The Purge: Anarchy. 2014. Directed & Written by James DeMonaco.
Starring Frank Grillo, Carmen Ejogo, Zach Gilford, Kiele Sanchez, Zoë Soul, Justina Machado, John Beasley, Jack Conley, Noel Gugliemi, Castulo Guerra, Michael Kenneth Williams, and Edwin Hodge. Blumhouse Productions.
Rated 14A. 103 minutes.
★★★★My favourite thing about the fact The Purge: Anarchy exists is that there is room for exploration within the speculative universe that the film/its predecessor inhabits.
There are a lot of social issues in both these films, especially the sequel. Because what we’re seeing in Anarchy here is a group of stories which represent the wide reach of social consequences that enacting an event such as The Purge might cause. It would mean so many different things to so many different people, of all kinds, of all mindsets and sensibilities, of all mental states.
People want to continually try and say that The Purge as a concept would never happen, a government would not allow it. THESE FILMS TAKE PLACE IN A WORLD WHERE AMERICA HAS BECOME A FULL-FLEDGED TOTALITARIAN REGIME! If you don’t understand that and you can’t recognize what that means, then you probably shouldn’t be judging the film because you think “This would never happen”, and you might not want to keep talking about it. Because this is not meant to happen in our reality, this is speculative fiction, it’s a horror-thriller within a fictional near future in America.
So strap in, have some fun. Stop being so serious all the time….
RELEASE. THE. BEAST.The Purge: Anarchy takes place on the verge of the annual Purge event, March 21st in 2023.
Several stories are happening at once. Everyone counts down to Purge time.
On one end of town, Eva Sanchez (Carmen Ejogo) and her daughter Cali Sanchez (Zoë Soul) lived with Eva’s sick father, Rico (John Beasley).
Then there are Shane (Zach Gilford) and Liz (Kiele Sanchez), a couple who’ve clearly hit rough times, and they end up stranded with car trouble just as the event begins to come down upon the city.
All the while, Leo “Sarge” Barnes (Frank Grillo) has a personal tragedy which drives him. He has all kinds of weaponry, a car made to sustain damage throughout The Purge, and there’s obviously someone, or some people, that he seems to be looking for; his bedroom wall has pictures plastered over it.
Once the murder on the streets begins, including the viciously callous Big Daddy (Jack Conley), Sarge and the others end up coming together as the violence escalates to epic proportions, and they’re all forced to trust one another. At least for a little while.SPOILERS AHEAD.
The part of the plot that scares me most is the angle with Papa Rico (John Beasley) because it speaks to social consequences of a different kind than just simply racially motivated, and now sanctioned one night a year in March, murder. Here, we have a man selling himself to a bunch of sick white folk who want to have their Purge in a perceived civilized, more quaint and special manner, and above SAFELY because they’re true cowards who want the thrill without the risk; a celebratory bit of Purging, if you will, dressed to the nines with champagne on-hand.
It’s sick, and it is also something you can imagine happening – brave, brave people sacrificing themselves in such a manner in order to afford better lives for their family members, offering themselves up on the one night a year murder is legal just to help out with the bills and the rent, all because they’re old, or they’re sick, or they just simply don’t want to live in a sick America that has descended into madness.
Great, effective part to the plot that I find highly disturbing in its own right.Then you’ve got Sarge (Frank Grillo) whose motivation to Purge is not like so many of the other maniacs out looking for a sick thrill every March 21st. No, Sarge heads out in the dark of night for the Purge because he has a vendetta, he needs revenge. He isn’t looking for innocents to kill, or perceived ‘scum of society’ (as the fresh young whites in the first film were out doing). He’s got a score to settle. Plus, he’s got the gear and the firepower to make sure the job gets done, and gets done damn well.
I think Grillo is a talented actor. He might not have the extreme range of some others, but he has a lot of heart. I really do think he’s good in this role. Also, the character itself I dig because it shows a whole other angle to the entire Purge that we didn’t get to see in the first film. So to have a guy like Grillo play Sarge worked; he didn’t need to act to any Shakespearean level, he just had to give it some guts, which panned out perfectly. Grillo is a physical dude and that helped for this performance.There’s a genuinely good level of action in this one that the first doesn’t reach. Not to say that’s a problem for the original, but I like that there’s some more excitement here. The premise of The Purge here is bigger in scope, involving more of the city, more people, instead of the more confined location in the first film.
Not only that, I found things truly terrifying. I mean, in The Purge there’s a degree of safety for awhile until things get going and people start to break into James Sandin’s home. Here, there’s just chaos and madness in the streets. Seeing some of the masked people in the streets wandering about with machetes, guns, all sorts of weapons – it’s chilling at times. Imagine getting caught trying to get home and then The Purge comes down on you; what would you do? Run like fucking hell. I like the tension involved in trying to imagine what it would be like on that one night out in those streets. It’d be like a nightmare come to life.There’s some appropriately twisted stuff in this movie.
One part that disturbed me was while Sarge (Frank Grillo) leads his rag-tag group around, they come across that woman with a megaphone just screaming absolute nonsense and firing off an assault rifle; corpses are littered across the street down below. Cracking scene that shows little glimpses into the world of others in this world of The Purge and the New Founding Fathers.
There are some excellent scenes like this, which take us further into the universe started in the first film, a creepily crazed vision of America from writer/director James DeMonaco.
A great bit is where a Wall Street banker type is strung up with a sign on him, bloodied, chains around his wrists and ankles – he robbed someone’s pensions, put some people in the poorhouse. You can see how so many would eventually start using The Purge to exact their brand of social justice, whatever flavour it might come in.
It’s funny – I see some complains about how Sarge was being prompted to reveal more about himself. What’s the problem there? Even while these people are willing to follow the man because he obviously can handle himself, don’t you think you’d want to know why this guy was out on the night of The Purge? I would. Might not keep pressing too much, yet still, he could’ve been leading them anywhere. I think it’s only natural someone would push to try and figure out who the hell this guy is, or was – because clearly he’s a changed man from who he’d been.
Plus, I mean… character development? I’m not saying The Purge: Anarchy is a perfect film, by any definition of the term. I just think people want to give it too hard of a time when it’s got a lot to offer.I love what this sequel brings to the table; it ups the ante, it makes things more wide and completes The Purge universe where the New Founding Fathers have taken control of society, wiping out the poor essentially. There are some not-so-great things here – usually I’m a fan of Michael K. Williams, but I don’t like this role. I thought the film could’ve done without that part. Perhaps it could’ve waited for the third film, round out a trilogy with a story centred on groups trying to eliminate The Purge and the totalitarian regime headed by the New Founding Fathers. Here, this was a plot that sort of gets lost in the mix. Good stuff, just didn’t work fully here.
There are great scenes here, some of action, some of horror with viciousness and that thriller element. Fits in with some good modern horror movies. I can’t say everything works the way it should, but I feel there’s enough here to make The Purge: Anarchy a worthy sequel to a nice little surprisingly fun film. Judge on your own. I do think there are social issues this movie explores, along with its predecessor. People will continue to pass these off as silly movies, though, they are much more than that. Even better, they’re fun, they’re entertainment, and if you let yourself you can enjoy them a good deal.
I'm a Bachelor of Arts (Hons.) graduate and a Master's student with a concentration in early modern literature and print culture. Although I've studied everything from Medieval literature onward, also spending an extensive time studying post-modern critical theory; I have a large interest in both Marshall McLuhan and Jean Baudrillard. I completed my Honours thesis on John Milton's Paradise Lost + the communal aspects of its conception, writing, and its later printing/publication. This thesis will serve as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day). My Master's program involves a Creative Thesis, which will be a full-length, semi-autobiographical novel. Author Lisa Moore is supervising the writing of this thesis. I'm already looking towards doing a dissertation for a PhD in 2019, focusing on early modern print culture in Europe and the constructions of gender identities. - I'm a film writer, author, and a freelance editor. My short stories have been printed in Canada and the U.S. I edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into post-production during early 2018. I was part of a pilot episode for "The Ship" on CBC; I told a non-fiction story of mine about my own addiction/alcoholism live for an audience with nine other storytellers. - Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17. I'm currently contributing to a new website launching in May 2018, Scriptophobic; my column is titled Serial Killer Celluloid. Contact me at firstname.lastname@example.org or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!