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The Horrible Home of Critical Film Theory

Tagged Euripidean

BULLHEAD’s Deadly Construction of Masculinity as Greek Tragedy

A contemporary Greek tragedy about conflicted, violent masculinities.

Published: 05/07/2016

Words: C.H. Newell

2011
Crime
Drama
Film
Matthias Schoenaerts
Michaël R. Roskam

Belgian Film
Bullhead
Dionysian
Euripidean
Friedrich Nietzsche
Greek tragedy
Hormone Mafia
Masculinity
Matthias Schoenaerts
Michaël R. Roskam
Rundskop

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C.H. Newell

C.H. Newell is first and foremost a passionate lover of film— especially horror. He's also a PhD student at Memorial University of Newfoundland with a concentration in postmodern critical theory and Queer Gothic. He wrote for Film Inquiry frequently during 2016-17, and regularly contributed to Scriptophobic during 2018-2019 in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, C.H. Newell is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic. He has covered major film festivals such as Fantasia Festival (2019, 2020) and Fantastic Fest. During September 2019, Father Son Holy Gore was one of several media outlets helping to present Randfilmfest in Germany, & will be once again in 2020— Newell will also serve as part of the jury for the prestigious Rand Award.

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