A couple fights and fucks and laughs and breaks up and tries to make a baby.
Arnold wakes up, soaking wet, and tries to piece together how he got to Room 104.
Catherine visits Room 104, where she's confronted by the disembodied voice of another woman— who could she be?
Gustav Möller's THE GUILTY walks an unsettling thin line to expose issues of police prejudice that are all too familiar in the 21st century
Franchi's HAPPY FACE is a wonderful spit in the eye to vapid, beauty-obsessed culture— an anthem for the outcast!
THIS TEACHER examines the barely hidden intolerance of America from the perspective of one French Arab woman.
CAT STICKS portrays the lives of junkies in Kolkata— some of whom wish to escape their addiction, some of whom are caught in a perpetual cycle.
2018 was a great year to love films— just like every year!
It's been one hell of a year! Or, y'know, hell on Earth. Whatever.
Lee Chang-dong's latest film is an existential mystery. Be prepared!
Alex Pettyfer's directorial debut is a moody, subdued story about masculinity, family dysfunction, and small town repression.
Debra finally starts to wonder if maybe John is less than honest with her