Chester and Luz go to every length to escape Yuko. But it's never enough.
Graham's horror film is a perfectly dreadful view on the devastating hereditary legacy of mental illness.
The priests get to the island, where disturbing things are happening under Andy's roof.
Marcus and Tomas encounter a new possession, or perhaps a hoax. Andy experiences a strange event.
Fathers Tomas and Marcus battle the demon in Cindy. In Washington, Andy figures out more about the kids under his care.
FOX’s The Exorcist
Season 1, Episode 4: “The Moveable Feast”
Directed by Craig Zisk
Written by Adam Stein
* For a review of Chapter Three, “Let ‘Em In” – click here
* For a review of Chapter Five, “Through My Most Grievous Fault” – click here
After Casey Rance (Hannah Kasulka) went wild on that young man in the subway, she’s treated to a day of happy, happy, happy – or is it a dream? – by her mother Angela (Geena Davis), as Kat (Brianne Howey) and their father Henry (Alan Ruck) wait at the table. She’s served a nasty meal of miscarried chicken fetuses. The Salesman (Robert Emmet Lunney) shows up, too. Casey’s feet are held to the floor by a strange, evil-looking growth. They all want her to eat. “Why resist, darling?” asks the Salesman. She was sold a bill of goods that aren’t what they seemed in the beginning. Demonic possession ain’t all it’s cracked up to be! The demon needs permission to be let in. He doesn’t have it. Not quite yet. But it’s coming, whether Casey likes it or not.
She’s stashed away in a psychiatric ward for 72 hours. Seeing as how she tore that dude apart on the train; not like he didn’t deserve it, the rapey bastard. Anyways, the Rance family are all struck dumb by everything that’s happened. Worried sick. Angela calls Father Tomas Ortega (Alfonso Herrera), naturally, who gets to the hospital promptly. Angela knows there’s something very wrong with her daughter, and upset the church won’t help. How long until she forces the case into someone else’s hands? Well, the curling iron burns to Casey’s genitals make everybody a little more than nervous.
Father Marcus Keane (Ben Daniels) is out rallying for his cause. He’s been given a short list of names to check out, suggested by Father Bennett (Kurt Egyiawan). He happens to spy a nun at one church with a suspicious injury on her face. Hmm. Then he finds that same nun – Mother Bernadette (Deanna Dunagan) – in the midst of a circle of other sisters, in front of a possessed man in a hideous state. She stands up against the creature’s swiping at her, being pushed to the floor; Marcus nearly rushes in, although she gestures for him to stay put. Eventually, she brings the man and the demon inside him to her mercy, holding him against her chest a moment before laying him to the ground. A mysterious, powerful moment.
At the hospital, the Salesman talks to Casey about how “resistance” is ruining her beautiful face. She understands the trick behind all the seduction. However, now that she’s in pain there’s that temptation of letting go, falling headlong into the abyss. One thing’s for sure: that Salesman is god damn unnerving, every time he’s onscreen.
Riding around Chicago on a Serial Killer Tour bus, Father Marcus is still curious about the latest murders, the organs and limbs and various human bits taken by people into the night. He’s worried for whatever is coming.
The Rances try hard to get through their predicament. Henry comforts his wife saying he’ll do what’s necessary to help their daughter. We’ll see if the help comes from Father Tomas or Marcus. I’m betting the latter. Because Tomas is busy with Maria Walters (Kirsten Fitzgerald), trying to do a bit of political-type leaning in order to get higher permission for an exorcism. When I imagine Marcus would probably just go for it. Such are the benefits of excommunication, I guess. But Father Tomas, he has the will. He bones up on his study of exorcisms. Right as his almost more than friend Jessica (Mouzam Makkar). She’s found that her husband has been being unfaithful to her. Oh, my. Something else to conflict Tomas, as he wrestles with the most extreme lengths of his Catholic faith.
Over in a trailer someplace, Father Marcus sits with the tour bus guides Lester and Cherry Rego. The know Bennett, it turns out. “An exorcist with a gun,” the priest calls himself. “Evil‘s a moveable feast,” says Lester once they get down to talking business. The Chicago crime rate is brought into the concept of evil touching down in the heartland of America. So, the body parts, “vocare pulvere” the “Ceremony of Ash” and all that comes into play.
Casey has it worse and worse by the minute at the hospital, her condition seemingly out of control. Except the Salesman comes back talking to her about nasty things. There’s no escape for her.
Finally, Father Marcus meets Mother Bernadette, whose humour is much better than you’d expect. They’re both pretty sly characters, I love it. Their chat circles around, of course, the act of exorcism. She knows Father Bennett, but likewise understands the plight of Marcus, as well as that of the Holy Father and his looming visit. Possession cases, like crime, are heading up, up, up. Bernadette suggests Marcus doesn’t need to necessarily follow all the rules. Rather, he must take his ego out of the picture a little more.
Kat’s not happy about her sister being prepped for exorcism. Even Henry, after the train in the last episode, is on board. Although I worry about Tomas hoping to “unofficially” take care of things. He might botch it, and who knows what that’ll do. Speaking of exorcisms, Father Marcus is in the middle of the nun circle, face to face with that possessed man. He brings the demon into an embrace: “You are redeemed. You are loved.” He learns of a new approach in the fight against the devil’s legions. One with a slightly more feminine touch out of Bernadette’s handbook that just might give him the edge he needs in the battles to come.
Continually Casey is taunted by the Salesman, to let the demons inside. He chokes one of the nurses, insisting she give in and say the word. She nearly does before Angela barges in. For now the Salesman recedes. He’s not gone, only in the background again for a moment. Casey’s let out of the hospital. He’ll be back.
With Father Marcus refreshed in the concept of exorcism, he heads back to see Father Tomas, who keeps on studying. Better than that the younger priest asks for help. He doesn’t care anymore about the rules of the church, and is willing to go all the way to help Casey. So now there’s two renegade bad asses ready to take on the devil. They prepare themselves a proper room with restraints, boards nailed with coverings in the windows, all kinds of things to make Casey’s room in the Rance house suitable for exorcism.
Can’t wait to see what happens next. Chapter Five “Through My Most Grievous Fault” ought to be quite a trip!
Season 1, Episode 8: “What Lurks Within”
Directed by Scott Winant
Written by Tony Basgallop
* For a review of the previous episode, “The Damage Done” – click here
* For a review of the next episode, “Close to Home” – click here
Working at an arcade counter, Sidney (Brent Spiner) has to deal with snotty little kids. “Rules are rules,” he advises. Funny, coming from the devil. Or whatever he is under that human suit. At home, he listens to jazz and lives a decidedly bachelor life. Well, that is until you see what he’s got hiding in a padded room: one of the snotty boys from the arcade. Terrifying.
This opener gives us a glimpse into the horror of Sidney. And though we’re not given much to go on there is an absolutely unsettling aspect to what we’ve seen just now.
Chief Giles (Reg E. Cathey) goes to arrest Sidney for assault on Reverend Anderson (Philip Glenister). Watching from his place, Kyle (Patrick Fugit) is troubled. He’s not only contending with the demons floating around Rome, he also has his daughter Amber now that estrange wife Allison (Kate Lyn Sheil) has taken off. Too much to handle.
Then there’s Megan Holter (Wrenn Schmidt) and her husband Mark (David Denman). Their marriage is not doing well. Although for his part Mark believes that Donnie is “a piece of shit rapist” and got what was coming to him. Can’t say I totally disagree. But Mark IS supposed to be a man of the law.
Anderson turns up at Kyle’s house. Happy to see things are moving along for Kyle and Allison; he doesn’t know the whole story. The bigger problem is that Anderson is looking loony to everyone around him. He knows what Sidney is, that there’s an evil force within him, and now he’s worried for his friend the Chief, who may be playing right into the hands of evil. The Rev goes down to the station. He and Giles talk about what’s best to do next. They’re certainly not on the same page. Giles doesn’t want to play too far into Anderson’s delusions, he worries for the Rev, his mental state.
Over at the hospital, Kyle brings his daughter to see his mother. Morbid, though sweet. Just to see them together as a family unit, albeit still a broken one, is nice. Kyle does the right thing and tells Amber about what happened with him and his mother all those years ago. Exactly like Amber’s own mom did to her, as well. A lot to take in for such a young lady. She’s afraid that Allison might end up in a hospital bed, like grandma. All Kyle can do is keep on keepin’ on. When Kyle notices fresh flowers already in his mother’s room, he learns about a man visiting her with candy and flowers awhile ago. A man in a hat. You know who.
We’re still seeing a bit of Patricia (Melinda McGraw) and her son Aaron. He’s intent on hating his mother, calling her awful names. Later, he goes to a trailer to do his own investigating. Don’t forget, he’s seen some things; nasty things.
Kyle goes to see his sister Megan. She’s clearly surprised about the situation with Allison and Amber, but agrees to look after her niece. Off Kyle goes to try taking care of the other parts of his life calling. And probably a good thing. Because as righteous a duty as Anderson tries to uphold, casting out demons and such, he isn’t exactly helping himself. Out on the town, he picks up Kat Ogden (Debra Christofferson). She reluctantly gets in, thinking it’s just a ride. You can be sure there’s something more.
Kyle wants to talk with Sidney in his cell. They get to have a little one-on-one time, hash things out. “How do you know my mother?” is the first question Kyle asks the man. Turns out Sidney only knows her by reputation. “Turns out she put up one hell of a fight,” Sidney tells him. When things get a bit touchy, Kyle lays hands on Sidney, whose skin starts to sizzle, straining under the power of the Outcast. There’s a bit of explanation concerning why Kyle seems to be a magnet for all these possessions around him. Essentially, he’s a light in the dark for all the demons, like moths, fluttering towards his flame. So is Sidney all demon, or is he a human host that accepted its possession?
We flash back quickly to Sidney, preparing knives, and the lock on his door. Where he’s got a boy hidden away. He starts to cough wildly, falling over. The eyes open wide like we’ve seen before. After getting up he seems different, changed. He goes to the locked door, he can’t remember any combination. Very, very curious. Maybe the demon is making him do horrific things and the other side of him can’t even remember. Quite a predicament.
Anderson brings Kat to the Barnes place, as next door in the other trailer Patricia’s son watches. This looks terrible after Kat tries to get away, clearly the demon inside her doesn’t want any part of going into the Outcast’s house. Don’t blame her/it. At the same time, Lenny Ogden (Pete Burris) looks for his wife and wonders where she might have ended up. Yikes. Over in the Barnes residence, the Rev preaches a bit at Kat, the parasite inside her. It comes out to play a little. “The End of Days means that the real deal is returning, right?” the demonic presence taunts. “Unless you don‘t believe it‘s true,” she prods him not long later.
At the station, Patricia’s son lies about seeing Rev. Anderson carve the pentagram into his own chest. He’s trying to get Sidney out. Then he lets slip that the Rev is over at Kyle’s place, “probably raping” poor Mrs. Ogden. Jesus. There is going to be some trouble now. Especially with Lenny pissed off, too. He’d rather take care of his wife’s… issues, without any outside interference. He levels with Giles, so that’s something. Yet he thinks their new life is “exciting” and has become warped by the demonic possession himself. An odd, tragic situation.
After Kyle arrives home he isn’t happy to see what’s going on. He knows that Kat, the human, is still there beneath everything. He’s starting to understand more about these demons. Or, he is falling prey to Sidney’s game. I can’t be sure. Not yet. I’ve never read the comics, so it’s all new to me. I like figuring it out in a slow burning mystery. The writing here is great for that. And so Kyle gets Kat away from the Rev, until Anderson throws a swing at him. Then it’s an all out shit kicker between the two former exorcist buddies. Giles breaks it up when he gets there, but the relationship they once had is totally damaged now. “Fuck thy neighbour,” Anderson yells at them all once Giles explains the strange marriage the Ogdens hope to continue having.
Mark and Megan aren’t exactly climbing any mountains. But he’s decided Donnie isn’t worth their marriage. He sold his truck and downgraded to something much less. He admits his mistakes. Mark will always fight for his wife. He made a bad, bad move with Donnie. At least he’s trying to make amends with Megan for how he’s handled everything. Mark of a true man.
With Sidney strolling out of jail, Giles lets him know there’s no length too far for his friends. A slight warning. At the church and his residence, Anderson finds the Mayor (Toby Huss) and a couple colleagues. Seems that they’re going to want him to leave. He’s terminated, immediately. Plus he has no home anymore. Unfortunately, they’ve got no idea about the evil lurking around Rome.
Over with Megan we find Kyle explaining himself, his supposed beating of his wife, and what exactly happened back then. “I was trying to protect them,” he tells his sister. He talks about how Allison was attacking their daughter. He hit her to stop what was happening. Only he’s worried now about where his estranged wife has gone. So many issues to unravel.
Sidney discovers Patricia’s boy at the trailer waiting for his return. He wants to help, foolish as that may appear. He’s revealed himself to this walking evil. From what we’ve seen, Sidney and young boys don’t exactly mix well: “Go home, while you‘re still safe,” he ominously confides in the boy. But Aaron wants something done about the Reverend. This interests Sidney.
The Holters and part of the Barnes family eat together. They even hold hands and say Grace together. At Patricia’s place, Anderson falls into her arms. The Ogdens happily live together normally as husband and demon. Aaron is safe, for now, with Sidney. But how long is that going to last?
We flash back to Sidney and his hidden boy in the room for another quick moment. Enough to see him let the boy loose telling him to “run” – obviously showing that, somewhere, deep down, a human still resides in that demonic shell.
What an episode! I always say that because the series only seems to get better with every chapter. Honestly. This one was great, though. However you want to cut it. Great episode that lets us in on more of the backstories of characters, adds further plot development, and we also start to see more about the overall mythos of Outcast. Can’t wait for “Close to Home” next week.