him is really fucking with Stripe’s head and his aim game. Everything is starting to feel out of whack for him, which Medina notices. She sends him out to get checked, just in case.
The soldiers are linked to an implanted vision that’s similar to virtual reality, where they can see 3D objects, such as the aiming with their weapons and so on. Doctor clears him, though Stripe tells him about the “flashlight“-like device the roach had. Nothing’s amiss and he’s sent on his way. To talk to a man named Arquette (Michael Kelly). He’s like a psychologist, of sorts. He has Stripe tell him about what happened during the raid. Arquette only talks him out of the spiral he’s been on in his head.


Stripe’s put into a nice deep sleep, to help him get over the slight shock of his mission. He sees his dream woman once more. They lay together, making love. Then the woman multiplies in his vision – two, three, four, five times. His implant glitches, causing him to wake. Something strange is absolutely going on, no matter what Arquette or the MD say.
Back over at the camp, Medina has a location from Heidekker on where the roaches may be located. Off they go on another raid. Their eye on the sky scopes out an abandoned building where it’s likely the roaches are hiding. All of a sudden, Stripe feels his implant glitching again. His vision, everything seems different. When Medina gets taken out by a bullet everything gets very serious. Stripe and Raiman are left together against a group of roaches in the nearby buildings. The roaches, using rifles, start taking down their technology.
When the pair move in Stripe’s implant malfunctions worse and worse. He’s disconnecting from the neural network, it seems. His normal, human functions are returning. Does that roach device break down the army’s implant? In the meantime, Stripe and Raiman infiltrate the abandoned building, finding more devices like the one that zapped Stripe. They stumble across a non-feral woman, who Raiman shoots down in cold blood.
Soon they encounter some roaches, and Raiman goes absolutely nuts, firing rounds wildly throughout the building, almost hitting Stripe and nearly killing more non-feral civilians. It’s become just like a game to her. So Stripe attacks her, trying to stop her from killing them. In the process, he takes a bullet and cracks her head open with the butt of his gun.
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Stripe takes off with the non-ferals until he passes out at the wheel in the truck. The civilians drag him out to a safer place in the woods. To an underground lair. A woman tells him the truth: the army implant makes soldiers see civilians as roaches. Stripe can’t accept it, but she tells him firmly that “the implant made you see this.” Wow. I didn’t expect that, honestly. A nice little twist on what I thought had been happening. Still, Raiman is hunting for Stripe, and what happens when she finds him?
And what about the locals who say they’ve seen roaches? Perhaps it’s merely hatred, xenophobia, anger which drives them. One truly relevant approach to this episode, as we face a world wrought with such hate. It all started after the latest war. Policies were implemented. DNA checks required. Ah, sound familiar? At least it may sound similar to some of what certain people in certain countries have been suggesting as of late when it comes to members of particular groups. Y’know?
When Raiman locates Stripe he tries to explain the truth. That ain’t good enough. He’s been taken back to an army facility. Arquette’s come to have a chat, trying to convince him of the exact opposite of what the civilian woman had been saying. “The whole things a lie,” Stripe tells him. Arquette explains it’s all about making people more susceptible to orders, to fear. The implant allows soldiers to see something ‘other’ when looking at the enemy: “Its a lot easier to pull the trigger when youre aiminat the boogeyman.” All comes down to being pure. A 21st-century vision of Nazi Germany’s eugenics. Only Stripe agreed beforehand to effectively be hypnotised, to the point he can’t remember any of what happened. One strong headtrip.

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The army controls these soldiers, to the point they can literally take away sight with the implant. Arquette lays out Stripe’s options – go to jail, or have the implant reset and forget everything. But the soldier, he’s had enough. He would rather remember everything.
Or would he?
Arquette then allows Stripe to experience the raid at Heidekker’s place, to see everything as it really was, to feel the death, watch the blood flick over the walls. “You will see and smell and feel it all,” Arquette calmly explains.
In the end, he chooses to live in the army dreamworld. He sees flashes of that dream woman, their idyllic house. Yet none of it is real. Maybe it’s easier that way.

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A genuinely powerful episode. Lots of questions concerning the ethics of technology, as well as military technology and strategies in the ever-changing 21st-century. So many things to think about. Did I miss anything? If so, let me know. Love to hear what others are digging and thinking of each episode. Brooker’s series continues its amazingness with a strong third season, each episode is a spectacle unto itself.
My favourite observation of this episode is how rhetoric can eventually lead to terrible things, as Arquette explains the timeline of how civilians became referred to as roaches. Remember this, America. Right now.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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