Better Call Saul – Season 3, Episode 2: “Witness”

AMC’s Better Call Saul
Season 3, Episode 2: “Witness”
Directed by Vince Gilligan
Written by Thomas Schnauz

* For a recap & review of the Season 3 premiere, “Mabel” – click here
* For a recap & review of the next episode, “Sunk Costs” – click here
Pic 1Chuck (Michael McKean) is locking up for the night, having a cup of tea before bed. Diligently making sure the doors are locked, peeking through the windows. He has someone watching out at night, sitting in the dark at all hours. He’s waiting for something to happen. Anything.
Pic 1AA couple guys are waiting with a tracker. From a distance Mike (Jonathan Banks) watches them with his own tracker. He’s getting closer to figuring out who has a beat on him, his comings and goings. Could this all be a test? Is someone recruiting him to test out his skills? Or just somebody keeping tabs on a crafty guy like himself? Hmm. Whatever it is, Mike’s determined to get to the bottom of the mystery.
And then he follows a guy, in the night, into morning… all the way to, you guessed it: LOS POLLOS HERMANOS! God damn.
Jimmy (Bob Odenkirk) is meeting with a woman named Francesca Liddy (Tina Parker) applying for a job in the office. She meets with Kim (Rhea Seehorn), too. They check out her resume, her experience, so on. They need somebody organised, to keep the place afloat. Kim isn’t sold, but Jimmy wants to hire her. Something like this is going to play directly into the plot, at some point in Season 3. When, exactly? Francesca will play a big role, in some way, shape, or form. Maybe she’ll wind up seeing Jimmy do something shitty, or she’ll flip on him for some reason, or who knows.
Mike calls Jimmy at the office: he wants him to go into Los Pollos Hermanos, to keep an eye on things, the guy with the bag whom Mike previously followed. Ah, the beginning of how Mike and Jimmy come into contact with Mr. Gus Fring (Giancarlo Esposito). Jimmy has breakfast starting out his spy duties. Soon the man with the bag arrives and our hapless lawyer tries to keep him in his sight.
FINALLY, our first look at Gus in a couple years! He sweeps up around where Jimmy sits, and the man with the bag, too (does he sweep something up from the guy? Is that their sneaky system?). Mike gets no information that helps from Jimmy, walking away empty handed. For the time being.


Mike keeps on Los Pollos Hermanos, determined that he’ll find out what’s been going on. It’s a tiring job, one he no doubt was prepared for all those years as a cop. Soon, a black SUV pulls into the restaurant rather suddenly, backing into the rear out of sight. Then it’s gone again in a rush. Who’s driving? Victor (Jeremiah Bitsui), our old pal from Breaking Bad. Another lead to follow.
At the McGill/Wexler offices, Ernesto (Brandon K. Hampton) can’t go in, so he phones Kim. She goes out to meet him and he’s so obviously stressed, with the information he knows from hearing Chuck’s clandestine tape. He wants to tell Jimmy about it, but doesn’t want to get in trouble because of helping his friend. So, he opts for Kim, whose view of Jimmy has once again shifted.
Gimme a dollar,” she tells him – the same he did with Walter White and Jesse Pinkman when they had him in the desert, hood over his head. They’ve now got attorney-client privilege. He spills the beans, involving his emotions over Chuck, wanting to cut him some slack mentally. Only the tape exists now. Note: when Kim’s talking to him, and he’s peeling tape off the newly painted wall, at first (before he gets frustrated) he uses the technique his big brother Chuck taught him last episode; he can never escape him, even when Chuck is screwing him over, eternally.


Still following that tracker, Mike is out in the middle of nowhere. He’s lead to a gas cap in the road, a cellphone waiting on top. And surely when it rings, on the other end are instructions for where to go.
In other news, Howard Hamlin (Patrick Fabian) is sneaking around in the neighbourhood near Chuck’s place trying to remain unseen. They have a little secret meet. Howard’s getting impatient with all the nonsense, all the money spent on private investigators, et cetera. All in the name of trying to snag Jimmy for his crime. He wants to get on with “alternate strategies” and finish with Chuck’s paranoia.
No sooner do they finish their conversation does the younger brother show up, pissed off and ready to beat down the door. Which he does. He flies into a rage and calls out Chuck over his betrayal. He breaks open the desk to find the tape, then cracks it into pieces. Could likely mean only more trouble for Jimmy, as there are witnesses to his frustrated outburst.


Man, oh, man! What’s next for the Brothers McGill? Nothing good.
Coming up is “Sunk Costs” and I’m so intrigued to see more of Gus + Mike, as well as what Jimmy must deal with in the fallout of his actions here in this episode.

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Better Call Saul – Season 3, Episode 1: “Mabel”

AMC’s Better Call Saul
Season 3, Episode 1: “Mabel”
Directed by Vince Gilligan
Written by Vince Gilligan & Peter Gould

* For a recap & review of the Season 2 finale, “Klick” – click here
* For a recap & review of the next episode, “Witness” – click here
Pic 1We start Season 3 with another black-and-white flash forward into the future of Jimmy McGill a.k.a Saul Goodman a.k.a Gene the Cinnabon manager (Bob Odenkirk). Nancy Sinatra croons “Sugartown” as we watch his daily life at the Cinnabon in the mall. Far from where we saw him in Breaking Bad, juxtaposed beautifully with the place we follow along in the current timeline of Better Call Saul; one of the fascinating parts of the writing and the progression of characters is how Gilligan & Co. pull off making his journey into a, at times, non-linear adventure. In turn, this keeps things fresh even though we already know where Jimmy/Saul ends up down the road.
What I’m most interested in is where Gene goes from this point post-Breaking Bad, or if he continues on in his purgatorial existence, a fitting end for a greasy guy such as himself. Eating lunch alone on a bench he winds up seeing a sketchy young man who looks to be hiding, in trouble. Rather than let the kid go on, he rats him out to the cops. Then in a burst he tells the kid to say nothing, and advises him to get a lawyer. That old Saul came loose, even for a second. Gene’s not as measured as he once seemed. Later while glazing some buns he passes out. Yikes.
Pic 1ATo the current timeline. Jimmy and Chuck (Michael McKean) are back where we left them, when the younger brother confessed to his brother believing no one else would hear. Not knowing Chuck was hiding a tape recorder the entire time. All the while Jimmy thinks everything’s well, or at least stable. A situation he can manage. The brothers reminisce about being younger, triggered by The Adventures of Mabel which Jimmy finds in Chuck’s bookcase. For the first time, they actually seem like brothers. Not for long, though. The older of the two reminds with an ominous tone: “You will pay.”
Kim Wexler (Rhea Seehorn) is doing her best to keep her chin up, too. Despite the rollercoaster of a life she has sitting next to Jimmy. He’s not exactly a dream dude to be involved with in business, or in friendship, love, et cetera. Eventually I have to believe Kim won’t be able to reconcile her morality with being on his side. She already knows he’s not on the level, but just doesn’t realise how deep the well of deceit goes. But as always, the problem is that Jimmy’s such a likeable loser that it’s very tough not to root for him.
Jimmy: “For ten minutes today Chuck didnt hate me. I forgot what that felt like.”
Meanwhile, Howard Hamlin (Patrick Fabian) hears Chuck’s tape of Jimmy and the confession. Certainly the secret recording isn’t enough to hold up in court; Chuck knows. So why have the tape at all? Does it involve Kim?
Of most interest to me is Mr. Mike Ehrmantraut (Jonathan Banks). He was out in the desert, and found a note telling him to get away. A warning, but from whom exactly? Mike does the smart thing, speeding away from the scene then checking his car for any kind of devices; nothing. He heads to a scrapyard and has a closer look. And I mean a CLOSER FUCKING LOOK. Mike uses every last ounce of his training to look through the guts of his car, inspecting each inch with precision. Like he can smell it yet can’t seem to find the thing.
Finally, he discovers something hidden in the gas cap. THE GAS CAP! An ingenious, tedious place to hide a tracking device. That’s some next level deviousness. But now Mike has some idea, a starting point leading to whoever’s keeping an eye on him so close.


Jimmy receives a visit from Captain Bauer (Brendan Fehr), one of the military gentlemen whose eyes he pulled the wool over when needing to cut a commercial. Anyways, he’s not happy. Slick talkin’ Jimmy tries to sell him a load of horseshit, that doesn’t work. Either Jimmy takes the ad down or “therell be hell to pay.” He doesn’t dig that, so he threatens to take it to court and win. The captain advises him, in his own way of speaking, that eventually Jimmy’s going to get what he deserves. From the flash forwards and seeing Breaking Bad, we know this to be true.
With his newly acquired knowledge, Mike switches out his gas cap to head off after work. At an old warehouse he meets his friend the veterinarian (Joe DeRosa) to get himself some gear. Pricey, too: $1,000.
Back to Kim, over at Mesa Verde she’s doing great work. As always. Worse still she knows the treachery, the guilt eats her. How long before it eats her alive? Every time she hears about Chuck and his supposed mistake, it’s like a stab in the gut. Also, in the office – that rainbow… any imagery connections to that in Season 2? I’d like to revisit that.
Over at Chuck’s place, he has to get Ernesto to help him change batteries in the tape recorder. The thing is on when he changes them, he hears a bit of Jimmy confessing. This sends the old gentleman into a fit of anger, trying to make sure Ernesto won’t ever tell anybody about what he’s heard. “There could be terrible consequences,” Chuck convinces him with a torrent of quasi-threatening language.
Pic 3Mike, Mike, Mike; what will you think of next? He’s like the counter-intelligence king of the streets, using all that police knowledge from busting criminals, learning their ways, to fuel his own criminal enterprises. Except right now it’s like espionage, trying to discover who’s on the other end of the surveillance on him. He’s reversing the cat and mouse aspect of the dangerous game that’s being played, or at the least trying to do so. And he loves pistachios. Fucking loves them. I don’t blame him, either; they’re great.
After a long night of waiting, Mike sees a vehicle stop. Someone retrieves the GPS tracker from the gas cap then they’re off into the night fast as they came. So, Mike has a lead on where they’re headed.
Want to take a guess? Might have something to do with Los Pollos Hermanos, maybe?


Great start to the season! I don’t care if people say the show’s slow moving. It’s meant to; the storytelling and the character development and the plot moves are all spectacular. Great music and score, as well. Excited for “Witness” next week. Welcome back.

The Walking Dead – Season 7, Episode 16: “The First Day of the Rest of Your Life”

AMC’s The Walking Dead
Season 7, Episode 16: “The First Day of the Rest of Your Life”
Directed by Greg Nicotero
Written by Scott M. Gimple, Angela Kang, & Matthew Negrete

* For a recap & review of the previous episode, “Something They Need” – click here
Pic 1Sasha (Sonequa Martin-Green) is on the edge of life and death. I only hope she holds on. Will she? Or has she decided to choose death, once and for all? She has a dream, of being back with Abraham (Michael Cudlitz). In their home at Alexandria. Quickly, she’s back with Negan (Jeffrey Dean Morgan). He’s brought her something to eat. And he has plans to use her to get things “back on track” – whatever that means, we’ll soon find out. She even gets a blueberry, smiley face pancake with eggs and fruit for breakfast. Yum. The sinister plot of Negan begins.
Pic 1ABack at Alexandria, Rick (Andrew Lincoln) has his gun on Dwight (Austin Amelio), who says he only wants things with Negan and The Saviors to end. It’s all pretty tough, Daryl (Norman Reedus) doesn’t like it, neither does Tara (Alanna Masterson). Nobody really trusts him, even though he gives a passionate speech about why he’s done what he’s done. Except Daryl does know more than the others about him, about his wife, what happened with Negan. They also worry about Sasha, that Dwight may be their only lifeline to getting her back, as well as their best way to infiltrate the Sanctuary and end the reign of terror.
So they must prepare, one way or another, for Negan and his Saviors coming soon.
Poor Sasha, she keeps flashing back to Abraham. Not sure which existence is a dream. Flashing to Negan and his plan, his breakfast. Her mind is being absolutely tortured. She sees, more and more, there is no way forward with Negan other than “punishment” and death by Lucille. He wants three to die, but would settle for just one. And for now Sasha agrees: only one.
Negan (to Sasha): “Youve got me wrapped around your little finger, yknow that? And its not a man-woman thing. I mean, if you had a dick I would still have these feelings.”
Pic 2Maggie (Lauren Cohan) is figuring out what to do with Hilltop, with Gregory (Xander Berkeley) off elsewhere, and Jesus (Tom Payne) happy to help her with anything, glad to have her leading the place. What to do? They need to fight. Just depends on how, what they can contribute to help Rick and Michonne (Danai Gurira) and the rest at Alexandria in taking the fight to The Saviors and Negan. I have faith that Maggie can play a big part, she’s a force.
Then there’s another force of fucking nature – Carol (Melissa McBride). She and Ezekiel (Khary Peyton) and Morgan (Lennie James), her pals from the Kingdom are on the road together. Well, Morgan likes to go it alone, but they’re together in one sense. Ezekiel wants Morgan with them. Once again, the man cannot forgive himself or get past things long enough to help those around him. A trouble dude in troubled times. At least he has Carol and his pals from the Kingdom, and Shiva!
Jadis (Pollyanna McIntosh) and her people arrive, garbage trucks and all. They’re an odd bunch; Jadis says she wants to bang Rick later, which neither he nor Michonne like to hear. In other news, Daryl, Rosita (Christian Serratos), and Aaron (Ross Marquand) are wiring an explosive they’ll put to good use soon enough. At the same time, Negan and Co are held up in the road, coming across the downed trees knocked over by Dwight.


Sasha’s decided not to take that pill after all. What she’ll decide in the end ought to be interesting. In the meantime, her friends at Alexandria have readied for the coming fight, even Carl (Chandler Riggs) has himself an assault rifle. Everybody’s braced for war. As The Saviors and Negan arrive, Eugene (Josh McDermitt) is up in front with a megaphone greeting his old friends. Nobody’s impressed with that, particularly after he tells them: “Im Negan.” Rather than suffer any fools, they opt to set off their explosive. Instead nothing happens. Jadis and her crew turn their weapons on the Alexandrians, Dwight hops from the truck with Negan. No explosions. No surprise assault. Oh, fuck.
We win
The tables have turned, drastically. Rick is not happy, as Negan gloats with everyone on his side. He lays it on thick while the Alexandrians await whatever comes next. Then, Dwight and Simon (Steven Ogg) wheel out a casket. Inside is Sasha, says Negan. He’s going to take all the guns, whatever food they can get. Rick also much choose a victim for Lucille. Plus, Daryl and the pool table go, too. Or else Sasha and a few others die.


Rick demands to see her first. So, Negan opens the casket – we get another flash of Sasha and Abraham: “Its always for someone else,” he tells her; a resonant point about The Walking Dead as a series as a whole. We also see Eugene give Sasha an iPod for her ride in the casket. She still has that pill, too. And she takes Abraham’s words to heart, in the worst way possible. She swallows the pill.
When the door comes open, a zombie Sasha appears! She lunges at Negan, then Carl takes the first shot initiating total chaos amongst the crowds. Bullets fly everywhere. Michonne wrestles with the other sniper on the rooftop. Rosita takes a bullet as Tara helps her away from the action. Jadis and Rick face one another down at the wall’s top, then she fires a shot into his side, tossing him over.
With gunfire everywhere, the Alexandrians struggle to stay alive. Jadis brings Rick to Negan, dead bodies litter the streets. The Saviors have Carl, and it seems as if he’s the next target for Lucille. Furthermore, he wants to use the bat on Rick’s hands. “I guess I gotta start all over again,” he taunts Rick. In the distance he also believes he hears Michonne dying. Somehow he stands against the tide, strong: “Youre all already dead,” Rick tells Negan.
But before any more death can come, Shiva leaps in behind them and takes down a man, scaring The Saviors and Negan away. Ezekiel, Carol, Morgan, Maggie, they all appear to push back the villains. And though the biggest baddie’s run off, he’s taken aback by the tiger, the living widow of Glenn “guns blazin‘” and sent packing with his tail between his legs. Nice to see Morgan and Rick together again, as well. Fighting side by side.
Once the smoke clears, Alexandria still remains standing, though the threats likewise live on. And Michonne, she made it out alive, if not a bit worse for the wear. She hasn’t given up, either. Not one bit.
Pic 5Back at the Sanctuary, Negan’s wondering how Sasha actually died. Eugene bullshits saying it was probably suffocation in that casket, but the boss ain’t sold. Nevertheless, he’s prepared for war. Things in Season 8 will get fucking ugly.
Although with the force of The Saviors coming down upon them, Rick and Maggie and the rest are also prepared for war. They slipped this time, managing to regain their footing. Next time, I don’t think they’ll go in trusting another group. It’s all on them now. Alexandria is full of life, with all the groups in one place for a while, each ready to fight for the person next to them.


A great season. Loved this season finale, because we ended last season and began this one on a devastating note, a weak one for Rick and everyone around him. At the end of Season 7, they’ve all regained a strength, and some they didn’t know they had, which will serve them well. We needed this progression, and as Maggie points out in her ending monologue this all began so long ago, at the beginning when Rick and each of them decided to stand for the other, to help, to love, to protect, to fight on the one side

The Walking Dead – Season 7, Episode 15: “Something They Need”

AMC’s The Walking Dead
Season 7, Episode 15: “Something They Need”
Directed by Michael Slovis
Written by Corey Reed

* For a recap & review of the previous episode, “The Other Side” – click here
* For a recap & review of the next episode, “The First Day of the Rest of Your Life” – click here
Pic 1ATara (Alanna Masterson) finally tells Rick (Andrew Lincoln) about Oceanside, finally. Unable to keep the promise. She already feels guilty, and worse Rick warns that things could go bad. Because, y’know, nothing’s ever easy. Not in the post-zombie apocalypse landscape. Not for anyone, Rick, Tara, or otherwise.
Maggie (Lauren Cohan) is fast becoming one of the better leaders around. She runs much of the production happening at Hilltop, despite Gregory (Xander Berkeley) playing the figurehead. Meanwhile, Rick and Michonne (Danai Gurira) play their part in the coming plan for Oceanside. Jesus (Tom Payne) and Daryl (Norman Reedus) set up their own part, too.
And now see Sasha (Sonequa Martin-Green), stuck in that same place where Daryl was at The Saviors compound. In a terrible position. A man tries to play quid pro quo, violently. To which she responds with an excellent headbutt. Before the guy gets to rape level, Negan (Jeffrey Dean Morgan) shows up. Rape is “against the rules” as you’d hope it would be, though I think he plays loose with that term when it comes to his own wives. So he puts a knife through the dude’s neck. Then they have a little chat, he and Sasha. About what’s next for her. She’s left in that dark cell with Rapey Davey, to either save herself and join up with Negan, or kill herself, or whatever she chooses.
Negan: “I just want you to understand, we are not monsters.”
Later, Eugene (Josh McDermitt) turns up with a few comforts, like a pillow (not hypoallergenic) and such. He wants her to accept the offer Negan came in with, as he did. He’s given up, on everything. On himself. There was hope he’d change his cowardly ways, now I’m not sure that’ll ever happen. Eugene is yellow, through and through. Not a great way to honour the legacy of Abraham, and Sasha sends him away.


Maggie and Gregory chat while she gardens. He’s such a crabby, impatient man who really does nothing for his people, except give everything over to The Saviors and not fight them. He wants to put up a “united front” in image to those under him at Hilltop, when she’d rather it were real. They plan on talking later, but I just don’t trust the guy. He’s conniving. He actually looks as if considering killing Maggie, even for just a moment. The thought crosses his mind. Then we see his cowardice, not wanting to be saved by Maggie from a walker then having to be saved, then getting attacked by another one in the meantime. What a sad, sad excuse of a leader. Although she treats him with dignity instead of ridicule. Shows what a good heart she has; I wouldn’t be so fucking nice to a guy like that. But she understands, deep down, what it is to be vulnerable. She still has so much humanity.
In Oceanside, Tara infiltrates the leader Tanya’s cabin. Enacting the plan. The women aren’t happy to see her, wishing they’d killed her instead. She offers the women to join them, telling them what happened to her group, all The Saviors have done. Now it’s time to fight. Tara tries convincing them to talk with Rick, only it’s too late. Michonne, Daryl, Jesus, they all storm Oceanside, setting off an explosion, firing shots. Nobody’s hurt. Yet. In the cabin, Tara gets taken down; revealing no bullets in her gone. All a distraction.
Outside the others have things under control. Then they discover Tara’s held hostage. Rick says he’s taking the weapons, one way or another. They try to convince the Oceanside survivors to fight with them against Negan, The Saviors. And the other women, they start to agree fighting might be better than hiding, waiting for more threats to come. As Tanya gets overcome and a truce looks likely, walkers crowd the woods. Rick’s group and the Oceansiders must band together against a horde of waterlogged zombies. And band together they do, aside from Tanya.


Sasha’s killed undead Rapey Davey. She’s one of the gang, at least for now. Negan still doesn’t trust her, not yet. Not fully. He says he’ll try to “make it fun.” Yikes, I don’t like where this is headed. She might become a pawn in his dangerous game in a way she’d never anticipated. Something scary is coming; know that.
At Hilltop, Gregory seems to be having a crisis. More people know now of his cowardice. He’s confronting his ugly self, that he nearly killed a pregnant woman because he doesn’t feel like top man in charge anymore. So it’s back home, to drink and read a map. He has places to go, apparently.
When Eugene goes to talk to Sasha, she makes apparent she won’t let Negan do whatever it is he plans to do. She doesn’t want to be a tool to hurt Rick and the others. “I have to die, its the only way,” she tells Eugene. She wants out. She begs. But is this something devised by Negan, to test her further by testing Eugene? Her reaction makes me wonder. He brings her back a pill full of poison he made. Painless, he says. The one he made for Negan’s wives originally. It appears she does really want to die. Makes me sad.
Pic 4Rick and the gang go back home to Alexandria where the others await.
And someone else. In the cell Morgan made, Rosita (Christian Serratos) has Dwight (Austin Amelio). This sends Daryl into a fit of rage. But Dwight comes wanting to help. Rick’s cool with that, then orders him: “Get on your knees.” Shiiiiiiiieeeet.
Is former Sheriff Grimes going to pull the trigger, send Negan back a body bag message? I don’t think so. Smarter not to. We’ll see.
Pic 5What a great episode. Love how we get a broad look at a lot of characters, from The Saviors and Negan, to Oceanside, to Rick and Sasha and everyone. Such good writing to juggle so many people and keep it interesting, dramatic, tense. Negan becomes a better character and less cartoonish as time goes by, too. Love Jeffrey Dean Morgan.
Season finale “The First Day of the Rest of Your Life” is next. Can’t wait to see what Greg Nicotero has in store for the last episode of Season 7; been a great one!

The Walking Dead – Season 7, Episode 14: “The Other Side”

AMC’s The Walking Dead
Season 7, Episode 14: “The Other Side”
Directed by Michael E. Satrazemis
Written by Angela Kang

* For a recap & review of the previous episode, “Bury Me Here” – click here
* For a recap & review of the next episode, “Something They Need” – click here
Pic 1So what about Negan (Jeffrey Dean Morgan) and his search for escapee Daryl (Norman Reedus)? That fruit will come to bear soon enough. Right now at Hilltop, Maggie (Lauren Cohan) is teaching everyone, Enid (Katelyn Nacon) included how to defend themselves properly. At home Enid and Maggie are like buddies, or almost a mother-daughter relationship. And Jesus (Tom Payne), he’s both a help to Maggie, as well as to others.
Because we can’t forget about Sasha (Sonequa Martin-Green), she’s preparing to go find Negan, to kill him. Jesus, he helps by drawing a map to show her what The Saviors’ compound looks like.
Note: The beauty of this opening sequence is that there’s not a word spoke, only the sound of breathing, if that, and the images telling a story. Really beautiful stuff. Powerful technical filmmaking on television.
Then Rosita (Christian Serrators) arrives, like the end of last episode. Now she and Sasha have a mission, together. But it’s very, very dangerous.
Pic 1AWe also discover that Jesus is gay. Or at least that’s how it sounds. He and Maggie have a heart to heart, which as usual, as any conversation in this new world does, leads to more of what’s next to do, in order to survive.
Jesus finds Sasha, looking for ammo. He and Enid both realise Rosita’s not there to train anyone. They’re going to kill Negan. But the other two try helping, they want Sasha to stick around and help. She’s a strong person, an asset to anyone she’s helping. Jesus also likes having her around, for many reasons not least of which is her strength and determination. Sasha is a great character. And so is Rosita.
This is why I get worried. When characters get a close focus, those other than Rick and Carl and a couple other key players, it’s often right before they’re killed. I hope this isn’t the case. I love Sasha and Rosita. They’re tough, smart.
Jesus: “‘Cause its a long life, and then it isnt.”
The Saviors show up unexpectedly. This sends the two women off on their escape. Likewise, Daryl and Maggie are hidden in a cellar as the men come invading Hilltop. Gregory (Xander Berkeley) does his duty, doing the dance when Simon (Steven Ogg) comes with, you guessed it, no good news. They’re only there to find somebody for Negan. In the meantime, Rosita and Sasha are on the road again, an unlikely yet understandable duo. They’re equally stubborn about the way forward. Each of them want revenge, and I get that. They just have to focus, otherwise it’s more and more likely they won’t make it; together or not. For now they kill zombies, going back and forth with what they think is best to do.


At Hilltop, Enid gets worried when one of The Saviors discovers the cellar. She does her best to keep him away. It’s no use. Except he doesn’t find anyone, only some fruit.
So it seems Simon and his boys have come to collect Dr. Harlan Carson. They’ve been sent by Negan to bring him back. “Congratulations, youre movinup in the world,” Simon says in that ugly charm of his, and then we realise that Dr. Carson’s brother is the one who was killed so violently as of late by Negan. Yikes. So on he goes, to the land of “cardamom gelato” and other delights. However, Gregory isn’t pleased with being so powerless. He tries currying favour with Simon, only getting a deal that he can come see the man at the compound; name at the gate and everything. Not exactly what he wanted. Then again, Gregory doesn’t have much of a spine. I wonder, will that change down the road?
Back to the man in the fruit cellar, Maggie stops Daryl from killing him, and then on he goes. They’re safe and sound. Only Daryl would rather kill every last one of them instead of waiting for the perfect time. He and Maggie wind up talking about Glenn’s death; he feels entirely responsible, apologising to her. She wants to kill The Saviors, just like Daryl. Only she wants to make sure they win.
Maggie (to Daryl): “Youre one of the good things in this world. Thats what Glenn thought. And he would know, ‘cause he was one of the good things, too.
Meanwhile, Hilltop’s left without a doctor. Not a good prospect in the post-zombie apocalypse world.


Rosita and Sasha start enacting a plan to get past a crowd of walkers and to another car. Lighting a separate car on fire, they draw a group of them away and hot wire the vehicle. It starts and they’ve got at least a drop of luck on their side. Rosita’s a bad ass driver to boot.
At The Saviors compound, Sasha and Rosita set up in an adjacent, abandoned building with the sniper rifle. They can see Eugene (Josh McDermitt) doing work. For the time being the two women actually bond over a bit of rigging while Sasha learns to tie knots on a piece of rope. They, of course, talk about Abraham soon enough. And Rosita admits to initially hating Sasha, though it was probably because he “figured his shit out first.” This is a great scene of dialogue between them, as the characters have all these unresolved issues with Abraham after his tragic death. After they come to terms with everything, it only makes their new bond stronger. If anything for the memory of their dead friend and lover who was struck down so cowardly by Negan, without a fighting chance.
Then Sasha sees that Dr. Carson, who was taking care of Maggie, has been taken to the compound. Just as Negan comes out to greet their newest addition. No clean shot with the sniper, particularly with the doc too near. The women hear Eugene over the radio; he mentions Negan will be in his room for a while, so this prompts them to want to head inside.


At Hilltop, Gregory calls Jesus in for a chat. Says he’s slacking, and there are too many people in his trailer. Everyone’s got to pull their weight now. Jesus sees through their fearful leader, which draws a perceived threat from Gregory. He makes clear they aren’t friendly anymore. Uh oh. I don’t like the dude’s ‘tude. And I love Jesus, so I’d hate to see anything uncool happen to him. But no matter – Daryl’s figured out that Sasha and Rosita have taken off, alerting Jesus.
Speaking of the kick ass ladies, they pop a guy in the head who’s out working with Eugene. They want to break him out. “Im not goinwith you,” he tells them. He’s brainwashed, willingly. Too full of cowardice to do anything for himself, or help those that once helped him so much.
The women go in. Well, Sasha does. She closes the fence behind her and goes on, telling Rosita it isn’t her time – the same said earlier of Abraham. So Rosita goes running away, as Sasha works her way violently into the compound. And in the shadows waiting for her is Daryl.
I wonder if he and Rosita will follow Sasha. And is it definitely Daryl? Could it be Dwight?
Pic 5What a great chapter in the last bit of Season 7! I can’t wait to see whatever excitement comes in the last couple episodes. So tense. So many sacrifices for Rick, Rosita, Sasha, Maggie, Daryl, all of them. Will they gain any ground? Or will the end of Season 7 provoke more devastation? You know someone’s dying, but who knows who’ll that be, either.

The Walking Dead – Season 7, Episode 13: “Bury Me Here”

AMC’s The Walking Dead
Season 7, Episode 13: “Bury Me Here”
Directed by Alrick Riley
Written by Scott M. Gimple

* For a recap & review of the previous episode, “Say Yes” – click here
* For a recap & review of the next episode, “The Other Side” – click here
Pic 1An ominous beginning. Ezekiel (Khary Payton), Jerry (Cooper Andrews), and Richard (Karl Makinen) load a truck, but only with a small crate inside. Is this a ploy to mess with The Saviors? I hope so. If not, we’ll find out eventually, either way.
Note: episodes written by Scott Gimple are usually exciting to me, so I expect a good one!
After the credits we’re back with one of my favourites, Carol (Melissa McBride). She’s having some bad dreams. Even if she hadn’t ever killed anybody, just existing in the post-zombie apocalypse world is enough to make you have nightmares on a regular basis. But she struggles with the choices she’s made. She’s a REAL, GENUINE character, instead of having her be another uncaring clone we’ve seen time and time again. This is why she is one of my favourite characters on The Walking Dead.
Meanwhile, Morgan (Lennie James) – another of my favourites – is teaching more of his martial arts style to kids, making sure they’ve got an alternative to just hacking and slashing. And then there’s Carol, who shows up at the Kingdom, hacking and fucking slashing like a true bad ass. She wants to have a chat with Morgan. She wants to know the truth about what’s happened, to her friends in Alexandria, involving The Saviors, so on. But he won’t answer her questions because they’re not his to answer. THIS is a reason I love Morgan, under all his flaws he has a strict moral code, one from which he doesn’t want to stray. Sometimes he does. Overall, he abides by that code more than anyone else in the series, even to his own detriment at times, and foolishly that of others. Still he is an important character, and one who’s been with us since the very start. He’ll have bigger things to do as time goes on.


At the Kingdom, Ezekiel receives word from a woman named Nabila (Nadine Marissa) that their crops have weevils, some of them. They have to get rid of a certain amount to save the rest. A slight setback, though they all seem to have a positive outlook on life in their little corner of the zombie ridden world. Nevertheless, Ezekiel’s mind weighs heavy, definitely in part due to needing to pony up so much produce for Negan (Jeffrey Dean Morgan). Perhaps the weevils are also symbolic, of the world outside never failing to work itself inside their Kingdom. Or in general, The Saviors are like weevils, and should Ezekiel choose not to help stamp out that pest, it may ruin everything.
Richard’s still trying to convince others they need to act, or forever deal with the repercussions. He leans on Morgan. Although Morgan’s trying to abide by that code as always it seems like he could sway. Eventually. Right now they’re headed out on a run. On the way they’re stopped by a blockage on the road, shopping carts lining the street. The crew head in to inspect. Out back of a store, they find a sign reading BURY ME HERE next to a grave waiting to be filled with a corpse.
Ezekiel: “It is mere luck we are not all insane
Benjamin: “It isnt luck, Your Majesty.”
Ezekiel: “Hows that?”
Benjamin: “The world does drive people crazy now. Butyouve made us another world.”
Nothing gets any better when they meet with The Saviors. Funny though, how those guys think they don’t bow to any king, president, prime minister. Yet they all say I AM NEGAN like a cult mantra. A standoff ensues once Ezekiel hasn’t brought enough for Negan’s men. Things get very tense. A lesson needs to be taught apparently. So now, one of The Saviors puts a bullet in Benjamin’s leg and sends them back to the Kingdom.


Carol receives them at her place. They put Ben on a table, but the blood is leaking out of him faster than anyone can move. Watching on, everyone, Morgan especially, fears the worst. Then, he’s dead and gone. This is really going to put Morgan’s worldview to the test. He’s on the brink of madness. He sits in the BURY ME HERE grave and nearly cuts his own wrist open wide. But chooses to live.
Turns out that Richard caused the whole thing, having tried to make a deal with Jared (Joshua Mikel) from The Saviors, backfiring when the guy chose to shoot Ben instead. Richard wasn’t able to put anything together, now he got one of his own killed. He tells Morgan the sad story of his days after the zombies took over. Everyone’s got one, it doesn’t make what he did any more sensible.
Can Morgan sit by idle? Can he let Richard use Ben’s death as a way to mobilise Ezekiel, the Kingdom? It isn’t right. This is something he can’t reconcile with his moral code. There’s just no telling what he’ll do with that in the long run.
When the crew bring their goods to The Saviors again, Morgan attacks Richard in front of everybody, choking him and beating him to death. A brutal, primitive moment from Morgan, the first in such a long, long time. Nobody even tries to intervene, for fear of what could happen. Afterwards, he reveals to them what Richard did, why he killed the man. But things can’t go on as they did before. Not for Morgan. This will irreparably change who he is, and in turn what he’ll do going forward. I can see it changing Ezekiel, too.


Morgan takes Richard’s body to the BURY ME HERE grave and buries him. After that he goes on a spree killing zombies with his staff relentlessly. He takes a detour, as well; down to see Carol. He tells her about killing Richard, about what Richard did to get Benjamin killed. Moreover, he offers to tell Carol the truth about what happened to the people in Alexandria – the vicious deaths of Glenn and Abraham, Spencer, Olivia; how Rick and the Alexandrians only live to satisfy Negan these days. He also reveals that Rick & Co are gearing up to fight Negan and his Saviors.
Morgan: “You wanted to know. Now you do.”
With Morgan on the road again, Carol goes to visit Ezekiel. She wants to live in the Kingdom. To get ready for the coming fight. But even just for a moment they’ll live peacefully. Until the time for more blood comes. And that’s very soon.

Pic 11Great episode! Probably one of my favourites in the back half of this season. I always love Morgan-centred episodes, or anything involving Carol. And I do love to see Ezekiel change, he’s an excellent character worthy of the series.
Excited for “The Other Side” next week!

The Walking Dead – Season 7, Episode 12: “Say Yes”

AMC’s The Walking Dead
Season 7, Episode 12: “Say Yes”
Directed by Greg Nicotero
Written by Matthew Negrete

* For a recap & review of the previous episode, “Hostiles and Calamities” – click here
* For a recap & review of the next episode, “Bury Me Here” – click here
Pic 1Rick (Andrew Lincoln) and Michonne (Danai Gurira) are a great team, both in intimate relationship terms and also on physical ass kicking (etc) terms. They’re out on the road, finding supplies, scavenging what and where they can.
Michonne: “We gonna win today?”
Rick: “Oh yeah
Although they don’t find much there’s a positivity in them that didn’t exist before. Then they come across a couple guys whacking golf balls, making away with their stuff. Afterwards, Michonne wants to go back to Alexandria after being gone two days already. But Rick wants to stay on the road a little longer.
Pic 2At home in Alexandria, Rosita (Christian Serratos) stitches up a cut while Tara (Alanna Masterson) tries convincing her things will turn out fine. Rosita doesn’t buy that, she feels like it’s a losing battle. And who knows? Maybe it is, for some of them.
In the meantime, Rick and Michonne keep searching in the wilds of the apocalypse. They come across a deer in the woods, but it runs off before they can kill it. They track it and find an old high school. There also a military man, with a military gun and a bit of ammo. More than that a crazy event went down some time ago on those same grounds. Perhaps there’s “serious” guns and ammo laying around elsewhere. They get up on top of the school and discover a field out back, a carnival setup. Tons of walkers, as well as guns, lying in wait. Then Rick and Michonne have a few laughs, from falling through a roof to shooting down cans on a carny’s attraction.
But when they go through the roof, they stumble onto a few pallets of wrapped food. Score!
Note: Nicotero slips in a nice Creepshow reference with the zombie in the CASH ONLY ticket booth.

Pic 5Rosita can’t let go of all the people dead. She blames it all on listening to Father Gabriel (Seth Gilliam). He doesn’t have much time for her chastising. I don’t feel that it’s fair she takes it out on him. He’s come a long way compared to many of those in the group, having done a 180-degree turn from who he was in the beginning; no longer a coward, now a noble man and one who does whatever he can in his power to help the people around him.
Gabriel: “Anythings possible until your heart stops beating
Over a little dinner, Michonne asks Rick about what next – after they kill Negan (Jeffrey Dean Morgan), take their world back. She believes they’ll have to put the world back into order then, once Negan’s rule is finished. She also thinks Rick is the man to do it. He’d rather be “reordering things together.” And she’s just fine with that.
More and more, Tara struggles with telling Rick about Oceanside, all those guns. A tough decision. Based on the greater good.
In the field behind the school, Rick and Michonne go about clearing a path through all the walkers. She takes the bulk of the walkers, as he commandeers a nearby car to help with their plan. When a military zombie’s gun starts firing, she hops into the trunk of the car while Rick hides up front, and the vehicle is swarmed by the dead. They manage to crawl out through a sunroof, which gives them a few moments to kill a few until the fence they’re inside caves. Further they’re backed up, then ingenuity strikes, as it does so often. They go about slicing and slashing and crushing more heads; the fucking Dream Team, baby! What an awesomely edited sequence, just quick cuts between each of them killing, one after another.
Out of nowhere, the deer. Rick spies it feeding on some grass. Before he can shoot it, a bunch of zombies move toward it. Not before he takes a spill and lands right in their midst. Michonne runs to him, as his gun clicks dry. Then she thinks they’ve eaten Rick. But it’s the deer. Thus begins a beastly round of killing by the ever excellent duo.


They collect a bunch of guns from the field, racking up a nice little collection, too. Then it’s on back to Alexandria. Poor Michonne’s been through a lot. I think it’s scared her, how devastating it’d be to lose Rick. She went through the emotions already in that moment. Then he admits to not sleeping lately, thinking of “everything we lost” such as Glenn, who saved him in the beginning and who he couldn’t save in the end. He reassures Michonne they’re going to fight Negan and his Saviors. He knows they’ll lose people, possibly even each other. “Even then itd be worth it,” he says. She doesn’t want to lose him. Although Rick makes clear they’re going to live from now on, not worry about just themselves, and that if he dies she’ll be the one to carry them all forward: “Its about our future.” A truly sweet, tender moment for them together.
Rick heads to see Jadis (Pollyanna McIntosh) with the guns – sixty-three, to be precise. She isn’t satisfied. They need more, about twice as much. A bit of haggling, then Jadis and Rick come to an agreement. Even if she and those garbage people are fucking weird as hell. I think they’ll prove to be helpful, ultimately.
Pic 10At Alexandria, Tara says she has something to tell Rick. Will she let on about Oceanside?
Meanwhile, Rosita is on a mission. She goes to Hilltop, to see Sasha (Sonequa Martin-Green). She wants her help: to kill Negan. Seems like everyone’s on the same page, some are just turning their pages to get there faster.
Sasha: “One conditionI get to take the shot.”


Whoa, man. I’m afraid one of them will get killed, though I’m simultaneously happy the women are taking charge. Not that I don’t feel Rick and Michonne have a good plan, they do. It’s simply nice to see a couple female characters taking the fight to Negan. He deserves it, and so much more!
Next up is “Bury Me Here” and I anticipate an intense chapter.

The Walking Dead – Season 7, Episode 11: “Hostiles and Calamities”

AMC’s The Walking Dead
Season 7, Episode 11: “Hostiles and Calamities”
Directed by Kari Skogland
Written by David Leslie Johnson

* For a recap & review of the previous episode, “New Best Friends” – click here
* For a recap & review of the next episode, “Say Yes” – click here
pic-1Things at the Saviors compound are looking grim for Dwight (Austin Amelio). After discovering Daryl gone, the others arrive back with their spoils, including Eugene (Josh McDermitt). Negan (Jeffrey Dean Morgan) greets his new guest with a smile, and Lucille.
But what about when Negan finds out one of his captives is missing? Won’t be happy. And someone’s always got to pay. In the meantime, Eugene comes to find he isn’t being killed. Rather he’s given a room, treated fairly well, given a bit of lunch after going through options of food which surprise him. They’ve even got kettle cooked potato chips. The fridge is stocked. Is the weakness in Eugene going to be a problem? Will he succumb to the temptations of this new life and not want to go back to Alexandria?
Oh, and Dwight, he’s already feeling the wrath of Negan, as a handful of Saviors storm his room and beat him hard. Shit.
pic-2Not that we didn’t see it coming. Dwight’s been put in the same room where he put Daryl, one where he’s been before himself. Negan isn’t happy about he and his Saviors looking from “tip to taint” and he’s definitely not happy about one of his wives – Sherry (Christine Evangelista) – having left not long after Daryl. Not happy at all. So now it’s a case of whether Dwight will go find Sherry. If he’ll try and repair the damage between him and his leader. Personally, I hope to see him change, after all the brutality on his part, as well as the brutality he’s seen from others; most specifically from Negan. It’d be one of the biggest redemption songs of the series. One thing we know for certain is, despite all that has happened Dwight does love Sherry, he never stopped.
Negan: “Who are you, Dwight?”
Dwight: “Im Negan
Rough and tumble Laura (Lindsley Register) shows Eugene around the compound. He’s still a bit sheepish, always will be. Soon, he’s brought to Negan. Sweet, sweet Eugene and his jar of pickles! He’s terrified. And who wouldn’t be, honestly? The I’M NEGAN chants. Lucille; know what she can do. Eugene hauls out his old story of being a doctor, et cetera, and for once it’s used well instead of deceiving people who actually wanted to help him. Thus begins survival mode in the hands of the Saviors, as he talks more confident by the minute; the name of this episode comes from his brief explanation. The slope gets even more slippery when Negan, as a token of appreciation, offers to send over a couple of his wives for dinner and conversation later. Sadly, this makes Eugene happier than it ought to, being in the hands of the man who killed his best friend Abraham.
Negan: “Look at you, Dr. Smarty Pants.”


Eugene has a nice night with the ladies, without temptations of the flesh. The women are great fun, too. Witty, smart. They want to know more about his supposed involvement with the Human Genome Project, and he obliges with a bit of tough nerdy talk. He shows off a bit whipping up a bit of helium, doing a neat science fair-like experiment for the wives. What we see further is his getting comfortable with living there. Each scene with him is like a figurative and literal slipping away from his place in Alexandria.
On the road, Dwight searches for Sherry. But what about when he does find her? What happens then? He goes to a house where there lies a picture of them on the floor. Memories everywhere amongst the empty cupboards. And an old note written by Sherry, one he compares to the note left for Daryl at the compound. In another room, a letter explaining what she did: “I let Daryl go because he reminded you of who you used to be, and I wanted to let you forget.” She also tells her husband that being dead would be better than being at that compound, under Negan’s thumb, hoping Dwight will someday get away from him and all the horror.
Back at the compound, Dwight lies saying he found his wife, killed her after she ran into a pack of zombies.
There are other things afoot. The women want help from Eugene, to help their friend Amber. She wants to end her life, the only mercy left. And tragically, it’s one of the best options in an awful world. She is going to die, one way or another. So Eugene agrees reluctantly to provide a relatively pain free suicide for the girl. Nice little montage of him doing his thing to “Everything Right is Wrong Again” by They Might Be Giants.


Punishment is being handed down at the altar of Negan. The man with the bat offers a show for Eugene. The doctor’s been framed by Dwight, to make him look in cahoots with Sherry for all the mess with Daryl. Nothing good for the doc is coming. Love how the scene is framed with Negan and the doctor in the background, just out of focus, as we’re focused on Dwight’s face, grimly bearing the fruits of his shitty machinations. Afterwards, the iron piping hot, Negan gets a false confession.
That ain’t good enough, though. Not for a demonstration with Dr. Eugene in their company. He decides on tossing the doc straight into the furnace for everyone to witness. Watching Dwight play the part of humble servant, good dog, is crushing. He may have not killed his wife. He still just let a man get burned to death.
Eugene figures out that the women want to kill Negan, the pills aren’t for Amber. They threaten telling the leader of his involvement if he doesn’t give over the pills. Except Eugene knows he has a place in the ranks, he isn’t replaceable; so far as Negan knows. One of the women tells Eugene he’s a coward. And he already knows that well enough.
He’s content to hang around, eat pickles. Before a knock comes at his door. It’s the bad man and Lucille. Popping by for a chat. He wants to know who Eugene is – before he gets it out of his mouth, the crying fool replies: “Im Negan.”
Next day he’s out surveying a bit of work with the caged zombies. Hypnotised by Negan. Is he playing the part, or is Eugene genuinely falling into life with Negan and the Saviors?


A solid episode I didn’t expect to love. Eugene’s not exactly a favourite of mine, though it’s changing now. This episode was an interesting look at his character, which in turn provided a couple unique perspectives into the Saviors’ compound, life under Lucille, so on. Can’t wait for “Say Yes” next.

The Walking Dead – Season 7, Episode 10: “New Best Friends”

AMC’s The Walking Dead
Season 7, Episode 10: “New Best Friends”
Directed by Jeffrey F. January
Written by Channing Powell

* For a recap & review of the previous episode, “Rock in the Road” – click here
* For a recap & review of the next episode, “Hostiles and Calamities” – click here
pic-1After the Kingdom, Rick (Andrew Lincoln) and his fellow Alexandrians searched for Father Gabriel (Seth Gilliam). Only to come across another group entirely.
Meanwhile, King Ezekiel (Khary Payton), Morgan (Lennie James), Richard (Karl Makinen) and some others meet with a few of The Saviors for a pickup. Although the men from Negan’s (Jeffrey Dean Morgan) camp make a fuss, the King assures them all is well. Then a standoff between Richard and one of the idiot Saviors breaks out of nowhere.
Where do we go from here?” asks Richard. To which his King replies to hand over his gun. A little bit more violence breaks out when the man oversteps his boundaries, then Morgan and Benjamin (Logan Miller) step in until things even out.
Expect things to get more “visceral” eventually, though. On top of everything Morgan’s lost his staff. Back at the Kingdom, Daryl (Norman Reedus) isn’t happy staying cooped up, particularly with everybody just laying down for the Saviors. “You know what they are,” he scolds Morgan, and wishes Carol (Melissa McBride) knew about Glenn and Abraham. Because if so they’d be headed for Negan to kill them all.
And damn, if that isn’t the truth.
One thing I love is that we’ve got guys using bow and arrow, which is only a step from the crossbow Daryl so excellently wielded. Richard and Daryl could prove to become an exciting team.
pic-2See, Richard has a plan, and he’s looking for help from Daryl. In his trailer he has weapons. They grab some things then head out to the open road. Note: I don’t say it enough, though everyone who loves the series knows it – the production is all around spectacular, the locations and the props and the cars off the road, they make everything look damn believable.
Turns out that Richard is leading Daryl right to Carol. He’s gone insane wanting to try and turn Ezekiel towards fighting. He wanted to go out there, kill her, use that as a catalyst. Seriously, man? Whoa. In general that’d be horrific, even worse that they had a brief thing together, too. At least Daryl’s there to protect her, while she sits unsuspecting in that cabin.
Daryl: “Anything happens to her, Ill kill ya.”
Richard: “Id die for the Kingdom
Daryl: “Then why dont you?”
Returning to Rick & Co, they’ve wound up in an odd place. Just as strange as the Kingdom. The Alexandrians are surrounded by people. Led by Jadis (Pollyanna McIntosh). So, she goes back and forth with Rick. Although allowing them to see Gabriel, who looks frightened but no worse for wear. Rick tells Jadis and her group of The Saviors, asking for help to fight. She flat out refuses with a simple, direct “no.” Shit goes sideways. Soon, Gabriel has a woman named Tamiel (Sabrina Gennarino) at knife point. All is well once the former priest talks his, and the Alexandrians’, way out of their predicament. He talks up Rick, the group, their abilities. After awhile they take Rick to the “up up up” where Jadis explains their community, a tad, offering their help if he’s worth their time.
pic-3Which means Rick gets tossed into a pit of filthy garbage. Suddenly an insanely medieval-looking walker appears, blades coming out of it everywhere, in the skull and through the torso. He fights against it with whatever he can. And to stop it he has to pierce his own hand with one of the blades. Then, his foot. As Rick struggles, Michonne (Danai Gurira) tells him to use the walls. When he does he gets the zombie down and stabs its brains in with a shard of glass. HARDCORE, BABY! Rick Grimes. All day.
Rick (to Jadis): “Believe us now?”
Their leader wants guns. A bunch. Then they’ll all rally together, fight the good fight.
And as quick as the community gathered, they disappear. Leaving the Alexandrians to their work ahead. There’s a bit of that old cocky Rick still kicking. I think as much as it helps him to be confident, Michonne and the others feel better when they can see he’s level-headed and fighting instead of spaced out and near insane after some of the more devastating moments in their history. Right now, the team are ready for anything.
Carol receives a visit from King Ezekiel and a few of the Kingdom’s residents; even a cobbler from Jerry (Cooper Andrews). She reluctantly takes the delicious treats, beckoning for them all to leave. She’s busy reading, trying to get on with… life. Not long passes and Daryl comes to the door. A crazy emotional moment. The one person she does want to open the door to see, even if Daryl’s sad that she left, to be on her own.
Later on, Rick tells Gabriel “enemies can become friends” (as they themselves did once) and that’s why, in a world with The Saviors pushing their will onto others, he knew that finding Jadis and their community was more an opportunity to find the enemy of my enemy, that kind of thing, y’know? Regardless, this strange community warns that they better receive guns. Soon. Or else.


Over in the cabin, Carol tells Daryl she couldn’t kill anyone else, she couldn’t watch anyone else be killed. She then asks if everyone’s okay, if they’re hurt. She almost knows the answer without a word. Only Daryl lies: “Everyones all right.” Oh, Carol’s gonna be mad when she finds out the truth. She will, down the road, because you know she’s not staying out of everything permanently. For the time being, she and Daryl sit together as he eats soup, and life is normal life.
That never lasts long. They know it, so when they get those normal minutes in the day they take them, cherish them. Afterwards, Daryl plans on heading for Hilltop, which he does the next morning. To prepare.
Will the Kingdom come to its senses? Will the addition of another community and the power Jadis wields help convince Ezekiel? Will Rick even get the guns for her?
pic-10pic-11An awesome chapter in the back half of Season 7! Really loved this episode. Fun, gnarly zombie, Rick being a bad ass, Pollyanna fucking McIntosh! Doesn’t get much better.
Next up is “Hostiles and Calamities” and I bet Negan will return. With a bang.

The Walking Dead – Season 7, Episode 9: “Rock in the Road”

AMC’s The Walking Dead
Season 7, Episode 9: “Rock in the Road”
Directed by Greg Nicotero
Written by Angela Kang

* For a recap & review of the previous episode, “Hearts Still Beating” – click here
* For a recap & review of the next episode, “New Best Friends” – click here
screen-shot-2017-02-13-at-1-46-30-amHere it is – the mid-season premiere!
Open on Alexandria. Father Gabriel (Seth Gilliam) stands on watch at the top of the gate, everything is dark. He passes time reading the Bible. But it’s getting harder to read, you can tell by the look on his face. Soon he goes back to one of the houses, starts piling canned food into a box and looking through the inventory, most of which is going to The Saviors. He packs what he can into a car, gasses up, then heads out into the night.
Is he bringing things to them? No, I think he wants to hide things from them. That could turn things awful tricky.
screen-shot-2017-02-13-at-1-49-37-amBack at Hilltop things aren’t so easy, either. Gregory (Xander Berkeley) argues with Rick Grimes (Andrew Lincoln) and his people, he isn’t so convinced the group can do what they say and take out Negan (Jeffrey Dean Morgan) or his Saviors. Maggie (Lauren Cohan), Tara (Alanna Masterson), and the rest try convincing Gregory, but he’s simply not buying it. “Youre either with us or you aint,” Daryl (Norman Reedus) reminds him.
After they’ve gotten nowhere with the fearful leader, Enid (Katelyn Nacon) brings a few people to speak with Rick and the group. One woman named Bertie (Karen Ceesay) tells Maggie that they’re willing to fight, long as they’re shown how to fight and defend themselves properly. This is a good turn of events, they don’t need Gregory when the people at Hilltop are ready to be part of the resistance. Jesus (Tom Payne) also says it’s time that the gang meets King Ezekiel (Khary Payton). Yes!
They go to the Kingdom – Jesus, Rick, Daryl, as well as Michonne (Danai Gurira), Carl (Chandler Riggs), Tara, Rosita (Christian Serratos) and Sasha (Sonequa Martin-Green). And there they meet a couple guys on horses, one of whom is Richard (Karl Makinen).
It’s amazing to see Rick and the group when they witness the Kingdom. Even better once Morgan (Lennie James) strolls out to see greet them. He tells Rick and Daryl about Carol (Melissa McBride) wanting to be left alone, too. Afterwards they meet the King and Shiva, and it’s a big of a culture shock. Although Rick jumps on in for a chat. He brings up The Saviors, wanting to band together and bring them down. Everybody discusses Negan, his brutality, why he must be stopped. Jesus also chimes in to say that he once thought their deal was something they could all “live with” but that’s all quickly, horribly changed. On top of that we already know Richard doesn’t like The Saviors, he’s on board to get shit done.
Ezekiel: “And what plans have you, Rick Grimes of Alexandria?”
What comes out is Rick talks about his mother telling him a story when he was a boy, about a road to a kingdom. A little girl and her family went along the road, losing all they had after their wagon hit a rock in the road. The girl, determined never to let the rock hurt another, dug at it until eventually finding a bag of gold. Negan is the rock in the road, and if they’re able to dig him out then at the end of the line is their gold: a world at peace.


Out on his own, Benjamin (Logan Miller) runs into a gun-toting Carol. They talk about general badassery. They also talk about Ezekiel, a little. In this brief exchange, Benjamin instils a tiny smidgen of hope in Carol, somewhere deep down. The fact that this young man still holds hope for mankind, wanting to help others, it sort of goes against everything she’s started believing about the new world.
I love that we get a guy like King Ezekiel, too. Because for so long we went from either Rick’s group and their various people, some good and some bad in the end, then there’s The Governor, all those battles, and then it was Terminus, and so on. Once Negan turned it up you start to wonder, if you haven’t read the comics like many of us, if only the big baddies are kicking around. Finally, we get a guy who’s pure, or at least his intentions are of the purest sort. A little later Benjamin actually becomes the voice of reason for the King, in regards to helping the people of Alexandria: “My dad always said that if youre asked to be the hero, be a hero.”
We find out that Ezekiel has regrets about once sending some of his people into battle, which yielded many dead, many children orphaned. So this is part of why he’s so altruistic at this point in time. He wants to right his wrongs. But Rick has been there, as well. We’ve seen all that. He has demons, he also isn’t a total saint. In the end, Ezekiel won’t agree to help, though offers Daryl asylum from The Saviors. Hmm. Something needs to happen to change the King’s mind. Richard’s on the side of Rick and his friends. That’s not enough. At the moment Daryl’s left at the Kingdom with Rick asking him to try his best on swaying Ezekiel.
screen-shot-2017-02-13-at-2-19-34-amOver the radio Negan’s voice is heard eulogising Fat Joey. Meanwhile, Rick and Co head onto the highway where they find a bunch of cars blocking the way. They move them with their vehicle while Michonne keeps her eye on the horizon; she spots a strange device. It’s a rope across the road rigged to an explosive device. Now, they’ve got to disarm the thing. Rosita has her hands into the trap’s inner workings, as they hear Negan call out over the radio for men to go searching for Daryl. Following that, Rosita gets the main component of the trap disarmed, and they all go about carefully unwrapping the dynamite and other explosives, watching the road for Saviors or walkers.
And sooner than later the undead come shambling from a distance. The group packs up what explosives are in good condition, scrambling to put the cars back in place on the road. A massive horde of zombies works its way up the highway faster than expected, forcing Michonne and Rick into a quick plan.
We get one of the coolest zombie killing scenes EVER, as Michonne and Rick use the wire between the cars from the trap to clothesline tons and tons of the walkers before climbing in with the rest of the crew and scooting to safety. Behind them an explosion goes off blasting more meat into the sky.
Michonne: “Were the ones who live


Once Rick makes it back to Alexandria they’re greeted by a Saviors convoy. Simon (Steven Ogg) arrives, coy as ever. They’re trying to find Daryl, of course. Simon wants to search the entire place and they go about their business, all the while trashing everything like pigs. The Saviors also come across the empty shelves in the storage garage, the stuff we saw Father Gabriel take in the opener. But they don’t care, not until pickup day. When the group is left on their own again people believe Gabriel ran off with their supplies. But what’s the truth? Rick, Tara, some of them don’t believe he’d do that to them.
Turns out they were left a message: BOAT. Mysterious how he knew where Aaron (Ross Marquand) and Rick had gone. So, another journey is at hand. When the crew make out for the boat on the lake they find footprints. They follow them to an old factory in a field where they encounter people with guns, many others with weapons; MANY.
But Rick smiles in the face of it all. Literally. A big shit-eating grin. Is it a ‘bring it on’ smile, or a ‘these people can help us’ grin?screen-shot-2017-02-13-at-2-41-24-amA great mid-season opener after the break. So many things to look forward to, and lots of character development going on, especially when we get a conversation between Aaron and his partner Eric (Jordan Woods-Robinson). We see that everyone has issues, everyone has worries. This will only continue in the next episode “New Best Friends” and I’m excited.

Breaking Bad – Season 3, Episode 3: “I.F.T.”

AMC’s Breaking Bad
Season 3, Episode 3: “I.F.T.”
Directed by Michelle MacLaren
Written by George Mastras

* For a review of the previous episode, “Caballo sin Nombre” – click here
* For a review of the next episode, “Green Light” – click here
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We start on Tortuga (Danny Trejo). He sits in a little bar drinking, being an asshole, as usual. Then Juan Bolsa (Javier Grajeda) shows up. They chat, drink. The boss man has a present for Tortuga, he missed the man’s birthday. Only the present is a tortoise, that Juan paints HOLA DEA on before the Salamanca twins cut Tortuga’s head off.
The prequel to Hank and his run-in with the head-bearing tortoise.
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In the present day, Mike Ehrmantraut (Jonathan Banks) is still watching Walter White (Bryan Cranston), checking in with whom I can only assume is Gus Fring (Giancarloa Esposito). All the while Walt scrapes the pizza off the roof. Not to mention now Skyler (Anna Gunn) is on her way home discovering her estranged husband has moved back in. Things aren’t pretty for the Whites, that’s for sure. Walt won’t budge, so she threatens calling the police. He’s willing to call her bluff. She does call, although when the police arrive they discover no evidence of him having forced his way in. He’s acting calm, rational, eating grilled cheese and potato chips with Walt Jr (RJ Mitte). As they’re not legally separated, the police have their hands tied. And by all outward appearances Walt isn’t a violent or bad man. Nobody else, aside from Skyler, knows what he’s been up to in his spare time. She’s not willing to come out and tell the police, or anyone, about Walt’s crimes.
Skyler: “Welcome home
Poor Jesse Pinkman (Aaron Paul) reels from the death of his girlfriend Jane. He’s a bit of a broken man. In his new house he looks like a shattered soul, lost and lonely. Saul Goodman (Bob Odenkirk) pops by to try talking him into getting in touch with Walt. Right now Jesse would rather be by himself.
Then there’s big Hank Schrader (Dean Norris) and his partner Steve Gomez (Steven Michael Quezada), they’re out doing their thing. Hank gets a call about going back to El Paso. He acts excited, to his boss, to his partner. It isn’t hard to tell he’s not one bit excited in reality.
And those creepy Salamancas, they’re looking for a handicap van. You can guess why – papa Tio (Mark Margolis) has somewhere to go. They’re meeting with boss Juan Bolsa and Gustavo. All about Heisenberg and the near hit on him. Problem is that Tio loved Tuco like a son, and Walt betrayed him supposedly; Juan believes the Salamancas have a “right to exact revenge.” But Gus won’t have that. Business must be completed with Walt, then they can have their revenge. This may lead to a much more devastating proposition for the time being.


Continually, Jesse calls Jane’s phone to hear her voice. He dials over and over, unable to let go. And how can he? Worst of all is the fact that Walt let it happen; he could’ve tried saving her and chose not to in an effort to save his own skin. At home, Walt suffers in karmic ways: unable to sleep in his own bed, in the same house as his wife yet on another planet altogether, pissing in the sink since Skyler won’t let him into their own. Privately with her divorce lawyer, Skyler reveals that her husband cooks meth.
At a bar, Hank and Steve have some beers. Except that Hank is distracted. He sees a little drug deal action going on at one of the tables. So, to try proving his own faux-masculinity to himself, he decides on going the hard knocks route; he leaves his gun in the car before they leave, heads back in, and throws some fists with a couple tough guys. He kicks the absolute shit out of them, though it’s clear Hank has some serious shit going on in his head. Later, Steve calls him out for leaving the gun in the car, clearly understanding his partner’s fucked up.
When Jane’s line finally goes dead, this is a real blow to Jesse. The last remnant of her voice is gone, never to return. And the real world, the life after Jane now officially begins as the pain breaks through further. Thus Pinkman goes back out to the desert in the Winnebago to start cooking. Because it’s all he has left.
Skyler prepares to leave then finds Walt in the living room, a bag of money at their feet filled to the brim. He gives what he considers his explanation: “That is college tuition for Walter Jr, and Holly, eighteen years down the road. And its health insurance for you and the kids, for Jrs physical therapy, his SAT tutor. Its money for groceries, and gas, for birthdays and graduation partiesThis money, I didnt steal it, it doesnt belong to anyone else; I earned it. The things Ive done to earn it, theythe things Ive had to doIve got to live with them.”

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What will she do? Not long after she rushes into the arms of Ted. When she gets back to the house later, dinner’s ready and Walt is playing the adoring husband, doing his best to make things nice. A pot roast is in the oven, a salad made.
So after her husband rattles on like nothing’s ever happened, Skyler leans in and tells him: “I fucked Ted.”
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Wow, what an episode! The reaction of Bryan Cranston in the end after Anna Gunn speaks those words is fantastic. Utterly perfect. They’re both quality actors and they play so well off one another, one of the greatest television couples in any series.
Next episode is “Green Light” and plenty’s poised to go down.

The Walking Dead – Season 7, Episode 8: “Hearts Still Beating”

AMC’s The Walking Dead
Season 7, Episode 8: “Hearts Still Beating”
Directed by Michael E. Satrazemis
Written by Matthew Negrete & Channing Powell

* For a review of the previous episode, “Sing Me a Song” – click here
* For a review of the next episode, “Rock in the Road” – click here
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Maggie (Lauren Cohan) is still reeling from the death of her husband, obviously. You can’t expect she’ll get over that quick, if ever. Especially not in this new post-zombie apocalypse world. At the Hilltop community, she’s getting by, as well as expected. Gregory (Xander Berkeley) is being a real dick, though. He doesn’t like anybody else looking like the big dog around his backyard, y’know.
Back at Alexandria, Negan (Jeffrey Dean Morgan) taunts Carl (Chandler Riggs) and baby Judith, then cooks a bit of pasta and suace for dinner. Most interesting is at the Savior’s compound, where Daryl (Norman Reedus) is more and more on the verge of getting himself free; hopefully.
Nobody in Alexandria is happy, not with Negan around. Olivia (Ann Mahoney) tries her best to keep it together with a bit of help from Tara (Alanna Masterson). But Olivia’s the one who has to sit down to dinner with Negan. Pretending like they’re a happy family. She only does it to keep a promise to Rick (Andrew Lincoln), that she’d look after the baby.
We keep seeing that Morse code in Rick’s place, as well. You think that means something? I do. But we’ll see.
Of course Rick is still out and about with Aaron (Ross Marquand), attempting to get out to the boat on the lake where the place is probably loaded with supplies. At home, Rick’s son has to “pass the rolls” to the man who smashed Abraham and Glenn into bloody chunks. Because “Lucille is hungry” and so is Negan.
Possibly the most sinister opening to any episode yet, honestly. Loved it.

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Eugene (Josh McDermitt), Spencer (Austin Nichols), and Rosita (Christian Serratos) bring their latest finds to the Saviors. One of whom, a lady, hits on Spencer: “Maybe Ill buy you a sandwich.” He plays along, for the time being.
We can’t forget about Carol (Melissa McBride), in her house just outside the Kingdom. And Morgan (Lennie James), he leaves a little something on her doorstep – fruits from the garden. She likes to be on her own, she’s got plenty. Ezekiel keeps on bringing her fresh produce. But she’d rather be alone. Then Richard (Karl Makinen) shows up, too. He has something the three of them need to discuss.
Morgan: “I think youre goinsoft.”
Carol: “I think youre going.”
Out on the lake Aaron and Rick come into trouble, though they fight off the water zombies to get to a canoe in good shape. Only more walkers swarm, and Aaron’s hauled into the water. Dead? No, sir. He’s just a damn good swimmer. They both make it to the boat, in one piece. Barely. They find lots of guns. As usual, not much ammo. Rick and Aaron talk about the deal with Negan – Aaron understands, he was present for the brutality of the man. “What were doing is gonna keep people living. We get to do that. Doesnt matter what happens to us.” The title of the episode comes from Aaron’s talk about keeping people alive, taking what they can. Across the lake, someone watches them both.
At the Saviors’ compound, Daryl runs through the dark halls and ends up in somebody’s bedroom. He searches for a way out, getting some peanut butter on the way and a new shirt. Please, Daryl: get the fuck out of there. He sits first, listening to nearby voices, and then gets on the move.

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Enid (Katelyn Nacon), Sasha (Sonequa Martin-Green), and Maggie hang out together, talk it up. Maggie’s pregnant stomach keeps her eating constantly. Everyone in Hilltop, aside from Gregory, is a fan of her, as well as the other two. But while the expectant mother leaves, Enid confronts Sasha about a lie concerning Jesus (Tom Payne). It’s because Sasha wants to get Negan. And Enid wants in. They just want to keep Maggie out of the equation because she’s too headstrong, even with a baby growing inside her. Yet Sasha tells Enid she has to keep Maggie safe.
Back with Richard, he tells Morgan and Carol about when he came to the Kingdom, about the terrible threat of the Saviors. He wants Carol and Morgan to help him convince Ezekiel they need to take action against Negan, because “things will go bad; and when they do, the Kingdom will fall.” Thing is, he’s come across Carol at a point in time where she wants to let go of everything – the killing, the people, all of it: “I dont want anything to do with your lives, or your deaths.” Interesting to see someone like her, and particularly Morgan, turned away from violence now being forced to maybe turn back; the never ending plague of this new world.
Oh, Spencer – will you die tonight? He gets back to his once nice, well kept home, to find it in complete disarray. Negan and his crew have tossed the place. He cleans the place up, he cleans up, practises his best introduction and leaves with a bottle of liquor. Will he actually dare try something against Negan on his own? Yikes.
In Savior territory, Daryl makes it to the motorcycle lot where a guy finds him. He agrees to let Daryl go. Rather than go on, Daryl beats the man to death, as Jesus shows up just in time. Now they’ve got themselves a gun to boot.


Were all Negan
With Michonne (Danai Gurira) still holding one woman at gunpoint, she finds where she’s headed. Furthermore, we see how people are willing to die rather than go back to Negan, as the woman essentially asks to be put down. And Michonne obliges the request.
In Alexandria, Rick and Aaron get back with supplies. Over on the porch Spencer shares a glass of liquor with Negan. Something bad’s brewing in their little town. When one of the Saviors gets rough with Aaron, this leaves Rick helpless, watching on. Spencer gets a pool table into the street for him and Negan, then brings up the dissent with his leader in Alexandria. Great editing takes us from the pool balls knocking together over to Aaron’s beating, as Rick must stand there, doing nothing. Such an amazing build, between editing, dialogue, action, score. “You should know Rick Grimes has a history of not working well with others.” This takes Spencer into talking about how he believes Rick brought their town down, his family now dead. Then he offers to lead Alexandria.
Does Negan take the bait? Well, he isn’t exactly impressed that Spencer’s not out gathering things, like Rick, who’s “swallowing his hate and gettinshit done.” As he says, that “takes guts.” Oh, is that the cue? If so, pitch perfect line.
What follows is straight from the comics: Negan plays on the word guts again, then plunges a knife deep into his stomach, letting those guts fall right out, horrifying everyone watching on. Another vulgar display of power. Out of nowhere, Rosita fires a bullet at Negan and it digs right into Lucille. HOLY FUCKING SHIT, ROSITA! YOU BAD ASS MOTHERFUCKER. Wow. Did not expect that. Neither did the man himself. Plus, now he’s discovered their homemade bullets. Uh oh. “You may be stupid, darlin‘, but you showed some real ingenuity here.” It’s either give up the secret of the bullets, or get a new carved up face. Rather than carve her up when she refuses to give it up, Negan has Arat (Elizabeth Ludlow) shoot somebody at random: Olivia. Fuck, man.
None of that sits well with Rick. Except Negan wants a thank you, for not killing Carl, for taking Spencer down when he was crying mutiny. All for you, Sheriff Grimes. And Negan isn’t leaving until he figures out who mad the bullets. Eugene doesn’t let anyone else take the fall this time, he confesses. Bad news for him: he’s now Savior property. Alexandria is left devastated, without another couple members, and “in the hole” with Negan worse than ever.

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As always, Rick blames himself. For everything. Like he asked to be the leader of their group, to be the one to make all the tough decisions. He never asked for that, it was heaped upon him. Then everyone blames him when things go sideways. He doesn’t always make the best or right decisions, yet he always does the best he can.
When Michonne gets back, she tells Rick that she doesn’t want to go it alone. She wants them to go it together, to fight alongside one another. And she won’t give up hope.
At Hilltop, Maggie gets one nice gift: she gets her friends back. Rick embraces her, glad to see her again, and he gets to see she’s safe, healthy. Rick is ready to fight. He’s ready to do what’s necessary. Oh, and Daryl is at Hilltop, too. The whole gang reunited. A heartwarming scene after so much devastation and blood and hurt. One fantastic mid-season finale. Rick even gets his gun back, a figurative recharging of his will to live and to fight for a better life.


I’m so pumped for the back half of Season 7! I don’t care what anyone says, I’ve enjoyed all these episodes. Lots of fun and the show is picking up steam from a few lacklustre moves over the course of the past couple seasons. Great to see them pushing ahead.

The Walking Dead – Season 7, Episode 7: “Sing Me a Song”

AMC’s The Walking Dead
Season 7, Episode 7: “Sing Me a Song”
Directed by Rosemary Rodriguez
Written by Angela Kang & Corey Reed

* For a review of the previous episode, “Swear” – click here
* For a review of the next episode, “Hearts Still Beating” – click here
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I’m worried about Michonne (Danai Gurira). She found all those mattresses the Saviors burned on them and now she just can’t bring herself to believe what Rick (Andrew Lincoln) does about the way forward. And now, she’s beginning to revert to a few of her old ways again.
And Rick, he’s with Aaron (Ross Marquand), wondering about Michonne.
At the same time a few greasers sit along the road, driving the truck Jesus (Tom Payne) and Carl (Chandler Riggs) are hiding inside. This is an interesting pair. Jesus is a young guy, though experienced, and a bad ass. I used to hate Carl and then he grew up, got a bit bad ass himself. They might be good together. Except Carl ditches him, very clever, and heads on by himself. This kid’s balls are too big for his own good.
When the Saviors roll into Negantown and Negan (Jeffrey Dean Morgan) comes out to inspect the latest haul, Carl opens fire with an assault rifle. “I only want Negan, he killed my friends; no one else needs to die.” The man himself is impressed: “You are adorable,” says Negan. He is a saucy, mouthy bastard. They disarm the boy, but then the leader welcomes him as a guest. As Daryl (Norman Reedus) watches nearby. Fuck, this is maybe one of the most intense openers of any episode, at least in a long while. Plus we see how big Negan’s home is, and it’s massive.
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Carl is brought inside to see what things are like on Negan’s side. The kid’s also schooled in how to be a bad ass by maybe the ultimate bad ass himself; like him or not. Everyone in there kneels before him. Gross. It’s like he gives a sermon. Or a speech in the way of a dictator.
Back in Alexandria, Rosita (Christian Serratos) doesn’t want to give things over to Negan and his Saviors. She doesn’t like Spencer (Austin Nichols) and his bullshit, either. So she and Eugene (Josh McDermitt) are going to head out. You know where: to find bullet making materials.
We see how Negan is trying to corrupt Carl. He wants to corrupt everyone he comes in contact with, and especially anybody he perceives as more helpless to his violence, such as women and children. He is really one disgusting man. He uses increments of violence to ensure further cooperation just by threat later, like reading straight out of portions of Machiavelli’s The Prince.
Did you notice Carl lean in quick while Negan turned for a second? Definitely said something. Either way, at this point I’m not willing to count out anything when it comes to Carl; whether it’s him getting killed tragically somehow, or doing something wild to get himself free.


We see more of Spencer literally hating Rick. He admits it to Father Gabriel (Seth Gilliam). He has a lot of strong feelings. And I can see Spencer going the way of his character in the comics. For those who read them, you know what I’m talking about. Gabriel, though – he has faith in Rick. The priest holds onto Rick’s leadership, while Spencer all but wishes for his death.
Gabriel: “What youre saying doesnt make you a sinner. But it does make you a tremendous shit. Just for now. It doesnt have to be terminal.”
Negan likes the cut of Carl’s jib. He likes that the kid is smart, a bit ruthless. He also wants to see the hole in the kid’s face where that eye used to sit. “Its like talkinto a birthday present,” he taunts. Then Carl shows him. He shames the boy, asking to touch it. Being an all around piece of shit until Carl weeps a little. And this actually provokes a response in the man. He apologises, forgetting he’s been talking to a kid. Wow. Afterwards the title of the episode comes when Negan asks for Carl to sing him a tune. In return for the men he mowed down. And the kid sings “You Are My Sunshine” for the evil nutcase, as he swings Lucille wildly in the background. “Lucille loves beinsung to.”
Oh, my. Now comes something awful. There’s an iron in the fire, and somebody’s due to get branded. Negan preaches another sermon about The Saviors, out there to supposedly save the world. Right on, dude. Someone in their crew has gone against the pack; more so against Negan. So he must be branded for his transgressions. Just like Dwight (Austin Amelio). God, that’s vicious. At least they have a doctor to tend to the burn.


Already with supplies, Rosita and Eugene get back to the bullet making factory. But he doesn’t feel good being there. The memories of Abraham lingering at that place, as well as the fact he isn’t sure about barrelling into Rosita’s half-cocked plan. However, she is damn convincing.
We see Dwight and his former wife Sherry (Christine Evangelista), they obviously still care for each other and are only apart because of Negan. The nasty leader is up trying to “break” Carl, as he does with Daryl. The kid, like Daryl, is strong. He doesn’t give the motherfucker an inch. How will Negan deal with him? Especially when Carl threatens to kill him. So instead of anything else, Negan opts to go for a ride out to take Carl home. He doesn’t notice Jesus on top of their vehicle, nor that Jesus disappears quickly. He does notice that Daryl is ready to kill him if Carl is hurt.
Underneath the door in his closet, tucked in the dark, Daryl gets a message: GO NOW. Is it from Sherry? I’d bet on it. She is a good woman, forced into unimaginable horror.
On a road lays a pile of walkers blocking access any further. This is a pile Michonne has made. She disarms a woman and orders: “Take me to Negan.” Man, everybody is just out for going after the guy alone. Instead of listening to Rick – even though he’s not perfect – they all want to go try taking Negan out by themselves.

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In Alexandria, Negan strolls through with Carl. He wants to wait for Rick to come home. He goes on to insult Olivia and her weight, then trying to have sex with her; she slaps his face, though. Good woman! Fuck that guy and his bullshit. Luckily he just decides to sit there and wait. And drink a bit of lemonade.
What follows is a hilariously soundtracked montage of Negan settling in around the house, playing darts, feeling the carpet between his toes. He discovers Judith in her crib, despite Carl trying to prevent it. Weird seeing such a horrific pig like Negan holding an innocent child.
While her dad Rick and uncle Aaron are out on their own. They come across a sign, stating a man lives past that sign and he’s ready to kill anybody getting too close. Is he dead? Or is he still somewhere out there lurking? Nearby on the lake is a boat, supplies likely still aboard.
When Spencer, Eugene, and Rosita return to Alexandria they find Negan already there obviously. He’s taken up in the neighbourhood. “Oh, I like it here,” he says with a menacing smile, still holding Carl’s little sister. Thinking about whether he’ll murder Carl and his father.

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Fuck, this was an intense episode in places. A couple slow parts, but I can see they’re setting a few things up. Lots to look forward to in “Hearts Still Beating” next.

The Walking Dead – Season 7, Episode 6: “Swear”

AMC’s The Walking Dead
Season 7, Episode 6: “Swear”
Directed by Michael E. Satrazemis
Written by David Leslie Johnson

* For a review of the previous episode, “Go Getters” – click here
* For a review of the next episode, “Sing Me a Song” – click here
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On the beach two girls find Tara (Alanna Masterson) washed shore, still alive and not infected. One of the girls nearly kills her, but the older one decides they won’t kill her, not if she isn’t sick. They won’t tell their community about it, or at least the older of the two won’t. At least there are still some good people left in the new world. Sad to see the youngest are already becoming desensitised to living in the post-zombie apocalypse. Although, lucky for Tara one of them was willing to do the right.
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Some time before, Heath (Corey Hawkins) and Tara survive on their own. They’re losing hope about what’s next. No gas, barely any food. Heath laments what happened at the station, when they killed those Saviors. All over food and rations. Now with Hilltop and the deal with the Saviors things are supposed to be… tolerable. However, that isn’t enough for everybody. All Heath knows is that to be honest to themselves, they’ve got to admit who they are: killers beneath it all.
Tara’s personal saviour, Cyndie (Sydney Park), tries keeping her presence secret. She leaves a passed out Tara some water, a little food, along with a spear to defend herself. When the poor girl finally wakesup she doesn’t know whether Cyndie’s there to help. So she remains sceptical. Out into the woods Tara goes, following Cyndie back to her community. The place is full of people, and firepower. Suddenly everyone rushes at the sound of a whistle, or a horn, or something. Guns are handed out to everyone. The community’s on high alert. Then the bullets start flying, as Tara runs for her life. She gets the jump on one woman, but the young girl who wanted to kill her earlier stops Tara, gun pointed. Once more Cyndie stops it, although the rest of the community – all women notably – hold their weapons on Tara. “Look, Im cool,” she tells the group. She tries talking to them, even if the place looks on edge. Who knows what’ll happen next.
Back when Tara was with Heath, they come across a bridge, old cars, tents, tarps, you name it scattered everywhere. Lots of “blind spots,” as Heath points out. They go ahead, slow, steady. They find a load of sand dumped on the bridge, covering a ton of bullet casings. When they try sifting through, one wrong pull sends the sand down on top of them, and a load of walkers crawl out from underneath. In the crowd of zombies Heath leaves Tara to fend for herself; no, you fucking didn’t, Heath!!!!! Oh, man. That is raw.

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Tara’s now handcuffed to a radiator in the head honcho Natania’s little house. She learns more about the place. They have lots of security measures. Natania wants to know about Tara. She talks a big load of shit about working on a fishing boat before, she and a friend. Smart move, girl. But the community isn’t pleased with strangers wandering in. Regardless, Tara gets an invite to the dinner table for fish stew. Things go normally, and later Natania extends another invite: for Tara to stay with them. Somewhere she can “put down roots” and be a part of their community. We again find out more about the community, that they were in a fight with another group, which left them decimated, and without any of the men who were a part of the group prior. True survivors, hiding and fending for themselves, alive, healthy, together. They trust Tara because she’s had the opportunity to hurt them and chose not to do so. She then opens up to them about her own community in Alexandria, her girlfriend, their way of living. She tells them about killing the people at the station, hoping their groups can work together. “Sooner or later youre gonna need a friend.” Natania proposes sending a guide, to help Tara find Heath, then go to Alexandria and scope out their community for safety.
They head out through the woods. When a zombie needs killing Tara offers to get it done, taking her chance to run from her guides. She fights one of the women when they cross one another. She lands on the other side of a gun, again. The woman says that The Saviors can’t be stopped, there’s no point in going home. They are everywhere, they kill everything and everyone. They’re the ones that killed this community’s men; “every man, every boy over ten, they lined them up, shot them in the head.” Those women ran from Negan and The Saviors and they’re not willing to let Tara ruin any of that. Cyndie manages to help Tara get free, and follows her away. She pleads with Tara not to tell anyone where they are out in the woods, giving her rations for the trip home. On the bridge there are tons of walkers, though. Cyndie helps Tara to get around them, providing gunfire from a car nearby as Tara runs right through the crowd. She makes it to the other side of the zombie wall eventually.


Cut back to when Heath left her on the bridge. Or did he? Nope. He comes back with a gunshot, but Tara’s forced to jump off the bridge to save herself. Now there she stands at the bridge, not sure where Heath might’ve gone. For a second she thinks he’s there on the bridge; only a lady walker with similarly braided, tied up hair. Phew. A little farther off the bridge, Tara finds Heath’s glasses, a swipe card with PPP written on it, and tire tracks.

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Out in a field she heads forward, anywhere else. She happens upon a store and some houses, an overturned boat. She keeps moving on back towards home. At the walls of Alexandria, Eugene (Josh McDermitt) sees her coming, happy as can be. But she hasn’t been back in awhile. She doesn’t know about the latest deaths, Denise, all the horror. Rosita (Christian Serratos) asks her about where she was, what happened, and true to her word Tara says she saw nothing.


This was a slower episode, but a good one. I love Tara, and Heath. They got a bit of good screentime, which I hope continues. I’m also itching to get back to Rick and Negan, too.
Next up is “Sing Me a Song” and I’m willing to bet things are going to get nasty.

The Walking Dead – Season 7, Episode 5: “Go Getters”

AMC’s The Walking Dead
Season 7, Episode 5: “Go Getters”
Directed by Darnell Martin
Written by Channing Powell

* For a review of the previous episode, “Service” – click here
* For a review of the next episode, “Swear” – click here
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After the events of the season opener, we’re back at Hilltop with Maggie (Lauren Cohan). She’s safe and sound, feeling better. At least physically. Dr. Carson (R. Keith Harris) helped her out with pregnancy troubles; she’s out of the woods, for now. The baby is fine, as well. A little Glenn or Glenda is still on the way down the road. Sasha (Sonequa Martin-Green) is well, too. They both go to where their men are laid to rest. Sasha gives Maggie the watch Hershel gave to Glenn, still in his pocket the moment he died. “All Abraham had was a cigar,” she quips. Going forward, these two women will be even stronger than they were already. They’ll take this and make it into more strength. You just wait.
Jesus (Tom Payne) is on the side of Maggie and Sasha, but Gregory (Xander Berkeley) isn’t keen on having the soon-to-be mother around any longer. He feels they’ve put themselves out enough on their behalf. I don’t like this dude’s attitude. Although he was promised to have the Saviors taken care of, and that didn’t happen. He’s concerned with “plausible deniability” and wanting to not get his head cracked open by Negan (Jeffrey Dean Morgan). For his part, Jesus does his best to stand up to the Hilltop leader. Not that it does much to sway the guy.
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Rick (Andrew Lincoln) and Aaron (Ross Marquand) are headed out from Alexandria, leaving a pissed off Carl (Chandler Riggs) and a reluctant Michonne (Danai Gurira) behind. Nothing is good in their world, still with a Negan boot against their windpipe permanently. One nice thing is that Michonne and Rick feel back on the same page again. She refuses to let up with him, unlike when he had Lori around only to bitch at him, to tell him what he’s doing wrong. Now, Michonne does her best to both encourage Rick, as well as let him know when he’s out of line. Even if she doesn’t, she always makes sure there’s a Plan B. As for Carl, he’s always concerned, about everything. That shit happens when you lose your mother, lose your eye. He sees Enid (Katelyn Nacon) sneaking over the walls to go to Hilltop, to make sure Maggie’s okay. And Carl says he doesn’t want to save her anymore, like a cocky little prick. Up at Hilltop, Jesus tries to reassure Sasha things will be fine. But he isn’t the take charge-type, he isn’t a leader admittedly. She does her best to help him realise he might have to “do more” in order to make Hilltop what he wants it to become.
Later in the night, music starts playing from a car. The Hilltop gates are open and fires are lit nearby. Sasha and Maggie try to figure out what the hell is going on. Walkers invade the premises by the dozens. When Sasha heads into the streets, so do Jesus and others. It’s take charge time. The car with the music is locked tight, caged in. And what does cowardly Gregory do? He cowers inside while the others work hard. Then Maggie shows off, driving a bit of farm equipment through Hilltop to crush a bunch of zombies, as well as that damn car. Good show, Mags!


Carl catches up with Enid on the road, running down walkers in his own car. They then walk on the road together. He tells her about needing to watch what Negan did to their friends, to remember. For the day when they need to kill the bastard. Enid likewise worries for Maggie, not wanting anything bad to have happened to her. They share a kiss together afterwards. Once she realises Carl is trying to hunt Negan and his people. She tries to stop him, but you know him. Hard-headed just like dad.
Simultaneously, Gregory is bitching about Maggie, not wanting her around, as Jesus fights for her. I mean, she helped them fight off an attack the night before. And he’s quite ungrateful. The Saviors have shown up, that makes it all worse. Simon (Steven Ogg) is there to have a little chat about going forward, recent developments and all. He brings the message that people at Hilltop ought not forget how bad things are out there in the world, outside the walls. He’s impressed the walkers were all cleared up by the Hilltop citizens. But worries Gregory’s people are getting “soft.” One thing is painfully evident, that Gregory is Negan’s full-time bitch, on his knees serving the master.
When the meeting’s over, he takes Simon to where Maggie and Sasha were hiding. But not for them: for Scotch. This will make a nice gift for Negan, though Simon takes the credit. Plus, they’ll take half of the supplies on-hand at Hilltop. On top of that he makes Gregory kneel for him. Like a bitch, as I said. Seeing the whole thing makes Jesus sick to death looking at their supposed leader. Gregory actually tried giving up the women, though Jesus did the right thing and hid them elsewhere. He’s taking charge a little more, or at least he’ll be making sure the leader makes less decisions without the whole community.

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Maggie finds Enid outside in Hilltop, near the graves. They head inside after and eat, chatting about old times, laughing a little. Sasha soon joins in and they’re like a family again. In a sweet gesture, Maggie gives Enid the watch Glenn was given by her father. However, she also says they don’t need any items to remember the dead by; they have each other, they have the memories in their minds, never to be forgotten.
And their time will come. They’ll have revenge, in some shape or form, some way. Maybe not today or tomorrow. Someday, though. Amazing enough, Jesus sneaks on the Saviors truck as they go, meeting Carl stowed away out back.

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Very slow episode, yet there was a lot going on all the same. We’re getting a shape and sense of the whole world going on in the zombie apocalypse, instead of the finite plots and stories of Rick and his crew. Lots of things happening as they mingle together.
Next episode is “Swear” and I feel like Season 7 is gaining steam with every episode, setting up good things for the latter half.

The Walking Dead – Season 7, Episode 4: “Service”

AMC’s The Walking Dead
Season 7, Episode 4: “Service”
Directed by David Boyd  (“Secrets“, “Heads Up“)
Written by Corey Reed

* For a review of the previous episode, “The Cell” – click here
* For a review of the next episode, “Go Getters” – click here
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Back in Alexandria once more. Rick (Andrew Lincoln) and Michonne (Danai Gurira) lay in bed next to one another. She rests uneasy, her breath heavy. She heads downstairs and gets a gun from the chimney, then leaves the house, as Rick watches her go.
In an open field Michonne walks by herself. She stops at a rusty old truck and gets up to look around. She sits there, waiting with the rifle in her hands. At the house Rick holds his little Judith. Eugene (Josh McDermitt) fumbles around with a radio outside while Rosita (Christian Serratos) and others hope to gather more for Negan (Jeffrey Dean Morgan) when he arrives.
But he has already arrived: “Little pig, little pig, let me in.” Rick meets him at the gates. As always, Negan talks shit. He’s brought his Saviors, Dwight (Austin Amelio) and captive Daryl (Norman Reedus) included.
Negan lets himself into their little town. Even makes Rick hold Lucille while he waltzes. And seeing Rick hold that bat, new blood splattered over it, there’s a hate in his eyes we’ve not seen in a long, long time. If ever.
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Negan’s pleased with the looks of Alexandria. Plenty of spoils to take. When Rick tries talking to Daryl, the bad man makes clear he is “help” and nothing more. Scariest part of this guy is that he’s also sexually threatening to the women. We’ve already seen, and heard from his own mouth, about what happened to Dwight; not good. He’s got women amongst the Saviors, as well. But just like hardline right-wing women, there is a seething hatred likely underneath their hard exterior. No telling what Negan’s offered them, what type of options they’ve been given to this point to make them follow his orders. On top of everything else, Alexandria gets pillaged of supplies, so on. Leaves them withered to even think about taking on Negan if they’re struggling to keep themselves in goods to appease him.
Out in the field Michonne takes shots at a walker in the distance. She never quite hits the thing in the head. So it’s back to the sword. Moments later she happens across a deer in the woods, dead, bullet hole in its neck.
More and more we see that Negan is happy with what Alexandria provides: “This is the kind of stuff that just tickles my balls!” Moreover, he finds the tapes Deanna left long ago. The tape shows a bearded, wild Rick. Not the man he is today. Such a stark contrast, one heavy reminder. Then Negan begins taunting some about Maggie (Lauren Cohan), talking about widows in a real nasty manner. Oh, and Father Gabriel (Seth Gilliam) shows up. They tell Negan that Maggie is dead, buried. We know it isn’t true. That isn’t something we’d not see. But this baseball wielding bastard doesn’t need to know.
A gun goes off down the street. Carl (Chandler Riggs) isn’t letting the Saviors take all their things. He’s holding them at gunpoint. This pisses the big guy off when they catch up. Negan does feel slightly impressed with Carl’s balls. Eventually the kid gives up, his father watching with tears welling in his eyes, not wanting another person – especially his son – dead in front of his eyes. Shitty thing is that Negan will be taking firepower with him when he leaves. Again, withering Alexandria worse than before.

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Lots of psyching out from Negan. He continually batters people, physically and mentally, no matter with whom he’s dealing. Even his own guys, now and then. With Rick it is brutal. To see such a strong, relentless leader as him be crushed into submission by anyone shitty, let alone this dude, is a bit of Shakespearean tragedy. Yes, it’s needed story wise. And I love it. But still a hard pill to swallow when you love Rick, as well as Andrew Lincoln (gives him a proper role to chew into this season though).
Rosita and Spencer (Austin Nichols) head out and find Daryl’s motorcycle in the woods. “This is where Rick got us,” he tells her. Sad that he sees it that way. A defeatist attitude. Rosita then runs into the woods out of nowhere while he talks.
Negan gets his hands on the RPG the gang used – Daryl specifically – to blow those guys off the road last season. Furthermore, he discovers an accounting error in the books Olivia keeps for the armoury. Missing guns. Uh oh. “Two handguns short.” This might cause trouble. Lucille is thirsty for Olivia.
In the church Rick asks his group who’s holding the guns. Nobody speaks up, though Rick and the core few witnessed what happened to Abraham and Glenn. “Im not in charge anymore; Negan is,” he tells the people in front of him.
Rosita tracks a couple zombies in the woods and then takes down a group of them like a bad ass. She snags a gun off one of them. No ammo. She wants to make sure Alexandria has some protection left when Negan rolls out. “This is not our life,” she tells Spencer. I love her, and hope she continues to be a bigger character from here on in.

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Whereas Rick panics looking for the guns, Gabriel tries reassuring him that things will change for the better. He has faith in Rick, after all they’ve been through together. Aaron (Ross Marquand) searched Rosita’s room, nothing, and there are less places by the minute to check. When Rick steps on a floorboard there’s a hiding place with canned food, liquor, and… you betcha, a couple handguns. A Savior accosts Enid (Katelyn Nacon) outside like a dirty creep. Nobody can do anything except watch on, which doesn’t make Carl happy, or anybody for that matter.
So Negan’s got his guns, for now Olivia is safe. But the bad man and his bat wants Rick to keep a lid on his people. If not, I imagine more head smashing. Oh, I can’t wait to see someone get the upper hand on Negan! I want his villainy to last, but very much looking forward to the tension once he and Rick (or whoever) go up against one another in a more violent way.
The toughest is when Rick has to go to Michonne for her rifle. He knows that she’s been practising. She refuses to let go of her weapon. Rick is done losing people, regardless the price. I understand that, in a way. Upsets me to see these two divided amongst themselves after so much.
When the Saviors are ready to leave, Rick wants Daryl to stay. Seeing as how they’ve given over so much. No dice. Next time Negan comes through he wants “something interesting” or somebody will get fed to Lucille.


With nothing left Alexandria goes on as it did before, only hungrier, less equipped. At least Rosita has a gun. Not sure what good one will do, but one is better than none. Not everything is swell around town, not even mattresses to sleep on. Rick and Michonne are at odds over this new defeated way of living. For the first time in so long he talks about Shane, and the beginning of the zombie apocalypse, how Lori got together with Shane, the whole story. He admits: “I know Judith isnt mine. I know it.” Although he loves her like his own. He hopes to teach her to survive. Mostly, he talks of having to accept so many things out of his reach. It’s either take this life now, or nothing at all. But for how long?
Back in that field Michonne goes. Up on the rusty truck. On the horizon she sees smoke. In the road are their mattresses, burning. All for the Saviors to have fun with, not for sleeping.
More importantly, Rosita remembers something crucial with no bullets in her gun: Eugene knows how to make ammo.
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Lots of good stuff setting up here. Great dialogue and tension between Rick and Negan, as well as the fact we get more Rosita, which is unusual yet welcome, and the other characters aren’t being left behind.
Next up is “Go Getters” and I’m hoping the tune changes from this episode. Really good one, just felt that by the end the Negan-speak was getting on my nerves. I dig the dialogue, the whole smug personality irks me after a while.

The Walking Dead – Season 7, Episode 3: “The Cell”

AMC’s The Walking Dead
Season 7, Episode 3: “The Cell”
Directed by Alrick Riley
Written by Angela Kang

* For a review of the previous episode, “The Well” – click here
* For a review of the next episode, “Service” – click here
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This week, we’re back with Negan (Jeffrey Dean Morgan) and his captive, Daryl Dixon (Norman Reedus). Will we see a confrontation? Doubtful. I worry mostly for Daryl because he cares too much. Seeing as how, technically, he’s the reason Glenn took a barbed wire bat to the dome – over and over until his brains were mush – I feel as if Daryl’s going to take that on heavily, and psychologically he might never be the same again. It’ll be most interesting because Daryl’s not a comic book character, so his reaction to and involvement with Glenn dying comes totally from the writers here on the series. Let’s hope they do him right.
With Daryl in the clutches of Negan’s Saviors he witnesses how they live, which involves alcohol, lots of fresh food, even watching old tapes of Who’s the Boss? or at least that’s how it is for Dwight (Austin Amelio). Not everyone is so privileged. The Saviors have free run of everything within their grasp. Everyone in sight kneels for Negan, though. What a sad, sorry lot. Dwight pillages food to make himself a sandwich, as Daryl gets fed dog food between two buns. He’s already been down to eating dog chow. Stuck in a dark hole he’ll take what he can get. No less humiliating.
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Poor Daryl, he has to listen to awful music, tortured how they liked to do in Guantanamo. He’s fed dog food, woken up constantly by the same song. No idea how much time is passing. They’re trying to break him down. The want to make him a Savior, from what I can tell. At one point he’s brought – wearing a sweatshirt bearing a large orange A – to a room where Dr. Carson (Tim Parati) checks him out. They run into Sherry (Christine Evangelista), who’s recently tested negative for pregnancy. Hmm, interesting. Does she belong to Negan? Or are she and Dwight an item? Hard to tell. But you can be sure women are probably closet to second class citizens in this type of society. The doctor has nothing for Daryl other than: “Negan will take care of you.” They run into the man himself. He wants to chat with Dwight. The saddest is seeing Daryl stare at a real room, one with a bed, a chair, books, so on.
Meanwhile, he’s brought outside where a ton of walkers are behind a chain link fence. Other men with sweatshirts, numbers spray painted on them, are in the pen. Dwight threatens Daryl, as if he’s not aware of the danger around him already. Then he gets tossed back in the dark little room to rot. “I aint ever gonna kneel,” Daryl tells his captor. If he doesn’t though, what exactly will happen? Dwight seems to think he’ll kneel. Sooner or later. And the music starts all over again. Enough to drive any normal person totally insane. Negan’s happy with the progress, all said. We get a bit of saucy talk from the leader, mentioning “you know who” – I assume that’s Sherry. I can see somewhere down the line somebody will take inspiration from the coming rebellion against Negan, and one of his own men is someday going to be part of his downfall. That’s my take. One thing’s for sure: Negan has Dwight wrapped around his fist, not even just a finger.

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Daryl gets himself out of the dark closet and makes it down one of the equally dark hallways nearby. At the same time, Dwight is on the road headed somewhere, trying to move through a crowd of zombies left splattered along the highway. Parts are caked with guts, and then Dwight is nearly taken out once a walker comes flying down off the overpass. Whoa.
In the hallways Sherry finds Daryl. She warns him: “Theres always more. You wont get away. And when youre back, itll be worse.” Negan and his boys find him, too. They crowd around our hero. “Who are you?” Negan asks the guys around him: “Negan,” they all reply in creepy cult fashion. “I am everywhere,” he explains to Daryl. He makes clear that there is no way forward, alive, except to follow him. He even throws back to the bat, about to smash another head. Daryl flinches not even an inch. That doesn’t impress Lucille, though it does Negan. He’s one sick bastard, this guy. The Saviors beat Daryl down on their own like a bunch of bitches. Once he’s put back in the hole, Sherry comes to talk. About the last time she saw Daryl, when they stole his bike. And she admits to being sorry, finally.
On his way home Dwight looks rough. He happens across a man being attacked by a walker, he tackles him. It’s a stray from the flock. He doesn’t want to be a part of what Negan has going on there, not anymore. We discover that Dwight had a wife – Sherry – and that Negan did something bad, to them both; did he claim Sherry as his own? I think so. Either way, being on Negan’s side doesn’t always guarantee safety. Not fully. That’s what we’re coming to understand gradually. Isn’t that the general rule for cults? Because make no mistake: his commune is a cult. This man isn’t allowed to walk away, though. Dwight makes sure of it.

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More dog food sandwiches for Daryl, more mental abuse. He’s left with one of those Polaroids, y’know, the ones we saw Glenn looking at near the end of last season when they came upon The Saviors’ lair. Sadly, this one is of Glenn’s smashed brains. Daryl gets left in the dark with having to see what he, accidentally, caused for his friend. It is horrific, and breaks his heart into pieces. Plus, more music to drive him mad (Roy Orbison’s “Crying” I believe).
Note: a silently amazing performance in this episode out of Reedus; an actor’s actor right now.
Later, Daryl’s brought to see Negan in that nice room the former stared into earlier. The fearful leader tells the tale of Dwight, his former wife, her ill sister. Seems that Negan wanted to make her his wife, then Dwight ran off with the ladies and stolen medication. We further discover Lucille had to take a victim. Then Sherry agreed to marry Negan, in order to save her husband. Dwight still had to take his punishment, all the same. Yikes, what a fucking horrorshow.
He finally asks Daryl: “Who are you?” No reply.
Will he break?
He asks once again and the nearly broken man replies: “Daryl.” So into the hole, more torture. They won’t kill him. Yet. But before Dwight leaves him alone, Daryl appeals to any bit of humanity left inside the guy. He makes clear that it isn’t only about him. He can’t give up. Not for Negan; not for anybody. I can see a glimmer of hope left deep in Dwight, I’d like to think he can change. However, it’s unclear if that can ever happen. If he could ever live through it. What’s interesting is he wears the old biker cut Daryl wore, wings and all. Sort of speaks hope in itself.


I am loving Season 7! They are stepping up, in big ways. Lot of different avenues for storytelling and different plots from various characters, many angles. Negan allows for plenty of that, as does the opening up of communities in the zombie apocalypse.
Next episode is titled “Service” and I believe we’ll begin to see the communities interact more. Will we see Rick Grimes and the crew, as well?

The Walking Dead – Season 7, Episode 2: “The Well”

AMC’s The Walking Dead
Season 7, Episode 2: “The Well”
Directed by Greg Nicotero
Written by Matthew Negrete

* For a review of the Season 7 premiere, “The Day Will Come When You Won’t Be” – click here
* For a review of the next episode, “The Cell” – click here
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Morgan (Lennie James) and Carol (Melissa McBride) are being led to safety by a couple men in body armour, the ones they last met in the end of Season 6. On the road they’re overrun by walkers. Injured Carol is toppled off a cart they were carrying her on, though in her usual style she doesn’t stay down long, stumbling off through the nearby woods. Where the fuck are you going, Carol? She sees a woman in a window calling her. Only it’s not a woman, it’s a zombie. Luckily more people on horses show up to clear out the walkers. However, Carol’s only able to see them as people. Oh, man. Her apocalypse has been an absolute nightmare compared to that of others. Morgan keeps marking their way, so that there’s a possibility of heading back. Although I don’t see that happening any time soon.
Finally Morgan and Carol get to take a rest, in a real place again. She lies recuperating in an actual bed. Wind chimes in the window. A sort of surreal moment. Plus, she’s been sleeping a couple days. Only natural. They’ve been brought to a true community, with a bunch of crops, what looks like a schoolhouse, and clearly a clinic of sorts. They’re in the Kingdom, as the locals call it.
Then Carol gets to meet the leader of this place, King Ezekiel (Khary Payton). He’s got a nice pet tiger, too. Named Shiva.
Shit’s about to get real, mama.

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Ezekiel talks like he’s in a Renaissance Fair, referring to their home as “the realm” and y’know, having a tiger around on a big chain, sitting on a throne. He’s definitely a bit much to take in at first. Definitely quite the character, in all sense of the word. No bullshit Carol tells him “I dont know whats going on in the most wonderful way.” The King lays it out that everyone does their part to earn their keep, and anything the Kingdom reaps is theirs to enjoy. This episode’s title comes from Ezekiel’s analogy of having to take from the well and also replenish the well. For the time being Carol plays into the whole medieval nonsense this guy has going on. I can’t help but wonder, as a man with his own mental illness duo: is this guy okay? Morgan wants to believe, so god damn bad that he’s willing to follow along. Of course we know Carol has no time to deal with this kind of shit, even before she makes it known.
A few of the Kingdom’s members rally together some pigs that went running lose. Side note: lot of great zombie makeup effects that could easily go unnoticed, if you take a second and pause there’s magnificent work to appreciate. On their outing Morgan proves to be a friend of the Kingdom, helping out a younger man surprised by a walker. Ezekiel enjoys Morgan’s skills with the staff; real recognises real and bad motherfuckers know one when they see one. He even gets Morgan to agree to train the kid he helped out, Ben.
Yes, the Kingdom is a place to behold. A local choir group sings a rendition of Bob Dylan’s “Don’t Think Twice It’s All Right.” Carol has a look around, nabbing herself a knife on the sly and pretending to be a good little citizen, excited over “cobbler” and other yummy foods compared to possum and the nasty shit they survived on. She’s tricky, man. Dig it. Snags a set of clothes, as well. Looking forward to her getaway.
Some of the Kingdom’s secrets are revealed to Morgan, as we see they hand over their well-fed pigs – full with walker guts – to whom I can only assume are The Saviors.

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Morgan eventually finds Carol gone in the wind. She runs into Ezekiel, though. They end up having a private conversation, as he talks a little straight with her. He knows her game. They speak of the Saviors, about her survival tactics. I love how straight shooting Carol is, not afraid to call Ezekiel a straight up “joke” to his face. She questions his motives for acting like a King, let alone all the semi-medieval speak (he’s just talking fancy he isn’t even talking Middle English or anything). But finally he drops the whole thing, levelling with Carol about how people simply want someone to follow. It’s all a cult of personality. But what if that cult of personality served a good purpose, such as the Kingdom? Sure, he has his ass kissed like Carol calls him out, although they’ve built themselves a community. “I faked ittill I made it,” he admits. We find out that Shiva had a near fatal injury. Ezekiel saved her life, which bonded them together eternally. There’s also the fact Ezekiel once did community theatre, so he has them acting chops. At first I thought he was a bit of a nob. Now I actually really like him.
So will Carol stay, or will she (should she) go?
She’s decided to leave, it seems. More effective and happier on her own. Morgan rides with her out onto a nearby road. They say their goodbyes and she heads up to a house where she’d seen the woman earlier. She buries her in the front lawn then makes a fire inside. At the door comes knocking Ezekiel, apple in hand. I have a feeling these two are going to become better friends. Maybe he’ll convince her to come back to the Kingdom. I hope so.


This was a solid episode. Nothing crazy, just bringing us into the world of the Kingdom.
Excited for next week. Following episode is titled “The Cell” and I’m wondering who the focus will be on this time.

The Walking Dead – Season 7, Episode 1: “The Day Will Come When You Won’t Be”

AMC’s The Walking Dead
Season 7, Episode 1: “The Day Will Come When You Won’t Be”
Directed by Greg Nicotero
Written by Scott M. Gimple

* For a review of the Season 6 finale, “Last Day on Earth” – click here
* For a review of the next episode, “The Well” – click here
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Our episode’s title comes from Dr. Jenner at the CDC, way back when Rick said he was thankful for all the man had done for them. To which the doc replied: “The day will come when you wont be.”
Today is that day.
We start on Rick Grimes (Andrew Lincoln), his face spattered with blood. Negan (Jeffrey Dean Morgan) taunts him. But Rick replies: “Im gonna kill you.” The nastiness of Negan’s demeanour is so perfectly awful. He digs into Rick, already having taken his victim from the group. He takes the hatchet Rick arrived with and brings Rick into the RV with him nearby. Behind them, a pile of blood and gore.
Who was killed?
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Inside the RV, Rick cowers like we’ve never seen him do before. Hiding in the shadows. And Negan tries to clue him into the new rule of things. He challenges Rick to take the axe and do him in. But you know it ain’t going down like that. He knocks Rick to the ground, dominating him. Proving a point. “Think about what happened, and think about what can still happen,” Negan all but cackles in the driver’s seat, taking Rick for a ride somewhere.
Then we flash throuh Rick’s mind, as he sees memories of everyone in their group. Glenn (Steven Yeun), Enid (Kately Nacon), Eugene (Josh McDermitt), Sasha (Sonequa Martin-Green), Aaron (Ross Marquand), Abraham (Michael Cudlitz), Maggie (Lauren Cohan), Daryl (Norman Reedus) , Michonne (Danai Gurira) – while Negan throws his axe from the RV into a foggy road of walkers, beckoning Rick to go get it. Our trusty leader, the onetime Sheriff Grimes, manages to get on top of the RV, hatchet and all. Although as he stares into the distance either way you can see the hope starting to fade. For the first real time, he’s a broken man. “I bet you thought you were all gonna grow old together,” Negan pokes at him more from inside.


Now we’re back to the eenie meanie miney moe. Negan goes around the line. We watch Rick’s eyes. We see the terror in the eyes of every single person. The taunting of Negan and his bat land on: Abraham. He savagely beats the brains out of Abraham’s head, smashing him over and over. Everyone watches in sickly disgust, as nothing is left of the skull and brains. Nothing. “Look at my dirty girl,” Negan calls to them horrifically. He even taunts Rosita (Christian Serratos) with the bloody end of Lucille. Then Daryl breaks loose, punching Negan.
Will he get the bat, too? No. Even Dwight (Austin Ameli) rushes in to try putting an arrow in Daryl’s skull. Negan won’t allow that. Not right yet: “Thats not how it works.” No, no, no. Another victim for Lucille comes next.
Glenn’s head is smashed in. The front caves. So suddenly. Everybody is brutalised by the sight of Glenn, his eye popping out, trying to speak to Maggie in his last moments. Negan goes on whacking away until there’s only blood and hair left on the end of Lucille. The group is left devastated.
Rick lies on top of the RV, remembering what’s happened. All to well. This is the worst and most wounded we’ve ever seen him.

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In a crazy moment, Rick jumps from the RV, using the hanged man from the bridge as a grip. With zombies clawing at him, walkers of all kinds trying to rip him apart, Negan pops them all off and saves him. He urges Rick: “Think about what can still happen.” And Rick does. He sees the rest of his group smashed by Lucille, one by one.
Back in the RV, hatched in hand, Rick makes it to Negan. A real sick game, all around. The man with the bat continues his cerebral assault, in such a villainous, nonchalant way that it’s sickening how good Jeffrey Dean Morgan plays the role. When they get back to the group, Negan has Rick kneeling in the middle of his remaining friends. The Saviors put guns to the back of their heads and the wretched Lucille-holding monster calls Carl (Chandler Riggs) to the centre. He wraps a belt around the boy’s arm, puts him to the ground next to dad. Negan proceeds to mark off a spot on Carl’s arm with a marker.
Rick has to cut an arm off his son. With his hatchet. Or else everyone dies.
So, what does Sheriff Grimes do? It’s all a psyche out. Rick has been broken, in front of everyone – The Saviors, his own people, his son. He’s torn every bit of Rick apart, his soul, his manhood, his power. What a vicious cycle. Because you know it’s a cycle. Broken as he is, Rick will be coming back. He will not let this rest, not forever. For now, sure. But not forever.
Things have changed. Whatever you had going for you, that is over now,” says Negan to the crowd. He takes Daryl in the back of their van. Property of Negan. They’ve got a week to start getting supplies together for him. A new day. A new deal. Minus two strong people from their crew. People they’ll never get back, ever again. Literally left in Negan’s dust, the rest of the survivors struggle to figure out how to move on from there.

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Maggie’s the first to get up. She wants to keep fighting, even if Rick is beaten to a pulp emotionally. He also understands how bad things are right now, she isn’t acting or thinking rationally. But sadly, Rick has also lost control. He has no more power. And Maggie, she’s in a depression spiral, unable to accept that they’ve just got to go back home, pick up the pieces. Now, they take their dead friends with them and do what they can for them.
In a vision, we see all the group, happy, healthy, a baby on Glenn’s lap. As if there weren’t enough tears shed. Negan’s voice rings in the ears of Rick as they load up the RV to leave. He thought they’d all be sitting around, as in the vision, that dreamy world. These days that vision is a far cry, and Rick is realising it. Around him he’s also watching the walkers die off. Everything is dying. Everyone and everything dies.
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What a savage episode. Completely numbing. I expected Glenn’s death, but didn’t anticipate such a wildly effective execution. Love how the power dynamics are shifting. No longer is Rick the big, tough guy he was once. Although he’ll get back there it’s going to take a major event, or series of them.
Looking forward to the next episode “The Well” and what it’ll bring!

Fear the Walking Dead – Season 2, Episode 15: “North”

AMC’s Fear the Walking Dead
Season 2, Episode 15: “North”
Directed by Andrew Bernstein
Written by Dave Erickson

* For a review of the penultimate Season 2 episode, “Wrath” – click here
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The finale is upon us! Who will survive, and WHAT WILL BE LEFT OF THEM?
After the head crushing finish of the penultimate finisher, “North” starts out on Travis (Cliff Curtis) having unleashed fury on the two young men who put Chris (Lorenzo James Henrie) down after being injured in their car wreck. In the process, he hurt Oscar (Andres Londono) real bad. This isn’t going to sit well with anyone in the hotel. Elena (Karen Bethzabe) has him taken away, locked up somewhere. Everything is getting pretty rough at this point. Madison (Kim Dickens) tries her best to keep a cool head, at the request of Strand (Colman Domingo). She then takes Alicia’s (Alycia Debnam-Carey) knife to go put walkers Brandon and Derek out of their misery. Feels like Madison is starting to rage in her own way, too. Ain’t just Travis anymore. Strand, he looks worried.
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At the colonia, Luciana (Danay Garcia) patches up Alejandro (Paul Calderon), whose bite is fierce. He’s getting sick, and fast. She wants to try making him look “presentable,” but he sees the end coming now. It doesn’t look pretty. She stays with him to help, although Luciana’s not impressed. “This is ending,” Alejandro says. But she thinks there’s still a future there for the rest of them.
Strand wants Madison to calm down. Technically, Travis has gone against the rules they’ve set out. “Weve lost our place,” Alicia says about their situation in the hotel. Going against them, Strand believes Travis can’t stay there. And Alicia wants to leave, take him, set out on their own once more. She’s sick of losing people and wants to not become hardened people, willing to give up the lives of others for a safe space to lay their head. At this point, Strand is set apart from them. Not sure if they’ll come back together, or if Strand will stay at the hotel for good. The agreement is to let Travis out of his lockup until dawn when the group heads for the hills.
Nick’s packed and ready to leave the colonia, with or without Luciana. She stubbornly won’t go anywhere. Marcos (Alejandro Edda) is coming, at some point or another. “Do what you do, Nickrun,” Luciana taunts.
With Oscar unconscious things are awful for the people at the hotel. Alicia tries to help. Nobody really wants it, though. They’ve got their hands full trying to do homemade surgery on Oscar.

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In front of everybody, Alejandro limps sickly to his people and confronts them with the truth about Marcos. He does his best to inspire them. Simultaneously, Nick heads for the wall of zombies. He smears himself well with blood, then ventures into the vast unknown past their wall. While Alejandro spins a fairy tale of bullshit to the colonia, Nick spies a helicopter touching down in the distance.
Oscar’s surgery goes on as Madison and Travis spend their last night in the hotel upstairs. “Whoever you think I am, whatever part of me you think is the same, its not,” Travis tells her. She agrees those two guys deserved to die after what happened, after all that happened with them on the road. Madison believes herself worse than him. They’ve bonded closely over this brutality, and that’s how it goes in the new world post-zombie apocalypse. A beautiful little moment between these two; and boy, did they need it! Downstairs, Oscar lies dead on the table. So now, will there be war? Oh, it seems that way. The men go for Travis in the middle of the night. Andrés (Raul Casso) puts a gun to Travis for killing his brother. When Alicia stabs him, all bets are off. Strand winds up getting his hands on the gun flicking across the floor, and states the obvious: “We need to get out now.” If only for the fact Strand won’t leave with them. No, please! I love Strand, I hate to see the group separate. He’s awesome and I don’t want him to die. So as long as he sticks around on the show, that’s fine. Just don’t kill him AMC, you bastards.
The road ahead for Madison, Alicia, and Travis doesn’t look great. But better than getting torn apart by everyone back at the hotel.

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Alejandro gets a surprise visit from Nick. He’s come back after seeing the helicopter, finding Alejandro incredibly sick. They have a frank chat about dying. About whether to leave. Nick believes actually caring about the people in the colonia would mean doing the right thing; getting them out. To be a good man, Alejandro must “let them go.” That helicopter, it landed across the border in a camp. Nick sees hope out there.
In the big supermarket, now empty, Alicia, Madison, and Travis search for information about the colonia. They also see hope – that maybe they can find Nick again. Well, they stumble across that death room where Marco had a bunch of dead bodies. Not a nice place. Although they may be able to figure out how to get to colonia if there’s anything left on the corpses. And there just may be some clues.
In the daytime, Marco and his crew roll out to the colonia. There, they first come across the wall of undead. Heading into the bus they find it’s “too easy.” After they’re all the way inside Marco discovers a veritable ghost town. Nobody visible, anywhere. Not from far away, anyways. Alejandro’s still lurking, looking to die a “beautiful death” as Nick predicted. He’s well enough to get to the bus, put it in drive, and let the walkers crawl on in. Colonia no longer secure.
Along a city road Nick and Luciana lead the good colonia citizens elsewhere, out towards the border in a bid to maybe find that camp, maybe a helicopter. Anything’s better than being slaughtered by drug dealers.


On their own way, Madison and Travis head into the colonia. Fuck, shit, FUCK! Always one step behind Nick. Outside, Alicia waits by herself, but then decides to go in towards the bus. The tension is killing me. Of course the inner sanctum is covered in walkers, dropped guns. Even Marco is a zombie. Every last person is dead. Alicia finds Alejandro at the bus and makes him comfortable. He tells them about Nick and the plan to head towards the border. At least they know which direction he’s going. Someday they may cross paths again.
The border is littered with cars, a scattered zombie here or there. Nick and Luciana take the group through the gates. He looks out towards the horizon spotting a helicopter through binoculars, a refugee camp not too far off. Then from nowhere a man with a gun. Luciana takes a bullet. Reynaldo, as well. Armed militia-style men take the group over. Nick and Luciana are cornered.
With Madison, Alicia, and Travis seeing Alejandro out of life once and for all, Nick is beaten down by the armed men. Nobody’s future is certain, as we always know a little too well. How will the next season begin? Where will they all be?
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A tragic and exciting end to this season. I dig it! Very ominous. Lots could happen.
Let’s await Season 3 with a new season of The Walking Dead in a few weeks.