Tagged Better Call Saul

Breaking Bad – Season 2, Episode 8: “Better Call Saul”

AMC’s Breaking Bad
Season 2, Episode 8: “Better Call Saul”
Directed by Terry McDonough
Written by Peter Gould

* For a review of the previous episode, “Negro y Azul” – click here
* For a review of the next episode, “4 Days Out” – click here
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Oh, Badger (Matt Jones)! What are we gonna do with you?
Sitting on a bench unsuspectingly – one that has an add stating BETTER CALL SAUL no less – Badger is met randomly by a skinny guy looking for drugs. But smarty pants Badger judges him to be a cop, so he won’t immediately sell him anything. No way. Then as the guy pathetically wears him down Badger slips up, selling some of the good blue stuff.
And then swarm the police. Good job, dummy.
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On a television a commercial from Saul Goodman (Bob Odenkirk) plays while nobody watches. In bed, Jesse (Aaron Paul) and Jane (Krysten Ritter) lay together. What we can already see is how he’s becoming a bad influence on her possibly. She leaves abruptly, though he can tell something’s off. Turns out she’s in Narcotics Anonymous. You can already tell he is very interested in her, attracted and maybe even falling a bit. Or a lot.
At the White household things are still in a bit of disarray. Not as outwardly aggressive, yet still passive-aggressive slightly. Skyler (Anna Gunn) is off to work, and Walter (Bryan Cranston) worries about her being back around Ted Beneke (Christopher Cousins). Still, she kisses him and heads out like a normal couple.
Then Walt gets a call from Marie (Betsy Brandt). Seems things with Hank (Dean Norris) since the incident in Juarez have gotten worse. He sits around mostly, by himself, depressed and withdrawn. Naturally, though. I mean, he saw a bunch of guys get blown to bits. Tragic to see a guy like Hank, a tough dude with principals, get so shaken by his work. He tries putting on a good act for Walt, but it’s easy to see through. Perhaps Hank isn’t reacting how he hoped he would when coming up against the big terrifying stuff. Doesn’t help they think it was a little shitty he was the one to make it out of things, getting an evidence bag while the explosion went off. What’s interesting to me here is how Walt is on the opposite side of the law from Hank, yet he sits there caring for his brother-in-law, urging him to push forward. Such a darkly funny thing, and at the same time sort of awful, that Walt is there as a shoulder to lean on while heading out later to do some drug business.

 


Walt: “Fear is the worst of it. Thats the real enemy.”
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Jesse hasn’t heard from Badger yet, so their cash is light. Well little does he know. When he reaches Combo (Rodney Rush), he finds out what’s actually been going on. And that does nothing at all to ease the tension between him and Mr. White. So with Badger in jail and Walt worried sick, they’ve got to figure out what’s next.
Cut to Hank. He’s close to one of those panic attacks again heading into the DEA office for the first time since getting back. Yet he puts on the tough front and walks through the fire. Steve Gomez (Steven Michael Quezada) catches him up, as well as checks in on his old buddy.
In an interrogation room, Badger’s sweated by the young cop (DJ Qualls). Then Saul arrives – his lawyer! Goodman starts running his game, of course, and the tale has begun to weave. He tells Badger exactly how things are about to go; after he’s paid, certainly. He even has cheques made out to “Ice Station Zebra Associates“, which is awesome if you know that movie. Best of all, Saul goes right at the DEA even taunting Hank and his boys right to their faces.
Now we’ve got Jesse and Walt about to meet with Saul for the first time. Walt’s not at all impressed with the look of Saul’s stripmall practice. Although, the younger of the two makes a good case for having a “criminal [who’s a] lawyer” and not a Criminal Lawyer. When Walt heads in he makes the transaction. However, he’s appalled to find out the DEA is involved. Furthermore, Walt now knows the DEA is after Heisenberg. And that Saul plans on having Brandon take a deal involving talking to them about what he knows. Ironic to watch Walt on both sides of a situation once again, as Saul has no idea he’s the Heisenberg the law is after.
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Saul: “My real names McGill. The Jew thing I just do for the homeboys, they all want a pipe hittinmember of the tribe, so to speak.”

 


What happens next is a step up in the criminal game for Mr. White and his clueless partner. Jesse and Walt kidnap Saul and take him into the desert. They wear masks, of course. Only the cough Saul heard earlier in his office gives Walter away. Then the slippery lawyer greases out a little deal for himself, even making Jesse and Walt his clients in the process.
So Saul cooks up a deal with the DEA for Badger to give up Heisenberg. Really, it’s an old bald dude who gets paid to go to jail. He’s a lifetime ward of the system, so that’s sewed up. They set up a meet between this fake Heisenberg and Badger, on the very same bench where he was pinched at the episode’s start. Yet things get messy, and Walt ends up interjecting himself right in the middle of Hank and the boys staking things out from across the way. This is a tense and also comical moment, written well, played perfectly by both Bryan Cranston and Dean Norris; they have awesome chemistry and work great together. Through everything, the old con Jimmy gets arrested and things work out in the end for everybody. Er- not the DEA, just for Jesse, Walt, Badger, and Saul.
Hank ain’t sold, though. Not on this prison lifer being a mastermind meth cook.

 


Then Saul tracks Walt down in his classroom after hours. Wow. The Heisenberg persona wears thin, hey? Spells trouble for Mr. White who so relentlessly tries to conceal his true identity. But there’s nothing below board, Saul is merely looking out for his new client. First he confuses Walt with a reference to The Godfather, eventually offering up his silent partner services in their meth industry. Not blackmail. Definitely not ethical.

 


We’ll see how this new relationship becomes more prominent in the upcoming episodes. Next is “4 Days Out”, so stick with me for another recap and review.

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Better Call Saul – Season 2, Episode 10: “Klick”

AMC’s Better Call Saul
Season 2, Episode 10: “Klick”
Directed by Vince Gilligan
Written by Gilligan & Heather Marion

* For a recap & review of the penultimate Season 2 episode, “Nailed” – click here
* For a recap & review of the Season 3 premiere, “Mabel” – click here
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After Jimmy (Bob Odenkirk) stood by as his older brother Chuck (Michael McKean) smashed his head off a counter in the previous episode, the Season 2 finale begins with the two brothers – a psych out has us feeling it’s Jimmy at his brother’s hospital bed. But it’s the Brothers McGill at the bedside of their mother. One thing I love is how the flashbacks are always in this blue-grey tone, so immediately I should’ve known this was a view back to their lives. Before all the mess, or well, before the biggest mess. The dying mother wakes a moment and calls for Jimmy, right before dying. Calling out for him, the mother wastes away, and he gone out for a sandwich. The disappointment is evident by the look on Chuck’s face. He hates his younger brother, for always taking the easy way out, for always giving up, so on. I feel bad for Chuck, at the same time I recognize Jimmy’s situation, as someone who isn’t deliberately malicious, until absolutely pushed to that point. He simply doesn’t think. When he gets back to the hospital, Jimmy finds Chuck, who refrains from telling his brother about their mother’s last words, calling out for him.
With this opening sequence, the writing and direction of Gilligan is already doing wonderful things.
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Back to the end of “Nailed” – Jimmy races inside the copy shop to try and take charge of the situation. He gets Chuck’s head elevated slightly, though, the look in his brother’s is very spacey. In the hospital, he’s unable to protect himself from all the electronics beaming into him. You can almost feel the claustrophobia, as Gilligan uses a great rig shot to show him in this really up-close and personal perspective, which sort of cements us in a first-person point of view. A truly painful sequence to watch Chuck suffer underneath the lights and around all the electronic equipment. I’ve always felt he’s mostly crazy. Here, the acting, the writing, the direction makes this almost unbearable. Seriously. Not much affects me deeply, but Michael McKean had me wanting to cry, as Chuck pleads with them not to do a CAT scan. When the whole moment is over, I sighed a breath of relief.
But Jimmy doesn’t get such a chance to sigh. A doctor (Clea DuVall) explains to Jimmy there needs to be examinations done, however, Chuck is still refusing, obviously. The younger brother doesn’t want to commit the older one. Like anyone wouldn’t want to, either. Things for James McGill are about to get far more complicated than ever before. Because it’s been clear a long while, Chuck is not fit to be living without someone to help take care of him.
Worst of all, Chuck is sure of Jimmy’s treachery. To anyone else it sounds bonkers. To us, we know the truth. At the same time, man servant Ernesto says he called Jimmy, that’s why he showed up at the copy shop. Well, that pokes a hole in Chuck’s ideas. And he’s aware of what comes next. We’ll see how well that pans out, on all ends. As for Ernesto, he says he helped out because he likes Jimmy, and it seems as if Chuck has been out to get him. Yikes. Works for Jimmy.


In other areas of town, on the outskirts, Nacho (Michael Mando) and Arturo (Vincent Fuentes) are transporting the man who’d been driving the Mexican food trucks, the one Mike snatched up. And surprise, surprise – in the distance Mike watches them. Fairly close, too. I guess Nacho’s driving, so that gives him an advantage, as well as the fact he’s driving some old beater. With the finale upon us, Mike is definitely going to do something big, and dangerous.
At the hospital, Chuck just wants someone to believe him. Instead he’s put in for a CAT scan. It’s like a horror movie for him, stuck inside the electronic tube. Again, you almost feel the electricity the way he does. Out in the waiting room Kim (Rhea Seehorn) keeps Jimmy company, like the great woman she is, and he worries. Even if he’s partly responsible for Chuck’s situation. On television, Jimmy’s newest commercial turns up – “Gimme Jimmy – ‘cause moxie is in such short supply these days,” says an elderly lady, smiling, knitting. Hilarious little infomercial.
Except after coming out of the CAT scan Chuck isn’t moving, he isn’t speaking. Not even blinking. A “self induced” state of catatonia, where he’ll remain for who knows how long.


With his arms dealing friend Lawson (Jim Beaver), Mike is testing out a sniper rifle. He gets himself a nice new rig. And for what? There’s some sort of plan on the offensive. Even Lawson wipes his prints off the gun before the final sale. We’ll see exactly what Mike is preparing soon.
Meanwhile, Chuck finally wakes up. He gets to go home, no mental asylum or anywhere similar. For the time being, the older brother’s fine. Although, I’m not sure how long that will last. After Jimmy leaves he’s out in the garage, searching for something. Must be important, right?


But back to Mike. He’s out around the desert, hiking by some rocks to a place where he can set up his rifle. In the distance is a small shack where the van Nacho drove is parked, as well as another car beside it. Arturo digs a hole nearby (side note: is that the shack Tuco later brings Walt & Jessie?). When they bring the truck driver outside, Hector Salamanca (Mark Margolis) appears, as well. The two cartel brothers, his nephews, are also present. But trying to get Hector in his sights, Mike finds Nacho in the way. On purpose? Hard to tell exactly. Anyways, the truck driver is toast; dead and buried. There’s an amazingly drawn out suspense and tension to this sequence. For the longest time there’s no telling exactly what will happen. Gilligan’s direction keeps you guessing from one minute to the next. Once Mike’s car alarm starts blaring back behind him, it all gets gut wrenching. On his window Mike finds a note: it reads DON’T.
Scariest thing for Mike is he thinks he’s a shadow, invisible to everyone else, working behind the scenes. Now, someone proves they are more of a shadow, more invisible, and behind the scenes even to him. Trouble’s on the horizon, or perhaps… opportunity.


Catering to some elderly clientele, Jimmy, as always, continues to impress. At the new office, he continues to receive more new clients. Then Howard Hamlin (Patrick Fabian) is ringing, saying he needs to speak with Jimmy – about Chuck. What’s this now? As it happens, things are picking up at Chuck’s place. He’s turned the entire place into a foil casket, aluminum foil lining the walls. The whole house is a cage of aluminum. In addition, Chuck has retired – a.k.a quit – from HHM. All confidence has been shaken, Chuck feels he can’t be a lawyer anymore. He doesn’t think Jimmy’s to blame now, he blames himself. “What if I told you you didnt make a mistake?” Jimmy asks. He admits to what happened, to forgery, to all the nefarious doctoring and doings. He says he did it all for Kim.
Where do they go from here? Chuck reminds his younger brother he’s just admitted to felonious behaviour. There could be serious ramifications if Chuck were to take this thing to a legal level. And then, he stops his tape recorder after Jimmy leaves. WOW. WOW. No way, Chuck! You sly devil. Did not see that angle coming.


The end of the episode sets up an incredibly exciting Season 3 possibility. I love Better Call Saul. It is just as well written, if not sometimes better, than its sister series. Either way, Gilligan closed out Season 2 with a perfect finale and now I wonder exactly what sort of madness is in store for us moving into the next season. Can’t wait to see more and how it continues fitting into the puzzle pieces of its own creation.