Outcast – Season 2, Episode 10: “To The Sea”

Cinemax’s Outcast
Season 2, Episode 10: “To The Sea”
Directed by Loni Peristere
Written by Chris Black

* For a recap & review of the penultimate Season 2 episode, “This Is How It Starts” – click here
Pic 1Again from the pulpit, Reverend Anderson (Philip Glenister) leads his flock and gives them hope once more. Or does he? He starts ripping pages from the Bible, calling them bullshit. He preaches finding the enemy, destroying them and their evil influence.
At the same time, those at the Lighthouse are preparing their own rituals, led by Simon Barnes (C. Thomas Howell) with his son Kyle (Patrick Fugit) watching on.
Anderson: “Devil or not, evil exists.”
There’s something heavy brewing in the air, though I’m not sure what exactly. A showdown’s coming, one way or another.
Pic 1AKyle catches up with his father after all these years, talking of how his mother, how he didn’t want to leave a stain on the family. He hoped leaving meant the demonic possession and all that mess would pass him, leave him be. There’s certainly no love lost, as there was never much in the beginning. Kyle feels abandoned, and rightfully so. Now cult leader daddy is back, a head full of plans.
What about Megan (Wrenn Schmidt)? Well, she’s being taken care of by Dr. Ken Park (Hoon Lee), held in a locked room. The demons are going to need that baby of hers, to help them with whatever’s meant to come with the Great Merge. But apparently no one like them has carried one to term. A new frontier.
Simon talks with Dakota (Madelyn Deutch) about the coming Merge. She’s under the impression that only the “pure” will remain afterwards. Although she isn’t struck with confidence in the way he speaks, not now. Either way, they’ve got weapons and other needed items stockpiled in preparation.
Poor Byron Giles (Reg E. Cathey) is still reeling from the loss of Rosie, trying to figure out where he’ll put her body. His old pal Anderson offers what comfort he can in such a harsh time. He’s ready to fight a war, and Giles suggests they start with the list Rosie compiled of the possessed in Rome.
Pic 2Under the watchful eye of Blake Morrow (Lee Tergesen), Megan and her daughter Holly exist in a prison. Mom does her best not to freak out or act suspicious. She ingratiates herself and her daughter to Blake, acting friendly, building trust. However, he knows this is all a ruse, threatening brutal violence if she tries doing it again. Yikes.
In the woods Dakota finds others from her cult cutting down trees. She says that Simon’s “lost his way.” Yet nobody else seems ready to believe her, still trusting in the power of their beacon prophet. At the same time, Simon and son go looking for Junkyard Bob (M.C. Gainey), who’s definitely surprised to see his former buddy. Then Kyle finds out Amber and Allison (Kate Lyn Shiel) were taken from their motel. Moreover, dad shows his son a few tricks about his own powers; the powers they share alike. He advises not rushing into anything, but to take the time, use his power, and he’ll locate his family.
Park goes to see a woman in a fancy house. She apparently has a power like Kyle and Simon and Amber, grabbing the doc by the hand as the black veins bulge and throb around his hands and his face. Sidney was actually protecting Kyle and his daughter, as they’re able to bring about the Merge. Now? It’s Park’s job.
Simon: “They hate what makes us human
With all the shit Helen caused back in the day, Simon remembers there were 9 beacons; only 8 were found. So, this means there’s someone left out there who may be capable of helping them in their latest journey. They go visit Bob’s sister Emma (Laura Gardner), her husband Martin Pruitt (Mark Jeffrey Miller) – he’s not in good shape, they did a number on him years before. Martin holds a key to helping them stop more demons, unfortunately he’s as close to a vegetable without being one as he can get.
At the police station, Byron picks up ammo and weapons. He and the Rev have picked up the people on that list, the demonically possessed. They’re all transported to the station – a “Holy War” has begun, Giles tells one of his former officers. The remainder of the congregation helps pull them together, like God’s army. Dakota turns up to speak with Anderson, who’s not particularly keen on working with her. But it seems she’s taking a turn.
Pic 3Like water drawn to the sea” the Barnes men are pulled back together. Later, they receive a visit from Emma and Martin, to hopefully aid in whatever’s headed for Rome. A group of them all head together into the forest.
Simultaneously, Blake is having flashes, visions of Kyle and people in that same forest, as he plans on taking Megan and her daughter elsewhere. Then Park turns up, finding Blake tearing the place apart – neither he nor Megan want to be part of his experiments. This puts the two possessed men against one another until the doc uses a Taser to drop Blake, and outside Megan manages to flee in the car.
In the woods, Kyle, Simon, and the others gather. A storm comes together overhead. Also returning, finally, are Amber and Allison; Kyle’s dad was holding them for safety. Together, all those beacons with their power align and concentrate their faith on the demons of Rome. Suddenly a light opens in the darkness, a bunch of the beacons cut their throats and Simon cuts Martin’s open wide. WHOA! Simon tells his boy their blood will help seal the darkness.
And now Kyle offers himself up for sacrifice. Grandpa says they also need his daughter, too. Interrupting the madness, Giles and Anderson show up with their people; even Dakota fights with them. A massive fight breaks out, as Simon tries putting the knife to his son’s throat. A wild sequence, perhaps the craziest of the whole Outcast series!
When Kyle comes to, his family is safe. But things aren’t going well, many are infected with the darkness again and going absolutely mad. This is the start of something even worse than before, something scarier.
Pic 4And guess who woke up?
Mama Barnes, after all these years.
Pic 4ACINEMAX, PLEASE DO NOT CANCEL THIS! We need a Season 3, we have to find out more about the Great Merge, about the plans of Dr. Park and Megan’s baby, about Sarah Barnes and what will happen now that she’s out of her decades-long coma. Give it to us, Cinemax! Don’t you dare fuck us. This is one of my favourite TV shows currently, I need more. WE need more.

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Outcast – Season 2, Episode 9: “This Is How It Starts”

Cinemax’s Outcast
Season 2, Episode 9: “This Is How It Starts”
Directed by Howard Deutch
Written by Adam Targum

* For a recap & review of the previous episode, “Mercy” – click here
* For a recap & review of the Season 2 finale, “To the Sea” – click here
Pic 1Dr. Kenneth Park (Hoon Lee) notices a sore on his human suit, so he slices open the skin to take care of that pesky blemish, only a reminder that it’s either rot away as a human being, try to wait out until the Great Merge, or find another way. He’s definitely determined to figure out something else, though it’s obvious his time is numbered as a flesh and blood mortal. Poor demon.
Byron Giles (Reg E. Cathey) is busy taking care of his wonderful wife Rose (Charmin Lee) and their property. After having to do what was needed. But I wonder how long they can live like this, particularly when it comes to their consciences. Neither of them are happy with what’s happened; she takes it hardest after having to kill her best friend Kat Ogden.
Then there’s Allison Barnes (Kate Lyn Sheil) and her daughter Amber (Madeleine McGraw), sitting in a motel room and waiting for Junkyard Bob (M.C. Gainey) to show up. He assures her they need to stay put, occupy time, take care of themselves. All the while Kyle (Patrick Fugit) and Reverend Anderson (Philip Glenister) are up at the Lighthouse in that cellar, Sidney (Brent Spiner) strapped to a chair, bleeding, coughing. “Youre never gonna see your Merge,” the outcast taunts him. However, there are other things at play. That white-haired devil didn’t come to Rome to find Kyle.
So who exactly does he need to bring on the Great Merge? Might that be Simon Barnes. It’s likely who we saw at the end of last episode, the one who took Sarah Barnes (Julia Crockett) from the hospital. None other than C. Thomas Howell himself.
Pic 1APoor Megan Holter (Wrenn Schmidt). In all this it’s easy to forget she’s also a widow, the demon inside her having taken her husband brutally. Now she’s also got trouble at the Lighthouse, with Dakota (Madelyn Deutch), after the death of the woman trying to do some strange shit with her fetus. At the hands of Blake Morrow (Lee Tergesen). Doesn’t help that Anderson and Megan figure out that the Lighthouse is, essentially, a doomsday cult at its core, and Dakota’s leading them all in preparation for The Apocalypse.
Meanwhile, Byron’s worried for Rose. Might just be she’s only got a flu. Or is it that there’s a demon taking hold? He calls Kyle, in the meantime he cares for his wife. “This is how it starts, isnt it?” she asks. “This aint that,” he tries telling her. Oh, my. I hope something tragic won’t happen. Christ, I can’t handle losing Rosie! For now she asks to be tied up, just in case.
And on the road, after Bob’s truck gives out, an unsuspecting Kyle gets knocked unconscious by Blake Morrow.
Allison talks more with Amber about “the monsters” and how she can “push them” out of other people. The little girl talks about how it isn’t so much that she loves her father more, she loves them alike. Amber says being with her father is like “a pool” of strength, which is the only reason she prefers being with him more. Best part is mom comes to feel vindicated about the abuse in their family past, as her daughter explains she knew that her mother was still inside while the demon worked its terrible ways.
Taken hostage, Kyle is at the mercy of Blake. The demon is pissed, he feels there’s nothing good ahead for him or his buddies. He wants to know more from the outcast, and starts by strangling him a bit.
At the motel, Amber hears a knock at the door while her mom showers. Housekeeping, they say. Even if it isn’t, I’ll never bet against young Ms. Barnes. She is an ass kickin’, demon killin’, tough cookie.
The insanity goes up a notch with Blake stalking around the house, beating the young women at his side, with Kyle chained and sitting on the floor forced to listen to his ranting. “Ive been following the wrong Beacon,” he says. He’s looking for Amber, she is the one who will slam the door in the demons faces. Yet Kyle and the young women fight to escape Blake’s clutches. She helps free him and then the outcast wrestles in a savage brawl with their captor. But Blake winds up escaping him in the end.
Back at the Giles place, Rose’s fever is gone. She feels great, and Byron is beyond ecstatic. He tries to tell her they’ve got to do certain things while at war. And they’re certainly at war with those wretched devils. I’m not so sure I believe Rose, though. I’m afraid she’s fixing to do something; something I ain’t gonna like. Later Byron finds her in the yard having hung herself from a small tree. He tries saving her. No luck.
Pic 2Megan packs up her daughter Holly, looking to hit the road. Anderson doesn’t stop her. He encourages her to leave before things get too wild. A tough road ahead, no doubt. I keep wondering about the Rev, if he’ll find his faith again wholly or if he’ll be forever ruined by his experiences in Rome.
Bob gets back to check on Allison, finding the room open. The shower’s running. Nobody there he can find. Uh oh.
And Sidney, well, he’s got himself free from the Lighthouse cellar. Plus, he’s downed Anderson temporarily. Although he isn’t doing so hot, that cough only gets worse by the minute. He manages to stumble out into the woods once more. Until Anderson finds him again putting a bullet in his leg. Tough bastard. Kyle shows up and has to stop the Rev from killing Sidney, wanting to know why his daughter’s so special. All Sidney can say before he dies is “You lose, Kyle.”
Finally, Simon Barnes arrives to the Lighthouse. To greet his followers, his son, and expel Anderson for what he’s done. It’s not such a happy reunion for Kyle, he isn’t thrilled to see his long lost father show up from out of nowhere. Most of all, he’s unsure of what’s next more than ever before.
Pic 3At a gas station Megan is headed off by Dr. Park, he wants a chat. She’s got life growing inside her. A life that Blake told him of, now the one-man council is looking forward to the birth. They all are, in fact. This is fucking terrifying stuff, we’re standing on the precipice of a horrific prospect in this revelation.
Anderson wanders back to his church, to find somewhere safe to lay his head. Everyone there’s been rocked since the last town hall. They need hope. And now they want their old Rev to show them the way towards the light. Is this how he finds his way back? Can he?
Pic 4BAM!
This episode had such an impact, man. The character development across the two seasons of this series is fantastic writing at work. If Cinemax doesn’t renew this for at least another season, they are insane. The family connections appearing more and more with Amber, the reappearance of the previously in-hiding Simon Barnes, they’re so thrilling. Such an exciting, fresh look at demonic possession.
“To the Sea” is the Season 2 finale next week. We’re in for a real treat, too.

Outcast – Season 2, Episode 7: “Alone When It Comes”

Cinemax’s Outcast
Season 2, Episode 7: “Alone When It Comes”
Directed by Josef Wladyka
Written by Helen Leigh

* For a recap & review of the previous episode, “Fireflies” – click here
* For a recap & review of the next episode, “Mercy” – click here
Pic 1When in Rome… yeah, that’s not gonna work here. Or maybe it does work for Sidney (Brent Spiner).
At home, Kyle (Patrick Fugit) and Allison (Kate Lyn Sheil) and their daughter Amber (Madeleine McGraw) scramble to figure out what’s next in the wake of all his girls have learned. He knows the demons are coming after them now. “Theyre out in the open,” he tells Allison. He knows that likely “half the damn town” are on their way for him with Sidney and Dr. Park (Hoon Lee).
Speaking of the hacking, white-haired devil, he and Park are having a look at a boy, precious cargo he fucked up. The doc is clearly one of the other higher up demons, and they talk of The Council, which I’m sure we’ll discover more of later, too.
Reverend Anderson (Philip Glenister) and Megan (Wrenn Schmidt) rush to Kyle’s place, they worry for what’ll happen if Kyle isn’t around. But the Barnes family has to get away, at least for the time being until he can think up a plan.
Pic 1AWhat about Rosie (Charmin Lee)? She’s been up to a few things, without her husband Byron (Reg E. Cathey) in his weakened state. She’s been real busy getting shit done. But is she safe?
In Kyle’s absence, Megan and the Rev get closer. She tells Anderson once about hating him, because she didn’t believe what Kyle was going through as a boy, instead believing he was toying with Kyle. Now she knows, far too well, that the truth about demons is real. Then he mentions the Lighthouse.
Amber: “The monsters like us
On the road Kyle notices someone following them. Or believes he does, anyways. His behaviour starts scaring his wife, though his daughter’s well versed at this point in demonology and many of the nasty creatures’ tricks. Up at the junkyard, Kyle looks for Bob Caldwell (M.C. Gainey), hoping he’s got a car for him. Bob is a little worse for wear yet always fighting.
Anderson takes Megan out to the Lighthouse, to see Dakota (Madelyn Deutch) and her congregation of sorts. The Rev also tells her that Kyle isn’t actually dead. Everyone there recognises Megan instantly, as if they know her. It’s because they recognise her struggle. They’ve struggled, as well.
In other news, Evelyn Bailey’s turned up dead. Chief Nuñez (Briana Venskus) has sent for former Chief Giles to be brought in, warrant and all. Byron gets a cell to himself, though not all the officers are giving him the cold shoulder. Nuñez, of course, isn’t one of them. She’s one of THEM; if you know what I mean.
Pic 2Across town the big, bad boss Sidney goes to meet the Council for coffee. He tells them Helen Devere was “successful” in her work. That he’s trying to figure out how she nearly brought about the Merge. But the Council is waning in their support for his little experiments, they want action.
Dakota and Megan talk alone, they discuss the sins of those who’ve been touched by demonic presence. Dakota tells her she can’t remember most of what she did while under the evil influence. She was a junkie on the street, later chewing the face off her boyfriend/dealer in a fit. Whoooa.
Sidney’s slow breaking down, his coughs worse every day. He falls in the parking lot, mocked by Park who thinks the Merge isn’t their only hope. Well, he also has his own ideas about how the demons might learn to live on Earth. He just isn’t keen on telling. Heading off, Sidney winds up putting his car off the road from coughing up black liquid.
Along the road Kyle and his family find a blockade, construction work being completed. He’s too paranoid, so they turn around only to see the car that was following earlier waiting. He drives off into the trees, but they run the car into the bushes.
A face we’ve not seen in awhile, Kat Ogden (Debra Christofferson), meets with Rosie. She’s been lured. Rosie fires a shot at her, but they trade blows and the demon is strong in Kat. Can’t put Mrs. Giles down, though. She knocks Kat over a railing and puts a finish to another demon infested soul in Rome. Bad ass.
At the station, one of Giles’ former officers believes in the devils. He says he had troubles one time, that maybe this was the cause. Now he’s into “old school” Jesus, y’know. And this officer believes in second chances, letting Byron out from distrust of Nuñez. Hell yeah, baby!
Pic 3Sidney’s still kicking, walking along the road until someone picks him up. He heads back to town in rough shape. Over at the Lighthouse, Anderson follows Dakota into the woods as she goes on by herself. To a cellar a ways out. He finds what they call a dormitory, and he knows better. They’re going to be keeping somebody down there. Then he sees it’s Sidney himself.
In the forest Kyle, Allison, and Amber are surrounded by a large group of people. Nuñez at the helm, wondering where the Barnes family are headed. They don’t want anybody leaving Rome. No, no, no.
What about Byron? He gets home and Rose has finally come back. She’s injured, full of Kat’s blood. This worries her husband, obviously. But it worries him more that she’s been a busy bee, doing the work they need to do. However, the noose in their little town is tightening. Something Kyle knows all too well, as he and his girls are pursued by the group with Nuñez. That is until Junkyard Bob turns up to save them, ploughing through the roadblock and nearly running the new chief over.
But Kyle won’t go. He lets Bob take the girls and leave. He faces the crowd, taking Nuñez to the ground while Amber burns a demon off Bob to get them free. He puts a hand over Nuñez’s face until she’s nearly drained of life, and watches while his family gets out of that demonic place.


Such a killer episode and an emotional, intense finale. Also, we’re getting ready to see a great battle. Kyle is ready, as are others including those at the Lighthouse. You know he’s going to hook up with them soon enough, via Anderson. And what about Dakota & Co. holding Sidney in that cellar? What do they have planned?
Next episode is “Mercy” and we’re closing in on the latter moments of Season 2. Sincerely hope Cinemax is smart enough to renew this for Season 3. Or else!

Outcast – Season 2, Episode 5: “The Common Good”

Cinemax’s Outcast
Season 2, Episode 5: “The Common Good”
Directed by Ti West
Written by Chris Black & Adam Targum

* For a recap & review of the previous episode, “The One I’d Be Waiting For” – click here
* For a recap & review of the next episode, “Fireflies” – click here
Pic 1Flashback to Simon Barnes (Justin Randell Brooke) and the ‘work’ he was doing. We see that Simon has the same power as his son Kyle (Patrick Fugit) would later inherit. Although the father tried he couldn’t figure out how to stop “the Great Merge” as the woman calls it before biting off her own tongue. Demonic possession at its finest.
And years later, Kyle stands in the midst of that same room where his father and Junkyard Bob Caldwell (M.C. Gainey) tried to purge Rome of the coming infestation. Will he carry on the legacy, still? Or change his ways to save their little West Virginia town?
Pic 1AAllison (Kate Lyn Sheil) is still at the hospital, taking her medications and doing as she should to get better. She looks vacant, as if her entire soul is sucked out. But she does keep a picture under her pillow to remind herself of her daughter, life outside those crazy walls. Problem is there’s a whole other issue of the possessed going on at the hospital, a mini-infestation within the town. A microcosm of the horror going on  all over. A creepy patient at the hospital mentions Allison’s “little firefly” and then disappears in the darkness. Terrifying.
In other news, Megan Holter (Wrenn Schmidt) is suffering at home with her mother Jeanne (Kathleen York) with all her overbearing Christianity. Not just that. When Kyle comes to see her, Megan says she can’t be around him. Her daughter Holly believes in the demons, all the madness swirling around their family. And though it hurts, Kyle knows what’s best for those around him. Unfortunately that means distance.
Chief Byron Giles (Reg E. Cathey) has his hands full, too. The police station is overrun with people worried about devil worship, sacrifice, inexplicable violence. They want truth about what’s been happening after Patricia was murdered so viciously. Giles settles everyone down, but there’s a lot of unrest. Least he has a strong, good woman like Rosie (Charmin Lee) behind him. She’s willing to star investigating all the wildness, and he’s rightfully concerned. He wants to make sure they know who’s the problem, who’s infected with demonic presence, or else it might cause people to turn on one another.
Giles: “We have to get the right ones before we really start to get our hands dirty
Pic 2At the hospital, Allison worries about the strangeness she’s seen. The eerie patient with the beanie speaking of her daughter. A boy locked in a cell, even though they don’t treat children in that facility. She talks with the doctor, whose disposition doesn’t seem altogether friendly or helpful. There’s definitely trouble rising at that place.
Sidney (Brent Spiner) is doing his thing up in that barn, preparing for whatever comes next. He receives a visit from Mayor Owen Boyd (Toby Huss), asking about the coming plans, Patricia’s boy. What the mayor hears isn’t exactly comforting, either. More so chilling. Sidney is a fiery, yet cool customer. A dangerous entity.
And what about The Beacon? Reverend Anderson (Philip Glenister) goes back up to see what’s going on at their backwoods cathedral, met by Dakota (Madelyn Deutch) whom he last talked to when he showed up. She paints a different picture of their worship than what he previously imagined. She reveals a mark on her back; previously possessed and then saved by somebody. Could they be people healed by Simon?
With Jeanne and her father Doug (David Alexander), Megan finally reveals to them what Donnie did to her those years, raping her in the house as they did “nothinbut go to church” and ignore the problems going on under their nose. All the while, a fly buzzes near, and we can definitely tell more and more that Megan isn’t free of her demonic passenger.
Back in town, the Chief and Kyle finds Mayor Boyd calling a town meeting to discuss how things are being handled by the authorities. Ah, the influence of Sidney is seeping further into the people, the citizens of Rome. Boyd wants Giles to go get Sidney. Although we can be sure this is a trap of nasty proportions. Simultaneously, Sidney is helping peel the dead skin off Aaron’s (C.J. Hoff) back, training him to be worse, more evil by the minute. Like an apprenticeship in terror.
Sidney: “Power is meaningless if you cant apply it judiciously, when it has a purpose.”


That night Boyd leads Giles and Kyle to where the devil lurks up in that barn. They head inside only to find that the mayor is one of those demons. He isn’t like the others, at least he pretends he isn’t; he thinks Sidney is a psycho. Furthermore, he makes a deal with Kyle: take care of Sidney, the demons will leave him and his family alone. We find out more about the world of the demons, that it’s been “collapsing” for a long while. They’re trying to find a new home.
Bob runs into Aaron, and he isn’t afraid of the kid. Even with a gun in his hand: “Big gun for a little turd.” Suddenly, Sidney shows up and puts Bob in a predicament. He wants to know about the secrets Bob found out. With more pressure on him, he gives up that the demons were made more powerful by the beacons, people such as Kyle, and of course we know his father was one, as well.
The town meeting is called and everyone arrives at Rome Elementary. Now, Giles tells his wife they’ll have to get their hands dirty; no longer can they easily suss out who is a demon, who is not. Mayor Boyd gives his speech to the citizens trying to assure them things will work out fine. While Kyle sits in the audience he looks around and feels unease in the eyes of the people. Moreover, Boyd announces that Giles is stepping down, and Office Nunez is interim chief. Uh oh!
Pic 4Byron storms the mic to say his piece. While he does a cough overtakes him, he then hits the floor. Rose runs up and gets tossed aside by the mayor. People block Kyle from going up. The demons are loose! He and the Rev fight through using Kyle’s power and then Giles is gone. Whoa, this is not good. They locate him on a school bus out back. He isn’t well, becoming violent. Kyle goes to touch him and takes a stab in the gut.
We also come to know there is another, like Kyle. He was present in the meeting. But whom? Is it Kyle’s daughter Amber? Is someone else hiding amongst the townspeople?
Anderson comes to help Kyle. They wrestle with the possessed Giles. Soon, Kyle is ripped up into the air with the chief, suspended above the ground with Rose, Megan, Anderson watching. Kyle grips onto Giles tight, then the black tar spews out from inside and they drop down below.
Giles may be safe. However, our hero is bleeding out on top of a bus, the piece of metal still dug into his guts.
Pic 5AWHAT AN EPISODE! I constantly say this, I know. But it’s true. Outcast not only consistently deepens its character development, it likewise goes headlong into the series mythology with new strides each episode. Excited to see “Fireflies” next. I’m thinking there’ll be more Amber now, and that maybe, just maybe, she and her dad have a reluctant family business ahead of them. Plus, I’m glad Giles isn’t taken fully by the demons; he is awesome!

Outcast – Season 2, Episode 3: “Not My Job to Judge”

Cinemax’s Outcast
Season 2, Episode 3: “Not My Job to Judge”
Directed by Howard Deutch
Written by Jeff Vleming

* For a recap & review of the previous episode, “The Day After That” – click here
* For a recap & review of the next episode, “The One I’d Be Waiting For” – click here
Pic 1Sidney (Brent Spiner) is taking care of his burned, young friend, who asks about if what Reverend Anderson (Philip Glenister) says of him is true. And the mysterious man says that the rev’s book calls him a “dragon” and he’s been called many other things by humans of flesh and blood. He has big plans for the kid, that’s why he saved him from the fire.
Evelyn Bailey (Claire Bronson) shows up, always helping, along with Peter, who’s eager to be part of their nastiness. Only Sidney’s got no time for that shit, so he dispatches him. No more prying eyes. And the devilish man doesn’t have time for lingering attachment between humans, he doesn’t understand it; one of the most interesting traits of his character in the series, he’s dumbfounded by human beings and their emotion for one another. Exactly how you’d expect the devil to be were he personified in a body.
Pic 1ADealing with the consequences of her husband’s death, Megan (Wrenn Schmidt) has reached the lowest depths of herself. She’s dragged from the water by Rev. Anderson. He makes clear he wouldn’t judge her; not in the places he’s been himself.  Even quotes a bit of Dr. Seuss. Meanwhile, Kyle (Patrick Fugit) takes Amber to go see her mother, Allison (Kate Lyn Sheil), at the hospital. Things aren’t well between the estranged husband and wife. While Amber waits for her parents to chat, a man approaches her in a creepy manner, though a hospital attendant shows up. However, there’s something odd about her. She and the man corner Amber, and the little girl uses her own powers to fend them off; she’s just like her papa.
While she’s out on the town, Patricia (Melinda McGraw) is abducted suddenly by a man (M.C. Gainey) and taken away, to who knows where.
Anderson meets Kyle on the road to tell her Megan took off, after her near suicide attempt. She also took her daughter Holly. They’ve gone back home, apparently. Mom wants to make the house a nice place again, to live like before. Only her daughter’s sure that dad dying wasn’t “an accident” like she’s being told. I’m betting Megan is headed towards taking responsibility, in some way, which could change things irreparably for her, and maybe others, too.
And back with Sidney, Patricia’s son Aaron is being given the opportunity to “fuck this world and all the pathetic creatures in it” – first, by having to cut up a body with a pocket knife. He can’t do it, though. Yet. And Patricia, she’s not getting any answers from Chief Giles (Reg E. Cathey), threatening to make waves in town if nothing more’s done, especially with Anderson let out after confessing to what he thought he’d done.


Poor little Holly, she can’t get over the trauma of her father dying. Worst of all, back in that bathroom where she stands, her mother comes in and starts having fragmentary flashbacks of when she killed her husband. Also, Holly’s got a bit of a premonition skill; is she experiencing any effects of possession? Kyle ends up finding Megan, trying to figure out her state of mind. She’s starting to believe in the demons. Not just that: she’s pregnant. Whoa.
At the hospital, Allison is befriended by Kirby, the man who approached her daughter. He talks and talks to her, as patients are making crafts. It’s clear there are more possessed inside the walls of the mental health ward. A terrifying consequence of people being seen as insane, rather than for their demonic sickness; they’re all being piled into these places. Kyle and Anderson are trying to figure out what Sidney’s plan is, and it doesn’t prove easy.
In the meantime, out on his own, the man who abducted Patricia looks to be digging a grave. Ohh, shit. And he seems crazy as hell, too.
Megan’s having more and more trouble. It isn’t a great idea that she’s back in that house, where the demon took hold of her and killed her husband. It’s bringing up darkness. Maybe more than she can handle. She finds her husband’s gun, then before she can do anything crazy with it she runs outside to try getting rid of it. Where a woman’s waiting to give her a flyer for the Beacon.


Anderson and Kyle go back to the Austin place. Great inverted shot as they walk in, as if the world is literally turning upside down and they’re entering some foul, hellish place; superb cinematography, and this lines up with the opening titles where the camera flips around and we see the upside down world in front of us. When the pair are inside, they find Joshua’s mother in distress, talking about the man from the junkyard; the one who took Patricia.
So the two track the man to the junkyard. They find Giles there, too. The man, Bob, is helping out with things. They’re trying to stop the demons by putting them into the ground, burying the problem. Now that’s a solution, I guess. They’re not all on the same page about it. Kyle finds out later that Bob and his mother were in league together, and that his “old man” was part of the trouble years ago; he isn’t the first to try stopping the demons.
Sidney goes to see someone, for help. Looks like young Joshua, though could be someone else, who pours more of that black essence into him, as the devilish dude breathes in deep.
Pic 4What a great episode! This series gets exponentially better, as well as the fact it has a great score and soundtrack alike. Lots of things to look forward to, particularly “The One I’d Be Waiting For” next week. More demons, more Sidney, more mystery.

Heavy Metal Possession in THE DEVIL’S CANDY

The Devil’s Candy. 2017. Directed & Written by Sean Byrne.
Starring Ethan Embry, Shiri Appleby, Pruitt Taylor Vince, & Kiara Glasco.
Snoot Entertainment.
Rated 14A. 79 minutes.
Horror

★★★★1/2
Screen Shot 2017-03-17 at 8.56.09 AMSean Byrne’s debut feature The Loved Ones rocked me in 2009. It was unique and horrifying. I knew he’d give us more terror eventually. Although I didn’t think it would take another 6 years. When you wait that long and the product ends up being something altogether eerie, you thank a writer-director who so obviously digs the genre.
The Devil’s Candy gives us equal parts beauty and horror. There’s heavy metal, there’s painting, there’s a troubled father-daughter relationship and a fun family at the centre of the plot. There’s also three excellent performances from Ethan Embry, Kiara Glasco, and one of the great unsung character actors possibly every, Pruitt Taylor Vince.
What’s most exciting about Byrne’s follow-up feature is the take on possession. So many horrors out there try to do the sub-genre justice by giving their own take on the concept of demonic possession, but many of those slip into the pitfalls of a typical Exorcist rip-off. Byrne avoids that by going a whole other route, bringing the supernatural straight into collision with utterly human, family drama with an innovative twist.
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I always love when demonic possession is more than some poor, helpless young person is seized by the devil, flopping around on the floor or speaking another language or contorting into a weird human-limbed spider. A possession story becomes something else entirely when the demonic influence helps the possessed acquire wealth (fame/anything similar). This makes the character of Jesse’s (Embry) paintings like an unwitting, unspoken pact with the devil.
On the other side is Ray (Vince), whose encounter with Satan is entirely different. He’s a man with mental difficulties to begin, then he has to contend with the voice of the devil whispering in his ear. Whereas Jesse sort of takes it like a voice of inspiration, if not a sinister one, for Ray it’s like torture.
Heavy metal is the link. While Jesse listens to metal, as he paints and driving with his daughter Zooey (Glasco), Ray uses it as a means of drowning out the voice of Satan in his head. He plays the guitar, a flying V in fact, strumming deep, droning, distorted chords, which doesn’t just make his house unpleasant, it eventually draws the police. Just a whole mess of things going on, all of which add to the atmosphere of terror.
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Embry and I follow one another on Twitter. I asked him if he was wearing a Sunn O))) shirt, which he confirmed, and he also told me that, he believes, the voice of Satan here is likewise provided by the band.
Brings me to one of the things I find so unsettling about the film – the sound design. At certain moments we hear the low, rumbling voice of Satan speaking to his pawns. It’s the absolute perfect voice. Sort of rattles your bones listening to it. Along with Ray’s power chords, the heavy metal soundtrack, the sound design and the voice itself are part of the dreadful feeling the film evokes at every turn.
The storytelling is a large part of The Devil’s Candy‘s success as a horror that works hard to unnerve its audience, frame by frame, building to a roar. In parallel, we watch the stories of Ray and Jesse, like opposite ends of a spectrum. Then the paintings Jesse creates in a fugue of possession reflect the actions and events in Ray’s life, giving the parallel plots a whole new level of meaning.
A favourite scene of mine is the montage sequence of the painting Jesse works on. The paint, the brushes, the sloppy wet sounds of them together – these are, again, paralleled with the sounds of Ray with his wet mop sloshing around, soaking up blood. The whole sequence is amazingly edited. On top of that the score and the sound design make it chilling.
Screen Shot 2017-03-17 at 9.56.06 AMByrne does a fantastic job providing us with an alternative story about possession and occult horror. Not saying he’s reinvented the wheel. But god damn me to hell if he doesn’t offer up a horror that doesn’t take the same old beaten path. Peppered with equally fantastic performances, The Devil’s Candy is a personal favourite of mine since 2000.
A huge selling point is the chemistry between Embry and Glasco. Their relationship as father and daughter is strained, though not past the point of no return. There’s a breaking point, yes. And that plays its own part in their relationship. What I dig is that they’re so natural. Embry’s not that old, so his character comes off as this hip guy who hasn’t exactly reconciled his hipness with also being a father; he’s a good dad, not perfect, and tries his best. For her part, Glasco plays the daughter well and her emotional range as an actress stacks up well against her adult counterparts.
From Sunn O))) in all forms – t-shirt, voice of Satan, soundtrack – to Embry and Glasco, as well as Pruitt Taylor Vince doing a bang up job as a seasoned character actor, to Sean Byrne and his atmospheric directing, The Devil’s Candy does what it sets out to do: unsettle and terrify. You don’t have to piss your pants to find something scary. What I find most unsettling about the film is the presentation of the devil’s influence, as something that simply cannot be stopped – won’t be stopped. And for once heavy metal isn’t the bringer of horror, it is a way for the horror to be evaded, a positive force between father and daughter. Underneath the possession stuff there’s a lot going on, too.

THE DARK TAPES: Fresh Indie Found Footage

The Dark Tapes. 2017. Directed by Vincent J. Guastini & Michael McQuown. Screenplay by McQuown.
Starring Emilia Ares Zoryan, David Banks, Jonathan Biver, Sara Castro, Michael Cotter, Denise Faro, Brittany Fisheli, Jo Galloway, Aral Gribble, Shane Hartline, David Hull, Clint Keepin, Casey James Knight, Shawn Lockie, Matt Magnusson, Anna Rose Moore, Tessa Munro, Jake O’Connor, Cortney Palm, David Rountree, Katherine Shaw, Wayne River Sorrell, Meredith Thomas, Brittany Underwood, Julian von Nagel, Ryan Allan Young, & Stepehn Zimpel.
Thunder Road Incorporated.
Not Rated. 98 minutes.
Horror/Sci-Fi/Thriller

★★★1/2
Dark Tapes 1Director Michael McQuown sent me a screener for his and co-director Vincent J. Guastini’s independent film, The Dark Tapes. I’d heard of it awhile, hearing plenty of good things. Not overhyped; hyped just enough. I’m always ready to dig in on a found footage flick, no matter how tired the sub-genre seems to get with so many low budget efforts being pumped out simply to get a director and some actors a credit to their names.
The Dark Tapes isn’t a perfect movie. There are a few missteps that could’ve been avoided to make the whole thing more effective, certain tapes in the lot aren’t as good as others. Often anthologies suffer from this fate. The lesser tapes are still good. There’s nothing bad here. Each tape, regardless of its setbacks, has an eerie quality to it respectively.
McQuown and Guastini use a meagre budget wisely, choosing to use effects sparingly and, for the most part, they work. This is one of their best moves, because they don’t set the bar too high yet clearly focused on staying creepy. There are standouts in the series of tapes, presented through the narrative of being proof of government conspiracy-type stuff, the truth the powers that be suppress and keep from the people – a couple deserve their own full-length treatments. Certain segments stand up with some of the best of the V/H/S series (no surprise considering Guastini is not only an effects guy, he did work on the third entry, Viral).
Dark Tapes 2My only beef, and I’ll get to this first before discussing what I enjoyed so much, is that the directing is mostly excellent. Then, they choose to show us too much. For the longest time what we only get glimpses of in frame is what drives the pulse-pounding terror. As you can see in the photo above, that’s a startling shot. Love that moment; freezing the frame only compounds the fear. However, the directors lose some of that momentum later when they choose to show this demonic figure up close for too long. They try offsetting this with the use of camera glitches (et cetera). But it never makes up for the undoing of the fright from seeing the creature long enough we can start picking out some of the less stellar aspects of its creation.
The rest of the tapes are presented with brief shots and bits that are framed properly so that the low budget qualities don’t glare. And honestly, it’s only the one main demon in the “To Catch a Demon” segments that comes off as cheesy, which is late in the game. Otherwise, in the “Amanda’s Revenge” tape, the creatures (or whatever you want to call them) look legitimately gnarly, in the best horror sense. Particularly in that tape, we get some wonderfully old school film shots, the rickety frame, catching a presence in the distance, and it’s so genuinely perfect for the type of eeriness for which this segments is aiming.
Dark Tapes 3The tapes have an overall framing narrative, though I think that while there’s a connection between the tapes as a whole, it isn’t as connective as the filmmakers might hope. Mostly, I don’t feel that the connections are tight enough. The writing is interesting, at every turn. I can’t help think McQuown could’ve brainstormed something better to make them all into the cohesive unit the beginning (and mid-credits) speech we hear wishes it’d become. If this were tighter then it would’ve greatly improved the film.
But the stories, they’re fresh. Even in the moments some of them don’t exactly work as intended, they’re innovative. I found “The Hunters and the Hunted” was my favourite because it caught me so off guard once the revelation came, until then I expected a run of the mill bit of paranormal shlock; a proper twist, if there ever were! Also enjoyed “Cam Girls” except the end devolved into a ham-fisted mess. Before that it was wildly creepy, the editing made it feel very kinetic and full of horrific energy; while it falls apart later with absolutely no subtlety and a ton of unnecessary exposition that could’ve been given to us through imagery earlier (a missed opportunity), this segment  was insane.
And “Cam Girls” has an underlying metaphor in it, about our porn-obsessed culture that involves men watching women through their screens performing, some thinking they’re falling in love just by watching. If only the plot of this segment were worked out better, it’d be a devastating short.
Dark Tapes 5For a low budget, non-studio film, The Dark Tapes has an impressive production value. This is one of the things that keeps even the lesser pieces involving, it’s better than the average indie found footage attempt. With so many of these sub-genre flicks saturating the market, incredibly easy to make on a shoestring to non-existent budget, it’s nice to see what’s so obviously a labour of horror love come to the screen from these directors.
Sure, not every segment is perfect. A couple are scary as hell. And like I’ve yammered on, even in those segments which don’t measure up there’s still things to pique your interest. If anything, the effort the team on this film put in is astounding. Kudos to them all, I certainly hope that McQuown and Guastini do more, whether it’s in found footage that’s up to them. Without a doubt they’ve got horror sensibilities.
The Dark Tapes, warts and all, is one of the better found footage movies I’ve seen as of late, running the gamut of horror, thriller, and science fiction with relative ease. Like Tales of HalloweenHolidaysV/H/S, and Southbound, this is an anthology worth dipping into for a fright.

Outcast – Season 2, Episode 1: “Bad Penny”

Cinemax’s Outcast
Season 2, Episode 1: “Bad Penny”
Directed by Tricia Brock
Written by Chris Black

* For a recap & review of the Season 1 finale, “This Little Light” – click here
* For a recap & review of the next episode, click here.
Pic 1Can’t go wrong with starting on a Crowded House tune! And what about the demons left lurking in Rome, West Virginia?
Right now, we see a young Kyle Barnes (Asher Miles Fallica) at the diner with his mom. Inside, the woman at the cash stares at her with malicious intent. There’s a spirit possessing her. Is it the one that founds it way inside Kyle’s mom all those years ago?
In present day, Chief Giles (Reg E. Cathey) heads to that very same diner, looking for someone. Noises in the back lead him to a poor, possessed soul who runs when confronted, tearing his arms apart on barbed wire to get away.
Kyle (Patrick Fugit) and his little girl Amber (Madeleine McGraw) are doing all right. Getting by, anyways. The world they live in is still a scary place, that’s not changed. Reverend Anderson (Philip Glenister) is kicking around, too. Filled with guilt. He burned down the trailer where Sidney (Brent Spiner) was hiding out, though the malevolent demon isn’t anywhere to be found. Anderson and Kyle aren’t on the same page anymore, as the rev doesn’t feel useful in the fight against evil nowadays.
Anderson: “You think the devil is local? Sticks to the tricounty area?”
Pic 1AMegan (Wrenn Schmidt) is being kept under close watch. She’s still not right, nor will she ever be, really. Her brother’s doing all he can to help, though between the possession and the tragedy she caused while under a demonic spell it’ll be a while before she can drag herself back from this dark, despair-filled pit. There’s also Patricia (Melinda McGraw), whose boy is gone, missing. The rev tries to assure her it wasn’t her fault, forces outside of her control took hold of the boy.
Out around town Chief Giles is trying to find the trespasser he’d been chasing earlier. The Mayor (Toby Huss) certainly doesn’t see whey he’s so bent out of shape, and nobody’s too willing to buy into much Giles is saying lately after the ordeal with Anderson and everything else that happened. Later, Kyle and Giles meet to talk about Sidney. There are still so many answers left to be uncovered, understood. Neither Kyle nor Giles understand it fully, definitely not the latter. “Makes you wonder how far this thing goes,” the chief says, wondering aloud. And that’s a good point. How far have these demons reached? I’m willing to bet a lot further than only Rome.
Anderson is trying to find a way to get past his own guilt, either by helping Patricia to find her son, or even helping himself along the road. He finds his way to a sort of backwoods-type church, where they say the darkness can be cast out if you’re seeking help. Could it be entirely the opposite? Are dark forces awaiting those who come in need at that makeshift chapel?


Kyle is out demon hunting, where he runs into Ogden (Pete Burris). He says Sidney’s gone, to the “beacon” that’s been calling him. Possibly the same place where Anderson ended up in the woods. Either way, Ogden is in bad shape – “He took my wife, he took my truck. Devil took my life, who gives a fuck?” – and dangerous, as well. After doing the bidding of his possessed wife and Sidney, he’s a ruined man. Rightfully so, for all the harm and horror he’s been a part of so long. Before the man can be of any help he blows a hole through his face.
Up with her aunt Megan, Amber tries to explain she did nothing wrong to her husband; it was the “black thing” her own father knows so well and told her about before. Smart little lady. I worry, though. She’s surrounded by so much darkness, there’s always a fear she might get sucked up in it like she came so close to in Season 1. She goes on exploring the old place where her dad and aunt used to spend time as kids, a place they didn’t associate with good memories. In the attic, she finds cousin Holly by herself. She says she’s hiding from Amber, believing her cousin made her mother sick. That’s so sad, breaks my heart.
Kyle does manage to get names from Ogden before he dies, and he gets in contact with the reverend for help. They go forward to find the remaining name left on the list: Joshua Austin (Gabriel Bateman). The boy is in the dark by himself. He tells the two Sidney and his mother told him what Kyle did was wrong, that he ought to be in trouble with the law. Kyle soon gets answers from him, then he and Anderson are no their way once more.


With a burned down house and a body inside, Chief Giles is butting heads with Officer Nunez (Briana Venskus). I can see her causing him problems sooner than later.
But the real story is that Joshua’s mother returns, and Kyle lays hands on her. The reaction of the demon is clear, though Anderson believes something isn’t right. The demon has taken her over, “too far gone” to help. This sends Kyle into a rage, wanting to end this once and for all before the demons ruin another young child’s life like they did his and his mother.
So he goes to find Sidney, finding only Joshua’s father. The man isn’t well. “You just delayed the inevitable,” he tells Kyle before attacking him viciously. When the demon starts sucking the essence from him, Anderson gets there in time with Giles to pop a few shots in the guy. We discover there’s no releasing the demonic spirit after it’s integrated itself deep enough into the human host; then, dead is dead.
At the hospital, Kyle goes to see his mother. He meets with Dr. Park (Hoon Lee) about what’s going on with her; she’s actually dying now after decades of inactivity in a coma-like state. He has to face her death, alongside everything else. Simultaneously, Anderson demands Giles put him in jail for killing Patricia’s son when he burned down the trailer, trying any way he can to rid himself of the guilt he feels crushing his soul.
Pic 4There are a lot of things happening in Rome, West Virginia! Very interesting opener to Season 2. I’m looking forward to more. This series has been great since the first episode, and I feel like they’re hitting a beautiful, disturbing, fresh stride with every subsequent chapter.

The Exorcist – Season 1, Chapter Seven: “Father of Lies”

FOX’s The Exorcist
Season 1, Episode 7: “Father of Lies”
Directed by Tinge Krishnan
Written by Charise Castro Smith

* For a review of Chapter Six, “Star of the Morning” – click here
* For a review of Chapter Eight, “The Griefbearers” – click here
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Possession has gripped Chicago.
At a Roman Catholic Church service, Angela and Henry Rance (Geena Davis & Alan Ruck), their daughter Kat (Brianne Howey), many people are gathered. Father Tomas Ortega (Alfonso Herrera) is leading everyone, praying for Casey Rance’s (Hannah Kasulka) safe return to her family.
Nine days prior, Father Tomas rushes Father Marcus Keane (Ben Daniels) and a horrifically unwell Casey to see Mother Bernadette (Deanna Dunagan). The girl is obviously close to being “integrated” with the demon inside her. All the same, it looks like Fathers Marcus and Tomas are on the same page. Right now they have to keep Pazuzu at bay. He wants revenge.
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The media circus surrounding the Rance family and grandma Chris MacNeil (Sharon Gless). Sounds as if Chris is taking her role in the family more seriously, regretting the past and what she did to their family using Regan’s plight for financial gain.
Bernadette worries if they can’t beat the demon they’ll be unleashing an “ancient violence into the world.” For his part, Marcus has more faith than anybody. Ironic, no? The man who’s been excommunicated wants to fight the forces against God the most.
With the creepiness going on in the upper echelons involving Maria Walters (Kirsten Fitzgerald), the police superintendent, the priest with whom Father Tomas meets, there’s no telling what might happen next. One thing is made perfectly clear: Marcus is an enemy of the Church. That means many things at the moment.
The Rances and Chris give an interview concerning Casey. Naturally, the past tries to emerge. Right away things go sour. The interviewer goes hard at them until Angela and Henry walk out. Instead of solely trying to find the girl, the media wants to dig up dirt first. Typical of certain news outlets. At the same time Casey’s being exorcised, or at least the trio of exorcists – Tomas, Marcus, and Bernadette – try doing the job. Tomas walks away with a bite, and Pazuzu smiles from inside Casey; almost loving the exorcism. So damn creepy. Moreover, Marcus feels responsible now for Casey, after the end of last episode when he nearly expelled the demon for good.
Outside of the Rance house people are holding up signs, some hateful Westboro Baptist Church-like and other more Gothic. A woman confronts Angela about Casey having killed her husband in the ambulance, calling her daughter “demon girl.” Henry quickly rushes his wife back inside.

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Father Bennett (Kurt Egyiawan) has to deal with all those crooked weirdos, including one of the ring leaders Brother Simon (Francis Guinan). He’s come up with a bit of dirt on the finances of those involved with the Papal Planning Committee. Oh, this is all too ominous! I’m worried for Bennett. I like him a lot, and worry his time is drawing to a close. Hopefully he proves me wrong. Seeing all those kooks around him is chilling.
At the house, Chris mentions to Father Tomas he reminds her of one of the priests who helped Regan; she’s talking about Father Damien Karras. Well, Tomas does his best in comforting Angela and her family. He has “faith,” but Angela particularly isn’t convinced. Having a demon come back for her four decades after the first possession, now for her daughter? I’d probably not be too hopeful about God, either. Meanwhile, Casey’s body is withering. And that nasty bastard Pazuzu, he’s hiding. There are literal maggots eating the girl alive, worming through her flesh. If they can’t draw Pazuzu out, they can’t finish the exorcism. If they can’t finish the exorcism, the girl dies. Even worse Bernadette feels that the case is a lost cause, and that perhaps Marcus holding on so dearly, fighting so hard might no longer be about her; is he fighting because of his own past, or does he still genuinely believe? I’m inclined to say the latter.
Angela and her mother talk seriously for the first time in a long while. Chris tells her daughter she’s a good mother. Even the girl formerly known as Regan admits that growing up in the lap of celebrity wasn’t always so bad. Further than that, she understands now how hard it had to be for Chris to watch her be possessed, virtually helpless.
Back with Casey, Father Marcus tries using love to cast out the “Star of the Morning” (but isn’t the demon itself Pazuzu from when it possessed Regan? Little confused on that one now) and make it understand it is forgiven. The girl comes to a moment, crying: “No more.”


The ever diligent Father Bennett finds himself in a precarious position, snooping around looking for clues. He locates the burned ashes of the organs used in the Ceremony of Ash, Vocare Pulvere. He’s also being watched, by one of the possessed homeless men. When he comes across a room full of dead, bloodied corpses, some of the possessed men attack. He manages to fend them off, then starts killing demons like a bad motherfucker. YES! YES! This must continue. We need more Bennett in our lives.
Tomas is slipping further from the faith, as he’s in bed with Jessica (Mouzam Makkar) and shirking those vows he took; not that I agree with his vows, but still. Although it’s not exactly as if he’s easily doing it, the whole situation evidently weighs heavy on his soul. She can tell. We can tell. He winds up going out to try getting something for his bite and gets punched in the face by a pharmacy customer. Maria bails him out. That ain’t good. She acts as a shoulder to cry on. But maybe, after being passed over for demonic possession, she’ll have a change of heart? Yeah, right.
Things at the Rance house are rough. Angela’s breaking down. She asks to have Father Tomas come over, her mind is frantic, her speech, too. She believes that Casey’s dead. “Part of me is gone,” she tells Tomas, her husband, Kat, Chris, each of them watching with a deep sadness in their eyes.


Marcus is about to administer a cup of belladonna tea to Casey when he realises “This is his design; I will not interfere.” He won’t give up on her. His faith is so pure that there’s no stopping him. And likewise, Angela isn’t giving up. Tomas brings her in and from the moment Pazuzu senses her, he comes alive once more. He is drawn out.
A sow,” the demon says looking at the woman he once knew as Regan. It is time for a brutal battle between the one who got away and that ancient evil, Pazuzu.


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What a fascinating and well-written episode! Another of my favourites, I think. There is so much depth to these characters, I can’t even imagine where to begin on that. Also, side note: the score is fucking incredible, that piano riff we hear that plays off the intro song. I mean, I honestly feel this series surprised me, many of us. It is leagues better than I ever hoped.
Let’s get geared up for Chapter Eight “The Griefbearers” next week. And how will the showdown between the demon and Regan MacNeil go? I wonder.

The Exorcist – Season 1, Chapter Five: “Through My Most Grievous Fault”

FOX’s The Exorcist
Season 1, Episode 5: “Through My Most Grievous Fault”
Directed by Jason Ensler
Written by David Grimm

* For a review of Chapter Four, “The Moveable Feast” – click here
* For a review of Chapter Five, “Star of the Morning” – click here
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A demonic confrontation is upon us!
Will the power of the Lord compel this evil force from young Casey Rance (Hannah Kasulka)? Can Father Marcus Keane (Ben Daniels) and Father Tomas Ortega (Alfonso Herrera) band together and do what’s necessary?
The two priests sit together on a stairway not unlike the one from William Friedkin’s original classic, the first adaptation of William Peter Blatty and his terrifying novel. Above the man, a dark sky brews in metaphorical turmoil.
Inside the Rance house, Kat (Brianne Howey) sleeps, as does her mother Angela (Alan Ruck & Geena Davis). Dear ole dad Henry (Alan Ruck) is up with his daughter, in the grip of her possession. She’s chained, starting to look pretty ghastly. Henry tries to pray over her and comfort what humanity is left. Suddenly Casey speaks to her father sweetly of a “secret” and asking if he’d like to hear: “Closer,” she says. Oh, no. She pulls him tight, as the demon whispers and tongues her father’s ear. Yuck – in the best horror way. Only afterwards Henry’s acting strange.
I wonder: what did that naughty demon say? I’m sure we’ll find out sooner than later. It’s starting to sow the seeds of distrust and paranoia amongst those closest to Casey.
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Poor Kat. She’s still heartbroken, in the throes of sadness and guilt at once. She leafs through all the memories of her lost love. That is, until the noises from the room next door begin. She hasn’t yet discovered the gruesome truth of all the exorcism talk. Angela isn’t having an easy go of it, either. She feels a ton of guilt, too. All the while she tries drowning out the noise of the priests doing their duty upstairs.
And what about upstairs? Father Marcus reels off prayer at the demon, who speaks directly to Father Tomas, calling him out for being “a liar” and ranting at them both in English and Latin alike. All prior to doing a few parlour tricks, like pulling out one of Casey’s toenails – “Isnt it wonderful?” asks the demon in creepy rhetorical fashion.
Henry isn’t acting normal. He starts talking a bit about God, asking whether she’s ever lied to him. She won’t answer, and it becomes clear there’s something she’s hidden. What is it, exactly?
The demon turns up the heat on Father Tomas, speaking as his grandmother from beyond the grave. He tries to resist, as Father Marcus advises not to “let it in your head.” But Ortega fights back, tossing holy water and trying to push against the unholiness. Then the flying act starts, and Casey’s body is tossed from one end of the room to the other. It won’t stop “till she gives me her rancid little soul,” spake the demon. Both priests know they’re in for a far large, more brutal fight than anticipated.

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That Salesman (Robert Emmet Lumney) is back, of course. Literally sitting on Casey’s chest; a perfect metaphor for the life being choked out of her. And he stresses to the girl: “Bring her to me!” So is the real target Casey, or is it Kat? Or maybe he’s just talking of Casey’s soul. Who knows. I just feel like there’s more to Kat and her personal story, that it’ll play into the overall story more relevantly eventually.
Tomas hears the voice of Jessica (Mouzam Makkar) calling him. You know it’s just the demon, imitating, twisting at the souls of others. Yet in the room is a vision of her. Can Tomas repel the “unclean spirit” on his own? No, he can’t, not on his own. Marcus isn’t happy with it, Tomas is compromised, and in the middle of it all Kat gets a shocking look at her sister lying on the floor. That can’t be good for anybody.
So again, it’s Father Marcus v. demon. The nasty voice of the tainted soul comes from Casey, taunting the excommunicated priest with everything in its arsenal. “Let the blood of Christ redeem you,” he yells, pressing that rosary against Casey’s forehead. From nowhere comes a vision of Marcus’ mother, speaking to him: “You was a mistake. You was never supposed to happen.” That’s fucking rough. Oh, and Marcus, his dad beat his mother’s brains out with a hammer. She continues saying terrible things to her son, the demon rants more. But it’s not enough to take him down to the demon’s level. At the same time, Father Tomas falls down the rabbit hole with Jessica – sexually; has the demon broken him completely?


Just as I guessed, Kat called the police. This is really going to turn things into diarrhea for everyone at the Rance house, Father Marcus included. Right before he can finish things the police break in, taking him away. And the demon plays up to the expectations of the medics, the police, making it all look appropriate. Another cog in the giant wheel of its game.
From the back of the ambulance Kat sees Casey – or the demon – smile right at her. Oh, great. You already know Casey won’t be making it to the hospital. That evil force all but obliterates the ambulance, leaving the paramedics bloody and dead. Sitting in jail, Marcus hears the news of it all on television. He deciphers something the demon told him: “He is coming.” Sound familiar? Yes, yes. The papal visit.
At home, Henry keeps prodding for truth from Angela. He urges her to confess. It all has something to do with that Bible he found in the closet, with the feather, the flowers. What does it mean? Did she cheat? Did she have an abortion? What is it?
Meanwhile, Father Tomas is worried for the sin he’s committed. He’s gone against his vows. He must repent. In church he comes across Angela, she too looking for forgiveness, trying to repent for her own sins. She tells him a bit about herself and that she had an “imaginary friend” who came in the form of a little red bird. She eventually became somebody else, moving away from her old life and getting far from her mother.


But guess what? Grandma’s back. The secret is out: Angela was Regan MacNeil! No way! DID NOT SEE THAT COMING. Shit.
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What an impressive twist to this episode. I cannot wait for the next chapter, this is wild. And to think, I thought it was some cheating or abortion story. She blew that out of the water.