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American Horror Story – Hotel, Episode 4: “Devil’s Night”

FX’s American Horror Story
Season 5, Episode 4:
 “Devil’s Night”
Directed by Loni Peristere
Written by Jennifer Salt

* For a review of the previous episode, “Mommy” – click here
* For a review of the next episode, “Room Service” – click here
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Once more, another night at the Hotel Cortez – “Devil’s Night”, in fact.
In strolls Richard Ramirez (Anthony Ruivivar) for a stay. Apparently this is his third year back since perishing. Looks as if we’re going to have a savage night, aren’t we? He pops into the room of some guests and bashes in the man’s skull with a lamp. He asks the woman to “swear to Satan” she’ll be quiet, but of course that doesn’t work. A bit of cat-and-mouse until ole James March (Evan Peters) appears at the end of the hallway…
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A nice slick opening sets up an obviously entertaining night ahead, especially for Detective John Lowe (Wes Bentley) who is still staying at the Cortez. A hotel full of dead serial killers on the move? Should get wild.
When Lowe wakes up for the day he talks with his daughter Scarlett (Shree Crooks). It seems as if there’s a bit of a divide now starting to creep between John and his family. He’s not quite right. Doesn’t help when he starts seeing a massive pool of blood forming on the ceiling, dripping down his wall.
Better yet, we get a look at the story of Miss Evers (Mare Winningham) – back in 1925, she seems quite the prissy, uptight mother. Her child is dressed up as the typical bedsheet-eye holed ghost. After taking time to blab on with some other woman, a man abducts the little ghost and speeds away. WHOA. That’s already disturbing enough, who knows what happens from there.
Zipping back to the present, Miss Evers has a bunch of bloody sheets in the bathroom trying to get the stains out, as usual. Lowe, bleary eyed and sort of ghostly looking himself, wonders what’s going on around the hotel. She’s only a blubbering mess, but he understands. They’ve both lost children.
The ghost was taken to a ranch and caged up, poor kid. Another snippet of true American Horror – the Wineville Chicken Coop Murders – plays the backdrop for Miss Evers and her personal story. A pretty horrifying story for her. Still I’m super intrigued to see how she actually ended up at the Cortez, as well as how she and Lowe will interact more given their similar loss of young children.


John’s wife, Alex (Chloë Sevigny) has brought little Holden (Lennon Henry) home from the hotel and its weird rooms, the glass coffins. She’s glad to have him. Examining him a little, finding his temperature to be very low, things are definitely in a lull before terror strikes. Holden tells mommy he’s thirsty, but is it juice he wants? Alex pours her son a big glass. I’m pretty sure he’d rather have a nice drink of blood, though. When she goes back in with the orange juice, he’s sinking teeth into the family dog and having a snack. He wants his other mommy, not Alex.
Poor John. Man, oh, man. He is being put through the ringer. His mental state keeps slipping, as he goes back to bring up the police files on Miss Evers’ story, only to discover it happened 85 years prior. I’m just waiting for something harsh to happen with him. I don’t want it to, just have the sneaking suspicion Lowe will fall further down the rabbit hole.
Alex goes back to the Cortez, where Holden giddily climbs into his coffin. The Countess (Lady Gaga) slips in unnoticed, only to invite Alex upstairs for a chat. We get a flashback to Holden’s disappearance – The Countess was standing nearby, watching them. Terrifying moment where we see her walking away with Holden and John screams out for his son. Even more terrifying is a subtle moment: Alex pulls a gun and holds it at the Countess, who only leans back in her chair, without words saying “Fuck you and your gun”. Just a real solid moment.
Love, love, love more Liz Taylor (Denis O’Hare)! She serves Lowe a bit of soda, as John decides: “Ill have a double martini.
Liz: “Control is an illusion
John: “Tonight I surrender to the illusion
But glory glory hallelujah, Lily Rabe is back at the bar – literally – as Eileen Wuornos. She’s on her thirteenth year at the Cortez, dead since 2002. MY GOD, Rabe is a constantly amazing piece of work! Here, Wuornos sits down with Lowe for a drink. They have a bit of casual chit chat. Rabe is fucking incredible, she doesn’t copy Charlize Theron’s performance, but absolutely embodies Wuornos. For anyone who has ever seen the two documentaries about Eileen by filmmaker Nick Broomfield, you just can’t deny Lily Rabe rocks this role out of the park. The body movements, the look, the inflections in her speech and tiny idiosyncrasies about the way she performs… it’s perfect for this episode! Ruivivar did well with Ramirez, I dug that too. But Rabe is worth the price of admission this week. So great she’s back on American Horror Story. Weird, though, how Lowe ends up heading back to a room with her.
What follows is a bit of intensity that I won’t ruin with any more. See it, dig it.
Loved seeing the Zodiac Killer, dressed in the supposed getup the living victim saw him wearing all those years ago, stroll past Lowe through the lobby. Amazing episode, cramming all these infamous serial killers into the hotel. Perfect addition for the week in which Halloween falls! I’ve got a great t-shirt with this version of the Zodiac on it, very creepy. Such a nice brief shot of him going past Dt. Lowe, the costume design worked so well.
Naturally, John is weirded out by it all. Downstairs he gets an invitation from Liz Taylor for the big Devil’s Night Ball. Should be a grand time, no?


Oh my, the hits just keep on coming! John Wayne Gacy (John Carroll Lynch) talks about doing good sub-flooring with Ramirez – such an incredibly subtle way to introduce the story of Gacy, instead of having him immediately dressed as a clown or something. At the dinner table, March introduces the night with a bit of absinthe. Everyone drinks it back excitedly. Although Lowe is certainly confused. Then there’s Jeffrey Dahmer (Seth Gabel), too. Zodiac strolls in late, silent, being heckled by the other killers. JUST AN OUTRAGEOUSLY AWESOME FUCKING SCENE! Yes, there’s exposition to give us a bit of the newly introduced serial killers, but I think it comes in proper doses. Plus, Lowe eventually breaks in and starts ragging on everyone, still believing it’s all a Halloween costume party of some sort. I couldn’t get enough of this whole sequence, such a well written episode.
Ramirez (re: James March): “Hes a genius like Galileo, or Peter Frampton.”
I won’t ruin more of the big dinner scene. There’s an excellently disturbing, grotesque sequence within it after “Sweet Jane” by Cowboy Junkies starts to play, and all the murderers get their toys out, start really enjoying themselves. So terrifying! Detective Lowe has to sit there, handcuffed due to Gacy’s saucy tricks, and watch it all go down right in front of them. Love how March gives short little explanations about how all the serial killers came to him at various periods in their lives; it gives us great context, however, it also shows us how wonderful Evan Peters is as March, he gets time to show off a bit and be “the master.” Loved this sequence with every macabre and morbid bone in my body.
John Wayne Gacy: “Johnny Depp likes my paintings!”
With a little under 10 minutes left to the episode, we see Hypodermic Sally (Sarah Paulson) having a smoke outside the hotel. Some Wall Street-looking guy wanders up to her and talks shit for a little. Turns out, he wants “whatever you’re selling“, so he says to Sally. Will this poor fella end up in one of those mattresses like the creepy skin and bones dude from “Checking In” and Gabriel (Max Greenfield), too? We’ll see how things go for this one.
Oh my, we didn’t need to wait long. Sally buys off being left alone at the hotel by bringing up a fresh carcass for the killers’ dessert. Everyone selects a knife, Gacy even gets his makeup on (nice to see Lynch as another clown; this time an arguably more sickening one), and then the fresh bloodletting begins!
Then out of nowhere, Sally seems to wake John up. He’s alone. No killers, nobody else except him in a dusty old room. What is real? What is not? He’ll never know, though, we’ve got a great idea ourselves: scary enough, it’s all too real. Once Sally has the detective out of the room, March and the others go back to business.


“Devil’s Night” finishes off with Countess bringing Alex into the fold – she’ll now be one of those carrying this “ancient virus.” With a sweet kiss, the Countess tells her to allow herself “to be ripped apart” before letting Alex feed on some of her blood. All in the name of being reunited with Holden “for all of eternity.” Or at least that’s the bullshit this particular vampire is selling. Notice how Countess weeps sort of, as we cut out on Alex’s newly opened eyes, the virus no doubt taking hold; interesting to see where this heads.
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Stay tuned for next week’s “Room Service.” Cannot wait to watch it, this episode was incredible! See you then, fellow horror fans.

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About Father Son Holy Gore

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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