The Path – Season 2, Episode 10: “Restitution”

Hulu’s The Path
Season 2, Episode 10: “Restitution”
Directed by Patrick Norris
Written by Jessica Goldberg

* For a recap & review of the previous episode, “Oz” – click here
* For a recap & review of the next episode, click here.
Pic 1Sarah (Michelle Monaghan) wakes in her hotel room, alone. She and Cal (Hugh Dancy) spent a passionate night together. But what’s next in that regard? Do they empower one another to keep being awful? Well, she’s having a dream right now. She sees Marshall the farmer down at the buffet, where she starts pounding down bacon before almost choking.
She’s actually right next to Cal, in bed. A strange dream, though with those involved in Meyerism there’s often something true in all their dreams.
Abe Gaines (Rockmond Dunbar) brings all Sarah’s blackmail to his boss. They think it’s possible to bring down the movement, although many “morally reprehensible” people won’t get their just desserts, walking away for just a couple of the higher ups. Still, that’s the usual reality for many of these white collar crimes.
Meanwhile, Hawk (Kyle Allen) is meeting up with Ashley (Amy Forsyth) for the first time in so long. He also downplays his relationship with Noa (Britne Oldford), that they’re only friends. Very clear he hasn’t gotten over Ashley, still holding onto strong feelings under the surface, and barely.
Also there’s Eddie (Aaron Paul), still in contact with Sarah’s estranged sister Tessa (Alexia Landeau). They talk about the cult, as well as the Denier Policy. He wants a group of Deniers to walk onto the Meyerist compound and say: “We exist.” Yet Tessa doesn’t believe that it can happen, or she isn’t sure. The more Eddie talks, the more she’s convinced. But it still isn’t so easy.


Back with his mother and the cult deprogrammer, Sean (Paul James) is being pried out of the movement. All the same Mary (Emma Greenwell) isn’t there, and the deprogrammer casts further doubt on all the Meyerist bullshit. Sean is paranoid, worried, and who wouldn’t be? These people play hardball.
Ashley and Hawk talk about their former relationship. Why she broke it off, got away. He has to run off, they’ve got to be back to the compound by sundown. Before that he tells Ashley about watching his mother onstage, that she talked about “self love” and things that weren’t related to Meyerism. Is he finally seeing the real light? That of TRUTH outside their cult? He and Ashley embrace with a kiss. Perhaps it’s the first step.
Hypocrites Cal and Sarah speak about “transgression” that they’ve all experienced, meditating in a group for restitution. Helping others to find their own transgressive acts, to cast them out. What nonsense. Yet there they all are, meditating and thinking of their faults, all crying. And none of them will ever really face the truth, only the veiled truth in Meyerism. At the same time, Felicia (Adriane Lenox) guides Eddie through his own meditation.
Felicia: “Rest. Tomorrow, we act.”


Sarah finds out Marshall the farmer died weeks ago. This is one of those strings of guilt that keeps tugging at her heart. I wonder if she’ll manage to get herself past all the horrible things she’s done. Can she make ACTUAL restitution, instead of feigned restitution in the form of Meyerist meditation? Not sure. If so, she’ll be going to jail. Straight up. Even if she doesn’t do it herself, Abe is on the case.
And Cal, he’s got far more than just what we’ve seen in the series weighing on his shoulders. The fact Dr. Meyers molested him long ago is the bottom of the iceberg; what he’s done throughout the episodes of this series, what we’ve seen, is merely the tip.
At the park Eddie gets to hang with his daughter Summer (Aimee Laurence). And it’s sad to see her worry about their family, dragged into all the mess of cults and the madness of her mother’s side of the family. Tragic. At home she isn’t too happy with her family and doesn’t want to do take part in their latest celebration, or whatever they do.
Simultaneously, big brother Hawk is in bed with Ashley, suddenly falling farther from the movement yet hanging on at the same time; I’m interested most in seeing his arc, what’ll happen with this new development of Ashley showing back up in his life. Best of all is her influence, pointing out how Hawk’s only moved from the control of his mother to the control of Cal. She wants better for him, to make him see he can control his own life without needing others, even her. He can be his own man.
During dinner, Tessa arrives, out of nowhere. She confronts everybody – her brother Russel, sister Sarah, her mom, her dad, everyone else. She likewise reveals she and Eddie are in touch. Nobody reacts too well, Hank (Peter Friedman) is devastated. Then Tessa tells everybody Sarah wanted to leave, too. Had her bags packed and everything. Nice; another family divide. This throws everyone into a mixed up place, even Russel, particularly considering the fact Hank sees his daughter fairly regularly and keeps it secret from others.


Sean later tells Mary about who the deprogrammer is, that she’s trying to get him back home, away from the Meyerists. Mary doesn’t like that he lied. He says he’d like to go home, with her. To make a life together away from the movement. “The only thing thats keeping me here is you,” he tells her. Love this shot – as they talk, essentially discussing life in a cage with the cult, their faces are captured through the bars of the crib they’re painting. Beautiful visuals.
More revelations: Cal offered Ashley and her family a house to break up with Hawk. She says he is a bad man, that Eddie never would’ve done that to him. This confuses and frustrates Hawk, obviously. Never easy to see the world you know and love and bought into start crumbling around you. Regardless, Ashley’s only trying to help him. She has nothing to gain. It breaks her heart to see him entrapped by that insane cult.
Eddie gets a visit from Sarah, a pissed off visit. He tries to tell her it’s all about fixing things, mending bridges. She wants him to let go of their relationship, she doesn’t want to move outside of her safe little Meyerist world; especially not after all the crimes she’s committed in the name of Dr. Steven Meyers’ movement. Next day with Felicia and Richard, Eddie tells them he doesn’t want all the responsibility of leading the movement in the right direction. He says he can’t do it. But it’s all left up to the Light, Felicia says.
Pic 5Everybody’s painting tiny coffins. They put their sins inside, to “relinquish” them, or y’know, whatever the hell they believe. Hank relinquishes the Denier Policy. Nicole relinquishes Sam Field a.k.a Abe. So basically, it’s a type of confession, in aid of their own souls. To cleanse themselves. To lie to themselves about their guilt, their mistakes.
A couple good things: Mary agrees to talk with the deprogrammer for Sean, and Gab tells Hank she wants to see their daughter again.
Cal uses this time to relinquish his mother, her ashes into the waves. To let go of her, all that she represents. Yeah, right. It’ll take far more than a bit of water to cleanse ole Cal.
On the beach, Richard burns all the relinquishing coffins in the other half of their ritual. He remembers the one bearing Sarah’s sins. He brings it to Eddie, who opens and reads, discovering his estranged wife has been with Cal, though she’s willing to bear the burden of guilt for every other horrible thing she’s done all year. This is heartbreaking for Eddie to read. Necessary, to push him towards leadership.


What I love most about The Path is its resistance to tell a clean, happy story, where the families are likely to rejoice at the end and come together again. No, it isn’t like that. The Lanes are on the brink of all out destruction; hard to tell which of them will be left standing, or faithful, once all is said and done. Such a great show, excellently paced writing with plenty of drama and mystery to steer the ship. I don’t know what others are talking about when they trash the series. Spectacular show, that I hope will have another season despite however things wind up in the remaining episodes.

Advertisements

Hap and Leonard – Season 2, Episode 2: “Ticking Mojo”

SundanceTV’s Hap and Leonard
Season 2, Episode 2: “Ticking Mojo”
Directed by Maurice Marable
Written by Abe Sylvia

* For a recap & review of the Season 2 premiere, “Mucho Mojo” – click here
* For a recap & review of the next episode, “Holy Mojo” – click here
Pic 1Young Ivan (Olaniyan Thurmon) wakes in the bed at Leonard’s (Michael K. Williams) place, a bit disoriented and rightfully scared. Then he runs into the old man from the van. He chases the boy, but Ivan gets the jump on him. The old man finds something hidden in a vent on the wall, like an old lunchbox.
Ivan escapes then waits in the weeds for a chance to run. Only he can’t once a bag is thrown over his head and he’s whisked off.
Pic 1ALeonard’s in jail, of course. Fingered in a lineup by Melton (Sedale Threatt Jr), who got pissed on last time by Mr. Pine. He meets with his attorney Florida Grange (Tiffany Mack) and Hap (James Purefoy). Things don’t look great. They’re okay, for now. Except he’s got to ride out the weekend in jail. The police are also flooded with lots of black women, looking for their missing children, wanting to know more about the investigation. Heartbreaking and tragic.
Florida and Hap try to rally the mothers, all of them knowing the police aren’t doing anything for the missing kids. So it’s another case of Hap being placed in a position to help; both the community and his best friend Leonard. However, the mothers all reveal that Chester Pine came to them in a suspicious way, every last one remembering his name. Very troubling. We discover Chester put Florida through law school. Huh! Then again, as she notes: “Thats what they do.” As in those who prey on children.
One of the officers interviews Leonard, along with a sac of oranges, a hammer, some books. Old torture techniques. In the meantime, Hap tries to get in to see his buddy with some Nilla wafers. He’s too drunk. And Leonard takes a hard beating before Detective Hanson (Cranston Johnson) stops the psychopath cop.
Pic 2At a black church Hap shows up to sit with Florida, stopping the congregation in their tracks. She refuses, so Meemaw lets him have a seat in her pew. Hilarious to see him clap with no rhythm next to all those happy, celebrating black worshippers. Reverend Fitzgerald (Dohn Norwood) preaches about the sheriff’s department not helping. And right then Sheriff Valentine (Brian Dennehy) strolls in to take the pulpit. He and Judge Beaut Otis stand up there together, Valentine talks about trying build bridges, blah, blah, blah. Nobody’s buying it; not the congregation, not Hap, either.
Meemaw (pointing to Hap): “You see that man standinthere? That is the only white man I like.”
Otis: “What about Jesus?”
Meemaw: “Jesus wasn’t white
In his cell, Leonard gets a visit from a creepy old man. Is he the man from the van? He does some voodoo stuff, sprinkling a line of salt in front of the cell. He hands over a book. One about cowboys, from Leonard’s childhood. Inside are hollowed out pages containing a chicken’s foot. Next day is court. No bail for Leonard and a trial in six weeks. Judge Otis is definitely one of the racists running things behind the scenes in East Texas.
The bombshell? Otis is the one who ran down Mr. Collins and Mr. Pine on that dark, rainy road. Holy fuck. Hap now has something he can hold over the judge’s head to get Leonard out on bail.


With Leonard out, Florida and Hap try to get him laying low. He isn’t happy. Worse still, he doesn’t like that they’re leaning towards Chester being involved in some shady shit. Either way the truth is coming out. Whether it’s a truth Leonard can handle dealing with is another story. But he packs up and gets ready. Meanwhile, Paco is worried about Ivan. This leads Leonard to discovering his broken cowboy that’s been there since he was 9; the one Ivan smashed on the man’s head. This and the pennies on the windowsill, a chicken foot hanging from the ceiling, all leads them to a man named Elia Moon – the eerie old man, who also spends quite a deal of time near children.
Off go our two brave self-made detectives. They find a shack up in the woods, booby trapped, the entire place covered in dead animals and skins. They stumble onto the old man hiding in a closet. He’s been waiting. An odd duck, though seemingly harmless. He says Chester was actually trying to figure out the mystery of the missing boys before he died.
At the same time, it’s revealed Melton is the one holding Ivan. And he wants the boy to hide something at Chester’s house.


Over at home Leonard sees Ivan is back, acting like nothing’s wrong. Later, Paco also reveals to Leonard he’s been seeing somebody. Upstairs, the kid a box Melton gave him: is there incriminating evidence inside? I’d bet on it.
Hap gives an alibi for Leonard in 1986. They were seeing a Howard Hawks double feature: The Big Sleep and Red River. Or y’know, that’s what he says. “Devotion” as Florida puts it.
Back at Elia’s place the old man is worried about “bad mojo” in the air, as all his hung up beer bottles start falling from their strings and smashing all over the ground. An omen? It sends Elia off in a rush. He sees a vision of a little black boy, covered in blood. Right before he drives into the river. Another blow to the case for Leonard.
Pic 5Just a perfect followup to the first episode in Season 2! SO MUCH MOJO.
Bring it on, baby. Give me more.

Hap and Leonard – Season 2, Episode 1: “Mucho Mojo”

SundanceTV’s Hap and Leonard
Season 2, Episode 1: “Mucho Mojo”
Directed by Maurice Marable
Written by Nick Damici & Jim Mickle

* For a recap & review of the Season 1 finale, “Eskimos” – click here
* For a recap & review of the next episode, “Ticking Mojo” – click here
Pic 1AThere’s a dark secret buried, one that Hap Collins (James Purefoy) and Leonard Pine (Michael K. Williams) will soon stumble upon. This season we open on someone disposing of a young person’s body, tying them, then dumping their corpse in a lake. Terrible things go on unseen. But it doesn’t take long for them to emerge for all to see.
Back again to the world of the ever fantastic Joe Lansdale!
Hap’s picked up the remains of Trudy; ash in a box. And while he loved her, that’s one less giant mess in his life. Everything for him is messy, from relationships to his piece of shit car door. He gets by for now working as a mechanic. In other news, Leonard’s at home getting a hard back massage from his boyfriend Paco (Neil Sandilands). He’s got problems with neighbours, too. Nothing that a cane can’t stop, or a bit of piss in the face. What I love about Leonard is he’s gay and black in the late ’80s, so there are bound to be more situations that arise from that, living in the South and all. A little later, he steps through a floorboard in his dead uncle’s old place: now he’s found the secrets long ago covered up, forgotten about.


Leonard: “The dead dont give a shit about what happen toemtheyre dead.”
The two friends go digging under Chester’s floorboards more, inspecting the skeleton they’ve found. It’s a child, a small one.  Same sneakers as the one dragged from the lake. Now Leonard wonders if his uncle knew, especially considering how long Chester lived there and how decomposed the body is currently. So, what next?
A kid runs off with Trudy’s ashes, sending Hap and Leonard on a chase. Then the box gets tossed into a garbage truck driving past. Instead of letting it get away, Leonard stops the truck to get Trudy back.
The boys alert the police to the body under Chester’s house, which marks the place as a crime scene. But you just know them two are gonna get up to something soon enough. The old lady across the street doesn’t believe Chester had anything to do with the body, though the police – Detective Hanson (Cranston Johnson) in particular – are investigating with suspicion. And someone in a van lurks around the neighbourhood. Very likely the one responsible for that body’s existence.
Leonard talks with Dt. Hanson at the precinct, as Hap talks with another detective. Some uncomfortable conversation comes up when Hanson says “you people” enjoy little kids; he means homosexuals. Nasty. Likewise, Hap faces scrutiny about his status as a conscientious objector during Vietnam, all the mess they got into with Trudy and the rest of her friends. After all that they discover there were no feet or hands or sneakers on the body. Was this the work of the man in the van? Hmm. Either way, a lawyer named Florida Grange (Tiffany Mack) arrives to help the boys in their predicament.
Florida: “Dont underestimate mecause Im beautiful, Mr. Collins.”
Pic 2I love watching Hap watch Leonard and Florida pass the hot sauce between each other, putting a load on their food. Such a perfect look, as he tries to get himself a taste and they just keep on shaking the bottle.
After food they start picking through the mystery in their neighbourhood. Meemaw across the street offers what little help she can. Hap and Leonard keep an eye on Chester’s place from hers, and they also have a heart to heart about Trudy. In the morning they meet Reverend Fitzgerald (Dohn Norwood), who does a bit of preaching, though neither Hap nor Leonard are too interested in religion. He talks about Sodom and Gomorrah, fittingly foolish with a proud gay man at the table.
When Leonard goes over to check on his house, he finds Ivan (Olaniyan Thurmon), the kid who stole the ashes. He’s nearly dead from an overdose. Unable to locate the kid’s parents, Paco convinces Leonard to take care of the boy for now in their place, to which he very reluctantly agrees.
One of the detectives goes to meet Hap at the garage where he works. He wants to know more about the sneakers they saw on the body. On top of that he’s suspicious of Leonard being a “darkie” and all. And you know are man doesn’t approve of that shit, so he dismisses the detective rather fast.
Pic 4Trying to dump Trudy’s ashes off a bridge, Hap drops the box in the river. Like the man he is he goes in after it diligently. Then he scatters them onto the water around him, soaking in Trudy, and strangely happy.
At home, Leonard puts Ivan to bed. When he takes the boys shoes off he sees his name written on them, similar to the BB on the red sneakers. Suspicious? Or nothing at all? Either way, right now Leonard’s being taken in by police. Great, now Hap’s going to have to get his ass in gear while his friend is locked up behind bars.
And outside the house sits the man in the van, watching. Who is he?


What a spectacular start to Season 2! Love, love, love this series. Lansdale’s writing, his characters, the atmosphere, it is all palpable in the adaptation by Damici and Mickle.

The Path – Season 2, Episode 9: “Oz”

Hulu’s The Path
Season 2, Episode 9: “Oz”
Directed by Patrick Norris
Written by Coleman Herbert

* For a recap & review of the previous episode, “Return” – click here
* For a recap & review of the next episode, “Restitution” – click here
Pic 1The unburdening tapes are being used now with more force by Sarah Lane (Michelle Monaghan). She goes to one person, then the next, the next. Using the dirty little secrets of everybody against them. Such a creepy sequence. Reminds me of something you’d see from Scientologists, blackmailing people to stay, or else their “fragile house of lies” come toppling down. Clearly Sarah knows she’s doing awful things, yet she is so tied to Meyerism she has no identity otherwise. So, she’ll fight dirty to save what she loves.
Eddie (Aaron Paul) sits alone in a church thinking. A priest comes and sits with him. They talk about their life’s path, how they came to faith, their calling. He’s searching for his own answers about his calling with the Meyerist movement.
In other news, Abe Gaines (Rockmond Dunbar) is in shit with the higher ups. Because the movement’s paid off their back taxes. No more leverage for the feds. This puts Abe in a tough spot. Now he’s going to try harder to catch Cal (Hugh Dancy) and the movement red-handed. And that could lead to some trouble.
Pic 1AEddie meets with Richard (Clark Middleton) and Felicia (Adriane Lenox) in a hotel. To talk about what’s next for Meyerism. She doesn’t totally believe what’s happening, in regards to Eddie as Steve’s choice to lead them forward. The only way she’ll accept it? He must “continue the climb” to 8R.
Mary Cox (Emma Greenwell) is introduced to the cult deprogrammer Sean’s (Paul James) mother has brought in, though she isn’t interested. She can tell what’s going on, and there’ll be resistance.
Finally, Sarah reveals to Cal she’s paid off the back taxes to keep them afloat. This stresses him out. He’s not the saviour, he isn’t the leader. She is taking charge like never before. You can see how it bothers him. He’s not exactly great at hiding his inner feelings, despite what he may think of himself. Note: more instances in this scene of how Cal is cast in shadow often, behind the veil of darkness, and there are other times he’s half in the light, half in shadow to convey a split sense of who he is as a person.
Abe a.k.a Sam goes sniffing around the donors who helped with the tax bill. He figures out about the blackmail, something he already suspect, anyways. I only keep worrying about what’ll happen to Abe if he pokes in the wrong places.


Hawk (Kyle Allen), Hank (Peter Friedman), Russel (Patch Darragh), they all worship Sarah’s supposed good deed of saving their cult. The only one unsure, as usual, is Nicole (Ali Ahn). And more every episode I start feeling as if she’s going to play a part in Abe’s eventual plan to catch Cal and the movement in their ugliness. On top of everything, the guilt is flowing through Sarah as eager as the blood in her veins.
Like you didn’t see it coming, Cal still keeps in close contact with Mary. He goes to see her before the upcoming trip to Baltimore. She talks to him about The Wizard of Oz, which she was given by the deprogrammer. He’s there because a family is what he needs, only he’s far too dysfunctional and damaged in his own right to be with anyone properly. As for Mary I’m starting to think she’s seeing the truth about Meyerism. Or at least, I want her to see.
Cal: “Im a husk, Mary. I wanna be vapour. I wanna metamorphose. We can do it together. Swim in the sea. What do you say?”
On his way up the Ladder, Eddie’s guided by Felicia into his own mind. He’s at a bus stop, and when a bus arrives it’s filled with people who have no faces. Just a head covered in skin. What does it all mean? He believes it has to do with the cult’s Denier Policy. He wants it changed, as per his vision. The faceless were those outside the movement and this isn’t any way to treat the outside world, nor is it any way to treat those who’ve been shunned as deniers.


Physically, Abe and Nicole get closer. He also gets a bit of information: the unburdening tapes are in the movement’s archive room. In the meantime, they bang on the floor in a storage room. A little secret to keep between each other.
Out in the real world, Eddie goes to see Tessa Bishop (Alexia Landeau) – Sarah’s sister, who long ago broke away from the Meyerists and all their nonsense.
Cal and Sarah keep on having issues. He says he can’t get up and speak with her at the conference. He says he’s having problems with his conviction. Then she admits to her blackmail for the donations. Essentially, after the murder and the blackmail they’ve both got to keep going, for one another. If only for the sacrifices they’ve made to get to that point. This is an effective point in the series overall, is that anyone who gets lost in a religion, a cult, anything of that, eventually becomes so lost they don’t even know why they’re still walking further.
But Meyerists, they have a weird little ritual they do similar to the Catholics’ confession, to wash away their sins/convince themselves that their sins are washed away. Sarah and Cal find themselves on the same page again. For better or worse.
Sarah (to Cal): “Make me believe
What Eddie wants to do, underneath his new leader exterior, is change the movement. To show them the truth. When Tessa walks out on him because she can’t deal with any of that, he winds up running into Ashley (Amy Forsyth), Hawk’s old girlfriend. Hmm. I wonder if she’ll play a further role, maybe to help get Hawk away from all the madness. She actually turns up at the centre to see him later. One big surprise.


Back at the hotel after their conference, Cal and Sarah become one. Not only in their emotional headspace, their wants and needs. They fall in bed together. And this just feeds into their shared delusions of Meyerism, it won’t help anything. Not to mention it’ll take Sarah farther from Eddie than she already is. Above all, she’s fallen into a black hole, one crime after another with Cal.
Abe is snooping in the archives. He finds the tape of an unburdening with Don Hendren written on it.
Eddie receives a visit from Hank, about his meeting with Tessa. “Our families need to be mended,” he tells his estranged father-in-law. He says Steve chose him to lead, and that soon he will replace Cal; that they can make something better out of their movement.
We end on a strange moment, when Hank and Eddie embrace. Suddenly Eddie is bleeding from his side/back, almost like one of the wounds of Christ.


This second season is fantastic! I can’t believe that some critics have said there’s nothing overly enjoyable or worth fleshing out in these episodes.
Are they watching the same series? I don’t think so.

The Path – Season 2, Episode 8: “Return”

Hulu’s The Path
Season 2, Episode 8: “Return”
Directed by Michael Weaver
Written by Annie Weisman

* For a recap & review of the previous episode, “Providence” – click here
* For a recap & review of the next episode, “Oz” – click here
Pic 1Last we saw Eddie (Aaron Paul), he was swept off violently by Richard (Clark Middleton) and Kodiak (James Remar), leaving Chloe’s (Leven Rambin) boy in the wind. The two men want answers from their captive, about what happened with Dr. Steven Meyers (Keir Dullea). They need to know, because of the implications in his death.
Cal (Hugh Dancy) goes to see Jacqueline Richards (Melanie Griffith) at a swanky pool. He claims it’s “fate” but surely he’s tracked her down. Her daughter bought into the Meyerist cult, though Jackie isn’t overly interested. She’s preoccupied with everything in her life. And this provides him with the perfect way inward. Another rich person to exploit.
Then there’s Sarah (Michelle Monaghan), who slips further down the rabbit hole each day. She listens to tapes of unburdening sessions, going through all the people and their lives ripe for blackmail. She gets a call about Brenda Roberts (Kathleen Turner), Cal’s mother. She is in hospice – liver failure – and ready to die, at any moment. Hmm, I wonder how that’ll affect Cal once he finds out. Sure to run another few cracks through his weary foundation.
Pic 2Things elsewhere are sketchy, as Chloe tries to deal with her son being left on his own, and Eddie’s sudden disappearance. Meanwhile, he’s struggling with the drugs he’s been given by Kodiak and Richard. He’s being taken back through his memories – seems he had a mean, violent father, on top of the memories of his brother Johnny, and more. The two Meyerists holding him captive try to lead him through to memories of Peru, up on the mountain with Steve. Until Eddie stops breathing.
Cal works his eerie charm on Jackie, helping with her current problems but also chipping away at her doubt in terms of the movement. He rattles on about the power of Meyerism, and it works. If he can solve Jackie’s problems it’s worth $50K to her. Once more, the snake slithers its way into another life.
At the hospice, Sarah goes to see Brenda. The old woman isn’t well, awaiting death to come take her away. She desperately wants to see her son before she goes. Is there something she needs to tell him? Or is it merely a mother wanting to see her boy one last time? What we see is that Brenda knows all about the Meyerists, definitely all about her son. Confirming what we all know, that Cal’s been in love with Sarah forever.
Between reality and coma, Eddie wanders. He finds his way back to the Meyerist commune, walking through an otherworldly space. There, he sees Doc Meyers greeting him. Is this death? A place between life and the afterlife? He goes further and sees his dead brother Johnny in a garden, tending to plants.


Seeing Cal amongst regular people is kind of like watching an alien walking through human beings. Weird watching him at a poolside party. “Im in someones idea of oblivion,” he tells Sarah when she calls. She bears the bad news about his mother, also that there’s something holding his mother back from death. Definitely a secret, a hope for closure, anything similar. But Cal won’t assuage his mother’s guilt before she dies leaving Sarah to take the brunt. In the meantime, he meets Jackie’s friend Luna, the one he supposedly needs help. Then in one of his relapse moments, he sniffs coke with them. Off the deep end. This has the potential to get very messy.
At the centre in the city, Hawk (Kyle Allen) is dealing with a pay shortage, not knowing the dire straits in which the Meyerist cult has fallen financially. With people threatening to leave and stop working he goes looking through Cal’s office. Only to find all the Past Due notices from the IRS, so on. Finally, the Impending Seizure notice. Here he was, thinking Cal had everything under control. Hard to watch your idol crumble into nothing. Also, his faith in his mother only worsens.
Brenda: “Fuck all of you
On her death bed Brenda reveals to Sarah the true nature of Calvin Roberts and Dr. Steven Meyers. She says that Steve loved her son, a bit too much. In the wrong ways. WHOA! I didn’t see that coming, at all. I expected many things. Not that. And like myself, Sarah is rocked by the revelation. If true, it’s beyond devastating. In all the obvious ways, and also on a deeper level of faith, trust, it’s somehow even more sick.
Eddie and Johnny talk in that limbo or afterlife space. He tells his dead brother about trying to save someone, obviously Steve. He couldn’t, that’s when the storm came in and when he was struck by lightning. Eddie’s overcome. Then he’s back in that old shack with Kodiak and Richard, they were able to give him a shot to wake him up.


On a beach Cal spins a speech on freedom for pop star Luna. He offers a “chance to feel unlimited fulfilment.” All that cult shit. And then he gets offended when Jackie calls Meyerism a cult, too. No surprise. But he’s further put off when she doesn’t immediately buy into his “pitch” about their movement. “Youre not even convincing yourself,” Jackie tells him plainly.
At home, Sarah’s confronted by Hawk about the money trouble the cult is in. He is definitely betrayed. She spouts off more nonsense about the movement being stronger, the “path to the Light” and all the greatest hits. Now with the revelations concerning Steve on Brenda’s end, there’s even more danger to anyone young near Meyerism.
Eddie tries to make Kodiak and Richard see Steve was only a man. He didn’t ascend to any Light. He got cancer, he was ready to die before they were on that mountain. But Eddie’s also at peace, with himself, with everything. After his visit to the garden with his brother. He goes back to tell Chloe about what happened and she’s rightfully freaked out. She wants him to call the cops; he doesn’t want anything to happen to his kids at the commune.
Cal relates to Luna about not having a childhood. Being told he was “special” and separated from the rest, in more ways than one. She’s got a lot of pain inside. Fucked up on drugs, gun in hand. He offers her help, though it’s only a means to an end for the cash. Another mind for him to manipulate. If only she’d buy into his cult hypnotism.
Later on the phone Cal asks Sarah about his mother, and she lies, telling him she was proud, blah, blah, blah. Hiding that she knows the truth. Does Cal even remember the abuse? Hard to know for sure. He winds up falling into the arms of Jackie, anyways.
Pic 8So, in lieu of other money, Sarah’s already out putting more blackmail into motion. Becoming a worse person all the time, in order to save their dying movement.
Richard gives Eddie a necklace belonging to Steve, the first one made after “the Ladder was revealed.” He believes that Eddie was marked by the Light. That he will build the Garden, “and we will follow you there.” Shit.
Pic 9I didn’t really expect the stuff between Eddie and Richard at the end of the episode. Neither did I see the Steve revelation concerning Cal coming, whatsoever. Truly rocked me.
Cannot wait to see the next episode “Oz” coming up.

The Path – Season 2, Episode 7: “Providence”

Hulu’s The Path
Season 2, Episode 7: “Providence”
Directed by Michael Weaver
Written by Vanessa Rojas

* For a recap & review of the previous episode, “For Our Safety” – click here
* For a recap & review of the next episode, “Return” – click here
pic-1Eddie (Aaron Paul) drives with his daughter Summer (Aimee Laurence) singing, laughing. Everything is lovely. Until she isn’t in the car anymore. She’s outside, on a nearby bank. He pulls over, yelling out to her. When he goes towards his daughter she runs, then she’s gone. An old house looms in the distance. At the fore is a ragged-looking tree. He approaches the house, opens its door.
Then he wakes up. Chloe (Leven Rambin) argues on the phone with her ex, as he comes to in bed. He offers to watch her kid while she has to run off to work, which impresses her more than she’s been already.
Over at the compound, Sarah (Michelle Monaghan) finds a foreclosure notice on the gate. She worries that others have already seen it, and of course when her mother Gab (Deirdre O’Connell) sees her face she doesn’t even need to see the notice itself. Sarah and Cal (Hugh Dancy) have words, as you’d expect. They decide selling the centre is the only way forward. Although he has a strange complacency about him that doesn’t bode well for anybody.
pic-2Kodiak (James Remar) watches Eddie. He chants a mantra to himself: “Give me your patience, your strength, righteous and good.” Then as Eddie heads out with Chloe’s boy, he’s followed not far behind by the close friend of Dr. Steve Meyers.
In other news Abe (Rockmond Dunbar) is finding trouble on the side of his boss, who wants results. Abe doesn’t get the test on the water he wanted, pissing him off. I hope he doesn’t go off the rails at some point; he is a good guy at heart, I’d rather he not get lost in Meyerism, or in the pursuit of taking down Cal and the Meyerist cult. Speaking of Cal, he’s going through an intense bit of turmoil. He takes a moment to himself, punching the walls in at the thought of losing the centre. And what is it that bothers him most: the fact they’re in such dire straits financially, or the fact he can’t solve it all himself?
At a military museum, Eddie and the boy check out all the neat stuff. Trailing them is Kodiak. I’m worried about what happens next. Then there’s Richard (Clark Middleton) – he’s picking out a room, some shack, for a specific purpose. This also concerns me.
Fixing and licking his wounds, Cal receives a visit from Mary (Emma Greenwell). For all her trying she falls into his arms so often, unable to wholly give herself over to the relationship with Sean (Paul James). She helps his wounds, in terms of his ego.
Out in the street, Hawk (Kyle Allen) and Noa (Britne Oldford) and others help the homeless. Washing their feet, showing that everyone is equal. When Sarah shows up to see her son she offers to help, and for the first time in a while Hawk and his mother actually feel close again. But the wedge there, more and more, is Cal, as always. He goes to the kid and pours the Kool-Aid in his ear whenever possible.


In the meantime Sarah and his family are struggling with the news of the impending foreclosure. Hank (Peter Friedman) continually feels the group are losing sight of Steve’s original intentions, which is probably true. While Nicole (Ali Ahn) and Russel (Patch Darragh) fret that they’ll lose their homes, included in the compound. A few nonsense prayers, then they’re all on the same page. Tenuously.
At the museum, we see a side of Kodiak not yet seen. He looks around at the images of war, the sounds of explosions and gunfire. He’s having a PTSD-like attack. So, did he spend time in Vietnam perhaps? Did his experiences over there lead him to the Light? Either way he misses his chance for action when Eddie and the boy head off, left bewildered by all the army noise around him. Over at the shack with Richard, he tells him he couldn’t take Eddie: “Its taken me years to feel clean. To accept the Lights forgiveness. I nearly forfeited that for this.” He did experience flashbacks to the atrocities, making him see the error of his ways. However, he reluctantly agrees they’ll try again soon enough.
On a walk somewhere Sean winds up at a store, where he calls his mother. He tells her about the baby, about his worries over what might happen in the future. She wants to come see him, though he refuses. It’s clear he wants to get away from the Meyerist movement. Just not sure if that’ll happen.


Eventually Eddie finds out from the kid someone was following them. Now, the paranoia becomes worse. No telling how Eddie will react. Everyone he sees is suspect now, from a man walking his dog to the mailman to people driving the street in their cars. His own PTSD-type symptoms flare up. Especially bad seeing as how he’s with his girlfriend’s kid.
Together, Sarah and Cal try finding out a way to keep the centre while also chipping away at their debt. She wants to keep the place because of Hawk’s progress, his good work. So she offers to sell a property she owned with Eddie.
But whoopsy – need Eddie to sign off, too. How’s that going to work? Plus, they have no steady cash coming in, except from donations of their members. Oh, the bubble’s been burst this time. Cal looks positively rotted to his core. Although Sarah pushes him forward, asking him to “be exceptional” again. I’m sceptical about how he’ll interpret that, how he’ll go about doing exceptional things. Because he’s really good at murder, and covering things up, and dirty secrets. He’s already asked Hawk to pry Noa for money. And this is already corrupting the young man, beyond repair.
Sarah: “We are really fucking this up
Meanwhile, young Hawk falls deeper into the Light and the Meyerist movement. He’s at the point of preaching to others, particularly Noa about the relationship she has with her mother; hoping to siphon out a bit of money for the cause. Not gonna happen, and not good for their budding relationship.
pic-8Sean walks along a lonely road where his parents pull up. They’ve found him, and want to take him away. They’ve got a cult de-programmer wanting to help. Also to help Mary, so they can have a normal life, and so his parents can see their grandchild sensibly. He’s clearly distraught. Still, they take him off from his current existence.
At the Armstrong family table, Cal apologises to everyone for putting them in debt. He promises they will “not suffer” due to his mistakes. Afterwards, he’s invited for supper, as well. Not everybody is happy. Not Nicole. Not Hank, really. That mask of Cal’s, it isn’t exactly holding firm. You can see it slip every now and then.
In the car we find Eddie. Just like in his dream. This time, he’s with Chloe’s boy. At the roadside he sees the crooked tree. Nearby is a van. He gets out to see if somebody needs help, finding Richard inside. Then Kodiak knocks him out. Shit, this is getting scary.
Sarah looks through all the piles of unburdening tapes. The voices of guilt filter back through her mind. Nasty things. Unforgivable. Through these, we see how awful the Meyerist cult is underneath, how they’re not good people. Rather they’re blackmail artists.
pic-10In that shack – we realise now the one Eddie saw in his dream – Richard and Kodiak start to enact the next step of their plan, as Chloe’s boy is left at the roadside all alone. Spooky end to this episode.
pic-11What a troubling finish! Lord. I can’t wait for the next one. Interested to see what Richard and Kodiak are going to do, as well as what revelations will come from their methods. Seems to me Eddie definitely has deep, deep secrets.

The Path – Season 2, Episode 6: “For Our Safety”

Hulu’s The Path
Season 2, Episode 6: “For Our Safety”
Directed by Norberto Barba
Written by Justin Doble

* For a recap & review of the previous episode, “Why We Source” – click here
* For a recap & review of the next episode, “Providence” – click here
pic-1We begin with Sarah Lane (Michelle Monaghan) taking part in a purifying ritual, of sorts. She sits by a fire, smokes from a Native American-style pipe. Her guilt. The face of a dead and rotting Silas. That poisoned cow. Images flash through her mind. She and Eddie (Aaron Paul) making love; the strange scar on his back. Everything passes like flipping through photographs.
Speaking of Eddie, he’s with Chloe Jones (Leven Rambin) and they’re out socialising, with un-cult people. Something he’s not used to anymore. But bless him, he’s trying hard to reintegrate back into the real world.
Hawk (Kyle Allen) has made a decision: he’s moving into the city. “Theres so much need and injustice in this world and Im just, sitting here in this big, warm, comfortable house.” He doesn’t want to be all talk. He wants to do actual work. The time inside jail changed him. For the better? Impossible to tell yet.
pic-2Oh, poor Cal Roberts (Hugh Dancy). Always something to plague him. Whether it’s a past due notice from the IRS, a murder he committed, a secret baby – there’s forever a burden on his shoulders; self-inflicted or otherwise. Soon enough Hawk arrives and finds that Cal’s trying to play dad, hampering his need to get into the city.
Meanwhile, Eddie runs off from his barbecue with Chloe to meet with his wife, both in their glee. Oh, my. I foresee a snap of tension in this little plot sooner than later. Because already she’s missing from a meeting Cal has called. Alas, they go on. Abe Gaines (Rockmond Dunbar), a.k.a Sam Field, tells the crowd of their new security measures: ID badges for everyone coming in and out of the compound. This puts worry into many, including Kodiak (James Remar) and Richard (Clark Middleton), though the former a lot more. And then there’s Nicole (Ali Ahn), who angles for her husband Russel (Patch Darragh) to be the Guardian of the Light with Cal instead of her sister-in-law. Again, all the pressure lands on the shoulders of Mr. Roberts, taking everything and anything personally.
Kodiak: “The snakes poison is finally hitting our bloodstream.”
In the city, Noa (Britne Oldford) questions Hawk and his motivations, acting as if he knows the racial struggle of black people after spending a few nights in prison, reading a slice of James Baldwin. However, Hawk refuses to apologise for caring about the “disparity” between treatment of white people and people of colour, in all walks of life. Maybe he’ll be a freedom fighter yet.
Now Cal’s followed Sarah, he has found her embracing lovingly with Eddie. Is her lie about feeling anything for her estranged husband going to push Cal over an edge? Well, in a moment of vindictive anger he decides on playing dad to Hawk further. He also now wants the young man to climb to 2R, with him alongside as a guide. Of course the kid’s thrilled. Can’t be sure that isn’t all a way for Cal to try breaking up the Lanes past what they’ve already broken so far.
Simultaneously, Eddie tells his support group about his guilt over still loving his wife and spending time with Chloe. He’s stuck in the “hive mind” of Meyerism, the horrid cult. With everything going on, between him and Sarah, Hawk’s falling away from him, he feels stuck between two worlds.
There are other nasty things brewing. Such as when Mary Cox (Emma Greenwell) seems to cast a bit of judgement onto Sarah. And now this stirs up things in Sarah, wondering about who knows what, what Cal’s intentions are, so on. Note: another bunch of good examples in this episode of how Cal gets physically cast in shadow during many scenes, all working towards the idea of a duality and a darkness in him.
Stranger things come to a head when Richard doesn’t like what Kodiak is planning, talking about a boy being held over Steve’s head, all kinds of wild things, and then decides on locking him away in a little room. Shit.


On and on the Meyerist nonsense goes, as Cal starts Hawk’s climb with monotonous chores, repetition of mantras. When Sarah shows up the kid bolts, too righteous even for his own mother. So, she and Cal head out for tea together, and surely some passive-aggressiveness on both parts. And definitely on his side, without fucking doubt. He’s a danger because that passive-aggressive nature eventually, for him, boils over into vicious, real anger. Extremely dangerous, as we’ve seen already.
His attitude only drives Sarah back into Eddie’s arms, which leaves the couple both wondering what happens next. “Why are you here?” Eddie asks his wife. He wants to get to the bottom of their shared anguish. It isn’t hard to understand why Sarah is mixed up, after Steve going, then Eddie, now Hawk’s slipping from her grasp. Then out of nowhere, Eddie tells her about his time in Peru, when he got hit by lightning. His vision of Steve sent him there: “He wasnt some magic, immortal light. He was a god damn man.” What he now realises is that Sarah has been under a spell, so many years, one that will not break. She doesn’t care that Steve withered away, he’s gone to the Light, no matter what. Ugly psychological state. Yuck.
But what about ole honest Abe? He’s got his eye trained on the whole place, watching, waiting for something big. I wonder how long until Cal slips up hard, trusting ‘Sam’ too much.


Kodiak remembers a time with Steve, unburdening himself. He killed a man once. Then as they conduct a session, young Cal walks in. How much did he hear, exactly? Hmm.
Off on his own, Hank (Peter Friedman) goes to see somebody – his other daughter. He’s been doing this awhile. They chat, smoke cigarettes. What’s clearer every episode is that Hank feels left behind, that the commune he built long ago has become something else, unrecognisable.
During a session, Sarah tells Richard about sleeping with Eddie. He says that love is stronger than faith, though weakens them. He guides her through memories, of she and Eddie. Then she must mentally turn him away, turn away from him. And in the session, she reveals Eddie was struck by lightning. This startles Richard, deeply.
He’s sure now: Eddie killed Steve.
Eddie, he’s out with Chloe at a wedding. Trying to be normal, whatever that is, really. There’s something awakening in him, but that’s constantly held back by his former life. No matter how hard he starts falling for Chloe, some piece of the old cult still hauls him backward.
pic-8What will happen next? This was an excellent episode, once more. Some say this second season isn’t holding up, and I have no idea what they’re talking about! Crazy, man. This is a great follow-up to the first season. Many mysteries left unsolved.

The Path – Season 2, Episode 5: “Why We Source”

Hulu’s The Path
Season 2, Episode 5: “Why We Source”
Directed by Norberto Barba
Written by Jessica Goldberg

* For a review of the previous episode, “The Red Wall” – click here
* For a review of the next episode, “For Our Safety” – click here
screen-shot-2017-02-15-at-10-42-34-pmCal Roberts (Hugh Dancy) gives a speech to a crowd, more of the Meyerism Kool-Aid. Next to him stands Sarah Lane (Michelle Monaghan), playing her role. Then in the wings are Richard (Clark Middleton) and Kodiak (James Remar) still try getting to the bottom of Dr. Steve Meyers’ (Keir Dullea) death.
Simultaneous is the trajectory of Eddie Lane (Aaron Paul), on his second meeting at the support group for people who’ve left cults. He talks fondly of his children, of course. “I really thought that I was freer than Id ever been,” he laments, knowing that’s not true at all.
At their latest meeting Cal and Sarah, uncovering the damage of others, are actually looking for the mole in their midst. Nothing on that front yet. The rooms are checked by Russel (Patch Darragh) under the pretence: “This is why we source.” They claim to be helping when they’re only digging for answers they hope to find. Abe Gains (Rockmond Dunbar) sweats through one of the sourcing sessions opposite Cal, and for the time being is safe from being rooted out.
screen-shot-2017-02-15-at-10-42-59-pmLife outside the cult is wildly different for Eddie. He’s back to eating all the things he did once. Living away from a commune. Taking pills to help his mind rather than burrowing himself into a useless ideology. But things are much worse for Sarah, as she’s called to a house where Hawk (Kyle Allen) is being hauled away by the police on a warrant for his arrest. Hmm. I smell Libby Dekaan (Molly Price) behind this one. Did the scientist testing the water give something up? Either way, young Hawk is in the clink.
Everything really gets heated once Eddie and Sarah meet down there. He’s pissed because it’s clearly out of his hands. But Hawk doesn’t even want him there, and Sarah gets hot under the collar about her estranged husband calling Meyerism a cult. Compounded by the fact a domestic terrorism charge is on the books. The Meyerist lawyer is all about “the Light” and that’s terrifying, both to the viewer and definitely to Eddie.
Back at the compound, Cal talks to Abe about the death of his child; or, what he believes was the death of Abe’s child. We know that Cal is digging, we know that Abe is undercover. It’s one of the best types of Hitchcock schemes where you show the audience the bomb under the table, then let them sweat until it explodes. Whenever that may be. As it stands, Abe – aka Sam – is recruited by Cal to help them suss out the rat. Oh, really? Could mean ramifications for Meyerism if Abe’s privy to anything sensitive. Maybe just a way for Cal to reel him in closer.
Later on Sarah’s letting the kids see Eddie comes out, upsetting her mother Gab (Deirdre O’Connell) and father Hank (Peter Friedman) a bit. Although grandma reassures young Summer (Aimee Laurence) that Hawk’s predicament has nothing to do with them seeing their “denier” father. This further brings out tension between Gab and Hank, about the presence of Kodiak, why he left many years ago.
All the pressure comes down on Eddie, too. He returns to his prayers, to his Meyerist roots. I hope it doesn’t suck him back in permanently.


Sean (Paul James) has a sourcing session with Cal and Richard. Essentially, the younger man tells his leader exactly how things are going to go. Such as they need a new fridge, he and Mary (Emma Greenwell). None of this seems normal to Richard, certainly, and you can see the strain on Cal. Without many words Sean made clear he won’t be sitting by silently, not forever.
In prison, Hawk comes up against other ideologies. A black inmate (Hubert Point-Du Jour) from his cell challenges his Meyerist shit. He tries to show Hawk that things aren’t as simple and as loving and equal as his book The Ladder makes the world look.
Over at Dekaan, Eddie lays out his plan when he and Sarah confront Libby. Turns out she has a son who won’t talk with her anymore. Even has him on the phone. This doesn’t exactly appease her, though it made a difference. “Youre sadistic,” she tells Eddie as she leaves. Not long after, Sarah and her husband connect again, if only for a moment.
Mary receives a visit from Cal, looking mighty angry. He doesn’t like blackmail. She has him wrapped around her finger. But how long will it last? And it’s a dangerous game for her to play. Given what we know about Cal’s impulse control.


Together again, Richard and Cal sit. Only  now the sourcer is being sourced. Cal’s asked questions, then he comes clean about a mole in their legions. However, Richard wonders why the FBI is even poking around in the first place. He can so clearly see the lies in Cal, anybody can. He all but runs away after they’re finished. Leaving behind his old friend to wonder exactly what the leader is up to, and how bad things are going to get sooner than later.
Sarah and Eddie, after making love, lie together and talk about life, calm, open. He talks about being struck by lightning when she comes across the tree-like scar on his back. More and more, Eddie’s secrets are revealed.
That night in prison one of Hawk’s cellmates tries to touch his hair all creepy in the dark, which prompts him to freak out. This starts a fight and now things are likely looking worse for Hawk. Aside from that he gets further into the speech of his black cellmate, who preaches to his friends in the prison yard. I wonder if this whole experience will alter Hawk’s worldview.
Abe goes on leading his search effort for the Meyerist mole. In the doctor’s office they find a burner cellphone taped under the patient’s bed. Shelby (Allison Layman) denies it being hers, yet Cal and Russel believe otherwise.


Hawk gets released from the Juvenile Hall to find his father waiting. But Eddie only wants to make things better, right between them. And the ever ungrateful, foolishly idealistic Hawk turns his back on his father, wishing they’d left him in jail. Lots of people are turning their backs. For instance, Shelby is now cast out, and I sort of worry for Abe’s ethis at this point. He knows he’s the one undercover. Shelby is sent away, crying, with him left to do more work. Might’ve been the best thing for the woman, I don’t know. Just brings other elements into the picture when considering Abe as a character.
Sarah has to go down and see farmer Marshall Small (Tracy Howe). He is outright disgusted with her, particularly with his latest sick cow. She tries softening the blow, but it doesn’t do much. Because Marshall opens up his poor cow, spewing black, tar-like liquid into Sarah’s face: “I dont need to have the water tested. I know whats in the fuckinwater.” The animal’s veins are nearly entirely filled with poison.
screen-shot-2017-02-15-at-11-31-41-pmWow. That’s one of the more intense episodes and final moments of any yet on The Path. Very interested to see where all the threads lead from here. Many possibilities, none of them anything other than grim.

The Path – Season 2, Episode 4: “The Red Wall”

Hulu’s The Path
Season 2, Episode 4: “The Red Wall”
Directed by Michael Slovis
Written by John O’Connor

* For a recap & review of the previous episode, “The Father and The Son” – click here
* For a recap & review of the next episode, “Why We Source” – click here
screen-shot-2017-02-09-at-3-13-15-pmLast we saw Eddie Lane (Aaron Paul) he got punched out poolside while drinking with old friend and possible new flame Chloe Jones (Leven Rambin). He was then carted into the ER having a bad reaction to the booze. Will he be okay? Is it a physical reaction, or a more emotional one?
We start with Sarah Lane (Michelle Monaghan), listening to a tape of Lisa Jackson (Megan Byrne) when she came to Cal Roberts (Hugh Dancy) and Meyerism. She was helped, now Cal wants his return on that investment. Because these are exactly the types of things he does, he puts in a good deed to make up for the bad he’ll do, and so the vicious cycle goes. Now Sarah wants the tax exempt status in order to quell her guilt knowing what Cal’s done. At this point she’s no better than him, either.
Back to Eddie, he’s awake and in the hospital. Doctor Sally Hollins (Gretchen Hall) talks with him about why he’s there, why he lost it at the pool, the fight, all that. Chloe told Dr. Hollins about him spending “the last two decades in a cult” and now the doctor wants to help. Although this is nothing but opening a wound for Eddie. Especially when his brother’s suicide comes up.
screen-shot-2017-02-09-at-3-17-44-pmThings get trickier for Lisa, too. She’s been summoned to the compound, and this frightens her. So she goes to Abe Gaines (Rockmond Dunbar) and the authorities. But none of it’s easy, not for Lisa, not for Abe and the law. The higher-ups want the Meyerists taken care of, soon. Yet Gaines worries Cal will manipulate Lisa. Still no telling how Abe’s undercover work is going to go in the end, we might see something nasty happen. Right now they’ve got Lisa with a recording device, heading into the meeting willingly. Uh oh. Even Abe doesn’t look too sure about any of it.
Everyone sees Cal differently. Hawk (Kyle Allen) buys into his bullshit, as do many of the others, Noa (Britne Oldford) and certainly Mary (Emma Greenwell). However, we can see, more and more, how Sean (Paul James) looks at him with contempt. There’s an inevitable confrontation. At the same time we see the sadness of one of Cal’s lectures, as they each take turns changing the colour of the wall. All visualisation. Seeing everybody excited like they’re literally watching it change is soul crushing. And now Sean can see through Cal. It hurts for many reasons, not only because that baby’s likely not his, but rather most of all because he actually let Cal hypnotise him into that way of life.
Richard (Clark Middleton) and Kodiak (James Remar) aren’t stopping in their quest. They don’t know who hurt Steve (Keir Dullea). Kodiak is intent on finding who did, Cal or not, by any means necessary. While Richard’s worried big accusations will “harm the movement” and, rightfully, wants proof. They’ll eventually discover one kill Cal has under his belt, sooner or later I’m sure. But was it him who killed Steve? Could it have been Eddie?


At the hospital Sarah arrives to see Eddie, who isn’t impressed he’s being followed. Is he? I believe it, though I also believe she had nothing to do with that. Probably Cal, knowing his devious nature. Sarah keeps talking about knowing “your damage” and using all the Meyerist buzzwords. Simultaneously, Eddie rejects the movement and loves his wife deeply. One of the saddest parts of any of the plots in The Path.
Over in the new building Cal runs into a man who’s now homeless because of the building the Meyerists bought. He also gets a bottle tossed at him in the dark. Oh, the joys of being in a cult!
Dr. Hollins diagnoses Eddie with PTSD, giving him medication to soothe the anxiety, et cetera. She refers him to a support group, as well. “Youre free now, Mr. Lane, and you can have a wonderful, productive life.” To which he has no real response. He knows it’s true, and all the same, isn’t it tough to admit you’ve spent a huge portion of your life working towards a fraudulent goal? I think so. Eddie is caught between so many things. On top of that could be the guilt of killing Steve. At least he’s got Chloe around, she does care for him and wants to see him escape the cult, sheltered life he was living behind for good.
Hawk has a charged moment with Noa, as she rejects him for being a “boy” when they’re at a private concert together. What we do see is that Hawk’s not totally lost in the movement. Not yet, anyways. That is coming quickly. In other news, Sarah flips at Cal for having her husband followed. Then they get into their shared darkness. We see in this scene, as we do others, how the people in a cult – even the leaders – start at a point where they want to do good, they even are good people, and somewhere along the line that disappears, fading into obscurity as the individual good winds up above the good of the whole.
Cal: “You cant win. Someone always suffers.”
screen-shot-2017-02-09-at-3-34-53-pmscreen-shot-2017-02-09-at-3-39-21-pmThe day of Lisa’s visit to the commune comes. Before Cal can go meet her, Kodiak hauls him aside; he’s found a rabbit eating his strawberries. He asks Cal about the “weight of leadership” on his shoulders. Or does he see the weight of something else, and this is his way to get under the new leader’s skin? Oh, I think he’s a tricky one, that Kodiak.
Once Lisa gets to her meeting, she finds out she’s meeting Sarah. Hmm. Now Sarah brings up everything about when Lisa was there, how they helped her. This is a wildly tense scene. Then Lisa reveals she’s recording them, silently, and the meeting is over. The law thwarted. A situation getting more crazy by the minute.
Speaking of crazy, Sean goes to see Eddie. About his doubts. They sit and talk together, Sean worries about his child – that’s not his – with Mary, and everything else bearing down on him. Eddie says he wishes he could be with his family: “But, I cant have that,” he says solemnly. He tries to tell Sean that it’s all about his life with Mary, their marriage, nothing else.
Eddie: “No one can change the colour of a white wall


Later, we find out Noa’s mother is a music mogul, of some sort. Sarah then tells Cal about giving Lisa the tape of her ‘unburdening’ back, after she revealed the recording device on her. We hear more of her tape, too. She hit a kid on a scooter, a street kid she says. And then she lived with the guilt. So finally, Cal figures out there’s somebody undercover in their ranks. This visibly has him shaken; Sarah’s equally disturbed.
And Eddie, he’s decided to start taking his medication. He sees further how the damage of the cult spreads. First him, now Sean, and countless more will come eventually. He even takes off his ring, heads out to a support group and introduces himself.
Can he turn the page on Meyerism? Or will events now out of his control pull him back into the void?


Fuck, what a great series! This second season is stellar, no matter what others say. Plenty of material to keep going, plus there’s a couple extra episodes this time around.

The Path – Season 2, Episode 3: “The Father and The Son”

Hulu’s The Path
Season 2, Episode 3: “The Father and The Son”
Directed by Michael Slovis
Written by Julia Brownell

* For a recap & review of the previous episode, “Dead Moon” – click here
* For a recap & review of the next episode, “The Red Wall” – click here
screen-shot-2017-02-01-at-10-24-17-pmWe begin with Cal Roberts (Hugh Dancy) giving us a talk on Meyerism, saying it must not “remain static” – these are actually the words of Dr. Steven Meyer (Keir Dullea), as he talks of Cal and Sarah (Michelle Monaghan) being Guardians of the Light. Meanwhile, we flashback with Richard (Clark Middleton) to his first time taking the drugs the Meyerists do. He trips hard then Dr. Meyer comes out to comfort him. And imparts that it isn’t for him to decide who’ll lead them after he’s gone isn’t up to him: “Thats up to the Light, man.” Ah. Now, he’s got doubts about Cal and the supposed words of the doctor coming from his lips.
screen-shot-2017-02-01-at-10-24-47-pmIn other news, Mary Cox (Emma Greenwell) is worried about first time motherhood, so the cult prays for her; Abe Gaines (Rockmond Dunbar), undercover, included. Then out of nowhere, police arrive. You can see just from the look on Cal’s face this worries him. Their mere presence enough to disturb that quiet underneath the surface. Likewise, Sarah’s worried, and she isn’t as good as Cal at hiding it; not that he’s great. Well the cops were there about Hawk (Kyle Allen) and Noa (Britne Oldford) throwing a rock through a window on their previous night walk. Nothing too serious right now.
Speaking of Hawk, he and his father Eddie (Aaron Paul) talk about the retreat he went on, that he “floated” and that he received a sign. When his dad brings the sceptical real world into the picture Hawk does not respond well. The kid doesn’t want anything to do with his denier father anymore. These are the first steps of Hawk’s indoctrination, fully he’s being submerged in the dangerous side of this so-called faith; the side convincing him, in his youthful idealism, that there’s something real about “the ladder” and all the other Meyerist nonsense. And he’s stuck between one parent who’s come to their senses, as well as another that’s also stuck between a rock and a hard place with her own faith. Later, Sarah takes Hawk to see the woman whose window he smashed, Libby Ducaan (Molly Price). She makes an offer: she’ll not worry about the window at all, if they “stop their campaign of false propaganda” involving the people of Clarksville. Libby even provides result of the tests on the water, to show she’s on the level. Is she? Or are we seeing another aspect of a cult where they can’t even see how their philanthropic ideals, in a rush to ‘be good’ in the eyes of the outer world, are being misused?
screen-shot-2017-02-01-at-10-29-53-pmThen we’ve got Abe and his wife Jocelyn (Jasmin Walker). Things aren’t going well. She knows that he’s doing important work undercover, she’s understanding. But it’s all Abe talks about, and simultaneously she has had to bear all his training, all his work, all this undercover stuff taking up his time. She feels as if the family’s being alienated. And y’know, we already see Abe getting too close to Nicole (Ali Ahn), so it’s not hard to imagine he might be slipping into Meyerism a little.
Kodiak (James Remar) is feeling terrible about what happened to Steve, believing he let the man down. All the same, Sarah’s mother Gab (Deirdre O’Connell) comforts him; they have a history, these two. I wonder will Kodiak being around cause friction? Seems like there’s an unresolved love there, or at the very least a passion.
In a not unexpected development, Hawk starts opening up to Cal, who begins playing the father figure role. Yeah, that’s going to turn out well. Nevertheless, they bond and Cal willingly steps in to try giving him direction. And across the street Eddie watches, as his son slips away, from him, and further into the cult. So he makes a split decision to confront them. Eddie tries appealing to his boy, he tries to be understanding. He’s desperate. Hawk runs off while Cal puts up a tough front, and Eddie makes clear: “I will fucking murder you before I let you take him from me.”
Together, Richard and Kodiak look over the final few Rungs, the former believing Steve didn’t write the last three Rungs. And Kodiak’s inclined to believe he didn’t. They wonder now if the man drawn on the cave in Peru, involved in Steve’s death, was in fact Cal.

screen-shot-2017-02-01-at-10-50-10-pmMary goes for a talk with Sarah. She reveals that her baby may or may not belong to Sean (Paul James). She’s concerned that he’ll be devastated finding out the child isn’t his (no telling what Cal will do if he knew for sure). However, Sarah has other things on her mind. Eddie contacts his estranged wife. They met and he’s clearly angry about Hawk, what Cal and possibly Sarah are putting in his head. No telling where all this is headed, but I know it ain’t good.
Note: Truly fantastic score from Will Bates (Imperium). In the next scene, this pounding rhythm takes over and drives the tension you feel mounting. This goes on for a stretch of time, as paranoia begins setting in.
On the road Eddie notices someone following him. Does he? Soon the car vanishes, and he’s relieved. Then at a gas station the car pulls up, a young guy gets out. Quickly, Eddie pumps his gas and takes off. He meets Chloe Jones (Leven Rambin) for a drink at a casino, telling her about all the madness of his life as of late. When Eddie sees the guy from the gas station this sets his paranoid mind off, big time: “Im not letting them control me, okay?” he all but yells at Chloe.
When Sarah talks to Hawk, he says he’s filled with rage. And therefore Cal will help him “channel” all that. Like an unknowingly oxymoronic statement. He further rejects his father, and his mother worries for what she can’t say: Cal is a god damned murderer, one who’s killed his own friend. Super choice of a role model. Somehow Sarah continues falling for him and she’s, essentially, asking him to offer up money in exchange for her silence re: his sins.
screen-shot-2017-02-01-at-10-59-22-pmFinally, Mary suggests to Sean the baby may not be his, and without words confirms she may be carrying Cal’s child. Uh oh. I wonder, will Sean let his old self through and take out his frustrations on the cult leader?
Sarah finds out Ducaan’s testing isn’t complete. Hundreds of thousands of dollars are needed to do the rest, which is, of course, why nobody has found anything major yet as proof. But she knows there’s something wrong. She’s trying to reassure a Clarksville farmer they’re doing their best to help. “I will take on your burden,” Sarah tells him before taking a drink of the contaminated water herself. Stupid faith, and now poison, runs through her veins.
In a car park Cal confronts Lisa about their tax exempt status. He wants their application pushed through, though she says exemptions are being pushed back for a while. Cal wants to be repaid for Meyerism helping her in a time of need. He’s being unbearably creepy, physically threatening without ever uttering a threat or raising a hand.
And while everyone else goes on with their lives, Richard and Kodiak summon the spirit of Dr. Steven Meyer. They beat drums, hoping to speak with him. Kodiak reveals Steve is “not in the light.”
Worst of all, Eddie starts having a bad reaction to the alcohol he drank with Chloe. He’s rushed to a hospital, his breathing staggered, his face going deep red. Will he make it through?


I loved this episode. The personal tensions between characters are coming to a head, and the family of Lanes is coming apart at the seams. Like a juggling act, seeing who’ll be able to carry the biggest emotional load, and who’ll succumb to defeat.

The Path – Season 2, Episode 1: “Liminal Twilight”

Hulu’s The Path
Season 2, Episode 1: “Liminal Twilight”
Directed by Michael Weaver
Written by Jessica Goldberg

* For a recap & review of Season 1’s finale “The Miracle” – click here
* For  a recap & review of the next episode, “Dead Moon” – click here
screen-shot-2017-01-25-at-11-50-29-pmWhat’s next for Meyerism? For Eddie and Sarah Lane (Aaron Paul & Michelle Monaghan)? And what about Cal Roberts (Hugh Dancy), whose Golden Boy status has all but plummeted to the depths? And what about everyone caught in between?
We start Season 2 in Peru. Eddie wanders in search of answers, as Dr. Steven Meyer (Keir Dullea) appears to come alive once more. He all but springs from bed, almost in a frenzy. He goes to the balcony while Eddie walks in to find the bed empty, seeing Steven on his feet. The doctor doesn’t understand about Eddie’s “visions” and insists they must leave right away. Eddie asks him to reveal that he’s sick to the followers, so that they understand: “There is no fucking Light.” But the doc isn’t interested, and a whole new dimension of The Path has opened up.
screen-shot-2017-01-25-at-11-53-15-pmCal and Sarah have a ceremony started, on the site of where Dr. Meyer experienced his “transformation” from the Light. Everyone stands round to watch, as the two take their oath to be Guardians together. Problem is Sarah’s become quite suspicious, worried about where Silas went; of course, we know. In the meantime, Kodiak (James Remar) – another 10R – is brought in by Sarah to be a part of things, although Cal and Felicia (Adriane Lenox) don’t necessarily like it. Excited to watch the tension between Cal and Sarah play out through this season, as well as witness what that’ll bring in the long run.
Everyone is experiencing new things. Eddie works and lives outside the commune, without his family. Sarah takes on new responsibilities, new anguish, and debates with herself/her family whether or not to let Eddie see their kids on his birthday. And Cal, he tries to dull the pain of having killed Silas by diving deeper into Meyerism, as usual. How long until the memories of his old friend dying before his eyes will break Cal, or break someone else for its weight? Well, right now Mary Cox (Emma Greenwell) is again in the eye of Cal’s storm, which she may always be, but here’s news: she’s five months pregnant, she and Sean (Paul James) expecting a child together. Is it Sean’s baby? Might belong to Cal. Uh oh.
Sarah does let her children see their father. She sneaks them off to spend time with him, reluctantly letting Hawk (Kyle Allen) and Summer (Aimee Laurence) go on but still feeling a tiny bit guilty. Back at the ranch, Cal preaches and Sarah does her part next to him. When he talks of Silas, though, it visibly stings her. On their excursion, Eddie chats with the kids and it’s clear Hawk is bitter, although Summer loves her father; she insists he has to have a cake for his birthday, so it’ll keep him “sweet for the rest of the year.” Then Eddie runs into an old friend, Chloe Jones (Leven Rambin). They hang out, talk, catch up on the ruin of their lives. At one point Eddie goes to get in the water with his daughter, and Hawk notices a strange mark on his arm; dad passes it off as a workplace accident. I’m inclined to believe it has something more to do with Peru.
The Meyerism Council are trying to make fiscal decisions, and so on. But everything isn’t smooth, and the rest of the council can see the divide between Sarah and Cal. She won’t take his bullshit, not much longer. And that, coupled with the guilt, is going to crush him.

screen-shot-2017-01-26-at-12-05-47-amAt family supper, Sarah’s brother Russell makes a big deal over her wanting him to keep an eye on Cal. This starts a big conversation, which reveals Sarah’s mother doesn’t exactly trust Cal anymore, not after Kodiak speaking in mysterious ways. Speaking of, Kodiak is on a hike with Richard (Clark Middleton), who has found the body of Dr. Steve Meyer, fallen from a cliff and decomposing brutally on the side of some rocks. This doesn’t help Kodiak’s feeling of unease towards Cal and whatever’s been happening in the movement.
What actually happened to Steve?
Also, Abe Gaines (Rockmond Dunbar) is still among the Meyerism movement, out with some of the others doing their duties. Moreover, Joy – wife of Russell – gets close to Abe, so close they embrace a moment. Yikes! Now that is some trouble brewing.
Across town Russell and Cal are at an auction, the latter going over the Meyerist budget to a price of $5-million on a piece of property. This is the beginning of his missteps, which will surely put the entire commune into crisis, sooner or later. And then there’s Hawk, feeling guilty about going to see his “heathen” father. Inside, Sarah won’t allow her true self to abandon Eddie, no matter their religion. This is another divide that will definitely widen.
Eddie dives deeper into normal life again, going out for a beer with his work buddies; they rib him at first, but genuinely like having him around and are more than happy to have him out for drinks. A couple beers deep, he makes a call to Sarah.
Things get worse when Sarah discovers Cal dropped $5-million of their cash on new property. She heads out into the night by car, listening to the message Eddie left for her. On the road she hits in animal. She stops her beaten up car and rushes to it: a small deer, bleeding. She weeps over its corpse, then in the trees sees another deer, possibly the mother; it runs away after a second locking eyes with Sarah. A weirdly emotional moment. Cal comes to her aide, and she starts expounding upon her doubts. Her belief is slipping. He does his best to bring her back towards the Light: “As long as the work is real,” he tries to tell her. But she’s not happy, she only wants truth.


The truth comes out. Cal admits to what happened with Silas. He breaks down, he acts like he’s remorseful – “I dont want to live like this anymore, I dont want to live with the way you look at me” – yet so much of it rings false. Then Sarah wants Silas dug up, to prove the truth.
At the same time, Kodiak and Richard explore the actual truth of other things in the movement. They’re getting closer to the truth: someone pushed Steve from that cliff, he never jumped, didn’t fall.
However, I’m still very interested in Abe and his particular story. He sneaks over a fence and heads to the backdoor of a house. He goes further, inside. To where his family’s waiting. And that story he’s telling the movement, about the death of his child, it’s lies; the baby is just fine, healthy and happy. He’s doing a big undercover operation, and that’s taking a toll at home. He’s a good man, though. That much is clear. “I promise you,” Abe tells her wife, “Ill be home soon.” Oh, I hope so. I hope Cal doesn’t do something drastic if he finds out what’s going on.
In Peru again, before, we see Eddie receive more prophecy from Dr. Meyer. The doc says Eddie is the “chosen son” for whatever comes next, when the Light takes him, or whatever the hell. Memories of that moment play in Eddie’s mind and plague him. Not to mention that strange marking on him which Hawk briefly spotted; looks like a fleshy tree.
Is there something binding Eddie further to Meyerism than he wishes to admit?
screen-shot-2017-01-26-at-12-37-33-amI felt this was a great start to Season 2. So many strange things, lots of intrigue. Who knows how it’ll all come out in the wash. Next episode is titled “Dead Moon” and I’m looking forward to more development on the Silas and Steve fronts. Kodiak is a great new character, as well; fuck yeah, Remar!

Scream Queens – Season 2, Episode 10: “Drain the Swamp”

FOX’s Scream Queens
Season 2, Episode 10: “Drain the Swamp”
Directed by Ian Brennan
Written by Brad Falchuk & Ian Brennan

* For a review of the penultimate Season 2 episode, “Lovin the D” – click here
screen-shot-2017-01-11-at-2-35-45-pmChanel Oberlin (Emma Roberts) is confronted by the Green Meanie again. She’s trapped in one of the hospital’s dark hallways, as the killer has a baseball throwing machine aimed right at, running full speed. Chanel ducks and dodges, until one of the newest Chanels takes a ball right in the head. Luckily, she’s not dead. Chanel #1 gets away, and we see it’s Ingrid Hoffel (Kirstie Alley) behind the mask.
At the same time Chanel #3 (Billie Lourd) is sneaked up on by the remaining Green Meanie, Cassidy Cascade (Taylor Lautner). But he doesn’t kill his love. They both want to try and convince his mother Jane (Trilby Glover) otherwise. So #3 runs off for a “whores bath” so they can bang, and Cascade threatens Hoffel: leave his girl out of it, or face his wrath. Things between the Meanies aren’t looking good. Uh oh.
screen-shot-2017-01-11-at-2-42-16-pmDr. Brock Holt (John Stamos) apologises for the hand’s actions, nearly strangling her to death, although Chanel doesn’t think much of it, other than it’s progress in their relationship. Yikes. Meanwhile, Hester (Lea Michele) is still kicking around. She’s scheming over Cathy Munsch’s (Jamie Lee Curtis) fortune, who is on the verge of dying. Hester wants Brock to help her steal all her money, then they’ll run off together: “Just two murderers with no one to murder except for each other, but we never will because we love and trust each other.” What could go wrong, right?
Out in the garden, Ingrid gets some nasty ideas when one of the new Chanels is fertilising the tomato garden. Explosive substances. Green Meanie. Murderous impulse. You know what’s coming.
Also, Chanel mixes up the fact Brock is looking at engagement rings for a pending marriage proposal. Only when Dr. Holt calls everyone to Cathy’s room, where she’s lying waiting for death to come, he proposes to the former Ms. Munsch, soon to be the new Mrs. Holt. But he works on Chanel behind the scenes, too. He strings her along.
Cassidy and #3 talk with his mother Jane. He tells her that the “killing and revenge stuff” is all her thing. However, mom isn’t so willing to let all that go. She doesn’t want it to stop until the job is done.
So the wedding of Brock and Cathy goes ahead, right there at the CURE Institute. They’re now officially husband and wife. Then as they snuggle later, Chanel #5 (Abigail Breslin) comes in with information saying that maybe Munsch isn’t dying. She wants to get a sample of her brain, to test for sure. And though Brock isn’t thrilled, Cathy wants more time to be with her new husband.

screen-shot-2017-01-11-at-2-53-16-pmDownstairs, Denise Hemphill (Niecy Nash) is still in cryogenic storage. And Ingrid is down snooping around. She gets a call from Jane, who has her own secrets with Zayday (Keke Palmer) trapped in her cellar. “Now its just you and me,” she says. But Ingrid’s more interested in her latest plan to kill the Chanels.
Things at the hospital are getting tense with Hester wanting Brock to kill Cathy. She doesn’t want to go back to prison where she has to “draw porn” so she can masturbate. Not to mention Chanel can’t deal with Brock and Munsch together, no matter what fairy tale he spun for her earlier. Later, the biopsy goes ahead. Cathy sings “Smoke on the Water” while Chanel plots on throwing her pumpkin spice latte into Cathy’s open skull, which doesn’t work as planned.
Now the verdict: no evidence of the nasty disease, but it’s inconclusive. And she’s still going to die. Maybe. Could even be extreme dehydration. Silly, no? “I only drink scotch, or vodka,” Cathy gasps in a hilarious moment of revelation. She even rinses out her toothpaste mouth with scotch. She goes on to find out the brain eating wasn’t human brain; it was lamb. She’s not going to die!
Everybody heads to the basement for a celebration, champagne included. But it’s all a trick by Ingrid. She traps them in a cage downstairs. She reveals to them all her identity, sister of Agatha Bean who was accidentally burned alive in the deep fryer during Season 1. Out of nowhere Zayday arrives, alongside Jane who doesn’t want to keep on killing after seeing the CURE Institute’s good work. Only Ingrid guns her down, and they’re all left in no better position than before. She further reveals a huge fertiliser bomb, leaving them to die. Afterwards, Denise is alive! And she’s hilariously missed a few things while in her cryogenic coma. Waiting for Denise to defuse the bomb, #5 finally admits she does have teeth in her vagina: “I didnt want to die a liar.”

screen-shot-2017-01-11-at-3-06-53-pmUpstairs the crew chase down Ingrid. They head out back into the swamp. There, Cascade takes a machete right in his torso trying to save #3. In the forest Ingrid runs through a patch of muddy ground which slowly sucks her into the earth. Nobody helps. Until Munsch suddenly feels her conscience tug. She tries to save the woman, but the mud suffocates her and sucks her to the bottom.
Everything is over, and the Chanels have made it through alive. A little worse for wear. You know them, though. They’re bouncing back. #5 is doing her thing at the hospital; she and Zayday are essentially running the place. Munsch hit a rough patch when she finds out someone cleaned out her bank accounts – Hester, of course, who took off with Dr. Holt to an exotic beach on Blood Island. Where they play The Most Dangerous Game. Munsch went on to become a sex expert, like you didn’t see that coming after all her friskiness.
And Chanel, she went on to become a TV doctor with #3 as her executive producer on Lovin the C. So it looks like things have progressed for them after being hunted by the Red Devil killer, the Green Meanie(s). Things are back on track in their lives.
screen-shot-2017-01-11-at-3-11-49-pm


Or are they?
One night as Chanel leaves the television studio, she finds a small broach in her car inscribed KKT. Who’s that in the backseat? It’s the Red Devil.


Wow, loved this episode, and loved that final scene! Didn’t expect it, honestly. Works great and maybe gives us something to expect for Season 3, which hopefully is on the radar for FOX. What did you all think about Season 2? I thought Season 1 was spectacular, and I’ve felt that Season 2 got even funnier, weirder, and wilder. Overall, a solid season.
Let me know your thoughts, and if you want another season with the Chanels, Cathy Munsch, and that sneaky Red Devil.

Scream Queens – Season 2, Episode 9: “Lovin the D”

FOX’s Scream Queens
Season 2, Episode 9: “Lovin the D”
Directed by Maggie Kiley
Written by Ian Brennan

* For a review of the previous episode, “Rapunzel, Rapunzel” – click here
* For a review of the next episode, “Drain the Swamp” – click here
screen-shot-2016-12-14-at-1-50-55-am
Chanels #3 (Billie Lourd) and #5 (Abigail Breslin) are working night shift, as is #1 (Emma Roberts). They come across a doll wearing a KKT sweatshirt, full of knives. And a bed full of swampy foliage. So obviously there’s one dressed up by Dr. Cassidy Cascade (Taylor Lautner), and the other by Wes Gardner (Oliver Hudson).
Then the Green Meanies appear. You can bet Ingrid (Kirstie Alley) is under one of those masks, too. #3 gets saved, obviously by her Green Meanie boyfriend Dr. Cascade. When the three Meanies argue over flubbing their murders, Hester (Lea Michele) arrives to call them all together. A bit of a serial killer murder orgy poised to happen.
I dont wanna die in this outfit!”


But life goes on, of course. Cathy Munsch (Jamie Lee Curtis) tries to keep things on the level, as Dr. Arthur Annenburg (Ajay Mehta) is poking around with the recent disappearance of their man from the journal. Now the Chanels and their credentials will possibly be exposed. Or can Cathy keep it under wraps? She wants the trio to actually take the MCATs.
Meanwhile, Dr. Scarlett Lovin (Brooke Shields) – star of the show Lovin the D – is at the CURE Institute. She wants Dr. Brock Holt, along with assistance from the Chanels, to perform a live surgery on her show to remove a “sixteenpound tumour” from a young man’s face. Yikes, that’s wild. When Brock drops the bomb that the girls aren’t even medical students, things start going sideways. Except this is the charge the Chanels need to take the MCATs. To be on Lovin the D.
Hester holds a “Green Meanie Summit” so that “no ones feelings get hurt” and everyone gets to kill who they want. Oh yeah, just in case you forgot, Wes is Hester’s father. The four of them sit down and claim all their murders in a game show-type segment. Hilariously written and edited. Afterwards they move on deciding who’ll kill all the Chanels. It comes down to a mutiny when Wes isn’t granted the chance to kill #1, but you can bet he’s not letting that slide. Not to mention, Cascade doesn’t want #3 to die, or will he give in?

screen-shot-2016-12-14-at-2-03-00-am
Chanel’s got to focus and try to pass the MCAT. If she doesn’t, no Dr. Lovin, no television appearance. Pretty much left up to Brock because she’s not concerned with learning. Then, out of nowhere, he chokes her. With both hands. Seems like there isn’t only remnants of the murderous hand. Maybe something worse is going on inside Dr. Holt. And poor little Chanel, she has Green Meanies all around her and doesn’t even know it. Plus, Brock’s still trying to strangle her.
With murder on his mind Brock goes to talk with the only person he knows who can relate: Hester. “I still really wanna kill her. More than ever, to tell you the truth,” he explains. She tries encouraging him mostly. “You Dr. Brock Holt, are a killer.” Then they hook up over a dead body.
One Green Meanie kill on a newer Chanel is accomplished. Hung by the neck. #5 does her best to cover things up while Munsch keeps the visiting Dr. Annenburg busy. Wes is the one who made the kill, though he isn’t happy. He goes to Dr. Cascade and makes a case for an alliance against Hoffel, who may or may not have a plan to pin all the murders on them after it’s all said and done. Hmm.

screen-shot-2016-12-14-at-2-14-56-am
Poor Zayday (Keke Palmer). She’s stuck down in a well-like structure, trapped by Jane (Trilby Glover). Although she starts figuring out that Dr. Cascade is the baby in the belly from 1985. Then Cassidy turns up with his ladyfriend #3, which doesn’t please Jane, nor does she have any time for some chick who’s “waxing” her “sons knob.” So mom pits him against her and #3. He chooses mother. Now it looks like #3 must die after all.
MCATs have to be done TONIGHT. The Chanels must complete the exam, and pass, as Dr. Phil and others are trying to beat Dr. Lovin to the punch doing live surgeries. So the girls are thrust into writing the exam.
Will they pass? Yes, indeed. Turns out #5 did the best, only 3 points from a perfect score. Shiiiiiet, ladies! But what actually happened is #1 and #3 had earpieces in to Drs. Cascade and Holt. Not #5, although nobody’s super thrilled. Poor thing: “Im a genius and no one cares.” Funny and sad all at once.
With Lovin the D ready to go live, Wes has left a drugged up coffee for #1. Only Dr. Lovin winds up with an all too similar cup. Are they about to mix up their drinks? Could get interesting. Oh, yes. The host takes a drink then foams at the mouth, writhing on the floor. Dead. The show goes ahead anyways. #1 steps up and takes the lead as host while Dr. Holt goes to work on the tumour until the job is done and done well. After the show, the Chanels are offered a show of their own to replace Dr. Lovin.
#3: “Whoa. Thats a lot of tumour. Right, America?”
screen-shot-2016-12-14-at-2-28-29-am
Ingrid’s pissed that Wes tried killing Chanel, breaking their supposed pact. Things don’t look good for Wes, as the other two back him towards all that boiling oil Ingrid has cooking. He voluntarily drops in, his last word being “playlist” (remember from Season 1?). Fucking killed me, too funny. The other Green Meanies have themselves a bit of cover when Munsch and Dr. Annenburg stumble across a deep fried Wes. The story goes that Wes was the Green Meanie, back to try killing the Chanels. And in other news, Munsch reveals to the others she’ll be dead in a month.
The Green Meanie is dead… long live the Green Meanie!


This was a solid episode. I love the ones that really walk that line of absolute hilarity and nastiness at once, which is the case in many but a few of them are so perfectly balanced that it works incredibly well. Next episode, the finale, is titled “Drain the Swamp” and I’m hoping Ryan Murphy & Co. take a few shots at the Orange Goblin like they did in an earlier episode.

Scream Queens – Season 2, Episode 8: “Rapunzel, Rapunzel”

FOX’s Scream Queens
Season 2, Episode 8: “Rapunzel, Rapunzel”
Directed by Jamie Lee Curtis
Written by Brad Falchuk

* For a review of the previous episode, “The Hand” – click here
* For a review of the next episode, “Lovin the D”- click here
screen-shot-2016-12-07-at-1-29-28-am
Well, well, well – look who showed up again! It’s Wes Gardner (Oliver Hudson) from Season 1. He’s not well. So he came to see ole Cathy Munsch (Jamie Lee Curtis), his old bang buddy at the CURE Institute. He has a big tumour. But we find out more about what happened after the Red Devil murders. They ran away together. He grew a beard and made microbrew. Wrote a book about quarters called Quarters: An American History about “our most important coin.” She drove a wedge between him and his daughter. After which Cathy walked out on him. And now he’s basically a complete mess.
Oh, Wes doesn’t have a tumour, either. It’s a giant hairball: “Looks like Trumps wig,” mutters Dr. Brock Holt (John Stamos).
screen-shot-2016-12-07-at-1-33-24-am
With Chanel (Emma Roberts), #3 (Billie Lourd) and #5 (Abigail Breslin), present, Dr. Holt and Dr. Cassidy Cascade (Taylor Lautner) reveal that poor Wes has a condition that causes him to pull out his hair and eat it. Hence the large ball of hair in his stomach. Tony Robbins screamed at him a while and then he was fine, until the ball created problems. Having Wes in the mix makes Brock a little jealous, despite him and Chanel being together. So it’ll be interesting to see how all that tension plays out.
Finally we get more Zayday Williams (Keke Palmer). She does a bunch of videos around the hospital, though her comments are constantly filled by Chamberlain Jackson (James Earl), who’s got no game at all. She lays it out straight for him about it, and that’s pretty honest of her. They don’t let that get in the way of their Green Meanie investigation. Now they want evidence, like a piece of the killer’s costume, to try tracking more information down.
Brock and Chanel hang out while he cooks, talking a bit about himself. She’s a bit too busy with Snapchat. Then they further figure out their large “age gap,” as he talks about M*A*S*H and she talks about Chumbawumba and Boy Meets World. Things get worse after they’re in bed and Chanel looks anything but aroused or interested. Brutally funny scene, especially after Brock pictures Munsch and mumbles her name in ecstasy.

screen-shot-2016-12-07-at-1-44-10-am
Oh no, Zayday! She’s taking a soak while the Green Meanie skulks in the shadows. Or is she? “Surprise, bitch,” she quips before shooting a taser at the killer. Then Chamberlain takes the Meanie down and a fight breaks out. And even though the Meanie makes it out, Zayday gets a piece of the suit.
Chamberlain gets a bit of help with Zayday from the Chanels. #1 does a bit of cell magic to help him out. I really like Chamberlain, he’s funny and also a good dude, so it seems. Let’s hope there’s more of him.
The wonderfully creepy character actor Bill Oberst Jr. plays a man that owns a costume shop where Zayday goes to figure out where the Green Meanie got their costume. He says that he’s used the fabric before – three scary costumes, different sizes. One in 1986. One a few months back. One only a few weeks ago. He remembers them because he got a “handy” associated with those dates. Anyways, he gives her a bit of information to go on, gets creepier, and Zayday heads off further on her journey towards the killer’s identity.
Hester (Lea Michele) offers her own help to Chanel. She believes it’s a generational thing. So they’re going to learn everything they can about him and his generation, then throw Brock a dinner party to impress.

screen-shot-2016-12-07-at-1-56-59-am
With Chamberlain’s phone blocking calls from Zayday until 9pm, he doesn’t get her call for help. She’s headed to see Jane (Trilby Glover), who tries slamming the door in her face. After that she invites Zayday in. Oh, my. Jane looks downright sinister, even if she’s only pouring tea. And Jane says she bought a suit back in ’86, for her brother to go kill the people who killed her husband. She also says that she raised her son to kill in case the hospital opened again, which it did under Munsch. “Why are you trying to bring logic into this conversation? You do realise that we are insane people, right?” Now I worry terribly for Zayday. She’s been drugged. What will Jane do next?
The Chanels are throwing a post-WWII-themed dinner party for Brock, as if he were born in 1920. Hilariously off base. Lots of great confusion over the “Greatest Generation” and other bits, which is perfect and timely after I just recently read a poll where a lot of people messed up the generation they think they belong in. A little later Brock is willing to work things out with Chanel, appreciating her effort despite the lack of knowledge. Only Dr. Holt also wants an affair with Cathy; a long one.
Over with Cathy and Wes, things are getting sexy. They drink, they lie together in bed. Then the Green Meanie attacks. Wes uses body spray to get them out of a sticky situation, but the killer takes off before they can find out any more.
And as I worried, Zayday’s been put in a terrifying predicament, strapped down in a well-like enclosure, the nearby sound of water. Uh oh. Meanwhile Chamberlain isn’t getting any messages, unaware of where his friend’s being kept. When he throws out some trash he ends up finding a receipt stuck in the hairball from Wes’ stomach: for a machete and chainsaw. And a piece of that green fabric. Hmm. So Chamberlain goes to see the man about what he found. Wes talks about how things went bad for Grace after the Chanels ruined her life. Turns out that Wes swallowed all that hair willingly, after getting drunk. He’s there for revenge, to use the Green Meanie as a cover for him hopefully killing the Chanels.
Remember what I said about loving Chamberlain? We won’t be seeing him again.

screen-shot-2016-12-07-at-2-15-16-am
Wow. I never saw this one coming! But it’s an awesome addition. I always loved Oliver Hudson in Season 1, so I’m loving that he’s actually a psycho this time around and not just a red herring. Next episode is “Lovin the D” and I can only imagine what’ll happen. A bit of eeriness creeps in with Wes back and certainly with him posing as the 3rd Green Meanie.

Scream Queens – Season 2, Episode 7: “The Hand”

FOX’s Scream Queens
Season 2, Episode 7: “The Hand”
Directed by Barbara Brown
Written by Ian Brennan

* For a review of the previous episode, “Blood Drive” – click here
* For a review of the next episode, “Rapunzel, Rapunzel” – click here
screen-shot-2016-11-30-at-12-58-01-am
Poor Dr. Brock Holt (John Stamos) has everybody thinking he’s the Green Meanie. And the worse he feels, the more stressed the hand gets, acting out. Having belonged to a serial killer previously. The more tired Holt gets, the more the hand fucks with him. Even so far as wedgies. He and Chanel (Emma Roberts) have a big night, so he duct tapes his hand to his leg to control it. After dumping a bowl of salt into the pasta sauce he made for dinner. Worse, the hand freaks out and pulls a knife on Chanel. So she does the first smart thing and walks away from an “elegant salty dinner and romantic bone sesh” likewise walking away from their relationship.
A woman named Anna Plaisance (Amy Okuda) has four arms, four legs. She’s come to the CURE Institute for help from Cathy Munsch (Jamie Lee Curtis) and her talented team of doctors, particularly Brock. Will the hand give him trouble? Basically he’s dealing with a surgery involving Ms. Plaisance’s essential twin that grew partly formed in her body. Big time shit. Lots of pressure, too. A ton of media bears down at the will of Munsch. But Brock worries he can’t do it. The hand’s definitely gonna make things shitty for him.
screen-shot-2016-11-30-at-12-59-10-am
Dr. Cassidy Cascade (Taylor Lautner) does some crazy martial arts in his spare time out back near the swamp, to “Scarface (Push It to the Limit)” by Paul Engemann. Hilarious. Afterwards he’s joined by #3 (Billie Lourd). They talk, about The Karate Kid and other things. She’s still thinking about the fact Cassidy believes he’s dead.
Cassidy: “I didnt realise you were prejudice against dead people
#3: “Everyone is, Im just willing to admit it.”
Well, #3 – with help from #5 (Abigail Breslin) – gives Cascade a test she’s gone and researched herself. Things come out fine in the first phase, then they go through the rest. Seems he isn’t dead, he has Cotard delusion. Yay for him. Although he’s still ONE of the Green Meanie killers.But wait, #3 didn’t reveal to him what she does to #5: he is a psychopath, likely a serial killer. A-ha!
More and more Brock’s hand gives him grief. It takes him for a ride, as he even tries cutting it off. Only the Green Meanie – one of them – turns up to try killing him. Turns out the hand’s original owner knew a bit of serious kung-fu. He kicks the shits out of the killer, sending him, or her, packing.
A man named Thomas Benderhall (Kasey Mahaffy) comes in under Dr. Cascade’s care. He has what looks like pock marks all over his face. However, accompanied by terrible stomach flu, yet no fever. Yikes.

screen-shot-2016-11-30-at-1-13-27-am
Chanel gets no good advice from #3, while #5 speaks the truth and gets shot down hilariously. Hester (Lea Michele), now #6, won’t give up the killer’s identity and plays games with the others, teasing of #3 knowing who it is, and this makes things tense. Meanwhile, Ingrid Hoffel (Kirstie Alley) goes to Cassidy with more information about Holt’s hand. We also see Dr. Green Meanie actually feels a bit guilty. Not guilty enough to stop, though. Now there’s even a bit of blackmail on Ingrid’s end. Very tricky.
With a Northeast Journal of Medicine writer at the hospital, Dr. Holt is having a rough time. Hilarious to watch, but rough. Munsch doesn’t make anything easy for him, pumping things up beyond belief. She’s one crafty lady.
Dr. Cascade thinks that Thomas has been poisoned. By the Russians. Now he’s got to be put in quarantine. Plus there’s a risk of contamination. But Thomas’ girlfriend Shelly refuses to leave, holding the doc to his promise of curing her boyfriend. In other parts of the hospital, the Green Meanie kills one of the newest Chanels, strangling her into a coma. Ah, so the killer’s helping the need of a heart donor for the hospital. And things get worse for Dr. Holt. Not to mention he pokes a bunch of holes in the comatose girl’s arm, that god damn murderous hand!


Finally Cascade figures out that Shelly’s got Munchausen syndrome. She’s poisoning her boyfriend. OH NO – that’s not it? Thomas is poisoning himself because Shelly is domineering, clingy, et cetera. He wants to die. God damn, that’s brutal. Unfortunately #3 feels like loves is a lie, and that maybe she’ll need to turn Cassidy in. Or will he kill her first? Dun, dun, DUNNNNN!
There are other things going on. Brock’s trouble deepens, getting bloodier. Munsch makes clear he has only a couple options, the only good one involving him doing the surgery and doing it well. “I am screwing you,” she admits freely.
Game day: big surgery on the books. Doctors Cascade and Holt wash up, readying for the job. Brock’s made a deal with Munsch that he’ll do the whole thing with his killer hand strapped behind his back. During the operation it gives him a slight bit of trouble, although nothing too serious. Until he has to put the heart in, he can’t finish. Chanel pushes a bit of truth about Brock’s life out of him. A song helped him calm down as a boy, so the Chanels sing “99 Red Balloons” for the doctor. And it relaxes the hand, relaxes Brock, so that he’s able to finish the surgery. But will the heart pump? Oh yes, it will. They’ve done it. More importantly Brock has control of himself, at least a little.


So what’ll happen between #3 and Cassidy? He reveals that he won’t kill her, or Chanel. And that he’s “not the only killer.” That’s all he’ll say right now.
You know that the writer from the journal won’t be making it out alive. He makes a call to a friend about a major “medical ethics scandal” right before the Green Meanie puts a blade through his head. Upstairs, Cassidy gives Brock a present: one of the hands they removed. The twin was male, the hand fits. Cassidy wants to do the transplant himself.
Can they get rid of that serial killing hand before it does nasty damage? Or will it kill Chanel?


Loving this season. So much weird and wild stuff happening. Next episode is titled “Rapunzel, Rapunzel” and it’s directed by the great Jamie Lee Curtis herself!

Scream Queens – Season 2, Episode 5: “Chanel Pour Homme-Icide”

FOX’s Scream Queens
Season 2, Episode 5: “Chanel Pour Homme-Icide”
Directed by Barbara Brown
Written by Ian Brennan

* For a review of the previous episode, “Halloween Blues” – click here
* For a review of the next episode, “Blood Drive” – click here
screen-shot-2016-11-16-at-1-59-49-am
Chanel Oberlin (Emma Roberts) hears #5 (Abigail Breslin) from across the hospital. As #3 (Billie Lourd) explains, #1 has developed a “fine tuned” addiction to #5’s pain. Along with Munsch (Jamie Lee Curtis), the Chanels and Zayday (Keke Palmer) find #5, as well as the corpse of Denise Hemphill (Niecy Nash). So now sleazy Cathy has to come up with a story while they dispose of the body. Oh, and they leave #5 to wallow in agony alone. With more dead bodies piling up they’re forced to call the police in.
Downstairs, Munsch shows Zayday a cryogenic chamber she bought with some of the Radwell cash. They put Denise’ s body inside to test it out. Meanwhile, Cathy is still dying little by little.
screen-shot-2016-11-16-at-2-01-55-am
No longer blue, Chanel and Dr. Brock Holt (John Stamos) continue getting closer. He apologises for the mix up with the medicine, then goes on about his relationship with Ms. Munsch, how he did it only because of being distraught from missing out on Chanel. But she has no “emotional object permanence” and surely they’ll be together sooner than later.
A week later after the publicity surrounding the murders, Munsch’s CURE Institute is booming again. All kinds of strange illnesses pour in and the place is on wheels. Ingrid Hoffel (Kirstie Alley) is up in her business trying to get more and more all the time. Otherwise things are fine, except the fact Cathy is a complete fucking loon. She winds up on a case trying to treat a woman who’s switching from accent to accent, all over the globe. Her name is Penelope Hotchkiss (Mary Birdsong), and she can’t control the voice she uses. Now that’s an interesting one.
Ingrid gets under everybody’s skin, including the Chanels; she calls them “nondoctor idiots“, “dead inside“, “Dr. Tiny Bitch“, among other names. Usually I find Alley a irritating pain to watch, but the writing is too good not to enjoy. Her delivery is perfectly condescending. She has #1 and #3 doing the worst of chores around the hospital, which they’re obviously not happy about, and thems the breaks, right? Not when Ms. Oberlin’s putting her mind to it. Or, y’know, trying to.
Zayday goes to see Munsch about Chamberlain Jackson (James Earl). Turns out there aren’t any candy stripers. Cathy says she hasn’t hired anybody. Certainly not off Craigslist. Might have something to do with all the serial killing going on. Like Season 1, another baby mystery is at hand, and Zayday decides she’s in to solve the puzzle.


Chanel sent out word she’s accepting applications for more Chanels. Concerned about the Green Meanie. #1 wants “cannon fodder” in case he’s intent on doing her in. So when everybody on their previous list passes, they turn to the patients in the hospital getting a couple new recruits.
Then, they have no choice but to talk to someone named Tristan St. Pierre (Pablo Castelblanco). He started writing explicit, lesbian fan fiction about Chanel. He got extremely obsessed with her. Creepy. Tristan is brought in as a Chanel Pour Homme; brilliant title. They have Chanels #7 and #8, as well. All for human shields in the face of murder.
Dr. Cassidy Cascade (Taylor Lautner) and Chanel #3 try to work on Ms. Hotchkiss. In rushes Brock with information, but then it seems as if the accent issue goes viral. All three of them start talking like Penelope, shifting accents themselves.
In the lower levels of the hospital, Chanel gets a scare from Hester (Lea Michele). She tries to ingratiate herself to the Chanels again. And #1 lets her back in. She’s intent on finding the Green Meanie. No matter how crazy things must get.
Zayday and #5 go visit Jane Hollis (Trilby Glover) about her husband who died that night two decades ago. She believes Dr. Mike and the nurse covered that up. Obviously Chamberlain is out of the running for the baby. Or is he? Because Jane’s husband was black.

screen-shot-2016-11-16-at-2-43-31-am
The accent virus keeps going strong, changing in everybody. The writing does a smart job poking fun, as they even make fun of how bad the accents are, too. Great little bit. They also drop a lot of movie references. Also, Doctors Holt and Cascade and Chanel #3 come up with a treatment to help Ms. Hotchkiss. Moreover, Dr. Holt figures out they’ve contracted “Madonna syndrome.” They have to lock themselves up watching American films to get themselves back on track.
Zayday keeps on trying to figure Chamberlain out. He explains his presence there is only about making people feel good. “Ima let my freak flag fly,” he tells her going about doing his Willy Wonka hospital routine. In other news, Cathy has a talk with Ingrid; to fire her. She doesn’t dig the way Ingrid treats the staff. The woman has a drug addiction, however, she knows of Cathy’s disease – blackmail.
The Chanels have a big night planned. A slumber party, including makeovers. Never a good sign when the girls are being nice. Chanel #8 has to go to the morgue to find a gift they’ve supposedly left her. A “sacrifice” to the Green Meanie. Will he take it? Tristan confronts #8 because he wants the gift, putting himself in the way of possible death. When #8 turns up it’s clear who’ll be killed. And boy, is he ever dead.
Naturally, Munsch is pissed. The Chanels are always bringing her more trouble, as if she doesn’t have enough on her own. Chanel #7 is now down with being a human shield, and #8’s been in for a while. Now, Cathy has three more Chanels for admittance; #11 even has eleven fingers. #1 has the girls put to work already cleaning up #5’s “monster dumps” in her bedpan. Man, the writing kills me sometimes. I rarely laugh out loud by myself unless something is really funny; this series does it to me often. Anyways, Munsch wants to find Hester, and she wants #1 to give up the info.
The Green Meanie kills #11, after first doing a bit of homemade machete surgery on her extra finger. That poor girl didn’t last long.
Most intriguing is the finish, as Jane Hollis receives her son for dinner: it’s Cassidy. He was the baby in the belly. And now he tells her that their secrets will be safe: “Ill take care of everything.”

screen-shot-2016-11-16-at-2-50-06-am
Solid episode. Well worth the wait!
Next up is “Blood Drive” and I anticipate more intensity, foolishness, and more importantly – MURDER.

Scream Queens – Season 2, Episode 4: “Halloween Blues”

FOX’s Scream Queens
Season 2, Episode 4: “Halloween Blues”
Directed by Loni Peristere
Written by Brad Falchuk

* For a review of the previous episode, “Handidates” – click here
* For a review of the next episode, “Chanel Pour Homme-icide” – click here
screen-shot-2016-10-19-at-12-40-20-am
After the bloody events of Chanel Oberlin’s (Emma Roberts) would-be wedding to Chad Radwell ended with his death, she weeps over the body, as everyone wonders exactly what’s happened. Cathy Munsch (Jamie Lee Curtis) is of course ready for the whirlwind of another serial killer in her midst. Denise Hemphill (Niecy Nash) continues with her conspiracy theories, as everybody goes a little mad. #5 (Abigail Breslin) oversteps her boundaries and sets Chanel off on a rant against them before being carted off in a fit of madness. Taking the lead is Denise, but can she be trusted? I’m not saying she’s a murderer, though she is completely god damn foolish. We do get a window into Chad and Denise’s roleplaying, involving some Brokeback Mountain stuff. Weeeeird.
screen-shot-2016-10-19-at-12-44-08-am
So Denise dresses like Mrs. Chad Radwell for Halloween. She and Munsch go to see the Lecter-ish Hester Ulrich (Lea Michele), who spouts mostly ominous bullshit.
Everybody gets together for Chad’s will – his family died on the way trying to stop him from marrying Chanel. Haha, dig it. Turns out that Chad – in sound mind and “bitchinbody” – leaves his estate to Cathy Munsch. Wow. And he changed it just before dying. Hmm, coincidence? Red herring? Either way, Chanel absolutely flips out, charging at the accountant reading the will before beating the shit out of him a bit.
But there’s still Chanel-O-Ween! She decides to send out terrifying gifts this year to separate herself from the masses: “For my disgusting hippo fans.” And they positively eat it up to ridiculous lengths.
In other news, Dr. Brock Holt (John Stamos) checks Chanel out, she’s not feeling so hot. From mind to body. Can’t be nice having another serial killer in her life. Is it Dr. Holt? Or maybe the literally dead Dr. Cassidy Cascade (Taylor Lautner)? No telling for sure, not yet.
At home Chanel wakes up after taking the colloidal silver Brock gave her for a rash on her leg – to find her skin is blue. As if things couldn’t get any worse for the rich white girl.

screen-shot-2016-10-19-at-12-57-19-am
The night before Halloween, Denise is setting up decorations on one of the hospital’s floors at the nurse station. Then the power goes out. Uh oh, Mrs. Chad Radwell! In the darkness of a nearby room the Green Meanie comes at her. They tussle a bit, but you know Denise can kick some ass, boy. She gives the Meanie a run for his money, eventually pulling a gun. Although the green killer makes off without taking a bullet. This sends Denise to get Hester: she’ll be wearing an anklet for the Halloween party, then later she has to give up the killer’s identity. Even gets a Jason Voorhees mask to put on. Denise then hilariously goes on to mix up Michael Myers as being played by Mike Myers, y’know, after Wayne’s World. Love her and love the dialogue the writers give her.
Lots of shade thrown around between Chanel and Denise, as they stand toe to toe in their costumes. And again, more of the roleplay between Denise and Chad – this time, American Beauty. Christ, this episode is awesome and funny, too! Lots of movie references flying around usually. This episode is on another level, and doing so wisely.
Finally, Chanel goes to see Holt about her tinted skin. He says there’s no cure. Yikes! Well right now Holt also has himself an alibi, he can’t be the killer – he was boning Munsch while Chad was killed. Holy christ, Cathy gets around, doesn’t she? Good on you, ma’am. But now Chanel is taking off, sick of all the bad luck she’s immersed in. Then someone in an Ivanka Trump outfit turns up, silent, trying to murder her. No change in that luck. Oh, and it’s Hester underneath that mask. Where’d she get it, though?

screen-shot-2016-10-19-at-1-08-09-am
Tsk, tsk, tsk. #5 is outed now. Zayday (Keke Palmer) and #3 (Billie Lourd) reveal they helped #5 find herself an Ivanka Trump costume earlier in the day. GASP! COULD IT BE? Nah, we know the truth. However, everybody turning on #5 – more so than usual – isn’t any good. It doesn’t look good having her left all alone, especially during the Halloween party. Chanel warns her plainly: “If you show up to that party, well kill you.”
October 31st hits and the party is on. Zayday is Isis – no, not like caliphate-style, like the Egyptian goddess. Again, hilarious! Then#5 turns up as Ivana Trump, not Ivanka. They make a super funny and kinda disturbing point about the Donald and his daughter. Then there’s the fact Ivana is still wandering around, Hester in disguise. She disappears through the halls when a Halloween party full of people turn up puking and going crazy. Seems that they were bobbing for apples and ergot (a fungus) was growing on them, making people quite sick. Although, Zayday doesn’t believe that diagnosis from Dr. Holt, she challenges him.
Meanwhile, Denise and Chanel are conducting a Ouija board ceremony, fighting over the dead Chad Radwell. He event contacts Chanel over his goat, the one he keeps for milk – being lactose intolerant and all. He also tells Chanel he loved Denise more than her, but doesn’t quite get to tell her about the killer before everyone rushes off somewhere.
And all alone is #5 just as I suspected. As if Ivana Trump hasn’t been through enough married to Donald all those years. Eventually Ivana comes across Ivanka. Hester doesn’t kill #5. She lets the Green Meanie do it instead. Ohhhhh shit.

screen-shot-2016-10-19-at-1-20-08-amscreen-shot-2016-10-19-at-1-20-28-am
With the help of a girl dressed as Snow White, Zayday and the others figure out what happened at the party. She saw the Green Meanie changed out the apple bobbing water: the water got dosed, as I suspected again, with DMT. Yowzahs, very wild. Anyways, things are settled at the hospital. For the time being. But maybe the Meanie didn’t want to kill him. Perhaps he needed “a distraction,” as Zayday notes. Now, there’s trouble.
Denise comes across a stabbed #5, and once more she’s also confronted with the Green Meanie. The killer tosses a punch bowl all over Denise before shocking her with some paddles. Is she dead, or can her heart take it?

screen-shot-2016-10-19-at-1-25-34-am
An awesome, exciting episode. Really dig this season so far. Next up is “Chanel Pour Homme-icide” and I bet we’ll get more Hester, too! Can’t wait.

Scream Queens – Season 2, Episode 3: “Handidates”

FOX’s Scream Queens
Season 2, Episode 3: “Handidates”
Directed by Barbara Brown
Written by Ian Brennan

* For a review of the previous episode, “Warts and All” – click here
* For a review of the next episode, “Halloween Blues” – click here


So with that poor young man, warts and all, burned to a crisp, Chanel Oberlin (Emma Roberts) puts the ladies on notice: there’s another serial killer lurking about! Duh, Chanel. Although she goes on accusing #5 (Abigail Breslin), as well as suggesting she had a part in some of the first murders last season. Just being a proper bitch. But #3 (Billie Lourd) is the voice of reason. Somehow. Before they can figure out what to do, Cathy Munsch (Jamie Lee Curtis) herself shows up. You know she wants things covered up just as bad. She also lets slip that she may be dying, although the girls don’t fully catch on right away.
Out in the swamp, #1 and #5 get into a “comparative wetlands” argument, a good bit of typically hilarious dialogue. Just like back in 1986, a body gets dumped into the waters. Only somebody is watching in the woods.
Meanwhile, Randal (Kevin Bigley) seems to have gotten better. No more freaks out. Suddenly the Green Meanie arrives for a brutal, bloody slasher kill. Yowzahs!
screen-shot-2016-10-12-at-1-47-41-am
The ladies are gone back to see Hester Ulrich (Lea Michele) in her Hannibal cell. “Sweating to the Oldies 2” is a bit of a psychological torture on her while she rots away in there apparently. Quid pro quo. “A room with a view” becomes A Room with a View, which does not help with Hester who pushes hard to get a transfer over to her hospital. Munsch ain’t playing that shit, though.
Chad Radwell (Glen Powell) has issues with a serial killer running loose in the hospital. He’s worried about Dr. Brock Holt (John Stamos) and his transplanted killer’s hand. Well, Chad and Holt get into a “sperm off,” or they almost do. Afterwards we see Holt’s hand get a bit wild, too. The whole scene is drop dead hilarious, even once Munsch disses Chad as possibly being the worst lay she’s ever had. I loved the first season. This season is already defying any expectations I might’ve had about this one not being as good. Almost better already.
Dr. Cassidy Cascade, Chanel #3, and Munsch talk with a woman named Sheila Baumgartner (Cheri Oteri). She has orgasms, constantly. Not in a good way. So Dr. Cascade does his best to start a course of treatment. Later, he and #3 are alone cleaning up in the morgue. He mentions to her that Chad was in there earlier chopping up bodies and swearing a ton. Great. More than that he tells #3 that he’s dead. Like a “Highlander” who must wander the Earth. Haha, jesus. I’ve never watched Lautner in anything before, to be totally honest. He cracks me up in this role so far.

screen-shot-2016-10-12-at-1-58-02-am
Zayday Williams (Keke Palmer) and the Chanels are hanging out together, as #1 rants and raves about her skin. All of a sudden, Zayday has an epiphany while paying Scrabble and playing the word nurse.
Again in the showers Chad confronts Dr. Holt. Naked. “Just airinout my scrote, bro,” he tells Brock before also letting him in on the fact he’ll be doing the new hand transplant to get rid of that pesky serial killer organ.
Out on a hunt, the Chanels, Zayday, Munsch, and the ever hilarious Denise Hemphill (Niecy Nash) go to where Hester suggested they start on their search for the truth behind the Green Meanie. Turns out they discover the guy behind Esrun skin cream was there the night the Green Meanie killed all those people. He was paid $5-million to keep his mouth shut, all from the hospital. He claims Nurse Thomas (Laura Bell Bundy) told him a story about the year prior, when a doctor and nurse threw a dead body in the swamp. So is the woman whose husband died, or the child she later had?
Idiot Chad is trying to prepare for the big hand surgery. However, Munsch shows up to reveal Chad is actually her “prime suspect.” Holt cannot be the killer, she says. Nobody’s out of suspicion fully. Not yet. There’s certainly a bit drama building between Dr. Holt and Chad. Something nasty will come of it.

screen-shot-2016-10-12-at-2-11-09-am
Together, #3 and Dr. Cascade try figuring out Mrs. Baumgartner’s problem. #3 gets into the yoga pose she was in when the orgasm problem began. Things get slightly sexy, before the doctor recreates what happened to make Sheila slip into full-time orgasm mode. A-ha, they’ve cracked the case! Like a millenial slasher version of House.
Things aren’t going well for Chad. He’s trying his hardest to impress Chanel. He even goes ahead, asking her to marry him. Yet in the distance is Brock, watching strangely. An eerie moment.
#3 and Dr. Cascade get a bit freaky right after surgery. I mean RIGHT AFTER. Eventually they move back to a bed, at least. Music troubles make their sexy times a bit tough for the first few moments. Cassidy’s worried about his deadness. So he shows her a thermometer for proof.
Surprisingly enough, Chad tries asking Dr. Holt to be his best man. Truthfully he has cold feet about it, he wants help to go through with the marriage. Brock agrees, though I can’t help wondering: what’s his endgame?

screen-shot-2016-10-12-at-2-22-49-am-1
Chanel #1 is beaming. She wants #3 to be a bridesmaid. Zayday, too. She only wants #5 as a ring bearer. Dressed like a dog. Hahah good lord. The wedding’s tomorrow because rich white people are crazy.
After Sheila Baumgartner’s recovered and heading home she says the media has been alerted of the great care at Munsch’s hospital. Nothing lasts long, as Sheila sees the Green Meanie down the hall, tossing a scythe at her long distance. Sheila has her head lopped off. Chamberlain Jackson (James Earl) gets a slasher across the belly. But Zayday? She only challenges the Meanie: “Lets go, bitch.” The killer runs off, leaving the question, why Zayday?
We get an awesome Hannibal mask on Hester when she’s brought over to the hospital. With the Esrun lead, Denise pulled some Quantico strings to get her transferred. Things are only getting creepier though, as Hester’s sure the Meanie has killed again already.

screen-shot-2016-10-12-at-2-28-13-am
At the Chanel-Radwell wedding things are underway. Poor #5 is wearing her dog collar. A few witnesses, including Munsch, are waiting. And wait they do. You didn’t think Chad Radwell was getting married, did you? Nope.
Or is it more than that?
When Chad’s dead body falls from the ceiling of the church right next to Chanel, all bets are off.

screen-shot-2016-10-12-at-2-31-40-amscreen-shot-2016-10-12-at-2-32-02-am
Who is the Meanie? My early bet is on Dr. Brock Holt, or the mysterious Ingrid Hoffel (Kirstie Alley). There’s no proof yet, really. So let’s see what happens in “Halloween Blues” next week.
Oh, in case you want to rock out to the wedding song before Chad’s bloody entry, here’s “Baby Love” by Regina from 1989.

Fear the Walking Dead – Season 2, Episode 15: “North”

AMC’s Fear the Walking Dead
Season 2, Episode 15: “North”
Directed by Andrew Bernstein
Written by Dave Erickson

* For a review of the penultimate Season 2 episode, “Wrath” – click here
screen-shot-2016-10-03-at-1-55-51-am
The finale is upon us! Who will survive, and WHAT WILL BE LEFT OF THEM?
After the head crushing finish of the penultimate finisher, “North” starts out on Travis (Cliff Curtis) having unleashed fury on the two young men who put Chris (Lorenzo James Henrie) down after being injured in their car wreck. In the process, he hurt Oscar (Andres Londono) real bad. This isn’t going to sit well with anyone in the hotel. Elena (Karen Bethzabe) has him taken away, locked up somewhere. Everything is getting pretty rough at this point. Madison (Kim Dickens) tries her best to keep a cool head, at the request of Strand (Colman Domingo). She then takes Alicia’s (Alycia Debnam-Carey) knife to go put walkers Brandon and Derek out of their misery. Feels like Madison is starting to rage in her own way, too. Ain’t just Travis anymore. Strand, he looks worried.
screen-shot-2016-10-03-at-1-58-37-am
At the colonia, Luciana (Danay Garcia) patches up Alejandro (Paul Calderon), whose bite is fierce. He’s getting sick, and fast. She wants to try making him look “presentable,” but he sees the end coming now. It doesn’t look pretty. She stays with him to help, although Luciana’s not impressed. “This is ending,” Alejandro says. But she thinks there’s still a future there for the rest of them.
Strand wants Madison to calm down. Technically, Travis has gone against the rules they’ve set out. “Weve lost our place,” Alicia says about their situation in the hotel. Going against them, Strand believes Travis can’t stay there. And Alicia wants to leave, take him, set out on their own once more. She’s sick of losing people and wants to not become hardened people, willing to give up the lives of others for a safe space to lay their head. At this point, Strand is set apart from them. Not sure if they’ll come back together, or if Strand will stay at the hotel for good. The agreement is to let Travis out of his lockup until dawn when the group heads for the hills.
Nick’s packed and ready to leave the colonia, with or without Luciana. She stubbornly won’t go anywhere. Marcos (Alejandro Edda) is coming, at some point or another. “Do what you do, Nickrun,” Luciana taunts.
With Oscar unconscious things are awful for the people at the hotel. Alicia tries to help. Nobody really wants it, though. They’ve got their hands full trying to do homemade surgery on Oscar.

screen-shot-2016-10-03-at-2-17-52-am
In front of everybody, Alejandro limps sickly to his people and confronts them with the truth about Marcos. He does his best to inspire them. Simultaneously, Nick heads for the wall of zombies. He smears himself well with blood, then ventures into the vast unknown past their wall. While Alejandro spins a fairy tale of bullshit to the colonia, Nick spies a helicopter touching down in the distance.
Oscar’s surgery goes on as Madison and Travis spend their last night in the hotel upstairs. “Whoever you think I am, whatever part of me you think is the same, its not,” Travis tells her. She agrees those two guys deserved to die after what happened, after all that happened with them on the road. Madison believes herself worse than him. They’ve bonded closely over this brutality, and that’s how it goes in the new world post-zombie apocalypse. A beautiful little moment between these two; and boy, did they need it! Downstairs, Oscar lies dead on the table. So now, will there be war? Oh, it seems that way. The men go for Travis in the middle of the night. Andrés (Raul Casso) puts a gun to Travis for killing his brother. When Alicia stabs him, all bets are off. Strand winds up getting his hands on the gun flicking across the floor, and states the obvious: “We need to get out now.” If only for the fact Strand won’t leave with them. No, please! I love Strand, I hate to see the group separate. He’s awesome and I don’t want him to die. So as long as he sticks around on the show, that’s fine. Just don’t kill him AMC, you bastards.
The road ahead for Madison, Alicia, and Travis doesn’t look great. But better than getting torn apart by everyone back at the hotel.

screen-shot-2016-10-03-at-2-31-31-am
Alejandro gets a surprise visit from Nick. He’s come back after seeing the helicopter, finding Alejandro incredibly sick. They have a frank chat about dying. About whether to leave. Nick believes actually caring about the people in the colonia would mean doing the right thing; getting them out. To be a good man, Alejandro must “let them go.” That helicopter, it landed across the border in a camp. Nick sees hope out there.
In the big supermarket, now empty, Alicia, Madison, and Travis search for information about the colonia. They also see hope – that maybe they can find Nick again. Well, they stumble across that death room where Marco had a bunch of dead bodies. Not a nice place. Although they may be able to figure out how to get to colonia if there’s anything left on the corpses. And there just may be some clues.
In the daytime, Marco and his crew roll out to the colonia. There, they first come across the wall of undead. Heading into the bus they find it’s “too easy.” After they’re all the way inside Marco discovers a veritable ghost town. Nobody visible, anywhere. Not from far away, anyways. Alejandro’s still lurking, looking to die a “beautiful death” as Nick predicted. He’s well enough to get to the bus, put it in drive, and let the walkers crawl on in. Colonia no longer secure.
Along a city road Nick and Luciana lead the good colonia citizens elsewhere, out towards the border in a bid to maybe find that camp, maybe a helicopter. Anything’s better than being slaughtered by drug dealers.


On their own way, Madison and Travis head into the colonia. Fuck, shit, FUCK! Always one step behind Nick. Outside, Alicia waits by herself, but then decides to go in towards the bus. The tension is killing me. Of course the inner sanctum is covered in walkers, dropped guns. Even Marco is a zombie. Every last person is dead. Alicia finds Alejandro at the bus and makes him comfortable. He tells them about Nick and the plan to head towards the border. At least they know which direction he’s going. Someday they may cross paths again.
The border is littered with cars, a scattered zombie here or there. Nick and Luciana take the group through the gates. He looks out towards the horizon spotting a helicopter through binoculars, a refugee camp not too far off. Then from nowhere a man with a gun. Luciana takes a bullet. Reynaldo, as well. Armed militia-style men take the group over. Nick and Luciana are cornered.
With Madison, Alicia, and Travis seeing Alejandro out of life once and for all, Nick is beaten down by the armed men. Nobody’s future is certain, as we always know a little too well. How will the next season begin? Where will they all be?
screen-shot-2016-10-03-at-2-45-54-am
A tragic and exciting end to this season. I dig it! Very ominous. Lots could happen.
Let’s await Season 3 with a new season of The Walking Dead in a few weeks.

Fear the Walking Dead – Season 2, Episode 14: “Wrath”

AMC’s Fear the Walking Dead
Season 2, Episode 14: “Wrath”
Directed by Stefan Schwartz
Written by Kate Barnow

* For a review of the previous episode, “Date of Death” – click here
* For a review of the Season 2 finale, “North” – click here
screen-shot-2016-10-03-at-1-00-12-am
Here we are at the penultimate episode of Season 2! Can’t believe it’s here so quick, honestly.
Ofelia (Mercedes Mason) is off on her own still, only the truck she’s driving breaks down on the road. As she takes care of it a couple walkers sneak up on her. She manages to get out of a jam, but now she finds herself on foot, walking down across a long wall in the middle of the desert. Is she headed back into the U.S. or what is the plan? I only hope she doesn’t get eaten alive.
screen-shot-2016-10-03-at-1-04-41-am
Nick (Frank Dillane) and Luciana (Danay Garcia) lay in bed together, having gotten closer with each episode as of late. Except he and his buddy Reynaldo (Cuauhtli Jiménez) are sneaking around under the nose of Alejandro (Paul Calderon) trying to make sure things go smoothly for the colonia.
At the hotel, Madison (Kim Dickens) watches over her newly returned husband Travis (Cliff Curtis) sleeping. They’re not doing well since his fateful last moments with Chris (Lorenzo James Henrie) before he callously left his father behind. “Hes safer with people who understand him,” Madison tries to explain. Not going to fly right now. It’s hard, no matter how shitty of a person they are, to let go of someone you love, especially a child.
At the overtaken supermarket, Nick and Reynaldo head in with the oxy. Not only that, they want to see Marco (Alejandro Edda). They offer him oxy, every week, for a promise to be left alone to their own devices. Turns out Marco doesn’t need them any longer, and that spells trouble for their little colonia. ‘Cause this Marco, he’s fucking ruthless.
Serving up a bit of breakfast, Alicia (Alycia Debnam-Carey) tries to bond a bit with Travis. She feels as if she pushed his son away because of his behaviour. Rightfully so, which he readily admits, too. “Hes sick,” Travis tells her. He knows, it’s just a damn hard thing to accept as a father. He further apologises not for protecting her when Chris went haywire on them.
Worse than anything is the fact Brandon (Kelly Blatz) and Derek (Kenny Wormald) have wound up in the hotel. And when Madison asks about how they got there, they make it sound like their friend driving, who we assume is Chris, didn’t make it. Shit. That’s going to devastate Travis if and when he finds out. Madison goes to tell Strand (Colman Domingo) about what she’s discovered. He thinks they’ve got to try and keep it from Travis, at least until they can figure out what to do from here. He worries that if Travis finds out Chris is gone for good, it may do terrible and irreparable harm. “Hes already broken, thatll kill him,” confirms Madison.

screen-shot-2016-10-03-at-1-15-35-am
Back at the colonia, Nick lets Luciana know about their new predicament, advising they tell Alejandro. The head honcho isn’t pleased; not about the whole thing, nor about Nick going out on his own. There’s a bit of zombie trouble first, though. A walker stumbles in, about to bite Nick, and Alejandro takes a CHOMP right in his forearm. Nick tumbles over a railing with the living corpse, and this puts it right in the hospital bed of unsuspecting patient – whose nose gets bits off – then a nurse gets her fingers eaten. All before Nick puts an end to the zombie by pushing his fingers into its eyeballs until POP! What a god damn mess, every bit. Tragic, yet an awesome scene of chaos.
Along the border fence, Ofelia finds a hole cut, and starts in through the desert on the other side. At the same time in the colonia, those bitten – excluding Alejandro – head through the bus, into the wall of undead. Now Nick is worried that soon the “shooting starts” and he knows “faith is not gonna protect us.” He wants Luciana to go, although she isn’t as willing. Until Alejandro reveals to her he isn’t immune, that he was bitten by an addict, then the story went wild. She won’t leave with Nick, no matter the lie.
The hotel turns into chaos, as well. Refugees there in the parking garage aren’t happy that Brandon and Derek are being treated first. Little do they know this is a ploy for Madison to get them out of there without Travis knowing. Only he sees this from upstairs, spying the men who were with Chris. He manages to get down there before they’re tossed out.
Out of nowhere Ofelia gets bullets fired near her feet. She takes off to find what little cover she can. A man (Dayton Callie) with a rifle stalks her down, removing her knife: “Welcome to America.”

screen-shot-2016-10-03-at-1-22-20-am

screen-shot-2016-10-03-at-1-39-57-am
Travis has Brandon and Derek taken back inside. He wants to know about Chris. Things get very, very tense. They tell him how it all went on the road. When Chris volunteered to drive, he dozed off and flipped their truck. Instant death through the windshield. Or is it really how things went down? Travis starts noticing their stories don’t add up. Little slips of the tongue. So he locks everyone outside, then starts in on beating the two young men. He kicks the living shit out of them before Brandon confesses: “We killed him.” His injuries were too bad and they decided to put him down. No surprise there. And that’s all Travis needed to hear. He cranks Brandon’s arm back out of its socket. Derek tries to fight him off, but Travis lets the beast out and demolishes what’s left of them both. Even stomps Brandon’s head in leaving him dead like Chris was on the road. Savage.

screen-shot-2016-10-03-at-1-48-29-amscreen-shot-2016-10-03-at-1-48-49-am
What a whopper of a penultimate episode. Can’t wait for “North” up next.