The Roost. 2005. Directed & Written by Ti West.
Starring Tom Noonan, Karl Jacob, Vanessa Horneff, Sean Reid, Wil Horneff, Barbara Wilhide, Richard Little, John Speredakos, and Larry Fessenden. Glass Eye Pix.
Unrated. 80 minutes.
In my recent review of Ti West’s The Innkeepers, I mentioned being a huge fan of him generally. So just keep that in mind. Maybe I’m biased; I still try to be a little objective when considering how others might look at the same film I’m looking at.
I don’t think this is a perfect movie, but it’s honestly one of my favourite horror feature debuts from a filmmaker in the genre. There’s a criminally low rating for this movie on IMDB – though, I personally don’t care about the ratings on any sites, let alone that one. While I spend a fair amount of time on there trying to even out the scores as best I can with my own, what I believe to be decent, ratings, I still don’t give much heed to it overall; mostly it’s a good database. You’ll see a lot of West’s films, most of them, have an underrated presence on IMDB. Because those people are sleeping, man. This guy is one of the greatest in horror today. He moves out from simple concepts, usually incorporating very personal relationships or at least characters who are relatable to an audience, then the horror takes hold. Basically, any horror writer – whether screenwriter or novelist or short story writer, et cetera – would tell you that’s part of what scares them: taking things to a personal level, the bringing on the horror. Many other horror filmmakers, particularly of the indie variety, try to do this, it’s no big secret. I believe, however, Ti West is simply better than the herd at making those types of excellent horror films.
While there’s a ton of old school sensibility in him elsewhere, I think so much of his 1970s/1980s influence comes through with The Roost simply because of the way there’s a frame narrative with the old school horror show on cable access and it leads into the real film itself. Right from then on, it feels like you’re watching an old school horror movie. That gives the movie a different style, something not entirely common these days, and within that I find it all pretty damn charming. Y’know, in that creepy horror charm sort of sense.
Starting with a late night horror t.v program on a local cable station, the host (Tom Noonan) introduces us to The Roost, the latest film playing on Cable 13.
A group of friends are on their way to see some friends get married. While heading along the road, they end up stranded. At a lonely farm out in the middle of nowhere, cornfields and the whole nine yards, the lost group end up coming face to face with what lays in the darkness of the farm’s barn.
Inside the old structure there are terrifying creatures of the night. Now, they seem to be waking up, and as night falls they’re looking for something on which to feed.
Something I love is how Ti West does these awesome edits with both visuals and sound. First, we get a SCREAM which happens during a transition from the barn out to the car, where and older woman is waiting for her husband to come back; it’s on the radio, but the way West crosses over to that bit is excellent. For a split second I honestly was waiting for someone to come running, or something. Effective, brief moment. Secondly another comes when the old woman wanders into the dark of the barn, then this sound starts to come that you almost feel is coming out of the shadows, yet it cuts to one of the friends standing behind the now broken down car revving, brake lights shining red in his face, and the sound has actually been the car the whole time. These are little simple bits people often don’t think of, however, when they’re used appropriately to put the audience on a tense edge, waiting for something, anything to happen, it’s a killer move. West uses these in a way other horror filmmakers might use jump scares – instead of frightening us, it simply ratchets up the tension and creates an unsettling, edgy mood.
Being his first feature, I think West does a wonderful job creating atmosphere in The Roost. It’s something I find pervades all his films, even when he switched it up most recently in The Sacrament with found footage style. He’s great with setting up tension and executing suspenseful sequences in order to build up that atmosphere, setting an evident tone. Each of his movies have it, which is partly why I think he’s one of those important filmmakers in horror today; more than that, genre filmmaking in general.
Also, there’s a degree of playfulness at times I think is essential in certain horror movies. Creature features being one of them. I always love when a movie featuring killer-somethings (in this case BATS) has a good dose of dark humour. One little scene I love is when one of the guys sneaks up behind the girl, about to scare her, but he stops short as if disappointed she didn’t even turn around like she couldn’t hear him coming; then he lightly taps her, scaring her anyways. It made me cackle for a second. Good bit.
Moreover, the guy is a pretty good writer. In my opinion, anyways. As a fellow writer, I like the way he writes characters because I find them personable. I’ve seen a lot of people say his movies have all these “hipster” characters, this and that, but whatever man. I don’t see that at all. The way I perceive most of his characters is that they’re real people, genuine; not characters in that sense really, rather actual people. Not to sound cheesy. There are a lot of writers capable of doing this, he’s just one. It’s something I love in horror, though, as a believable character in a film is more likely to draw me into their emotions, the plot, and the overall story. Here in The Roost we get those inescapable dynamics of friendship, particularly it’s amplified with the upcoming wedding to which they’re all headed, and even further compounded by the fact the car breaks down and they find themselves stranded out in the middle of nowhere. Probably one thing I dig so much about the script and the writing, I think West sets up a great situation with which he can play around in with the characters before introducing the creatures and the HORROR and the BLOOD!
I personally dig the whole vampire bats turning people into zombie-like reanimated corpses. Some online seem to suggest it’s no good. Me, on the other hand, I thought it worked very well. Creepy stuff at times. One scene shows the old woman from early in the movie, now obviously bitten by the bats and taken over, just behind a character in the window. It’s a nice little moment where you dread what may be coming next.
This whole aspect also makes it more than a mere creature feature. The creatures are affecting the humans and then the whole friendship dynamic is tested, as they all try not to succumb to the murderous infectious bats flying all around the farm’s property.
Even better than that, Ti West treats us to a good helping portion of makeup effects. Lots of nice practical work here, as the effects fall in line with everything else old school-feeling about The Roost. Love the blood and gory stuff because it really does feel like an ’80s movie. The effects are good, they just bring me back to the older horror where most everything was practical and we didn’t have to suffer through movies made up of CGI blood and CGI green-screen’d stuff constantly. West does well with taking things back to a more simple time in several ways here, this being one of them.
Finally, I love the narrative framing device of the horror show. Tom Noonan is amazing, as always. Very unsettling and creepy. Simultaneously, he’s hilarious. I didn’t exactly like the end of this part either at the finale, however, the whole thing is good fun. Real nice way to showcase an indie horror adding in this cable access style show.
All in, I think this is definitely a 4 out of 5 star horror movie. While I don’t particularly care for the last shot, and not every actor was the greatest. there’s enough here in Ti West’s feature debut that I can say it’s a solid outing. The writing holds up, as well as the fact he relies on an atmosphere of tension and practical effects to sell the horror.
You can do A LOT worse when it comes to horror, certainly when it comes down to the creature feature sub-genre. This is a great modern creature horror movie. See it if you can; the DVD is pretty damn awesome. Love the look and feel of this film, and dig the horror it dishes out!