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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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Feed me, Seymour! #LittleShopOfHorrors #AudreyII #FeedMeSeymour #InstaHorror

me, when the 1st bag of candy corn comes out for the season. feed me.

Dad's girl. Belle is always there to comfort me. Not quite sure what I'd do without her. Salem, too— he's moving too fast to get a pic, though.

Found one of my quotes on a UK release for Mickey Keating's film Darling, which is a fantastic, mind-bending, disturbing film. It's like Roman Polanski's Repulsion, except, y'know, not made by a rapist. #InstaHorror #MickeyKeating #HorrorIsHealthy #DVD #Film

Absolutely LOVED the first episode. Gimme more slasher homage! Now! 💀🔪 #Horror #AHS1984 #AmericanHorrorStory #Slasher

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Tagged Echoes

Counterpart – Season 2, Episode 6: “Twin Cities”

Yanek's story emerges, and it is endlessly disturbing.

Published: 01/20/2019

Words: Father Gore

Betty Gabriel
Counterpart
J.K. Simmons
Justin Marks
Olivia Williams
Sci-Fi
Season 2
Starz

1987
Berlin Wall
Biological Weapon
Echoes
Indigo
München Virus
Office of Interchange
Parallel Universe
Quantum Entanglement

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The Juiciest Gore

The Twisted Parallels of Cinema— A Series
Father Son Holy Gore’s Interview with Larry Fessenden
[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
SUSPIRIA Bathes in (Blood &) the Power of Women
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Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
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Make a Case #2— Wes Craven’s SHOCKER (1989)
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
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[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
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Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
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SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

$5.00

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a PhD candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory. He wrote for Film Inquiry frequently during 2016-17, and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic. He has covered major film festivals such as Fantasia Festival and Fantastic Fest. During September 2019, Father Son Holy Gore will be one of several media outlets helping to present Randfilmfest in Germany.

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