Posted on

Twin Peaks – Season 3: “The Return, Part 15”

Showtime’s Twin Peaks
Season 3: “The Return, Part 15”
Directed by David Lynch
Written by Lynch & Mark Frost

* For a recap & review of Part 14, click here.
* For a recap & review of Part 16, click here.
Pic 1Nadine Hurley (Wendy Robie) goes to see Ed (Everett McGill) over at the gas station. Her golden shovel in tow. She says she’s “changed” and realises he’s been a “saint” over the years. She knows she kept him and Norma (Peggy Lipton) apart, all this time. Of course he denies it, insisting there’s nothing to it. He already knows, from the rhetoric, she’s been tuning in to the show crazy ole Dr. Jacoby (Russ Tamblyn) broadcasts.
So Ed goes down to see Norma. Except her new guy Walter’s around. Life and love has passed Big Ed by, after so damn long. Heartbreaking to see. No matter how much coffee Shelly (Mädchen Amick) serves him. Or a “cyanide tablet,” as he mumbles to himself. But all he has to do is wait a few minutes, until Norma kicks that guy and his franchises and all that shit to the curb. She’s fine right there in Twin Peaks, the way it’s always been, the way it’s always been meant to be now with that final cherry on top for these two.
But as usual, there are darker things happening while all the sweetness runs its course.
Pic 2Bad Coop (Kyle MacLachlan) drives down a desolate stretch of road. Similar to how The Return began. Then he pulls up to a place we all know well – the convenience store. Someone waits outside to take him in. Electricity flickers, they disappear.
Im looking for Phillip Jeffries
A dark room. One of the dirty, bearded lumberjack men pulls a switch. Electricity flares. Visions of the Jumping Man (seen previously in Fire Walk With Me). Through a familiar doorway, bad Coop goes into the darkness led by the lumberjack. They head out into a place like a trailer par. Where a woman talks in that backward talk of the Black Lodge. She lets him in through a locked door, into place with a number 8 on the outside. Inside, a light blinks rapidly. Bad Coop finds a strange kettle-like contraption, through which speaks the voice of Jeffries. He answers bad Coop’s questions, they speak of the ’80s, after Phillip showed up babbling about Judy. He says that Cooper’s already met her before. Hmm. A telephone starts ringing, endlessly. And the answer about Judy never comes, as bad Coop’s transported outside after he answers the phone.
Who exactly is Judy, after all? Since Fire Walk With Me, it’s been a lingering question.
Well, this doppelganger then stumbles onto Richard Horne (Eamon Farren), who believes him to be the regular Cooper, gun drawn. He wants to take out the FBI man. Instead, he gets the shit kicked out of him. But he ain’t dead. They’re taking a ride together, now that bad Coop knows this young man’s mother is Audrey (Sherilyn Fenn).
In the background, the convenience store zaps with electricity, pumping out smoke. Creating. Destroying. Manipulating. What all evil spirits do. Eventually, the place disappears, all that’s left is trees.
Pic 2 (1)Out in the forest, Steven Burnett (Caleb Landry Jones) is with his mistress, gun in hand and tripping out. Things are not good right now, not for him. He’s a dangerous, unpredictable dude to be around. He’s in one hell of a bad way. Might not be walking back out of those woods.
And why? Did he do what I think he did? Has he hurt Becky (Amanda Seyfried)? Christ.
At the bar, James (James Marshall) says hello to Renee, but her husband isn’t impressed. So he beats the living shit out of him. Until Freddie (Jake Wardle) and his colossal glove step in to remedy the situation. Now we know he wasn’t joking about the Fireman (Carel Struycken). He really fucked those guys up, James and his buddy are headed for a cell tonight.
In Las Vegas, Duncan Todd (Patrick Fischler) and his assistant are assassinated by Chantal Hutchens (Jennifer Jason Leigh) with relative ease. She and Gary (Tim Roth) head for burgers after, as he rants about the “nation of killers” that America’s always been.
Elsewhere in the city Dougie-Coop (MacLachlan) is still eating, Janey-E (Naomi Watts) continually doting on her simple minded husband. ‘Cause now he’s got a rockin’ bod and the gambling issues are gone. Yet little bits of the true Cooper are there, hiding behind the veil. Just waiting to come back out again. He spies the electrical socket. Fork in hand – uh oh – he crawls towards it. Jamming the fork in, the electricity zaps, his wife screams.
Will it kill him? Or take him back?
Screen Shot 2017-08-20 at 11.03.44 PMHawk (Michael Horse) gets a call from The Log Lady, Margaret (Catherine E. Coulson). She tells him she’s dying. She says: “You know about death. That its just a change, not an end.” This is the last time they’ll speak. She pleads that he remembers what they spoke of in the past. She says to watch for the “one under the moon at Blue Pine Mountain.”
Hawk gets Bobby (Dana Ashbrook), Sheriff Frank Truman (Robert Forster), Andy (Harry Goaz), and Lucy (Kimmy Robertson) together to inform them about Margaret’s death. As it is in a small town, those who knew her many years mourn her sadly.
Audrey and Charlie (Clark Middleton) are going to the Roadhouse. Things are still… strange. What’s going on with them? Instead of going out, though, they get into a bit of an argument. Escalating until she nearly strangles him.
At the Roadhouse, The Veils play “Axolotl” as various people mingle, drink, the same ole same. A young girl’s moved by a couple tough bikers, evidently they sit there often. Instead of getting up, the girl kneels on the floor and weeps, crawling into the crowd on the dance floor. Moments later she starts screaming uncontrollably.
We end on a shot under the credits of that trailer-like courtyard where bad Coop was taken. I wonder if we’ll see more in the last few episodes.
Screen Shot 2017-08-20 at 11.14.50 PMA few slow spots, I still don’t understand Audrey’s whole situation. Still, I feel like the biggest, most important Lynchian/Frostian mythologies are filling out. Eerie and strange Jeffries moments, too. Love those. Only several episodes remaining. I wonder if we’ll be left with some kind of devastating, near cliffhanger moment like Season 2 did 25 years ago. I’m betting yes, and Lynch/Frost will soak it in.

Advertisements

About Father Son Holy Gore

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

Tell me what you're thinkin'

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s