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Tagged Mother's Finest

Lovecraft Country 1×07: “I Am.”

Aunt Hippolyta ain't in Kansas anymore!

Published: 09/28/2020

Words: C.H. Newell

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The Twisted Parallels of Cinema— A Series
Father Son Holy Gore’s Interview with Larry Fessenden
[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
SUSPIRIA Bathes in (Blood &) the Power of Women
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Destructive Legacies of Fatherhood in Larry Fessenden’s DEPRAVED
Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
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Make a Case #2— Wes Craven’s SHOCKER (1989)
FEAR: Queasy Male Jealousy and Patriarchal Control
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[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
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UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
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[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
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Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
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Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

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C.H. Newell

C.H. Newell is first and foremost a passionate lover of film— especially horror. He's also a PhD candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory and Queer Gothic. He wrote for Film Inquiry frequently during 2016-17, and regularly contributed to Scriptophobic during 2018-2019 in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, C.H. Newell is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic. He has covered major film festivals such as Fantasia Festival (2019, 2020) and Fantastic Fest. During September 2019, Father Son Holy Gore was one of several media outlets helping to present Randfilmfest in Germany, & will be once again in 2020— Newell will also serve as part of the jury for the prestigious Rand Award.

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