Better Call Saul – Season 3, Episode 2: “Witness”

AMC’s Better Call Saul
Season 3, Episode 2: “Witness”
Directed by Vince Gilligan
Written by Thomas Schnauz

* For a recap & review of the Season 3 premiere, “Mabel” – click here
* For a recap & review of the next episode, “Sunk Costs” – click here
Pic 1Chuck (Michael McKean) is locking up for the night, having a cup of tea before bed. Diligently making sure the doors are locked, peeking through the windows. He has someone watching out at night, sitting in the dark at all hours. He’s waiting for something to happen. Anything.
Pic 1AA couple guys are waiting with a tracker. From a distance Mike (Jonathan Banks) watches them with his own tracker. He’s getting closer to figuring out who has a beat on him, his comings and goings. Could this all be a test? Is someone recruiting him to test out his skills? Or just somebody keeping tabs on a crafty guy like himself? Hmm. Whatever it is, Mike’s determined to get to the bottom of the mystery.
And then he follows a guy, in the night, into morning… all the way to, you guessed it: LOS POLLOS HERMANOS! God damn.
Jimmy (Bob Odenkirk) is meeting with a woman named Francesca Liddy (Tina Parker) applying for a job in the office. She meets with Kim (Rhea Seehorn), too. They check out her resume, her experience, so on. They need somebody organised, to keep the place afloat. Kim isn’t sold, but Jimmy wants to hire her. Something like this is going to play directly into the plot, at some point in Season 3. When, exactly? Francesca will play a big role, in some way, shape, or form. Maybe she’ll wind up seeing Jimmy do something shitty, or she’ll flip on him for some reason, or who knows.
Mike calls Jimmy at the office: he wants him to go into Los Pollos Hermanos, to keep an eye on things, the guy with the bag whom Mike previously followed. Ah, the beginning of how Mike and Jimmy come into contact with Mr. Gus Fring (Giancarlo Esposito). Jimmy has breakfast starting out his spy duties. Soon the man with the bag arrives and our hapless lawyer tries to keep him in his sight.
FINALLY, our first look at Gus in a couple years! He sweeps up around where Jimmy sits, and the man with the bag, too (does he sweep something up from the guy? Is that their sneaky system?). Mike gets no information that helps from Jimmy, walking away empty handed. For the time being.


Mike keeps on Los Pollos Hermanos, determined that he’ll find out what’s been going on. It’s a tiring job, one he no doubt was prepared for all those years as a cop. Soon, a black SUV pulls into the restaurant rather suddenly, backing into the rear out of sight. Then it’s gone again in a rush. Who’s driving? Victor (Jeremiah Bitsui), our old pal from Breaking Bad. Another lead to follow.
At the McGill/Wexler offices, Ernesto (Brandon K. Hampton) can’t go in, so he phones Kim. She goes out to meet him and he’s so obviously stressed, with the information he knows from hearing Chuck’s clandestine tape. He wants to tell Jimmy about it, but doesn’t want to get in trouble because of helping his friend. So, he opts for Kim, whose view of Jimmy has once again shifted.
Gimme a dollar,” she tells him – the same he did with Walter White and Jesse Pinkman when they had him in the desert, hood over his head. They’ve now got attorney-client privilege. He spills the beans, involving his emotions over Chuck, wanting to cut him some slack mentally. Only the tape exists now. Note: when Kim’s talking to him, and he’s peeling tape off the newly painted wall, at first (before he gets frustrated) he uses the technique his big brother Chuck taught him last episode; he can never escape him, even when Chuck is screwing him over, eternally.


Still following that tracker, Mike is out in the middle of nowhere. He’s lead to a gas cap in the road, a cellphone waiting on top. And surely when it rings, on the other end are instructions for where to go.
In other news, Howard Hamlin (Patrick Fabian) is sneaking around in the neighbourhood near Chuck’s place trying to remain unseen. They have a little secret meet. Howard’s getting impatient with all the nonsense, all the money spent on private investigators, et cetera. All in the name of trying to snag Jimmy for his crime. He wants to get on with “alternate strategies” and finish with Chuck’s paranoia.
No sooner do they finish their conversation does the younger brother show up, pissed off and ready to beat down the door. Which he does. He flies into a rage and calls out Chuck over his betrayal. He breaks open the desk to find the tape, then cracks it into pieces. Could likely mean only more trouble for Jimmy, as there are witnesses to his frustrated outburst.


Man, oh, man! What’s next for the Brothers McGill? Nothing good.
Coming up is “Sunk Costs” and I’m so intrigued to see more of Gus + Mike, as well as what Jimmy must deal with in the fallout of his actions here in this episode.

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Better Call Saul – Season 3, Episode 1: “Mabel”

AMC’s Better Call Saul
Season 3, Episode 1: “Mabel”
Directed by Vince Gilligan
Written by Vince Gilligan & Peter Gould

* For a recap & review of the Season 2 finale, “Klick” – click here
* For a recap & review of the next episode, “Witness” – click here
Pic 1We start Season 3 with another black-and-white flash forward into the future of Jimmy McGill a.k.a Saul Goodman a.k.a Gene the Cinnabon manager (Bob Odenkirk). Nancy Sinatra croons “Sugartown” as we watch his daily life at the Cinnabon in the mall. Far from where we saw him in Breaking Bad, juxtaposed beautifully with the place we follow along in the current timeline of Better Call Saul; one of the fascinating parts of the writing and the progression of characters is how Gilligan & Co. pull off making his journey into a, at times, non-linear adventure. In turn, this keeps things fresh even though we already know where Jimmy/Saul ends up down the road.
What I’m most interested in is where Gene goes from this point post-Breaking Bad, or if he continues on in his purgatorial existence, a fitting end for a greasy guy such as himself. Eating lunch alone on a bench he winds up seeing a sketchy young man who looks to be hiding, in trouble. Rather than let the kid go on, he rats him out to the cops. Then in a burst he tells the kid to say nothing, and advises him to get a lawyer. That old Saul came loose, even for a second. Gene’s not as measured as he once seemed. Later while glazing some buns he passes out. Yikes.
Pic 1ATo the current timeline. Jimmy and Chuck (Michael McKean) are back where we left them, when the younger brother confessed to his brother believing no one else would hear. Not knowing Chuck was hiding a tape recorder the entire time. All the while Jimmy thinks everything’s well, or at least stable. A situation he can manage. The brothers reminisce about being younger, triggered by The Adventures of Mabel which Jimmy finds in Chuck’s bookcase. For the first time, they actually seem like brothers. Not for long, though. The older of the two reminds with an ominous tone: “You will pay.”
Kim Wexler (Rhea Seehorn) is doing her best to keep her chin up, too. Despite the rollercoaster of a life she has sitting next to Jimmy. He’s not exactly a dream dude to be involved with in business, or in friendship, love, et cetera. Eventually I have to believe Kim won’t be able to reconcile her morality with being on his side. She already knows he’s not on the level, but just doesn’t realise how deep the well of deceit goes. But as always, the problem is that Jimmy’s such a likeable loser that it’s very tough not to root for him.
Jimmy: “For ten minutes today Chuck didnt hate me. I forgot what that felt like.”
Meanwhile, Howard Hamlin (Patrick Fabian) hears Chuck’s tape of Jimmy and the confession. Certainly the secret recording isn’t enough to hold up in court; Chuck knows. So why have the tape at all? Does it involve Kim?
Of most interest to me is Mr. Mike Ehrmantraut (Jonathan Banks). He was out in the desert, and found a note telling him to get away. A warning, but from whom exactly? Mike does the smart thing, speeding away from the scene then checking his car for any kind of devices; nothing. He heads to a scrapyard and has a closer look. And I mean a CLOSER FUCKING LOOK. Mike uses every last ounce of his training to look through the guts of his car, inspecting each inch with precision. Like he can smell it yet can’t seem to find the thing.
Finally, he discovers something hidden in the gas cap. THE GAS CAP! An ingenious, tedious place to hide a tracking device. That’s some next level deviousness. But now Mike has some idea, a starting point leading to whoever’s keeping an eye on him so close.


Jimmy receives a visit from Captain Bauer (Brendan Fehr), one of the military gentlemen whose eyes he pulled the wool over when needing to cut a commercial. Anyways, he’s not happy. Slick talkin’ Jimmy tries to sell him a load of horseshit, that doesn’t work. Either Jimmy takes the ad down or “therell be hell to pay.” He doesn’t dig that, so he threatens to take it to court and win. The captain advises him, in his own way of speaking, that eventually Jimmy’s going to get what he deserves. From the flash forwards and seeing Breaking Bad, we know this to be true.
With his newly acquired knowledge, Mike switches out his gas cap to head off after work. At an old warehouse he meets his friend the veterinarian (Joe DeRosa) to get himself some gear. Pricey, too: $1,000.
Back to Kim, over at Mesa Verde she’s doing great work. As always. Worse still she knows the treachery, the guilt eats her. How long before it eats her alive? Every time she hears about Chuck and his supposed mistake, it’s like a stab in the gut. Also, in the office – that rainbow… any imagery connections to that in Season 2? I’d like to revisit that.
Over at Chuck’s place, he has to get Ernesto to help him change batteries in the tape recorder. The thing is on when he changes them, he hears a bit of Jimmy confessing. This sends the old gentleman into a fit of anger, trying to make sure Ernesto won’t ever tell anybody about what he’s heard. “There could be terrible consequences,” Chuck convinces him with a torrent of quasi-threatening language.
Pic 3Mike, Mike, Mike; what will you think of next? He’s like the counter-intelligence king of the streets, using all that police knowledge from busting criminals, learning their ways, to fuel his own criminal enterprises. Except right now it’s like espionage, trying to discover who’s on the other end of the surveillance on him. He’s reversing the cat and mouse aspect of the dangerous game that’s being played, or at the least trying to do so. And he loves pistachios. Fucking loves them. I don’t blame him, either; they’re great.
After a long night of waiting, Mike sees a vehicle stop. Someone retrieves the GPS tracker from the gas cap then they’re off into the night fast as they came. So, Mike has a lead on where they’re headed.
Want to take a guess? Might have something to do with Los Pollos Hermanos, maybe?


Great start to the season! I don’t care if people say the show’s slow moving. It’s meant to; the storytelling and the character development and the plot moves are all spectacular. Great music and score, as well. Excited for “Witness” next week. Welcome back.

Breaking Bad – Season 2, Episode 12: “Phoenix”

AMC’s Breaking Bad
Season 2, Episode 12: “Phoenix”
Directed by Colin Bucksey
Written by John Shiban

* For a review of the previous episode, “Mandala” – click here
* For a review of the finale, “ABQ” – click here
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With Skyler (Anna Gunn) in labour, Walt (Bryan Cranston) found himself saddled with making a big deal with the new prospective distributor, the low key Mr. Gustavo Fring (Giancarlo Esposito). Only problem was Jesse (Aaron Paul) and Jane (Krysten Ritter) shot up heroin, so Walt was left holding the bag for getting everything together.
Now, he’s missed the birth of his daughter. Too busy dropping of 38 pounds of meth at a drop spot. But then off he rushes to be with his wife and newborn daughter. Luckily, Skyler is fine, so is the baby. So she isn’t worried. Of course Walt is a little surprised, and unhappy, that Ted Beneke (Christopher Cousins) got to be there while he did not. The only thing is that while Skyler isn’t mad at Walt, there’s just the fact Walt is pissed at Jesse for having facilitated his missing the birth via the irresponsibility of shooting up heroin.
However, can we really blame Jesse?
While it’s a bonehead thing, to get on heroin, I don’t think it’s a fair thing for Walt to hold that against him. Not as if he knew there was a big deal going down. Walt went out and did all that himself, never once consulting Jesse afterwards. No way he could’ve imagined they’d need to make a massive drop like that for Fring. Still, there’s no stopping Walt. Even if he’s got a massive satchel of cash, a healthy baby girl and a wife that for once is not raging with him (for good reason), he can never pass up an opportunity to lecture Jesse.
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And then there’s Jane whose own problems are big enough. She and her father Donald (John de Lancie) attend Narcotics Anonymous meetings together. While she’s high on heroin, he calls up to go to one. She lies and then prepares to leave. Before freaking Jesse out about a break-in. This sends him into a spin, not knowing Walt collected their meth. So now he believes they’ve lost every last bit of their product.
When Jane and her father hit their meeting, he can clearly tell there’s something off about her. She looks sickly, fumbling her 18 Month chip nervously. It’s so obvious, and Donald isn’t stupid either. I have to mention – John de Lancie is a fantastic actor and I’m thrilled he was given this part, I fondly know him from his brief yet thoroughly memorable part as Q in Star Trek: The Next Generation, so to see him here is a lot of fun in a beefier, highly emotional role that only gets more important in the coming episodes.
At home, Walt gets a call from Jesse about the missing meth. He only hangs up on his partner. Later, a remarkable moment during dinner – Hank brings over some Los Pollos Hermanos, and Walt is struck by the whole dirty irony of it all. But further we see the emptying manhood Walt perceives in himself, as Skyler wants to jet back to work so they have money when he gets his surgery, even Walt Jr (RJ Mitte) is thinking of getting a job to pitch in. The look on Walt Sr’s face says it all.
So later, he takes the only person in his life that won’t say a word about his business in to see all the money he’s made: little baby Holly. This is such a perfect writing moment. I absolutely adore this, even if it’s sort of twisted. Yet Walt beams when he tells Holly: “Thats right. Daddy did that. Daddy did that for you.”

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Jesse goes to Walt in his classroom, confronting him after figuring out he took the meth. Either way, Walt is pissed, but I can’t help there’s also disappointment in there. He sometimes treats his partner like he’s still a student in his class, often like a son whom he’s way too hard on. Now it gets worse: Walt refuses to give Jesse his money, assuming he’ll shoot it up his arm with his new found predilections. Except Jesse says he’s not into heroin, he didn’t like it. But Mr. White is not so keen. He wants a drug test. Well, this is beginning to drive a huge wedge between the two partners. One that’s going to have far reaching repercussions.
Now that emptying manhood over which Walt is obsessing starts to empty quicker. In his wonderful goodness, Walt Jr set up what essentially now would be a GoFundMe page: SaveWalterWhite.com, all in order to help solicit donations to help with Walt’s cancer treatments. That’s a beautiful thing for his son to do. The pride of the father is bursting through. At the same time, I kind of understand. Though I despise Walt on a certain level for his behaviour, he’s putting himself on the line cooking and selling meth while not getting any credit. As if credit is deserved. But it’s just the fact he’s risking his life, his freedom, and getting no reward whatsoever. So he goes to Saul Goodman (Bob Odenkirk), the man who always has the plan. And he doesn’t disappoint – they’ll have Walt’s money shovelled into Junior’s website via “zombies” that are essentially fake donors giving real cash from all over the world.
And as it turns out, Jesse ain’t done with the skag. He and Jane are shooting up once more. She figures out how much money her new boyfriend is worth, then it’s clear she’s very interested in this new situation. Meanwhile, at the next NA meeting, Donald finds his little girl nowhere to be found. He discovers that Jesse is a bad influence in her life, he goes on inside to find needles on the bedside table and so on. Jane’s father wants her back in rehab, so she spins a great big story about her and Jesse discussing rehab every single night, yadda yadda yadda. The loving dad in Donald breaks down and agrees to let her go for rehab in the morning. Perhaps a bad move to skimp on the tough love here. In reality, Jane is only concerned with the $480K Jesse is owed. Again, Jesse is being manipulated. Just by someone new this time.


Then comes the blackmail. Jane calls Walt, with Jesse nervous in the background, and starts demanding the cash. Or else. “Do right by Jesse tonight – or I will burn you to the ground,” Jane tells him. We can see Jesse isn’t happy about this, or at least he isn’t comfortable. They’re still partners. Despite being angry at one another, Jesse doesn’t want to cause all this trouble. But Jane is planting herself firmly in his life, however she sees fit. To get whatever she can.
When Walt needs to go on a diaper run he takes the cash with him for Jesse. He takes the cash over there. Then things turn dark, as Jane basically wants to start spending that cash immediately. They talk of travel, of going places and doing all types of things. But first, before getting clean, they’ve got to get themselves nice and fucking high.
At a nearby bar, Walt ends up sitting next to none other than Donald Margolis. They have a chat about children, so on. Vaguely, Walt talks about Jesse, as Donald relates his own troubles with his daughter’s troubles. Love this because we’re seeing another side of things, as we’re already privy to the other. Just another example of wonderful writing.


One of the most devastating moments in Breaking Bad comes after Walt goes back to Jesse’s place. Inside, he finds him and Jane in bed together, strung out on heroin. Then Jane begins to overdose. And standing there over them Walt simply watches on while she chokes on her own vomit. This is one of the second (or third) moments in the series where I truly felt Walt has lost his humanity. Despite not wanting to get on the cops’ radar or have Jesse end up in custody, Walt has let a human being die terribly and did nothing in the way of helping. Stone cold heart. He feels the guilt and horror of his decision, but it’s contained. In a vacuum. Walt will go on, and it isn’t until the very last season he ever reveals any of this to anybody.
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The next episode, “ABQ”, is the Season 2 finale.
It has much to give us.

Breaking Bad – Season 2, Episode 11: “Mandala”

AMC’s Breaking Bad
Season 2, Episode 11: “Mandala”
Directed by Adam Bernstein
Written by George Mastras

* For a review of the previous episode, “Over” – click here
* For a review of the next episode, “Phoenix” – click here
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Combo (Rodney Rush) is out on the streets getting mad dogged by a couple dudes in a car nearby. They look sketchy as hell, not looking to buy any meth. Doesn’t look good. When they stay on him he decides to call up Skinny Pete (Charles Baker). A little kid rides his bike around Combo constantly.
Then he hears the guys in the car honk followed by a click behind him. The boy shoots him down in the street. Hardcore. That is vicious.
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Walter (Bryan Cranston) and Skyler White (Anna Gunn) are at the doctor hearing what a surgeon has to say. Appears surgery is now on the table for Walt due to the reduction in size in his tumour. The married couple are reluctant to go ahead at first, at least Skyler is in her position. The surgeon sells a good game about going for it to prevent any further spreading. Cost is always on the table: from $170-200K. Yowzahs, that is one big price tag. Not to mention death is possible. Walt doesn’t feel like talking, he opts to go for the surgery without consulting Skyler immediately. A couple weeks and the whole thing is a go. Of course working around Skyler’s pregnancy.
Jesse (Aaron Paul) has news for Walter about Combo. Although, Mr. White isn’t exactly a peach about that. Nearly soulless. At the same time, Skinny Pete and Jesse are talking everything over, the former not happy about them encroaching on other territories without the muscle to back it. The meth enterprise of Pinkman-White is falling apart, bit by bit. ‘Cause Pete is out, too. Not to mention Jesse’s street cred is gone after Spooge’s woman confessed to the murder.
Saul Goodman (Bob Odenkirk) is doing his thing to help his newest clients. Walt brings the distribution issue in the fallout from Combo’s violent death to their lawyer. And the shady Saul’s got just the sort of guy that might be good for them to meet. Naturally, they don’t want to deal with anybody like Tuco, or even a Krazy-8. This time around Saul has somebody rock solid in mind. Very “low profile“, secretive type.
In the meantime, Jesse is crumbling to pieces. He needs Jane (Krysten Ritter) to leave him alone for a while. So he can smoke away the pain of Combo getting brutally gunned down. He feels all the guilt, heavily. She prefers to stay, maybe she can help.
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Here’s our first introduction to Los Pollas Hermanos. Manager Gustavo Fring (Giancarlo Esposito) runs things, as the day goes by hectic. People are eating, drinking their sodas. Walt waits, looking around for the guy they’re supposed to be meeting. As usual, Jesse arrives late. High as fuck. Eventually he leaves, unimpressed with the entire deal. But Walt waits. And waits. And continues to wait. Nobody ever comes.
This makes him late for an ultrasound with Skyler (Anna Gunn). Good one, Walt. Anyway, Skyler has to rush off back to the office because there’s a birthday party for Ted Beneke (Christopher Cousins). Creepiest is when they throw the little shindig with a cake, he request that Skyler sing him a Marilyn Monroe-esque Happy Birthday. It’s just awkwardly sexual and especially because of the fact she’s currently pregnant.
When Jesse gets home he finds the place in disarray how he left it, as well as a sleeping Jane in bed. His bad influence perpetuates itself and now has threatened her sobriety. He’s only becoming more of what he hates, dragging other people into his web. First Combo, now Jane. It only gets worse from here.
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So it seems as if Saul’s connection doesn’t want to do business with Walt. Finito. Done. There is only the “one shot” according to Goodman. However, Walt is not satisfied with this result. He goes back to Los Pollos Hermanos intent on figuring out some way forward. Soon, he figures out that it’s manager Gustavo Fring behind the secretive business dealing. The two men sit down for a chat together. Things slowly come out after Walt pushes a bit. Fring is keen on being careful. Though he makes clear: “I dont think were alike at all, Mr. White. You are not a cautious man at all. Your partner was late, and he was high.” So already, Gus has Jesse figured out. He also has Walt figured out, as well. Because let’s face it – Walt does suffer from poor judgement, no matter how book smart he happens to be. But Walt manages to plead Jesse’s case, saying he can essentially control him. Gus happens to disagree. A deal may go ahead all the same.
In other business, Skyler is bringing some accounting problems to Ted about the account she’d previously mentioned in an earlier episode. She’s turning up under reported revenue, also a bit of fudging numbers and such. Tsk, tsk, Ted. Not good, buddy. Also this foreshadows a bit of trouble down the road with Skyler working with Beneke.


Jesse is consistently falling apart. Combo’s funeral went by without him there, even Badger (Matt Jones) came in from out of state. Jesse and Jane have become one of those junkie couples that just get high together and burn out. Worse, Jane’s gotten back to old habits: heroin. They’ve really become junkies with this move. She shoots him up and it’s as if heaven comes down to touch Jesse. He spins out in bed after a good hit, then falls in a deep stupor. “Ill meet you there,” Jane tells him.
Well things start to get tense this time around. Worst time for Jesse to be in a heroin induced trance. Walt hears his cellphone vibrating in the ceiling of his classroom, obviously making his students wonder what’s going on. Afterwards, he checks it only to realize the deal is set with Gus. A guy named Victor (Jeremiah Bitsui) tells him he has to get the required 38 pounds of meth, in one hour, to the appropriate location. If he doesn’t make it apparently that’s it. Never again.
And at the very same time, Skyler goes into labour at the office. Man, the utterly awful fate of Breaking Bad showers down on Walt at the craziest times. Now with Jesse on heroin and the Gus deal going down, Walt is faced with missing the birth of his daughter. That is one whopper of a fucking disappointment. All because of meth.
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Let’s see what happens in the penultimate Season 2 episode “Phoenix” up next with a recap and review soon.

Breaking Bad – Season 2, Episode 10: “Over”

AMC’s Breaking Bad
Season 2, Episode 10: “Over”
Directed by Phil Abraham
Written by Moira Walley-Beckett

* For a review of the previous episode, “4 Days Out” – click here
* For a review of the next episode, “Mandala” – click here
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Again, the foreboding pink teddy bear missing an eye floats in the pool. This time around, again in black-and-white aside from Mr. Ted, we start to understand more of what’s going on. Some kind of catastrophic event has occurred. Someone in a Hazmat suit. The baggies labelled, collected near the pool. Out on the street there are cracked windshields – in fact, it is the White family vehicle. Right in front of their house, something terrible has gone down.
And out front? Two bodies. Shit.
The anticipation is killing me, even if I’ve seen this series a couple times over.
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Walter White (Bryan Cranston) is gradually having to come to terms with the fact he will likely live, instead of succumbing to lung cancer. Everybody around him is overjoyed, yet it’s not so easy to turn around from the brink of death that way. Nevertheless, Skyler (Anna Gunn) and Junior (RJ Mitte) feel like having a party on the weekend. In celebration of Walt’s new found lease on life. “Youve got a lot to celebrate, dont you think?” Skyler quips. She puts her husband on bed rest then leaves him be for the day. He won’t have to have his soul crushed teaching high school today!
Instead he goes to meet Jesse Pinkman (Aaron Paul) at a little restaurant out of the way. They chat about life and how things are looking up for Mr. White. For his part, Walter says he’s out of the business. So it seems.
Over at Casa chez White, everybody is partying. Lots of margaritas, finger foods, Walt sort of sulking to himself and giving an awkward speech for everyone. Still, everybody has a great time. But what starts to come out is Walt consistently feeling as if he’s not the man, that he isn’t taking care of his own business, on his own terms. When he truly is getting things done, just illegally. Skyler mentions Gretchen and Elliott Schwartz being the benefactors of his treatment, and this just bites at poor Walt. Though I shouldn’t say poor Walt. Because later on, as he and Hank (Dean Norris) sit talking, drinking, he ends up going a little too far and getting Junior drunk off his ass on tequila. This winds up with the kid puking into the family pool. Not a nice scene at a party. Also, it brings out a primitive caveman battle of wits between Hank and Walt after the former is talking all about the cartel shit with Tortuga, talking tough as he does. It’s the fact Hank tries to take over fatherly duties that irks Walt and prompts him to act like a downright savage beast. Nobody’s impressed to say the least.


Jesse tries to make huevos rancheros for Jane (Krysten Ritter) in the morning like a sweetheart. It isn’t the greatest, but he really tried. They plan on spending the whole day together. Y’know, because he has a day of from being a meth cook and distributor.
Meanwhile, Walt has one hell of a headache and hangover. As well as the fact he made a complete asshole of himself in front of everyone at his house, and pissed off his wife hugely. Saddest is that Junior feels as if he had to keep up with his father. That makes Walt feel low, like it should. He did a shitty thing. Personally, I’m an alcoholic – recovering, sober now almost 6 years as of this writing – and I’ve never once let being drunk excuse my shit behaviour. So Walt deserves to feel terribly after treating his son as some sort of macho bargaining chip in a war with his brother-in-law. Petty.
So what he does to go about changing the situation, as well as to help himself feel like a man, is try to fix the hot water tank in his house. Plus the infesting rot he’s so concerned with apparently. At the store a poignant moment happens: Walt is paying in cash, obviously, and finds one of his bills with a bloody fingerprint on it. Classy, Walt. All class.


Jane and Jesse get much closer now, as she looks through his drawings. He used to do some serious doodling. Superheroes and such, like KangaMan, Rewindo, and other awesome creations. Too bad he never kept drawing. Could’ve had a career in comics, instead of being a meth dealer, and drug addict. Out of nowhere, Jane hears a knock at her door. It is in fact her father, owner of the property, Donald Margolis (John de Lancie). Jesse is taken aback when she acts professionally with him instead of like a boyfriend in front of her dad. He feels incredibly slighted actually. Later, she comes back and he isn’t thrilled that she acts like it was nothing. She totally disregards his feelings, so Jesse leaves.
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Jesse: “Im talking about us
Jane: “Us?”
Jesse: “Yeah. You and me.”
Jane: “Whos you and me?”
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Walt is driving everybody a little nuts with his renovations. Mostly Skyler, whose unimpressed demeanour with his drunken performance doesn’t seem to be washing off too quick. Anyways, Walt has rot to deal with – “fruiting bodies” and rampaging fungus. He’s really just projecting onto the house. Trying to find something to make him feel useful again after getting out of the meth business. Now that he’s not cooking, all that time is filled with dead air. Space he can’t handle.
The first inkling of trouble with Ted Beneke (Christopher Cousins) comes when Skyler starts asking about a particular account. However, he brushes it off. Then she starts crying, bringing her personal life right into the office for Ted to see. This is definitely not good. For anybody. Bringing Ted in closer won’t help his massive, obvious crush on her. Doesn’t help that she later starts to egg it on purposefully by knocking things over for him to pick up and so on.
Rejected, Jesse crawls back into the pipe. He sits in his living room and smokes meth trying to forget about the pain he’s experiencing. I feel terribly for Jesse, out of all the characters in the show. He was never a great dude, but the life he’s led into now through business with Walt is excruciating. But Jane apologizes at least, via drawing. So that’s something in his dismal existence.


My favourite sequence in any episode of this series comes at the end here. Walt goes out late to a hardware shop. There he notices someone picking up… familiar supplies. He tries giving the young tweaker advice, but the dude runs off. Then Walt, new found bad ass, takes it into his hands to warn a man outside waiting for the tweaker: “Stay out of my territory.” It is one of the single most powerful moments of the entire series. He says fuck the renovations. Now, he’s back in Heisenberg business. When he says those words to the man, an obviously bigger and scarier guy, we finally see the dangerous confidence inside Walt clear as day. Never before is it more plain and palpable. Gives me goosebumps each time I see it. Just amazing, chilling, heavy at once. Add to that a great song called “DLZ” by TV on the Radio, a fantastic group of musicians; it has the perfect feel for this specific moment and those lines.
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This episode builds up so much. The next one is titled “Mandala” and gets things energized even more heading towards the end of Season 2.

Breaking Bad – Season 2, Episode 9: “4 Days Out”

AMC’s Breaking Bad
Season 2, Episode 9: “4 Days Out”
Directed by Michelle MacLaren
Written by Sam Catlin

* For a review of the previous episode, “Better Call Saul” – click here
* For a review of the next episode, “Over” – click here
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Walter (Bryan Cranston) is at the doctor with his family in town. Everybody’s there, from Skyler (Anna Gunn) and Junior (RJ Mitte) to both Hank (Dean Norris) and Marie (Betsy Brandt). They’re all waiting for his next results from a PET-CT. I have to mention, I love Marie – she is incredibly annoying and ignorant at times, but she is loving, and only wants the best at all times for her family.
In the bathroom, Walt isn’t feeling so hot. Although it’s almost a good excuse to get away from the hovering presence of his loved ones. Cancer patients probably feel smothered at times by a constant need of others to be around them, worrying, fretting over the next result, the next test, the next this or that. Bad enough being put in those machines, it’s claustrophobic enough.
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Over with Saul Goodman (Bob Odenkirk), Walt is trying to get things settled in case he dies. Or well, for when he dies. What comes of all this is a bit of financial advice from Saul, and help with money laundering. Then Walt decides it’s time to start cooking. A lot.
Skyler is back in supportive wife mode. She’s now dealing with a new lie, though one she’s obviously oblivious of currently – Walt says he wants to go see his mother. A clear ploy to get himself time for a cook in the Winnebago with Jesse (Aaron Paul).
Speaking of Jesse, his day plans with Jane (Krysten Ritter) are about to be ruined. They plan on going to see the Georgia O’Keeffe Museum. However, the time for meth cooking is now, and Jesse’s assistance is required by MasterMr. White.
So Walt lies to his wife who drops him at the airport, then Pinkman picks him up in the ‘bago. They head out into the desert for a weekend full of meth. Love the tumultuous relationship between Jesse and Walt. It’s amazing how shitty he treats Jesse, over and over. The way he talks to him is awful most of the time, like lecturing a child. Either way, they get down to cooking. Only when the work is over and they decide to start back towards civilization – with 2.35 pounds of meth packaged and ready to go (netting them about $670K each) – the battery in the Winnebago has had it. Kaput. Now that is a kick in the nuts. Especially seeing as how Jesse put the keys in the ignition to keep them from getting lost, draining the damn thing.
Things get worse before they get better. They try getting Skinny Pete (Charles Baker) out to pick them up. Lot of good that does them. Some different ideas come, but nothing else happens for them. In between everything else Jesse figures out that Walt is getting sicker, closer to those final days, and lied about their batch of product going bad/needing to cook as much as possible.
Everything is looking bleak. Until another YEAH, SCIENCE! moment from Mr. White saves the day.


When they’re finally back, Walt casually asks Jesse to make sure his family gets money. Of course Jesse agrees. They part ways for now. We can see Jesse truly cares about Mr. White, even though Walter treats him like a child, or worse a dog.
But now Walt is back at the doctor’s office with the whole gang. Even better, the results of his scan are positive. Remission is possible now; his tumour shrank by 80%. A stark contrast from where he was just previously, believing he was on the verge of death. Everybody else is happy. Except for Walt. He’s happy, just not ecstatic. He almost wanted for things to go on as they were. Now he’s faced with living, moving on, and how could that work with what he’s brought into his life?
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This was a tight, contained episode that moved a lot forward in terms of the overall plot. Looking forward to watching the next one again, titled “Over”, that is also a solid chapter. Like so many of the others.

Breaking Bad – Season 2, Episode 8: “Better Call Saul”

AMC’s Breaking Bad
Season 2, Episode 8: “Better Call Saul”
Directed by Terry McDonough
Written by Peter Gould

* For a review of the previous episode, “Negro y Azul” – click here
* For a review of the next episode, “4 Days Out” – click here
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Oh, Badger (Matt Jones)! What are we gonna do with you?
Sitting on a bench unsuspectingly – one that has an add stating BETTER CALL SAUL no less – Badger is met randomly by a skinny guy looking for drugs. But smarty pants Badger judges him to be a cop, so he won’t immediately sell him anything. No way. Then as the guy pathetically wears him down Badger slips up, selling some of the good blue stuff.
And then swarm the police. Good job, dummy.
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On a television a commercial from Saul Goodman (Bob Odenkirk) plays while nobody watches. In bed, Jesse (Aaron Paul) and Jane (Krysten Ritter) lay together. What we can already see is how he’s becoming a bad influence on her possibly. She leaves abruptly, though he can tell something’s off. Turns out she’s in Narcotics Anonymous. You can already tell he is very interested in her, attracted and maybe even falling a bit. Or a lot.
At the White household things are still in a bit of disarray. Not as outwardly aggressive, yet still passive-aggressive slightly. Skyler (Anna Gunn) is off to work, and Walter (Bryan Cranston) worries about her being back around Ted Beneke (Christopher Cousins). Still, she kisses him and heads out like a normal couple.
Then Walt gets a call from Marie (Betsy Brandt). Seems things with Hank (Dean Norris) since the incident in Juarez have gotten worse. He sits around mostly, by himself, depressed and withdrawn. Naturally, though. I mean, he saw a bunch of guys get blown to bits. Tragic to see a guy like Hank, a tough dude with principals, get so shaken by his work. He tries putting on a good act for Walt, but it’s easy to see through. Perhaps Hank isn’t reacting how he hoped he would when coming up against the big terrifying stuff. Doesn’t help they think it was a little shitty he was the one to make it out of things, getting an evidence bag while the explosion went off. What’s interesting to me here is how Walt is on the opposite side of the law from Hank, yet he sits there caring for his brother-in-law, urging him to push forward. Such a darkly funny thing, and at the same time sort of awful, that Walt is there as a shoulder to lean on while heading out later to do some drug business.


Walt: “Fear is the worst of it. Thats the real enemy.”
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Jesse hasn’t heard from Badger yet, so their cash is light. Well little does he know. When he reaches Combo (Rodney Rush), he finds out what’s actually been going on. And that does nothing at all to ease the tension between him and Mr. White. So with Badger in jail and Walt worried sick, they’ve got to figure out what’s next.
Cut to Hank. He’s close to one of those panic attacks again heading into the DEA office for the first time since getting back. Yet he puts on the tough front and walks through the fire. Steve Gomez (Steven Michael Quezada) catches him up, as well as checks in on his old buddy.
In an interrogation room, Badger’s sweated by the young cop (DJ Qualls). Then Saul arrives – his lawyer! Goodman starts running his game, of course, and the tale has begun to weave. He tells Badger exactly how things are about to go; after he’s paid, certainly. He even has cheques made out to “Ice Station Zebra Associates“, which is awesome if you know that movie. Best of all, Saul goes right at the DEA even taunting Hank and his boys right to their faces.
Now we’ve got Jesse and Walt about to meet with Saul for the first time. Walt’s not at all impressed with the look of Saul’s stripmall practice. Although, the younger of the two makes a good case for having a “criminal [who’s a] lawyer” and not a Criminal Lawyer. When Walt heads in he makes the transaction. However, he’s appalled to find out the DEA is involved. Furthermore, Walt now knows the DEA is after Heisenberg. And that Saul plans on having Brandon take a deal involving talking to them about what he knows. Ironic to watch Walt on both sides of a situation once again, as Saul has no idea he’s the Heisenberg the law is after.
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Saul: “My real names McGill. The Jew thing I just do for the homeboys, they all want a pipe hittinmember of the tribe, so to speak.”


What happens next is a step up in the criminal game for Mr. White and his clueless partner. Jesse and Walt kidnap Saul and take him into the desert. They wear masks, of course. Only the cough Saul heard earlier in his office gives Walter away. Then the slippery lawyer greases out a little deal for himself, even making Jesse and Walt his clients in the process.
So Saul cooks up a deal with the DEA for Badger to give up Heisenberg. Really, it’s an old bald dude who gets paid to go to jail. He’s a lifetime ward of the system, so that’s sewed up. They set up a meet between this fake Heisenberg and Badger, on the very same bench where he was pinched at the episode’s start. Yet things get messy, and Walt ends up interjecting himself right in the middle of Hank and the boys staking things out from across the way. This is a tense and also comical moment, written well, played perfectly by both Bryan Cranston and Dean Norris; they have awesome chemistry and work great together. Through everything, the old con Jimmy gets arrested and things work out in the end for everybody. Er- not the DEA, just for Jesse, Walt, Badger, and Saul.
Hank ain’t sold, though. Not on this prison lifer being a mastermind meth cook.


Then Saul tracks Walt down in his classroom after hours. Wow. The Heisenberg persona wears thin, hey? Spells trouble for Mr. White who so relentlessly tries to conceal his true identity. But there’s nothing below board, Saul is merely looking out for his new client. First he confuses Walt with a reference to The Godfather, eventually offering up his silent partner services in their meth industry. Not blackmail. Definitely not ethical.


We’ll see how this new relationship becomes more prominent in the upcoming episodes. Next is “4 Days Out”, so stick with me for another recap and review.

Better Call Saul – Season 2, Episode 10: “Klick”

AMC’s Better Call Saul
Season 2, Episode 10: “Klick”
Directed by Vince Gilligan
Written by Gilligan & Heather Marion

* For a recap & review of the penultimate Season 2 episode, “Nailed” – click here
* For a recap & review of the Season 3 premiere, “Mabel” – click here
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After Jimmy (Bob Odenkirk) stood by as his older brother Chuck (Michael McKean) smashed his head off a counter in the previous episode, the Season 2 finale begins with the two brothers – a psych out has us feeling it’s Jimmy at his brother’s hospital bed. But it’s the Brothers McGill at the bedside of their mother. One thing I love is how the flashbacks are always in this blue-grey tone, so immediately I should’ve known this was a view back to their lives. Before all the mess, or well, before the biggest mess. The dying mother wakes a moment and calls for Jimmy, right before dying. Calling out for him, the mother wastes away, and he gone out for a sandwich. The disappointment is evident by the look on Chuck’s face. He hates his younger brother, for always taking the easy way out, for always giving up, so on. I feel bad for Chuck, at the same time I recognize Jimmy’s situation, as someone who isn’t deliberately malicious, until absolutely pushed to that point. He simply doesn’t think. When he gets back to the hospital, Jimmy finds Chuck, who refrains from telling his brother about their mother’s last words, calling out for him.
With this opening sequence, the writing and direction of Gilligan is already doing wonderful things.
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Back to the end of “Nailed” – Jimmy races inside the copy shop to try and take charge of the situation. He gets Chuck’s head elevated slightly, though, the look in his brother’s is very spacey. In the hospital, he’s unable to protect himself from all the electronics beaming into him. You can almost feel the claustrophobia, as Gilligan uses a great rig shot to show him in this really up-close and personal perspective, which sort of cements us in a first-person point of view. A truly painful sequence to watch Chuck suffer underneath the lights and around all the electronic equipment. I’ve always felt he’s mostly crazy. Here, the acting, the writing, the direction makes this almost unbearable. Seriously. Not much affects me deeply, but Michael McKean had me wanting to cry, as Chuck pleads with them not to do a CAT scan. When the whole moment is over, I sighed a breath of relief.
But Jimmy doesn’t get such a chance to sigh. A doctor (Clea DuVall) explains to Jimmy there needs to be examinations done, however, Chuck is still refusing, obviously. The younger brother doesn’t want to commit the older one. Like anyone wouldn’t want to, either. Things for James McGill are about to get far more complicated than ever before. Because it’s been clear a long while, Chuck is not fit to be living without someone to help take care of him.
Worst of all, Chuck is sure of Jimmy’s treachery. To anyone else it sounds bonkers. To us, we know the truth. At the same time, man servant Ernesto says he called Jimmy, that’s why he showed up at the copy shop. Well, that pokes a hole in Chuck’s ideas. And he’s aware of what comes next. We’ll see how well that pans out, on all ends. As for Ernesto, he says he helped out because he likes Jimmy, and it seems as if Chuck has been out to get him. Yikes. Works for Jimmy.


In other areas of town, on the outskirts, Nacho (Michael Mando) and Arturo (Vincent Fuentes) are transporting the man who’d been driving the Mexican food trucks, the one Mike snatched up. And surprise, surprise – in the distance Mike watches them. Fairly close, too. I guess Nacho’s driving, so that gives him an advantage, as well as the fact he’s driving some old beater. With the finale upon us, Mike is definitely going to do something big, and dangerous.
At the hospital, Chuck just wants someone to believe him. Instead he’s put in for a CAT scan. It’s like a horror movie for him, stuck inside the electronic tube. Again, you almost feel the electricity the way he does. Out in the waiting room Kim (Rhea Seehorn) keeps Jimmy company, like the great woman she is, and he worries. Even if he’s partly responsible for Chuck’s situation. On television, Jimmy’s newest commercial turns up – “Gimme Jimmy – ‘cause moxie is in such short supply these days,” says an elderly lady, smiling, knitting. Hilarious little infomercial.
Except after coming out of the CAT scan Chuck isn’t moving, he isn’t speaking. Not even blinking. A “self induced” state of catatonia, where he’ll remain for who knows how long.


With his arms dealing friend Lawson (Jim Beaver), Mike is testing out a sniper rifle. He gets himself a nice new rig. And for what? There’s some sort of plan on the offensive. Even Lawson wipes his prints off the gun before the final sale. We’ll see exactly what Mike is preparing soon.
Meanwhile, Chuck finally wakes up. He gets to go home, no mental asylum or anywhere similar. For the time being, the older brother’s fine. Although, I’m not sure how long that will last. After Jimmy leaves he’s out in the garage, searching for something. Must be important, right?


But back to Mike. He’s out around the desert, hiking by some rocks to a place where he can set up his rifle. In the distance is a small shack where the van Nacho drove is parked, as well as another car beside it. Arturo digs a hole nearby (side note: is that the shack Tuco later brings Walt & Jessie?). When they bring the truck driver outside, Hector Salamanca (Mark Margolis) appears, as well. The two cartel brothers, his nephews, are also present. But trying to get Hector in his sights, Mike finds Nacho in the way. On purpose? Hard to tell exactly. Anyways, the truck driver is toast; dead and buried. There’s an amazingly drawn out suspense and tension to this sequence. For the longest time there’s no telling exactly what will happen. Gilligan’s direction keeps you guessing from one minute to the next. Once Mike’s car alarm starts blaring back behind him, it all gets gut wrenching. On his window Mike finds a note: it reads DON’T.
Scariest thing for Mike is he thinks he’s a shadow, invisible to everyone else, working behind the scenes. Now, someone proves they are more of a shadow, more invisible, and behind the scenes even to him. Trouble’s on the horizon, or perhaps… opportunity.


Catering to some elderly clientele, Jimmy, as always, continues to impress. At the new office, he continues to receive more new clients. Then Howard Hamlin (Patrick Fabian) is ringing, saying he needs to speak with Jimmy – about Chuck. What’s this now? As it happens, things are picking up at Chuck’s place. He’s turned the entire place into a foil casket, aluminum foil lining the walls. The whole house is a cage of aluminum. In addition, Chuck has retired – a.k.a quit – from HHM. All confidence has been shaken, Chuck feels he can’t be a lawyer anymore. He doesn’t think Jimmy’s to blame now, he blames himself. “What if I told you you didnt make a mistake?” Jimmy asks. He admits to what happened, to forgery, to all the nefarious doctoring and doings. He says he did it all for Kim.
Where do they go from here? Chuck reminds his younger brother he’s just admitted to felonious behaviour. There could be serious ramifications if Chuck were to take this thing to a legal level. And then, he stops his tape recorder after Jimmy leaves. WOW. WOW. No way, Chuck! You sly devil. Did not see that angle coming.


The end of the episode sets up an incredibly exciting Season 3 possibility. I love Better Call Saul. It is just as well written, if not sometimes better, than its sister series. Either way, Gilligan closed out Season 2 with a perfect finale and now I wonder exactly what sort of madness is in store for us moving into the next season. Can’t wait to see more and how it continues fitting into the puzzle pieces of its own creation.

Better Call Saul – Season 2, Episode 9: “Nailed”

AMC’s Better Call Saul
Season 2, Episode 9: “Nailed”
Directed & Written by Peter Gould

* For a review of the previous episode, “Fifi” – click here
* For a review of the Season 2 finale, “Klick” – click here
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The penultimate Season 2 episode of Better Call Saul begins with a truck headed in the direction of El Paso. The man inside rocks to a bit of music; is he the same one from “Fifi”, who at the beginning stopped off for the gun in the box?
Ahead, a man is preparing something nasty. It’s Mike (Jonathan Banks). He’s put the truck out of commission with his nail-spiked garden hose. Now, he has the upper hand. What I love most about Mike is that he’s actually a smart criminal. Sure, not everyone can have their bases covered all the time. But Mike has an impressively criminal mind, one which works both ways and usually helps him cover his tracks, or think of every angle possible in a situation. Goes to show that some people develop cop-like skills that are put to use elsewhere other than law enforcement. Mike Ehrmantraut is one of those types of people.


Chuck McGill (Michael McKean) is still trying to put his least crazy foot forward, though, Howard Hamlin (Patrick Fabian) still seems wary. Obviously. Chuck is crazy as a shithouse rat. But effective with law, all the same. He’s heading out for more business with Howard, trying not to go absolutely mental due to all the electricity everywhere. Meanwhile, Jimmy (Bob Odenkirk) is up to no good, spying, waiting for them to leave Chuck’s place.
The older brother is suffering, but manages to get himself in for the hearing involving Mesa Verde. However, after a short time things get held up by the board. Neither Chuck nor Howard look happy, as the head of the board brings up some problems with paperwork. Ah, the young McGill and his tricky ways! He’s managed to muck things up, at least for the time being. Because the hearing gets rattled, as does Chuck whose mental illness starts to get worse with every negative stroke against them. Back at home, he’s inconsolable. He’s degrading. All because Jimmy pulled a fast one, and big brother might just know it.
So what’s next for Mike and his plan? He watches Hector Salamanca (Mark Margolis) go nuts in the groceteria, Nacho (Michael Mando) watching on. It looks like Hector stumbles, not well. Mike is very interested in that. Is this headed where I’m thinking? Is it possible that Mike is the reason Hector ends up having a stroke? Or is a more direct, violent resolution coming? For the time being, he drinks at a bar and even buys a round for the house. Hubris, Mike. Be careful.


In other news, Jimmy and Kim Wexler (Rhea Seehorn) are digging into their new office space, clearing out all the dentist office chairs, so on. Getting the place ready for it to become their shared space, each to run their own firms across the hall from one another. It’s a wonderful life, right? Even better since Mesa Verde is crawling back to Kim after Jimmy and his recent stunt. The house of lies he’s always building will eventually come crashing down. We know that because that’s how he ends up on the trajectory to becoming Saul Goodman, to meeting Jesse Pinkman, later Walter White. The suspense going forward is all about how he balances the entire act, as the lies get bigger he’ll be taking more chances, telling larger lies, putting more and more on the line. For now, it’s a bit of document forging to help Kim, and himself, out in their new venture. Who knows how god damn wide the lies can and will get.
We now know Chuck is onto Jimmy’s little games. He’s even changed the locks, too. Chuck lays it all out for Kim, he wants and needs her to hear it. Of course, Jimmy doesn’t want her to hear a thing. He plays it off, trying to make it seem like a crazy idea. But Kim knows him a little too well. Can she look past that to believe Jimmy? Doubt it. This is about to taint every last little bit of Jimmy’s life; penultimate Season 2 closer and all. The whole act by Jimmy was meant as a “twisted romantic gesture” Chuck claims, an attempt at chivalric action. Kim will not immediately believe Chuck, though. Luckily for the younger McGill. In fact, she sort of tears Chuck down for his treatment of Jimmy. Sadly, it’s all on false pretense because we know the exact truth. Afterwards, in the car, it seems pretty obvious she suspects and likely knows the truth.


Chuck (to Jimmy): “You and Mozart, huh?”
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The makeshift commercial Jimmy’s been shooting is ready to clue up. They wait for a schoolyard to clear out, to use the American flag. Amazing, and hilarious. “You wanna be a filmmaker, grow a pair,” Jimmy explains to his cohorts. He ends up crafting another bullshit story for some teachers who come out wondering why he’s there, including “Escape” by Rupert Holmes. This part had me in stitches, simply because of how smooth Bob Odenkirk plays it and the whole sketchy part of Saul that continually peeks its head out from underneath Jimmy McGill.
Again, we’re back to Mike. He reveals being from Philly, this being his first winter in the ABQ. He seems happy. Almost too happy. Nacho gives him a call and changes all that. He reveals they were jacked “a couple hundred thousand“, as well as the fact he believes Mike did it. Due to a reluctance for murder. He’s mostly worried about any blowback that might involve him, in case Mike’s involvement is figured out. There’s a rift growing between Nacho and Mike, as the former isn’t impressed with the latter’s quest for revenge against Hector. But Mike says now he’s done. Only the scene Mike left was cleaned up, and a “Good Samaritan” took a bullet to the face. This will not sit well with the honourable criminal.


And speaking of rifts, there is one splitting between Kim and Jimmy already. She seems to accept his bad behaviour, but warns him, in a roundabout way, that caution is absolutely necessary. At the copy place, Chuck’s already got the situation being worked on. Uh oh. Inside, Jimmy bribes out some compliance from the copy shop attendant. A Band-Aid solution, though, the quick fix works this time. Soon enough the electricity sends Chuck into a downright crazy episode, ending with him cracking his head on a counter.
Jimmy watches on helplessly, hoping someone will call 9-11. But nobody does.


What a whopper of a finish to this episode. I’m dying to see the last episode, “Klick”, and to see what happens with Chuck. If Jimmy has caused the death of his brother, or made him into a vegetable, this is some dark shit. And I dig it.

Better Call Saul – Season 1, Episode 8: “Fifi”

AMC’s Better Call Saul
Season 1, Episode 8: “Fifi”
Directed by Larysa Kondracki
Written by Thomas Schnauz

* For a review of the previous episode, “Inflatable” – click here
* For a review of the next episode, “Nailed” – click here
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This episode starts with some Mexican food trucks heading across the border. One of them is taken aside to be searched. The whole process is incredibly detailed, thoroughly every aspect of the truck is checked, rechecked, examined under close scrutiny. Meanwhile, the driver stands waiting for clearance. Afterwards he drives on towards his destination, which is a little more unorthodox than the strict, ordered procedure he’d just watched happen. We’re also very aware this is not the first time this man’s gone through the whole mess.


Funny. Jimmy (Bob Odenkirk) and Kim (Rhea Seehorn) eat outside a place called the Dog House. Well, he wants Kim to get her resignation taken care of that night. But she’s setting boundaries and making sure they stick to their own type of lawyering, one way or another.
She heads over to see Howard Hamlin (Patrick Fabian), to get things done on her own terms. Of course he’s already heard, supposedly, about where she’s headed. He has no idea about her branching out solo, though. A nice shock to his system. Naturally, he susses out that she and Jimmy will be having something to do with each other. Either way there seems to be no hard feelings. Not off the bat, anyways. For his part, Howard has dreams that fell short despite all the things he does have. There’s a little sad boy lurking somewhere in Hamlin, crushed down by money and power. First thing he does when she’s right out the door? Starts going after the big clients she wanted to take with her.


In other news, the man from the truck earlier drops off product to the Mexican groceteria. The one Mike (Jonathan Banks) is staking out, where he had his meeting with Hector Salamanca (Mark Margolis) and the crew. Exactly what is Mike planning? We’ll sure find out soon enough. He’s watching the place like a hawk, and finally a car pulls through after hours. Sure enough it’s Hector. Who knows what Mike is about to do. Something drastic, no doubt.
Kim is busy pitching herself to the Mesa Verde folk, and doing a nice job. But it’s tough on your own. She then heads off with Jimmy to look at possible locations for their new office. Her distracted attitude catches his attention, obviously. She all but locked down the Verde deal. Things are looking really good.
At home, Chuck (Michael McKean) is, as always, sitting in the dark working. Up turns Howard, worried about Mesa Verde. Chuck’s very annoyed once figuring out Jimmy has a part to play in the whole situation. Nevertheless, Howard is focused on keeping their big client. And so Chuck readies himself. Anything in order to stop the greasy power of younger brother Jimmy. He’s even willing to forego shutting off the lights and having everyone hand in their cellphones, hoping to not appear “crazy” or anything similar. Before the meeting he struts around in his tinfoil cape. He’ll push himself through the illness all to keep the client, to screw Jimmy, and by proxy Kim, too.
Chuck lays it on real thick. He even manages to plant a seed of doubt into the whole conversation, casually turning their eyes back towards HHM. Hmm. Seems the older brother is as good as the younger brother McGill at selling the slick one. Then once they’re finished he nearly collapses. Crazy bastard.


On an air base, Jimmy’s got another scheme happening. We’re introduced to the titular Fifi – a large aircraft. Along with the two young men who helped film his earlier commercial at Davis & Main, McGill’s got a lot of fun going on, making things seem legit. Until they’re left alone with the big bomber. They’ve got themselves another filming going on.
Jimmy gets a call about Chuck, who’s having lots of trouble after his day at the office. It’s clear Jimmy cares about his brother. But quickly he has to get back to the bomber scheme, as some military men want pictures with the supposed war hero they’ve been wheeling around. This is one of my favourite scenes of the season on comedic value. Almost made me cry a couple times, the veteran was way too funny.
Tragedy now for Jimmy and Kim, as the verdict on Mesa Verde comes down; they’re sticking with Howard and Chuck. Now she wants to think things over, though, Jimmy would rather go forward, as a “team” and such. His optimism nearly outshines his willingness to do things outside the box.


Back to Mike now. He’s spying on Hector still, as they’ve arrived at a garage somewhere. It’s clear some type of deal is going down. The delivery truck shows up, too. Off to the side Mike sits in his Chrysler, laying low, watching via binoculars. What are they doing inside? And what exactly is Mike going to do with/about it?


The devastated Chuck lies on his couch under a foil blanket, lantern burning in the darkness. His younger brother checks on him to make sure he’s all right. Even if he doesn’t want to necessarily. And naughty, naughty; Jimmy goes through some of Chuck’s files. Particularly those marked Mesa Verde. Then again, if the older brother is ready to play underhanded ball, then I suppose we can’t blame him either.
Then the genius of James McGill comes out. He goes to a copy place and gets to work, cutting out numbers, gluing them elsewhere, scanning documents, copying. Oh, he’s got some nastiness up his sleeve. All those years as an amateur conman are proving themselves worthy in his lawyer days. Back at Chuck’s the documents are slipped into their rightful place once more.


Again, we’re with Mike. He helps his granddaughter doing some chores around the house. It’s so cute how he acts with her, very clear that this grandpa is a loving one. No matter if he’s involved in nefarious doings under the cover of night. But getting those glimpses of him with his family, this caring side, it fleshes out his character instead of him being totally one-dimensional.
What’s most interesting, though, is how the project his daughter helped him with is not a sprinkler for the “rhododendrons” in his backyard, but a hose he’s filling with nails, fitting them into the holes he and his granddaughter drilled. Looks like he’s planning to blow a few tires. An ambush, maybe.
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We need to wait for “Nailed” – appropriately titled – in order to figure out what Mike has in store for Hector and the crew. Stay tuned with me, fellow fans.

Better Call Saul – Season 2, Episode 7: “Inflatable”

AMC’s Better Call Saul
Season 2, Episode 7: “Inflatable”
Directed by Colin Bucksey
Written by Gordon Smith

* For a review of the previous episode, “Bali Ha’i” – click here
* For a review of the next episode, “Fifi” – click here
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This episode begins with The Stampeders’ “Sweet City Woman” playing softly in the background. A young kid grabs himself a copy of Playboy off the shelf – young James McGill, in fact. Meanwhile, his father listens to a man at the counter with his father. This exchange pits little Jimmy against the man; one bullshitter knows another. The father, all the while is clueless. Before the man leaves he says to Jimmy: “There are wolves and sheep in this world, kid. Wolves and sheep. Figure out which one youre gonna be.” Afterwards, this prompts lil’ Jim to take a bit of cash from the till for himself.


Back to present series times. Mike Ehrmantraut (Jonathan Banks) has Jimmy McGill (Bob Odenkirk) helping him once more. He’s trying to get the whole Tuco Salamanca (Raymond Cruz) situation cleared up, or else deal with the wrath of the cartel and Uncle Hector (Mark Margolis). Naturally, Jimmy works a bit of magic, and then slips Mike out of the room without saying too much.
On the phone later, Jimmy talks with Kim Wexler (Rhea Seehorn). She’s still whipping up a nice deal with Rick Schweikart (Dennis Boutsikaris). Hopefully it goes well. She has been the slave girl at HHM far too long. At the same time, Jimmy’s getting ready to resign from Davis and Main. Omar (Omar Maskati) brings up a few good points, though, about the company car, et cetera, and possible payments he’d have to make. So Jimmy switches his tune proper quick.
What’s going on in the mind of James McGill? An oddly happy look in his eyes is tough to read. Well, at home, the first look of Saul Goodman comes out. After seeing one of those big inflatable men in the wind his style comes out. Lots of wild looking colours, bright ties. His whole demeanour changes, he becomes more of who he once was, back when that man in the store told him – choose, or else the world will choose for you. Even a ridiculously funny scene where Jimmy’s busted for not flushing his shits, concerned about the local “watershed” and so on. This whole sequence absolutely slayed me. It introduces us to who Jimmy will become. Plus, he’s obviously looking to be fired, or pawned off somewhere. Finally it’s the bagpipes he plays in his office that puts Clifford Main (Ed Begley Jr) over the edge. Now Jimmy’s got himself out, bonus in tact.


Jimmy: “Hey Clifffor what its worth, I think youre a good guy.”
Cliff: “For what its worth I think youre an asshole
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In other news, Jimmy has the idea of starting his own firm with Kim – Wexler McGill. He loves her, but also has huge faith in her skills as a lawyer. Together, they could be a force to be reckoned with, possibly. “Or we fail and we end up with nothing,” Kim quips. She still has doubts, clearly. Especially with Schweikart’s deal on the table, very enticing, very surefooted unlike this new enterprise with Jimmy. She wants his assurance that he’ll “play it straight” and not “be colourful” – he tries to pretend, then comes clean. He can only be himself. Ultimately, Kim wants Jimmy, as a lover, a friend. Not a partner in law.
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Jimmy: “Ive been tryinto be the person someone else wants me to be for I dont know how long. I mean first it was Chuck, then it was youand that’s not your fault, that was my choice. But if were gonna do this, I gotta go into it as me. So, yeah. Colourful, I guess.”


Mike’s busy trying to move daughter-in-law Stacey (Kerry Condon) into a nice place. She is very happy to be getting into a new neighbourhood, a safe place. At heart, he is a good man. An honourable one, to the fullest. Might be mixed up in some wild shit, but Mike is a decent human being. Somewhere along the line things just got complicated. Later, we find him still watching the Salamanca crew, their little diner hideout. What’s he planning?
Back at the nail salon, Jimmy is moving things in, including his cocobolo desk from Davis and Main. “Onward and upward,” he says to Omar. But without Kim and the supposed new firm, where does Jimmy go next from here? Somewhere colourful, no doubt. He starts to record a voicemail message for himself, one to lure people into believing he’s got an actual office. It’s going to something more for him to break through this way.
And Kim is meeting with Schweikart and his people. They seem fairly impressed with her, especially Rick himself, who eyes her with both admiration and maybe something else. Regardless, they’re all happy with her interview. Even after she calls Rick by the name of Howard. There’s something else going on with Kim, too. The relationship she has with Jimmy has an odd sort of stranglehold on her.
She rushes over to the salon quick. He is happy as a clam being on his own again, even if in the back o a nail shop. Then Kim reveals her decision to go “solo practice” and it catches Jimmy off guard. She proposes they find a space together, just practice law separately. A-ha. Although, it doesn’t seem to be exactly what Jimmy had hoped. It’s still good, all the same.


Nice episode that’s heading towards something big. What can we expect from Mike’s situation? And how much more of Saul Goodman is going to peek its head from under the disguise of Jimmy McGill? We’ll see in the next episode, titled “Fifi”, so stay tuned with me, fellow fans.

Better Call Saul – Season 2, Episode 6: “Bali Ha’i”

AMC’s Better Call Saul
Season 2, Episode 6: “Bali Ha’i”
Directed by Michael Slovis
Written by Gennifer Hutchison

* For a review of the previous episode, “Rebecca” – click here
* For a review of the next episode, “Inflatable” – click here
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With the previous episode giving us more insight into the troubled relationship between the Brothers McGill – Jimmy (Bob Odenkirk) and Chuck (Michael McKean) – this week’s “Bali Ha’i” promises even more developments.
We start out with an image similar to where we saw Chuck in the last episode with his former wife. Except it’s Jimmy, in bed. Alone. Unable to sleep, Jimmy flicks through the channels from infomercials to C-Span to a Sand Piper commercial like the original one before he got his hands on it. Things aren’t looking so glamorous here for ole James McGill. He spends a bunch of the night throwing little decorative wicker balls around, in different ways, different made-up games. Until he can’t take it anymore. He heads over to the old spa, to the shifty backroom where he practiced law before Clifford Main (Ed Begley Jr) scooped him up, before Howard Hamlin (Patrick Fabian) got right in the picture. Before all this. Back there, Jimmy can lay his head down and actually get some sleep. Almost heavy handed, yet love this opening sequence. Great writing, on the nose.


Meanwhile, Kim Wexler (Rhea Seehorn) is just as interesting a character. Her whole life has been thrown for a whirlwind since Jimmy’s commercial fiasco. On her answering machine, she gets a message from Jimmy singing the titular song “Bali Ha’i” by South Pacific. He’s clearly in love, bad. Even though he screws up, even though he can’t keep from being criminal, he is charming.
Nothing is going too smooth for Jimmy right now. Not his life, not even fitting the coffee mug Kim gave him into the cupholder of his car. Back to Kim, though. She is trying to get a read of Howard now that she’s no longer banished to the boardrooms of nowhere sorting files. Howard upsets me; he’s like a robot, a soulless man who puts on a mask. Either way, they meet with Kevin Wachtell (Rex Linn) and Paige (Cara Pifko) on the new business.
Then there’s Mike Ehrmantraut (Jonathan Banks). He’s greeted at home by an associate of Hector Salamanca (Mark Margolis) named Arturo (Vincent Fuentes) who requires an answer re: the deal from last episode. “Respectfully Im gonna have to say no,” advises Mike. Afterwards, he literally lays a welcome mat on his front porch. Curious.
Kim’s in court doing her thing over the Sand Piper case. At the defense table is Rick Schweikart (Dennis Boutsikaris). He takes it upon himself to talk with Kim. “You went down swinging and I admire that,” says Schweikart. He ends up inviting her out for lunch, which might possibly lead to something better career wise for Kim. Let’s hope. She acts grateful to HHM, but you know there are some bad feelings on that part. He gives her a good pitch about the life of a lawyer, and offers her a position at his firm; including helping to pay off her student debt, et cetera, all the bells, the whistles, too. And still she is reluctant. Too loyal. Perhaps says something about the way she is with Jimmy, as well. Her loyalty brings her nothing in the end, sadly.


At his place, Mike reveals the trick to his mat – underneath is a sheet of paper, helping him figure out there’s been people at the door. He checks everything carefully, rubbing the door frame, the knob, checking for any sign of people entering his home. He heads inside, gun drawn. All I keep thinking is, despite whatever’s happened since, Mike must’ve made an impressive cop once upon a time. He isn’t perfect, though, the way he does things is so methodical. And it doesn’t feel contrived as a character, like the writers are almost visible there crafting him in front of us. His character comes off as organic, especially considering how Jonathan Banks plays him.
He ends up getting the jump on two guys waiting for him. It’s Arturo and another man. “Whats the message?” asks Mike. They were only trying to “scare” him. Nonetheless, the older man wins out, then washes the blood of his hands and gun in the sink. You can tell he doesn’t want to live this life. More than that, his hands are shaking, it’s giving him pause about all of the things he’s forced to do; all out of necessity. Even further, his granddaughter and daughter-in-law are stuck at the motel. Everything is pressing down on Mike.
The worst yet? He spies two men watching him – another Breaking Bad reference, as the Cartel brothers Marco (Luis Moncada) and Leonel (Daniel Moncada) loom in the distance. Trouble; big fucking trouble. And Mike don’t like that. Not when it involves his family. What I like is that he’s still tender with his granddaughter while stressed to the maximum, he doesn’t freak out and haul her away like a madman. The writing of his character is excellent and nuanced.


Kim does consider the offer she got earlier, sticking around the restaurant bar after Schweikart leaves. Then a man tries picking her up, which she seems to dig. At least a little. All of a sudden, she calls Jimmy: “Ive got a live one on the hook.” So that hook up on the verge of happening wasn’t exactly one after all. More so it’s Kim realizing she may be more like Jimmy than she’d ever imagined. They start running a con on her target. Jimmy reels out a big story about their dot-com company maybe going public, drawing out the big fish in him. Looks like Jimmy and Kim are a couple again. Momentarily, anyways.
At a groceteria, Nacho (Michael Mando) receives Mike. There, he meets with Hector, the Cartel Brothers and Arturo along as protection. Hector wants Mike to go to the D.A, to get Tuco (Raymond Cruz) off the hook for the gun possession. No more cash, either. “How about the payment is you get to leave?” Hector asks, and warns all at once. Everything starts getting tangly, with Mike reaching for his gun, starting to make everyone nervous. Seems for now a deal is struck. $50,000 and Mike takes the rap for the gun.


Hector (to Mike): “How you managed to live so long with a mouth like that, hmm?”


Luckily, Mike does have Nacho on his side. Not that it makes things better for Nacho. But Mike offers up half of the money to him; payment for a job completely improperly.
On the other side of town, Jimmy and Kim are waking up together. They pulled a fast one on their friend at the restaurant, coming out of it with free drinks, dinner, and a nice “souvenir” cheque made out to Ice Station Zebra Associates. Amazing. Also, Kim is wobbling between wanting to leave HHM, and not knowing what’s best for her. Just like her situation as a lover to Jimmy – maybe not the best thing for her, and she keeps on keeping on like an addiction. The cup she gave him not fitting in the holder is symbolic of their lives together; they do not fit. So in the end Jimmy uses a tire iron to smash the holder apart. He makes the cup fit. A perfect parallel to the relationship with Kim. They don’t fit, but he is determined to make his life fit the required structure. No matter what the consequence or price.


This is such a great season. Very excited to see next week’s episode, “Inflatable”, so stick with me as we cruise through Season 2 together.

Better Call Saul – Season 2, Episode 5: “Rebecca”

AMC’s Better Call Saul
Season 2, Episode 5: “Rebecca”
Directed by John Shiban
Written by Ann Cherkis

* For a review of the previous episode, “Gloves Off” – click here
* For a review of the next episode, “Bali Ha’i” – click here
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With Mike Ehrmantraut (Jonathan Banks) recovering from his recent beating, as well as Jimmy McGill (Bob Odenkirk) licking his wounds for the time being and trying to keep Kim Wexler (Rhea Seehorn) in his life, Better Call Saul‘s Season 2 continues on full steam ahead.
This episode begins with Chuck McGill (Michael McKean) setting up dim lights, putting on a record then getting dinner ready. His wife, Rebecca (Ann Cusack), is helping, too. They’re normal, happy, talking about work and their day. Turns out this is when Rebecca meets brother Jimmy.
What an excellent, interesting flash into the past of the Brothers McGill. A time when Jimmy was unsuccessful, the lesser brother doing nothing, and when Chuck did not have his serious affliction to the electronics around him. So what exactly happened from there to the present timeline? Regardless, Chuck gives the signal to his wife, hoping to get Jimmy out of the house, but she’s more interested in hearing the younger brother’s jokes. Later in bed when Chuck tries one out it doesn’t get near the same response.
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Back to 2003. Jimmy is finding it tough to adjust to office life, from the regular everyday grind to the recycling situation. The “house style” is being introduced to Jimmy, including punctuation and so on. Something he’s not entirely interested in; too much micromanaging. At the same time, Kim is dodging Jimmy on the phone while doing the dirty work in a boardroom, her new assignment for aiding him in the commercial fiasco. He shows up soon enough suggesting she sue Hamlin, Hamlin & McGill. Jimmy’s mostly concerned with Chuck and his involvement, though she insists this is her “paying the price” for her idiotic decision to side with Jimmy. And she wants him to clean up his act, as well as to stop bullshitting.
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Kim: “You dont save me. I save me.”
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At the office, Jimmy is forced to deal with the co-worker, Erin (Jessie Ennis), he ducked the night before. Simultaneously, Kim is trying to gain more clients for HHM, either getting refused or hit on or let down easily from one call to the next. Kudos to her all the same; she’s trying, unlike Jimmy who takes frequent shortcuts.
And finally, back to Mike. He’s checking in on daughter-in-law Stacey (Kerry Condon). Grandpa Mike has put her and his granddaughter up in a hotel, having fun. He’s busy with his day job, nursing those old wounds, which he attributes to a car crash. The next chapters in the life of Mike will certainly be interesting to see.
Erin and Jimmy come up against one another when he tries to give over a Beanie Baby to get a court date. She won’t have this “bribe“, but he insists it’s simply a little gift. He’s forced to take later date than hoped, worried about Howard (Patrick Fabian) getting reports from Erin. In a bathroom, Jimmy sees an old friend who queries him on all the benefits of working at Davis & Main: “Id kill my mother for a fireplace,” he says after hearing Jimmy has one in his office.
A nice Spanish cover of Frank Sinatra’s “My Way” accompanies more of Kim wheeling and dealing, trying to drum up some more business for herself in order to get back in the HHM good books. Not too long and she receives a positive phone call, one that has her nearly jumping for joy. Maybe things are looking up for ole Wexler.


Up at the HHM offices arrive Paige (Cara Pifko) and Kevin (Rex Linn), clearly from a large banking institution. Howard lays on the charm with stories of being a boy and his “first bank account“, along with a silhouetted cowboy banking book. What a greaser. None of what Kim’s done phases him, as he keeps up a smug demeanour the entire time. He essentially banishes her back down to the boardroom on review without looking at her twice. Ouch.
In the low light of Chuck’s place, Howard meets with him. They talk of Kim and her latest accomplishment. But she’s not “out of the doghouse“, as Howard makes that clear. A ton of work coming from what Kim has done, yet Hamlin is far less enthused than Chuck. Perhaps a further vendetta by Howard is causing this behaviour towards Kim?


In other news, Chuck arrives, lantern in hand, to the office. At his desk he whittles away the time doing work. Until a low level light starts to bother him. He finds Kim putting away some files and they chat over coffees. She flat out asks Chuck: “Do I have a future at this firm?” He goes into his own disappointment with brother Jimmy, as if trying to sabotage every bit of the life he’s trying to create for himself. There’s a discussion of the McGill father, supposedly a perfect, good man, whose hard work allowed them to survive and prosper. Until money troubles made it all difficult, prompting Chuck into an accounting position; Jimmy “pilfered” thousands of dollars, according to big brother. The start of all the woes. The start of all Chuck’s aggravation with his brother.
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Chuck (re: Jimmy): “He cant help himself. Then everyones left picking up the pieces.”
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At a diner, Mike is greeted by a familiar Breaking Bad face: Hector Salamanca (Mark Margolis). He wants to talk about the recent trouble with Tuco (Raymond Cruz), the old man’s nephew: “He should have shown you respect. I apologize to you, on behalf of my family.” Mike accepts this gracious offering. They talk about how long Tuco ought to stay behind bars, perhaps there’s a different way out of everything.
It’s fun to see Hector long before the stroke immobilized him, before he could only talk with a bell nailed to his wheelchair. Adds a larger dimension to him, as well as gives us things to look forward to in this series.


Can’t wait for the next episode, “Bali Ha’i”, and with all these developments it’ll absolutely be intriguing. Stay tuned, my fellow fans.

Better Call Saul – Season 2, Episode 4: “Gloves Off”

AMC’s Better Call Saul
Season 2, Episode 4: “Gloves Off”
Directed by Adam Bernstein
Written by Gordon Smith

* For a review of the previous episode, “Amarillo” – click here
* For a review of the next episode, “Rebecca” – click here
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With Jimmy McGill (Bob Odenkirk) in hot water with Clifford Main (Ed Begley Jr) over the Davis & Main commercial, is Kim Wexler (Rhea Seehorn) about to feel blowback, too? And what about Nacho (Michael Mando) and his request to Mike Ehrmantraut (Jonathan Banks) at the end of “Amarillo”?
“Gloves Off” begins on Mike, which is always a treat. He comes home with a manila envelope filled with money. He has a nice sip of Blue Ribbon from the fridge and puts some frozen carrots on his aching face. Mike sits in his living room and rests. It’s clear there have been goings on. Likely major ones. Then in the light we see his face is beat to pieces; a swollen eye, cuts, Band-Aids. From his pocket he removes a silver chain of some sort, two diamond-studded boxing gloves on it. Very, very interesting.
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Cut to Jimmy’s commercial – the black-and-white setup, the old woman in the rocking chair as she does a voice-over narration, then looks into the camera. Jimmy’s trying to show Cliff and the board what he came up with, though, nobody looks too pleased. At all. They couldn’t care less about money. They’re mostly concerned with their name being on it. It’s definitely cheesy. However, Jimmy reveals they’ve received a couple hundred phone calls. Above all else, it’s insubordination on his part. But Jimmy fights, he’s always fighting, he clearly only wants to get ahead. “We are a team at Davis & Main,” says Cliff, trying to make Jimmy understand. It’s a 2-1 vote to fire him. Except Cliff is a “fan of second chances” and that keeps him around a little while longer.
Jimmy tries to call Kim. But she’s in a meeting with Howard Hamlin (Patrick Fabian), and surprise, surprise – Chuck McGill (Michael McKean). They are not pleased either, with her involvement concerning Jimmy’s experimental commercial. So, yes, Kim is getting the blowback of Jimmy’s decision. It’s unclear how hard that will come at her.


So finally, back to Mike and Nacho. We’re likely going to see more of Tuco Salamanca (Raymond Cruz), as he’s brought up in conversation by Nacho in reference to the new job for which they require Mike’s help. Special reference.
There is a plan in place. Mike gets tasked with the “headshot“, but he has lots of questions for Nacho. Mike’s a guy who likes to have everything planned, start to finish; he needs an exit plan, all the details. Yet Nacho says that’s he is there for – to iron all that out. What I love here is that Nacho sheds light on the character of Tuco, more than we’ve even seen from Breaking Bad, and we’re able to get a look behind the curtain of madness. We hear a story about Tuco killing a guy, which put a piece of the man’s skull underneath Nacho; a mark he still carries with him. So, this entire plan is a way to get Tuco up and out, as he’s getting hard into the crystal meth. But we know better, those of us Breaking Bad fans, about what happens to Tuco. What’s extremely fun to watch is how everything plays out, not knowing exactly how things end up the way they do. And regardless, Mike is in on the job for “fifty grand“, so I can’t wait to connect the events of the episode to our grim beginning.
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At the office, Jimmy shows up after hours. He finds Kim’s desk wiped out, completely bare. Downstairs in one of the board rooms, she’s face down in a ton of work. Jimmy tries apologizing. But that doesn’t do a whole lot of good. He’s safe in his job for now, yet Kim has been knocked down a few pegs, taking the blame. Their relationship is fast degenerating. Every greasy move Jimmy makes puts them further apart. He wants to fight the good fight for her. Although, that’s not what she wants either. “If you go to Howard, you and I are done,” Kim explains to him. They aren’t finished just yet, but she tells Jimmy: “I need this job.”
Nevertheless, Jimmy does go to see Chuck. He’s about to go inside without checking his electronics at the door. Instead, being the dutiful brother, Jimmy deposits them loudly into the mailbox then heads inside. He finds his brother wrapped up in a foil blanket on the couch, in what looks like great pain. Something I love about Jimmy is that he hates how his brother treats him, hates the be underestimated and looked down upon, but STILL, he always helps Chuck, he looks after his older brother without question, even in times he’s incredibly aggravated with him. It’s noble. Tragic in a way, too.
Another Breaking Bad reference – Lawson (Jim Beaver), the man who got Walter White some of his heavy artillery later in the series, brings a sniper rifle for Mike to look at. They meet in another little hotel room, all hush-hush. Mike’s not too happy with the weight and size of the first one. Then he’s shown a smaller one, that might not be “a hernia with a scope on it“; excellent line. Love how the parent series bleeds into this one without feeling forced. These characters we see again, other than the main ones, are worked in organically, and provide that little thrill for fans who remember them. Finally, he finds the A-1 model of sniper rifle, one he seems to know well – this gives us an idea that Mike possibly served in the army, remarking someone ought to have figured out its complications before sending it into the “jungle“; highly suggests Vietnam. More character development, another thing I dig so much about this series.


Jimmy’s trying to talk with Chuck about Kim. The older brother denies his part in any of the nonsense happening. Chuck lays it all on Howard – “Can he talk when you drink a glass of water?” Jimmy asks. But Jimmy goes on white knighting, trying his hardest to take the full blame of his commercial fiasco. At the same time, Kim didn’t say a word about not knowing what was going on, and that shows she tried protecting him. “Thats your problem,” Chuck tells his brother: “You think the ends justify the means.” Instead of trying to stand behind his brother at all, Chuck harps on about Jimmy being irresponsible, about his inability to take things seriously. Furthermore, Jimmy tries to make a deal with his brother. Chuck won’t admit he doesn’t want Jimmy in the law business. But the latter knows his older brother wants that: “I need to hear it from your mouth.” Essentially, Jimmy wants him to commit extortion, he simply can’t get Chuck to admit the real truth, despite anything that’s at stake.
Meanwhile, Mike doesn’t agree to the job Nacho offers. He doesn’t want to “draw Salamancas like flies” by killing Tuco and alerting the cartel. “Somethings gotta give,” Nacho says: “With or without you.” Not trying to rock the boat hard enough to sink it, Mike suggests making Tuco “go away“, but how?
Now we get another Breaking Bad reference – Krazy-8 (Max Arciniega) meets with Tuco and Nacho, dropping off a fat roll of money. Interesting to see Krazy-8 not as the gangster he was when meeting Walter and Jesse, but a green little guy worming his way into the meth business. Again, love these characters reappearing and filling out the world of Vince Gilligan and Co.


Outside the restaurant where Tuco and Nacho conduct business, Mike waits across the street by a payphone. He puts a voice on, reporting a “gang thing” happening around the area. Perfect, slick little moment on the part of Mike; he wipes off his fingerprints before heading out. Pulling into the restaurant parking lot he dings Tuco’s car a little. On purpose, or no? Tuco’s not happy – you can also notice the diamond-studded pendant hanging from his neck. Mike gets confronted by Tuco, who calls him “Mr. Magoo” and gets angry when he thinks the old guy is calling him “a liar“, which then brings Nacho into the situation. The talk heads outside, with Mike getting more belligerent by the minute; he agrees to exchange insurance and so on. Tuco won’t be having any of that. But the further this goes, we can see Mike is playing a game. What is it? How will it play?
After things start to get a little physically intimidating, and Nacho looks more nervous by the second, Tuco brandishes his gun. Once Nacho leaves at the sound of sirens nearby, a fight starts between Tuco and Mike. The older man manages to keep himself from death, but gets a nasty beatdown. When the police show up, things finish. And Mike is able to live another day, albeit with a few nasty bumps and bruises.
Afterwards, he meets Nacho in their usual dark place. “Wow,” exclaims Nacho after seeing Mike’s face: “Look at you.” At least now Tuco will be out of commission for a while. “You went a long way to not pull that trigger,” says Nacho: “Why?” But no reply from Mike, no answer at all. Just a look, a bruised and beaten smile.


This way another excellent chapter in the series. I love that Mike Ehrmantraut gets as much of a backstory and dissection as Jimmy/Saul. Can’t wait for “Rebecca” next week. Stay tuned with me, friends and fellow fans.

Better Call Saul – Season 2, Episode 3: “Amarillo”

AMC’s Better Call Saul
Season 2, Episode 3: “Amarillo”
Directed by Scott Winant
Written by Jonathan Glatzer; Story by Gordon Smith

* For a review of the previous episode, “Cobbler” – click here
* For a review of the next episode, “Gloves Off” – click here
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The third episode of AMC’s Better Call Saul Season 3 kicks off as Jimmy McGill (Bob Odenkirk) stands against a wall painted like the Texas state flag. He’s dressed like a true blue-and-red cowboy, with a bag at his feet. A bus stops then Jimmy heads inside looking for an Alma Mae, who he couldn’t get to see at Sand Piper. He talks with Alma a little about the money he’s going to get back for her. Jimmy does his best talking, as usual, to try and get everyone on the same page. The showman in Jimmy comes out and impresses all the seniors on the bus. Another move in the sly poker hand of lawyer James McGill. In fact, he’s so impressive all the people on the bus are right in the palm of his hand.
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At the table of Davis & Main, Chuck (Michael McKean) sits across from Jimmy now, as well as Kim Wexler (Rhea Seehorn), then there’s bossmen Clifford Main (Ed Begley Jr) and Howard Hamlin (Patrick Fabian). Of course Jimmy gets to boast about signing all those Sand Piper clients on the bus (though I’m sure how he did so was a secretive venture). Cliff is happy. Although, Chuck does his best to punch his brother in the gut, bringing up the possibility of his “solicitation” and making things awkward for everybody. Yet Jimmy’s slippery, as we know. He retorts with the claim of Sand Piper as a “closeknit community“, which seems to assuage the board’s curiousity. Chuck lets it go. For now; he’s just hellbent on torpedoing his brother.
Jimmy’s still after Kim, playing footsie beneath the table. Only she seems reluctant to engage. Then Jimmy pipes up saying he’ll hold back on big meetings with the seniors, possibly hoping to impress Kim. Because she’s still not happy about the events of “Cobbler” where Jimmy falsified evidence, or more so fabricated it. She is further unhappy with Jimmy likely soliciting all those clients. “You said in there youd find another way,” Kim starts: “Did you mean it?” He tells her yes, but she isn’t exactly convinced. Their relationship is fragmented. She put herself out there with everyone to get Jimmy in that position, now his conman ways that won’t wash off are threatening her reputation. Not immediately. But if Hamlin and Main, as well as Chuck, figure out what he’s up to all the time, there’s no telling what might happen.


Cut to Mike Ehrmantraut (Jonathan Banks). He’s playing with his granddaughter. Meanwhile, his own daughter-in-law Stacey (Kerry Condon) is cooking in the kitchen. He also has money to drop off. Stacey’s got worries, though. Gunshots have been blasting a little too nearby for her liking. Mike offers to stay over, to keep them safe, but Stacey is obviously as independent as possible, a proud, strong woman in her own right. We know that Mike isn’t going to let the gunshot business sit. What’s he going to do from here?
At the office, Jimmy is trying to figure out how to do things without soliciting clients. He brings problems with the mailers to Cliff. Jimmy believes very specific television advertising is the answer, to mash in a Davis & Main between Murder, She Wrote and other similar programs the seniors watch.
Here, we finally see the first television advert involving Jimmy; one of many, as us Breaking Bad fans remember. Originally they get a terribly generic, uninspired advertisement just giving the basic facts, a phone number, et cetera.
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Jimmy: “What ever happened to showmanship?”
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On his own, Jimmy gets two young film students to help him record an advertisement segment. He’s got his own ideas on how to boost their clients. Hilarious banter to start between Jimmy and the young dudes. We’re now seeing the Saul creep out of Jimmy, more and more. “Im ready for my closeup, Mr. McGill,” says an old woman coming down the stairs on an electric lift. One of the best lines I’ve heard on anything in ages. Especially with Jimmy holding his fingers up like a frame, watching her descend.
Back to Mike. He’s taken it upon himself to do a stakeout at his daughter-in-law’s place – radio via earpiece, sandwich and all. Sitting quietly outside, Mike sees a car pull up slowly. He readies his piece, checking that it’s loaded. But it’s just a car dropping newspapers off. When the morning comes and nothing is wrong, Mike heads in to work, obviously tired, back likely hurting from sitting in the car all night. Then he gets a call on his cell from Stacey – he rushes back to her place. She shows him a bullet mark by the garage door, saying she heard shots in the night. But Mike was there all night, he knows it didn’t happen then. Still, he tells her: “I believe you.”
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Hanging out together once more, Jimmy and Kim are always hovering around becoming a serious couple. For now, Jimmy shows off the ad he put together. Shot in black-and-white, circling around to find an old woman rocking in a chair by herself, along with a tragic voiceover narration. The old lady cries, due to “Visine“, and then Jimmy comes in with the phone number, the information, all that over top. Kim is actually impressed with the directorial efforts by Jimmy, saying it’ll definitely get to the Sand Piper seniors. However, little comments from Kim make it clear to Jimmy he’s still the underdog, still being considered as someone who can’t get things done right or in the ‘honest’ way. The look on his face says it all. Over in the office, Jimmy hops on the phone to try and get hold of a television channel in Colorado. Is he about to sell the advertisement?


Jimmy: “Dont be jealous of my big bowl of balls. Its unbecoming.”
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Mike’s looking for a job. The vet he knows has a couple jobs, bodyguard positions mostly. Except everything Mike hears, he doesn’t exactly enjoy. The shady vet explains the need for “next level work” and that’s all there is to it. Quickly, though, Mike accepts a cheap job. Not that he wants to, but such are the times. It’s obvious, seeing him in Breaking Bad and seeing him now, Mike will do anything to help his family; anything.
Switch over to Jimmy. He seems a little nervous and sketchy. Obviously he’s waiting for the phone calls to come in from seniors. There’s a whole team of people setup to start receiving calls. All the while, Jimmy waits as the ad runs on television. This is a big moment for him – if the ad fails to draw in a significant number, perhaps Jimmy loses his pull with Cliff, and everyone else, and then Chuck wins. So Jimmy sits next to the phone, waiting impatiently.
When the calls do start coming, it finally lifts Jimmy’s spirits, and he sees the progress right in front of him; the ad worked perfectly.


While Stacey and her daughter sleep, Mike takes the couch. Though he doesn’t sleep, really. His phone rings about some “next level pay” – a serious, hush-hush job. Mike was specifically asked for to take care of the job.
Cut to Jimmy lounging with Kim. He gets a call, too. It’s Cliff, and he is not happy with the commercial. The boss lets loose over Jimmy for not passing the commercial through his approval. Cliff calls him “a god damn arsonist” while Jimmy tries to spin things for him, then gets hung up on. He has a date with the board to show them all the commercial. He then spins things for Kim, as well. Always spinning, that Jimmy.
Mike is heading out to latest job, shrouded in mystery. In a deserted location, he pulls up in his car, leaving the lights on. Nacho (Michael Mando) is waiting. He has a problem – “A who or a what?” asks Mike. Nacho needs a guy to “go away” and we end on a look from Mike that spells exasperation, as if he knows what’s coming.


Next episode is “Gloves Off” – who knows where the McGill story will head next.

Better Call Saul – Season 2, Episode 2: “Cobbler”

AMC’s Better Call Saul
Season 2, Episode 2: “Cobbler”
Directed by Terry McDonough
Written by Gennifer Hutchison

* For a review of the previous episode, Season 2 premiere “Switch” – click here
* For a review of the next episode, “Amarillo” – click here
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After the excellent start to Season 2, Better Call Saul continues on, as we open on Chuck McGill (Michael McKean) playing the piano to his metronome. He plays beautifully, too. He stops once then goes again until messing up, getting angrier with himself this time. Soon, Howard Hamlin (Patrick Fabian) arrives bearing newspapers, groceries and the like; an unexpected visitor. Chuck mentions he wants to go into the office for “an hour or two” soon, which surprises Hamlin. Then Howard also mentions Jimmy (Bob Odenkirk) is working for Davis & Main, the firm of Clifford Main (Ed Begley Jr). Neither of them particularly respect Jimmy all that much from what I can tell. Is Howard using this as a way to push Chuck? Or do they merely share a caution re: Jimmy? Hard to know for sure. However, Chuck’s eyes tell the entire story afterwards when he sits back down to play his piano some more. He becomes lost, transfixed by the metronome. Interesting to see where Chuck goes from this point on.
Kim Wexler (Rhea Seehorn) is busy getting things ready in a board room, making sure Jimmy is sitting next to her when the meeting happens. The sit close together while Clifford goes over some documents. Underneath the table, Kim plays a little footsie. Cut to the both of them having a cigarette in the parking garage, chatting. There’s an obvious feeling between them, whether or not Kim wants to push forward. But we can see, no matter how she plays it cool when they’re together, Kim is into Jimmy, big time. She even gives him a hilarious little coffee cup with “Worlds 2nd Best Lawyer” printed on it. They share a kiss before he leaves, though, she looks over her shoulder. Such a conflicted woman.
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Over at the salon, Jimmy shows off his new decked out car, which takes him away from the old office and into his new life. He looks through all the bells and whistles before trying to fit his new coffee mug in the holder. Except it’s too big: “Must be metric,” he says to himself. So ironic that such an expensive, beautiful piece of machinery can’t even fit his cheap little cup. This show cracks me up because, just like Breaking Bad, there come these hilarious little moments that would never be that funny anywhere else, yet here they are making me crack up.
Meanwhile, Mike Ehrmantraut (Jonathan Banks) sees the ghastly yellow Hummer belonging to Daniel Wormald (Mark Proksch) pull up. He’s not pleased at all. Daniel is there to talk with the police, which does nothing further to please Mike. They have a chat in the Hummer. Mike advises him it isn’t the greatest idea for a criminal to willing talk with cops, but Daniel brings up an interesting point: because he falls outside the law sometimes when selling his pharmaceuticals, does that put him outside the help of the police? I don’t know; sort of interesting. Mike tries his best to talk Daniel out of talking with the police, though Wormald is pissy and only wants his baseball cards back. Turns out, some of the cards stolen belonged to his father, so y’know – sentimental value and all. Mike reluctantly tells his dumb friend: “Ill find your cards.”
Head down, pen to paper, Jimmy is working hard for the new firm. After hearing a bit of beautiful guitar music through the office he finds his way into Clifford’s office, the man obviously has a talent on the six-string. Jimmy chats briefly with his new boss and brings up some interesting points he might have stumbled across already looking through the papers on their case. A good start for the scrappy dog McGill.
Mike is busy tracking down the baseball cards. He goes into an auto shop and pretends to be looking for seats to be upholstered. This is the workplace of Nacho Varga (Michael Mando). They end up outside, alone and able to talk. Nacho’s definitely not happy to see the old guy, not that it bothers Mike; he lays things out for Nacho, how it needs to work. But the younger of the two gets his back up, thinking Mike is threatening him, his family. Mike makes clear there’s a profit to be made if they do things his way.
Chuck’s almost ready to leave his house, to head into work. His foil-lined jacket on, chin up. Did Howard’s plan work? What’s the long-term game?
Cue Daniel handing his ghastly yellow and flame-painted Hummer’s keys over to Nacho. In return, the baseball cards go in Mike’s trunk, back to Wormald. Of course the nerd in Daniel has to go through the cards, tracking down particular items to make sure they’re in tact. “Looks like everyones here,” says Daniel with a big, goofy smile.
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Nacho (to Daniel): “Now, our business is concluded.”
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In the midst of Jimmy telling everyone what’s happening on his end of the case, Chuck shows up at the board room. Preceding this Howard asks everyone to turn off electronics, give over their cell phones, et cetera. A worried, downtrodden look appears on Jimmy’s face as he watches this begin to happen. Howard comes off as smug, letting Jimmy continue, as if expecting a big fuck up. Only with Kim giving him strength via a thigh squeeze under the table he has the confidence to speak with pride. After the meeting finishes, Jimmy and Chuck have an awkward conversation. “Why are you here?” asks Jimmy; “To bear witness,” Chuck replies cryptically.
Then Mike calls Jimmy, asking if he’s still “morally flexible” because Daniel is going to need representation. The younger McGill heads to the station to try and help the situation. For his part, Daniel bumbles and rambles through the interview. The detectives obviously know he’s guilty, or at the least that he knows something more than is being said out loud. But save-the-day-Jimmy swoops in with a hilarious “art patron” story, claiming Daniel made some “personal videos” which were later stolen by that patron; “lovers quarrel” as Jimmy puts it. A genius way to get Daniel out from under the police: “Squat cobbler,” says Jimmy – “Full moon pie. Boston Cream Splat. Simple Simon the Assman.” I almost cried listening to Odenkirk describe the supposed videos. Spot on comedic writing, which serves the purpose of making us laugh, as well as being weird enough to help get Daniel free from any suspicion. Even better? Daniel’s actually going to have to make a video.
Directly following this scene, Jimmy heads to see Kim – with a stack of pies they dig into together. Apparently the pies are leftovers, “untouched by human buttocks.” Kim’s not impressed, though. Jimmy has now faked evidence to get a client off. She doesn’t understand why he’s risked so much for “a friend.”
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Kim: “I cannot hear about this sort of thing, ever again, okay? I mean it, Jimmy.”
Jimmy: “You wont
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This episode started a lot of things moving for the second season, in particular more of the relationship between Jimmy and Kim, as well as that of Jimmy and his brother Chuck, plus there’s the deviousness of Howard, and also the Mike situation re: Daniel. Many, many threads. Looking forward to where things progress after “Cobbler”, in the next episode titled “Amarillo” which will no doubt make things even more exciting.

Better Call Saul – Season 2, Episode 1: “Switch”

AMC’s Better Call Saul
Season 2, Episode 1: “Switch”
Directed by Thomas Schnauz
Written by Peter Gould & Thomas Schnauz

* For a review of the Season 1 finale, “Marco” – click here
* For a review of the next episode, “Cobbler” – click here
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The lead-up to Season 2 is promising an even further shift in the nature of Jimmy McGill (Bob Odenkirk) – the man many of us first knew as Saul Goodman. But we’re still on our way to the days of Saul.
Season opener “Switch” begins as another flash into the future of Jimmy, the obvious change in identity which follows his business with Walter White and Jesse Pinkman throughout AMC’s Breaking Bad. I love that we see these future flashes because it parallels the flashback through Jimmy’s life that is Better Call Saul overall. In a sense, what happens in the future almost negates anything Jimmy did previously, the whole change to another person in his new life as Saul that he cultivates in this series basically becomes moot due to Walt and Jesse’s operation. There is some sort of tragic and also funny mix to the whole thing. Especially when Jimmy gets locked out where the dumpsters are at his workplace, and we can see his obvious reluctance to open the Emergency Exit; he sees on the door a note stating the police will be called if the door opens and the alarm goes off. Jimmy won’t do it because his new life working for Cinnabon is of an inconspicuous, low-key nature. Eventually he gets out when a janitor comes back, but to see him sitting there, unable to or unwilling to push that door open, it’s an excellent and powerful statement about him. Even better, a long, drawn out close-up comes up against the wall and we see what he left: “SG was here” scrawled on the paint.
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Back to where we currently know Jimmy McGill in 2002, he’s over at the office of Howard Hamlin (Patrick Fabian) to see Clifford Main (Ed Begley Jr), as well as his associates Brian and Erin. Then before any business Jimmy calls Kim Wexler (Rhea Seehorn) aside to ask about their relationship, and how his new case might affect any of that. “One thing has absolutely nothing to do with the other,” she tries to reassure him. Still, though, Jimmy refuses the job and walks out.
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Heading through the gate, he stops to talk with Mike Ehrmantraut (Jonathan Banks) about the money; the stuff he decided not to take. Mike lays down some rules of criminal code. “Well I know whats stopping me,” Jimmy tells him: “And you know what? Its never stoppinme again.” He drives off humming Deep Purple to himself, showing up at the spa from where he does all his business. I love this whole location, such an awesome look to the whole thing. Best scene so far comes quick when Jimmy wants some cucumber water but the spa owner replies, as always, it’s “for customers only“. So Jimmy lets the tap loose and drinks straight from it, letting lots spill to the floor. Is this a new James McGill? I believe so. He even rips the makeshift sign off his office door.


In other news, Mike waits in a parking garage where a terribly flashy Hummer pulls up, spinners on the wheels, huge flames all over the side, and the entire thing painted in yellow. Ehrmantraut scolds Daniel (Mark Proksch) inside his car does not illustrate “restraint“, especially considering they’re headed to a job. Daniel says fuck it, he won’t pay Mike any longer to supposedly protect him on deals against Nacho Varga (Michael Mando), he’ll go alone. Mike advises otherwise, and he’s most likely right. Out on the meet, wearing shoes to match his vehicle, Daniel meets Nacho, the latter of whom declares the Hummer “interesting” and asks to take a look. Things seem friendly, as if two buddies were checking out a car in the garage. But while Daniel counts his cash, Nacho looks in the glovebox to find the man’s registration; home address and all. Trouble’s definitely on the horizon, at least for Daniel.
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Jimmy’s busy doing his own thing now. Floating in a pool with a drink, some dip, the whole nine yards. He gets a call and claims he’s “no longer a lawyer“. Arriving soon after, Kim is pissed about Jimmy passing up the big opportunity with Clifford Main. For his part Jimmy doesn’t appear too phased: “I just finally decided to be me,” he tells her. At the bar they talk a little. Jimmy hammers home the point he went into law for all the wrong reasons. He wants to use his talents elsewhere. Across the bar while they chat, Jimmy keeps hearing an asshole stock broker (likely the same man whose car Walt blew up in Breaking Bad‘s “Cancer Man“) speaking loudly into a Bluetooth headset, swearing, laughing like a dolt. So the new Jimmy heads over and asks a question about investments on stocks, pretending they have money to put somewhere, which eggs the guy on a little. Jimmy’s essentially showing Kim his powers of persuasion, his gift of gab. And those of us who’ve followed Odenkirk from Breaking Bad to now know this guy has got the goods. He could’ve been a great, straight lawyer, but his abilities certainly tailor him to a specific line of business re: law. Funny how Kim falls in line quickly while Jimmy spins his magic. They pull a fast one on Mr. Wall Street then bounce, leaving him with a massive bill. Jimmy and Kim hook up, too, but it’s clear he wants it to become something bigger, something more.
Little Breaking Bad reference – Kim orders the trio a bottle of the fictional tequila Zafiro Añejo, which people will remember from Season 4. Love how little bits and pieces of the original show come out here, adds little dashes of spice to an already fun series in its own right.
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Not surprisingly, Daniel’s house has been broken into and ransacked. He calls the police and two officers come to investigate. His baseball card collection, “a major collection“, was taken. A bunch of cash was taken, as well. Daniel doesn’t seem too intent on revealing how much cash was taken, diverting the conversation back to his cards. The cops look pretty damn suspicious, as Daniel rambles on about his collection. They ask about what Daniel does for work – he’s an I.T. guy at a pharmaceutical company, naturally, which they find a little interesting. When the two officers discover Daniels’ couch was moved they further find a stash spot along the baseboards of the wall; inside, nothing. Clearly there used to be something important in that spot, that we already know. But the police know now.
Jimmy is over at the pool, again. He floats and makes a call on his cell, then admires a beautiful women poolside who shows up to tend to a large gold chain wearing man, who also happens to be clothed in high priced clothing. Jimmy wants to use this guy as a “mark“, the next one on his new road trip to a new life. Seems being a criminal comes naturally to a man who once tried upholding the law. Mostly, he’s calling Kim, hoping she’ll come down and have fun with him. She doesn’t call back, but he decides to call Davis & Main, obviously where Clifford practices.
Cue Jimmy at his office, checking things out. A far cry from the pool where he previously lounged. He’s always doing things for other people, not for himself, just as he stated earlier to Kim about his brother being the reason he practiced law. Now it’s as if he is only doing this for Kim; to impress her, to have her in his life. There are two ends of the rope tugging – Jimmy is a criminal at heart, but these other people in his life pull him towards a stable, more professional and most importantly legal state of living. Just seeing Jimmy at the office in front of a big desk, strange art on the wall, he doesn’t belong. No matter how hard he tries to fit on, no matter if he wants to. Regardless, the clash of his two lives brews more and more.
Most interesting is the light switch on the wall. It has a sign that declares ALWAYS LEAVE ON. But the small screaming rebel inside Jimmy won’t let it be; he tears it off. Of course, nothing really happens, not that he notices. Yet it speaks louder than words, this action: Jimmy cannot, he will not, conform to the fully straight and normal life. He will always have to tear that tape off, do things his own way. Always.


Looking forward to the following episode in this new season, “Cobbler”.

Fargo – Season 1, Episode 10: “Morton’s Fork”

FX’s Fargo
Season 1, Episode 10: “Morton’s Fork”
Directed by Matt Shakman
Written by Noah Hawley

* For a review of the penultimate Season 1 episode, “A Fox, a Rabbit, and a Cabbage” – click here
* For reviews of Fargo Season 2 starting with “Waiting for Dutch” – click here
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The finale of Fargo‘s amazing first season has come. Aw, geez.
“Morton’s Fork” commences where we last left Lester Nygaard (Martin Freeman), whose wide eyes and open mouth gape at Lorne Malvo (Billy Bob Thornton) having just killed his new wife Linda (Susan Park) at the insurance office.
Now, we start to glimpse into the newly criminal mind of Lester. He’s become a ruthless, terrible man. Especially when compared to the meek and mild person he was at the beginning in “The Crocodile’s Dilemma”. Beginning to piece together an alibi in his head, Lester crafts things out of nothing. First, he places the car keys in Linda’s dead hand. Secondly, he goes over to the diner where Lou Solverson (Keith Carradine) receives him with a warm smile. He orders, for both himself and Linda, then rushes out to the bathroom, supposedly, making a call from a phone booth to report the shots fired. Slick? We’ll see.
Deputy Molly Solverson (Allison Tolman) is relaxing at home with her stepdaughter Greta (Joey King) and husband Gus (Colin Hanks). Then she gets a call about the murder: “The other one now?” asks Molly.
Meeting Chief Bill Oswalt (Bob Odenkirk) at the crime scene, Molly goes over things as he keeps back, for fear of vomiting at the sight of more blood. Then Lester shows up, his grief coming through in “aw geez” over and over. Putting on a show for the officers, he pretends to start crying, wobbling and almost falling over. But sneaking one last moment with his wife’s body, Lester attempts to grab the airline tickets in her pocket. No such luck, buddy boy.


Gus: “Whats that now?”
Molly: “Someone killed the second Mrs. Nygaard.”


At a cabin in the woods, listening to his police scanner, Malvo cooks up a little food on the stove, as well as grabs hold of a few key materials: gun, jimmy stick to steal cars.
Meanwhile, FBI Agents Pepper and Budge (Keegan Michael Key & Jordan Peele) are waiting at the Bemidji Police Department. They’re getting ready to question Lester. However, Lou appears so he can tell Molly about the strange man he’d met at the diner – though he can’t be sure, the security footage picture she shows him looks like it could be Lorne. When Molly asks her father to check up on the family at home, he replies: “Screw that. Goinhome and gettinmy gun is what Im doing. Sit on the front porch. Make sure my granddaughters safe.” Love, love, love Keith Carradine as Lou Solverson. Amazing.
Outside the P.D., Malvo shows up and takes a little black notebook from the car which Pepper and Budge drive. Off he goes, as Lester is being questioned by Molly, Bill, and the two agents. Budge and Pepper want to know more about the wandering evil that is Lorne Malvo. Trying to gain more favour from Bill, Lester gets shut down; no more help from the bumbling chief. Once Nygaard lawyers up things shut down, but Molly warns him: “Hes not gonna stop. Yknow that right? A man like thatmaybe not even a man.”


Bill (to Molly): “I used to have positive opinions about the world, you know, about people. Used to think the best. Now Im looking over my shoulder. An unquiet mind, thats what the wife calls it. The job has got me staring into the fireplace, drinking. I never wanted to be the type to think big thoughts about the nature of things andall I ever wanted was a stack of pancakes and a V8.”
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Out on his own, Gus is determined to try and do right. Or at least prevent Molly from having to wade into the river of blood which Malvo always brings with him. Gus heads over to the cabin in the woods where he’d seen the red car parked – the one in which he was sure he’d seen Malvo. Then, from out the door comes the man himself. Lorne drives away with Gus sneaking around quietly.
Malvo is starting to put another plan into motion. He’s calling into the Bemidji P.D. to get the names of the FBI Agents Budge and Pepper. Then to the FBI Operations, cancelling any back-up and claiming things there are a “dead end“. What’s about to happen next? Well, Lorne goes to a car dealership and finds the exact same Ford model as the undercover FBI vehicles. He asks to test drive it, taking the owner with him.
When Agents Pepper and Budge pull out of the station, Lester in tow (being released though still watched), Malvo isn’t far behind in his identical car. Back at his place, Lester is sweating it out in nervousness, awaiting his own next move.


Lou: “What are you planninon doinwith that?”
Greta: “If he comes, Ill put his eye out. You can finish him off.”
Lou: “Thats my girl


At the Nygaard place, Agents Pepper and Budge sit waiting, watching. Out of nowhere, up pulls another car just like the one in which they’re sat. They’re not sure whether it’s backup or not. Guns drawn, they ask the driver to exit their vehicle. To no response. Coming up next to the window, realizing the man inside – the car dealer – is duct taped to the wheel, Budge and Pepper are both shot to death by Malvo, emerging from the snowy forest behind them.
Rifling through his suitcase and tossing things everywhere, Lester is trying to determine the next step. Just out the front door he spies trails of blood, an open empty FBI car. Panic sets in.
Malvo pushes his way into the house. In the bathroom upstairs he can hear a frantic Lester calling for help on the phone. A few more steps and – BAM – Lorne steps right into the bear trap Lester set on the floor, covered with all those clothes he tossed out of his luggage. What I love most? Lorne throws the Salesman of the Year award and breaks Lester’s nose; giving him an injury to match the one he had in the first episode, bringing things full circle. Except when the dust settles, Lorne is gone, having escaped from the trap in a bloody mess. The car outside is nowhere to be found. As Lester closes his front door, a look crosses his face, an almost grin, as if believing he’s finally run the wolf off his trail.


The episode’s final 15 minutes see Lorne heading back to the cabin in the woods. His leg is brutal, bleeding everywhere. He manages to pop some drugs via needle into his system, then sets the bone very craftily with a small length of rope. But when he begins to start tending to his wound, Lorne finds himself surprised by none other than Gus Grimly pointing a gun his way. Gus says he’s figured out the “shades of green” riddle. Then, when an angry Malvo insists on hearing what the answer is, Gus only fires on him, blowing a few holes through his chest. A couple more shots and then the wandering evil of Malvo has come to an end. A fitting finish for Lorne, but even more so Gus, whose earlier mistakes are finally cauterized by the shooting. He’s proved himself and made right what once went wrong. You betcha.
A great finish to the season includes Lester being finally caught, chased out onto the ice where he falls through into the dead cold waters, as well as the Solverson-Grimly family sitting together, watching television and letting their lives go back to normal.


This, along with Season 2, is some of the best television ever made. Some of my favourite, up there with The ShieldThe Knick, and a handful of others.
Please, if you haven’t, check out my reviews for Season 2 and let me know your thoughts on all the episodes. And until 2017 brings us Season 3 of Noah Hawley’s intense, funny, and consistently fascinating series – enjoy.

Fargo – Season 1, Episode 9: “A Fox, a Rabbit, and a Cabbage”

FX’s Fargo
Season 1, Episode 9: “A Fox, a Rabbit, and a Cabbage”
Directed by Matt Shakman
Written by Noah Hawley

* For a review of the previous episode, “The Heap” – click here
* For a review of the Season 1 finale, “Morton’s Fork” – click here
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After jumping a year down the line, Noah Hawley brings us into the penultimate Season 1 episode “A Fox, a Rabbit, and a Cabbage”.
We begin on the new identity of Lorne Malvo (Billy Bob Thornton) as a dentist. He talks a patient through things while checking his teeth and finishing off a procedure. This new blonde-haired Malvo, obviously under a new pseudonym, is a slick one. Did he really go to dental school? Or what’s going on here? Either way, I love it. He and Burt Canton (Stephen Root) are friendly, so no matter what’s going on Lorne has carved out a nice little niche for himself in which to lounge.
For now.
Lorne still has his recordings, listening to them over and over. The evil in Malvo sits right below the surface. He relives his past transgressions, as if basking in them.
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Lorne: “Aces!”