FX’s Fargo
Season 3, Episode 10: “Somebody to Love”
Directed by Keith Gordon
Written by Noah Hawley

* For a recap & review of the penultimate Season 3 episode, “Aporia” – click here
Pic 1Gloria Burgle (Carrie Coon) is resigning her position as Deputy. I wonder if she’ll take things into her own hands. Larue Dollard (Hamish Linklater) is handling things at the IRS, inspecting the books from Stussy Lots. And ole Emmit (Ewan McGregor) is signing his life away to V.M. Varga (David Thewlis), looking on lovingly at the transfer of equity the way some people leer over something sexual. That wolf is a creep.
So when does it all come together? Well, Larue finds a piece of paper left by Gloria, saying “We should talk” with her number included. Just before she leaves the station she gets his call. But she didn’t leave it; hmm. He’s found “blatant tax fraud” among other madness.
Meanwhile, in a motel room, Nikki Swango (Mary Elizabeth Winstead) and Mr. Wrench (Russell Harvard) are gathering an arsenal for whatever they’ve decided comes next. Looks like maybe a minor war.
Pic 1AVarga: “On some level, food knows its food.”
There looks to be a fiery spirit in Emmit’s eyes. Not in a good way, either. He grabs a gun from out of Meemo’s (Andy Yu) holster, rebelling against his capitalist captors. He doesn’t want to be food. Certainly not for someone like Varga, who for his part goes on about everything from the Medici family to technological advances. They manage to knock Emmit out, and all of them clear out like ghosts.
When Varga and the boys head off they meet a boy who speaks of Swango. The kid leads them – a veritable army for such a situation – to King Midas Storage, an abandoned-looking property. They find spray paint leading them up to the 3rd floor. Up they go. Carefully. They find a note saying to leave the money, that the drives aren’t far. Except Varga receives a text saying the IRS has the drives, to leave. He does, leaving his men to their fates. He also manages to escape the elevator, weaselling his way from out of the grasp of Swango and Wrench who’ve got the cash. She doesn’t want much, only a couple stacks; the rest she gives to him. “All I want is the brother,” she signs to her friend.
Emmit wakes to an empty house, all the men gone. Stamp stuck to his forehead. He rushes up to the office, which is being converted, no longer Stussy Lots. There he finds Ruby Goldfarb (Mary McDonnell). She’s in fact an arm of Varga. They’ve put him into bankruptcy, though his money’s hidden. Ah, how the rich stay rich by getting momentarily poorer! Also how dumb people who think they’re good businessmen are used by other, more powerful businessmen and political-types as pawns in an elaborate economic game.
Pic 2Now everybody’s on camera during the ambush, from Mr. Wrench to Nikki to Varga, all of whom are now on the police radar. Gloria realises it was Ms. Swango sent the package to the IRS and who was looking for Varga, and she’s hoping to go find Emmit before it’s too late.
Speaking of him, he breaks down on the road by himself. A truck stops and out steps Nikki, shotgun in hand. “Are you as low as you can go?” she asks him at gunpoint. He admits he could probably go lower, judging how far he’s fallen so far. Then he accepts his death, asking her to kill him. She repeats the words the Wandering Jew (Ray Wise) said to her once before.
Before she can kill him a cop stops to see what they’re doing at the roadside. He asks for license and registration, all that. When Emmit tries telling him about the gun, the cop pulls on him. Nikki goes for the shotgun, the cop pulls his pistol, they both fall to the pavement. A bullet right between her eyes. Once again Emmit left in a wild position. Although alive. Somehow he slips through the cracks with an eerie luck.
Pic 3After all’s said and done, Gloria tells her son Nathan about his sorta-grandpa Ennis, the “root cause” of everything. She doesn’t actually tell him, just that the world is chaotic; perhaps the thesis of Fargo, from the film to the series. It’s all about the randomness of the universe, encapsulated via microcosm in these little pockets of Minnesota.
Emmit goes back to his wife, weeping. Five years later, we see him doing better. He filed for personal bankruptcy, did probation for two years. Claims say he’s got millions stashed away. If he were a man with less money, he’d be fucked. But God bless the capitalist dream, right? Here Emmit sits, the ruins of his life still around him such as the barely mobile Sy Feltz (Michael Stuhlbarg). And while he gets dessert from the fridge – get it, just desserts? – Mr. Wrench sneaks in behind him with a silenced pistol to put him out of his misery, finally.
Pic 4Varga: “Human beings, you see, have no inherent value other than the money they earn.”
These five years on, Gloria is in a new career. Working with the Department of Homeland Security. She’s got V.M. Varga in the interrogation room. He dances around things, as usual. Bringing in the Russian connection again. Equating things in cold, capitalist terms. Doesn’t matter much, he’s being charged with a ton of shit, and Gloria will go out to enjoy the “great American experiment” in freedom. Or that’s what she believes. He believes he’ll be let free, too. Is this the power of the villains? Do they always get away with it, no matter from how high up they’re being rained upon?
We’re impatient. We want justice and we want answers. We don’t get them, not straight out. The bad guy merely fades slightly, and our hope remains in the face of Gloria. It MUST remain. Else the battle is lost.
Timely, no? Resist the villainous. Never give up; be a Gloria.
Pic 5What a fascinating season! I loved it, and it’s possibly my favourite of the series so far. I’m disappointed we didn’t see more of the Thaddeus Mobley bit, I feel that was a waste. It didn’t detract, though. Serving a purpose to get us into the character of Gloria Burgle.
Either way, this was great, a jam packed, exciting, funny, weird and wild season. Look forward to a Season 4. C’mon, FX. You know you wannagotta.

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I'm a Bachelor of Arts (Hons.) graduate and a Master's student with a concentration in early modern literature and print culture. Although I've studied everything from Medieval literature onward, also spending an extensive time studying post-modern critical theory; I have a large interest in both Marshall McLuhan and Jean Baudrillard. I completed my Honours thesis on John Milton's Paradise Lost + the communal aspects of its conception, writing, and its later printing/publication. This thesis will serve as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day). My Master's program involves a Creative Thesis, which will be a full-length, semi-autobiographical novel. Author Lisa Moore is supervising the writing of this thesis. I'm already looking towards doing a dissertation for a PhD in 2019, focusing on early modern print culture in Europe and the constructions of gender identities. - I'm a film writer, author, and a freelance editor. My short stories have been printed in Canada and the U.S. I edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into post-production during early 2018. I was part of a pilot episode for "The Ship" on CBC; I told a non-fiction story of mine about my own addiction/alcoholism live for an audience with nine other storytellers. - Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17. I'm currently contributing to a new website launching in May 2018, Scriptophobic; my column is titled Serial Killer Celluloid. Contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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