Tagged John Wayne Gacy

American Horror Story – Hotel, Episode 12: “Be Our Guest”

FX’s American Horror Story
Season 5, Episode 12: “Be Our Guest”
Directed by Bradley Buecker
Written by John J. Gray

* For a review of the penultimate Season 5 finisher, “Battle Royale” – click here
screen-shot-2016-11-17-at-4-07-52-pmThis finale for the wild Season 5 begins with Liz Taylor (Denis O’Hare) talking about taking over the Hotel Cortez. Only she has her throat slit with a gloved hand, not unlike the one we’ve seen Countess (Lady Gaga) wear earlier in the season.
Cut to a couple checking in. Iris (Kathy Bates) and Liz woo them, with champagne on arrival, hoping to make the guests feel at home and ready for a wonderful time. They’re apparently from some website, one which reviews hotels. “It was going to take 4stars on the internet,” Liz tells us. All the rooms are newly redone, looking beautiful; even Egyptian Cotton on all the beds. Looks a far cry from where it was once.
Except Sally (Sarah Paulson) shows up from out of nowhere to greet the new guests, lazing around smoking in her usual leopard print. She’s even getting ready to shoot up, which soon does in one of the guests. The other one goes running in the halls, coming across Will Drake (Cheyenne Jackson). “Im new at this murder game and jesus christ is it a thrill,” he says before stabbing her to death. Seems like things aren’t exactly perfect at the Hotel Cortez, despite the beautiful surface.
A very wonderful start to this final episode for the season. Plenty more macabre, nasty fun to come, I hope.
screen-shot-2016-11-17-at-4-09-27-pmThe meeting is called, as Liz and Iris try to create order among the ghosts of the Cortez. They all meet at the bar, everyone wanting something different. Marcy wants a new room. Will and Sally would rather kill. The rest are too self-involved, but not those two. They’re more excited for killing: “Im dead,” Will tells them, “but Ive never felt more alive.”
Up turns James March (Evan Peters), wanting them all to stop the killing. Funny, right? He’s mostly concerned about what happens if the Cortez gets shut down, torn down, bulldozed. Where will they go? In the meantime, everyone’s aruging. Until March flips a lid and sets them all straight. They need to make it a historic landmark, March claims, only they’ve got to keep the building there another 10 years, until 2026. Sally needs a “soulmate,” though, and she doesn’t look poised to change. Even with the threat of March sicking the Addiction Demon on her, as once he did before.
Most interesting is how Iris shows Sally about the world outside, social media, which will help her not be so alone in the world. She can’t go out, but that doesn’t mean Sally can’t interact with the world. Great way to bring the issues of today into the show, instead of only relying on dates onscreen from time to time. Plus, it goes well with Sally’s 1990’s rock/grunge character, to think she might be someone who would fall into social media and all its trappings.
Mainly, everyone is now trying to figure out the way to head into the future. Liz has all but convinced Drake to stay holed up in the hotel, all “Howard Hughes” and such. In fact, Liz is now Will’s acting hand at his company. Amazing new age company being led by Ms. Liz Taylor. The fashion goes on, the clothing still coming out – even Sally models bits of his work, plus Ramona (Angela Bassett) and other ghosts in the Cortez.
But sadly, Liz misses Tristan. Then we’re introduced to an old, familiar face – Billie Dean Howard (Sarah Paulson) back from Season 1’s Murder House. What a beautiful return to the original season, another character linking things together. Great season for this sort of thing, with Queenie in the last episode, Marcy showing up from time to time, and more. This sequence sees Billie helping Liz to try reconnecting with his now lost, murdered love, Tristan Duffy (Finn Wittrock). But it seems Tristan isn’t willing to fully reconnect, he’s angered and doesn’t want to talk with Liz. Not right now, anyways.
But wait – it’s Donovan now reaching from the other side, talking of “pancakes with blueberries” and that it’s “always Saturday morning” wherever he is.


Gathering the ghosts together, Liz tells everybody she’s got prostate cancer; inoperable, “nothing to do.” All those ghosts are worried, but Liz absolutely has a plan. Of sorts. Weapons are out on the bed, ready for everyone. She wants to be hacked, bludgeoned, et cetera, to death. “Its not murder,” Sallys says to them: “She wants to be reborn.”
“The Ballad of Lucy Jordan” by Marianne Faithfull starts to play while everybody weapons up. Liz lays back on the bed, ready for the murder to take place. At the door, though, Countess arrives. “You were always my fondest creation,” Countess tells Liz. She’s there to join in on the fun: “I wanted to be here to help you transition.” Great word play all around with this sequence. Great, viciously bloody fun. This takes us back to that first scene, watching Liz have her throat cut open, the blood flying and beginning to run down onto the floor. Savagery – the best sort which Ryan Murphy and Brad Falchuk continually give us. And in death? Liz finds Tristan once more.
Down at the desk a woman shows up on Devil’s Night in 2022. She booked a room way in advance. In other news, Iris and Ramona are lamenting too much publicity after Billie Dean Howard’s specials aired on television, bringing out the weirdos, the perverts. Funniest is seeing John Lowe in league with them all, just another part of them. We get cuts back to Howard doing her various specials in Room 44, Room 64, and so on.
Now Lowe has got himself a plan. They call Billie Dean down for another taping, as she continues to try calling on the Ten Commandment Killer to reveal himself.
Then there’s Alex Lowe (Chloë Sevigny) and John’s family. They made things work in the outside world. Or at least, as best as it would work. They tried. Out on the streets, Lowe killed, stockpiling blood in coffee canisters, stalking the streets for more victims with which to feed the family. One night, he finds himself caught by the police. Bleeding, full of bullets, John tries his best to make it back inside the Cortez, to die in there. Instead of making it all the way, he’s left on the sidewalk. Returning on Devil’s Night, though, it is easy to see James March has a hand in it all. Another dinner party, perhaps?


Jeffrey Dahmer, John Wayne Gacy (John Carroll Lynch), Richard Ramirez, Aileen Wuornos (Lily Rabe), they’re all back! Gacy’s trying to teach Jeffrey to talk to guys, in such a creepy scene. The music in the background plays heavy, lazy. Everything is terrifying and dark. John introduces her around the place, acclimating her to the strange surroundings. The Zodiac is there, too. Quiet and chilling in the corner with his baghead costume on, totally silent. A surreal sequence here, as Billie Dean navigates through “all these dark spirits.” March appears soon enough to toast them all. Lots of fun! A top five favourite sequence out of this Hotel season.
This is all a way to get Howard to stop doing specials at the hotel. The ghosts all want, need, to be left alone. So they need to her to give up. None of the ghosts can leave, but Ramona shows up to tell her: “I can.” Seems ole Billie Dean has more to fear than a few ghosts. Best she start moving on, right?screen-shot-2016-11-17-at-4-15-39-pmIn Room 64, John keeps his family. His daughter has grown a few years, obviously, and the others sleep soundly. Must be strange for her to age while the family stays the same, forever. Yet she seems fine with that mostly. It’s nice for John and Alex, who have their son back and eternally get to sleep next to one another, just like a new family. A creepy finish, as John has to go away for a whole year until the next Devil’s Night, when the family will come back together in the Cortez, to enjoy each other’s company, to love one another for that single day. A semi-happy ending in one sense, but a deeply tragic one for Lowe.
The very end of the episode sees The Countess at a table in the lounge, drinking, smoking. Out of the dark hallways comes a man she likes the look of, so off she goes to sit next to him at the bar. He sort of looks like Donovan – hair slicked back, handsome, a bit of stubble. Is that the intention? I think so. “You have a jawline for days,” says the Countess, right before everything cuts to black. Beautiful.
screen-shot-2016-11-17-at-4-16-09-pmLoved the end to this season. An impressive full circle, but in a way that doesn’t only recall the beginning of the season, the beginning of character relationships, it also adds things on, making the layers deeper, more enticing. People complained a ton about this season. Me? I dig it. Totally. Stay tuned, we’ll see where Falchuk and Murphy go from here next season.

Halloween: Resurrection – Rosenthal Does Nothing for the Series

Halloween: Resurrection. 2002. Directed by Rick Rosenthal. Screenplay by Larry Brand & Sean Hood.
Starring Jamie Lee Curtis, Brad Loree, Busta Rhymes, Bianca Kajlich, Sean Patrick Thomas, Daisy McCrackin, Katee Sackhoff, Luke Kirby, Thomas Ian Nicholas, Ryan Merriman, and Tyra Banks. Dimension Films/Nightfall Productions/Trancas International Films. Rated 18A. 89 minutes.
Horror/Thriller

★★
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So at this point, the Halloween franchise has all but ran its course. Honestly, I do enjoy the previous film a bit. More than that I’m a fan of the entire series. Even the less than great entries can still be a lot of fun, as opposed to some of the later Friday the 13th entries which I find virtually unwatchable at times. But most of Halloween: Resurrection is just bad. Not everything is horrible, not at all. However, the lion’s share here goes to bad horror, forced comedy and not enough of the classic horror which makes Michael Myers so scary.
The effects in many scenes are well done, they’re also pretty gruesome and frightening. The acting is almost laughable in terms of the main cast – they’re almost upstaged by the rambling mental patient who rattles off serial killer trivia, from John Wayne Gacy to Ted Bundy, and so on. And too many times you’ll find yourself wondering how low the series will sink, starting with the opening sequence involving Laurie Strode and Michael in their final confrontation. Director Rick Rosenthal did an amazing job with the first sequel, Halloween II, but 21 years later he came back with a fistful of shit and did no justice to any of the other good movies throughout the franchise.
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Laurie Strode (Jamie Lee Curtis) decapitated Michael Myers at the end of the last film. Turns out, Michael actually managed to switch his clothes with a paramedic. He made his way out and hid for three years, while Laurie rotted in a mental asylum. Although, she spent that time preparing for a showdown that had to be coming eventually. When it does finally, Michael ends up once and for all killing his long lost sister: what he always set out to do.
But evil never rests. Michael Myers goes back to the only place he ever knew outside of the walls of a psychiatric ward: home, Haddonfield. Only an internet show is being broadcast from the old Myers place. Freddie Harris (Busta Rhymes) and Nora Winston (Tyra Banks) at DangerTainment have set the whole thing up, selecting six young people to spend a night in the “birthplace of evil in its purest form“. Things don’t go so well, once it’s clear Michael has more definitely come home.
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Usually, if anything, I’m able to find a few good kills in any of these films. This one is no exception. Even while almost everything else happening is total junk, there are some interesting and very brutish kills. For instance, what slasher horror is complete without a nice impaling? Well, some of them are, I suppose. But the bad slashers, such as this one, really need those sorts of kills. If not, everything gets stale. Here, we have a character impaled by Myers, which ups the gory ante. Earlier, someone gets stabbed viciously in the head. Later on, the strength of Myers is once more evident in all its savage glory, as Michael ends up crushing a guy’s head into bloody chunks. An homage to the original Halloween sees a victim pinned to a door, hung by kitchen knives, almost similar to one of the deaths in John Carpenter’s masterpiece. But best of all, I do dig how people watch on while the others die, live streaming into the house. And to think – this was 13 years ago now. Today, the bloodthirsty internet audience might actually love this sort of thing. So, despite all the shortcomings of this mostly unnecessary sequel in the franchise, I can find a few little things to enjoy here and there. But not too much.
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One thing several of the Halloween films have in common, and make them more enjoyable than their lesser counterparts, is there have been good, solid performances. I can’t say that, at all, about Halloween: Resurrection. While I have a love for Busta Rhymes and his music career, the sentiment does not extend to his acting abilities. All the same, he’s probably the most fun of all the actors because at least Busta seems into it. Otherwise, it’s a cast filled with pretty-to-look-at people who can’t exactly act up to the level they need to in order to make this sinking ship float. With American Pie alumni Thomas Ian Nicholas, the geek goddess Katee Sackhoff, a terribly miscast Tyra Banks and Ryan Merriman whose most well-known credit to date is either The Ring Two or Pretty Little Liars, the entire cast couldn’t save this abomination. Perhaps if better actors wanted to be in this sequel, it might be different. As it stands, the acting doesn’t do anything to push the film to higher heights. I don’t mean to disparage these actors, I’m sure they’ve all done decently in other work, but this movie falls apart quicker than it should due to the lack of much talent, or at least effort, in the respective performances.
Halloween Resurrection 4Halloween Resurrection Michael Myers
I can give this sequel a 2 star rating without feeling too bad about it. Definitely does not deserve any more. With a good deal of brutality and decent make-up effects, some of the slasher elements of Halloween: Resurrection are up to speed with certain other entries in the franchise. Though, this is where the goodness ends. Including too much laughable acting, a terrible and unjust opening sequence involving Laurie Strode, and overall a story that does nothing for the franchise other than try to milk more money out of hardcore fans (who’ll see anything with the name Halloween on it if involving Michael Myers), this really is an abysmal sequel. Not saying there aren’t others, but this is absolutely one of the worst in the entire series. You don’t need to see it for any other reason than to be a completist. I even own it on a collection including the last three movies of the franchise, on Blu ray no less. But only because I’m a collector, and because I love Myers; regardless of how the Hollywood machine decides to pimp him out.

American Horror Story – Hotel, Episode 4: “Devil’s Night”

FX’s American Horror Story
Season 5, Episode 4:
 “Devil’s Night”
Directed by Loni Peristere
Written by Jennifer Salt

* For a review of the previous episode, “Mommy” – click here
* For a review of the next episode, “Room Service” – click here
screen-shot-2016-11-17-at-12-50-54-amOnce more, another night at the Hotel Cortez – “Devil’s Night”, in fact.
In strolls Richard Ramirez (Anthony Ruivivar) for a stay. Apparently this is his third year back since perishing. Looks as if we’re going to have a savage night, aren’t we? He pops into the room of some guests and bashes in the man’s skull with a lamp. He asks the woman to “swear to Satan” she’ll be quiet, but of course that doesn’t work. A bit of cat-and-mouse until ole James March (Evan Peters) appears at the end of the hallway…
screen-shot-2016-11-17-at-12-52-35-amA nice slick opening sets up an obviously entertaining night ahead, especially for Detective John Lowe (Wes Bentley) who is still staying at the Cortez. A hotel full of dead serial killers on the move? Should get wild.
When Lowe wakes up for the day he talks with his daughter Scarlett (Shree Crooks). It seems as if there’s a bit of a divide now starting to creep between John and his family. He’s not quite right. Doesn’t help when he starts seeing a massive pool of blood forming on the ceiling, dripping down his wall.
Better yet, we get a look at the story of Miss Evers (Mare Winningham) – back in 1925, she seems quite the prissy, uptight mother. Her child is dressed up as the typical bedsheet-eye holed ghost. After taking time to blab on with some other woman, a man abducts the little ghost and speeds away. WHOA. That’s already disturbing enough, who knows what happens from there.
Zipping back to the present, Miss Evers has a bunch of bloody sheets in the bathroom trying to get the stains out, as usual. Lowe, bleary eyed and sort of ghostly looking himself, wonders what’s going on around the hotel. She’s only a blubbering mess, but he understands. They’ve both lost children.
The ghost was taken to a ranch and caged up, poor kid. Another snippet of true American Horror – the Wineville Chicken Coop Murders – plays the backdrop for Miss Evers and her personal story. A pretty horrifying story for her. Still I’m super intrigued to see how she actually ended up at the Cortez, as well as how she and Lowe will interact more given their similar loss of young children.


John’s wife, Alex (Chloë Sevigny) has brought little Holden (Lennon Henry) home from the hotel and its weird rooms, the glass coffins. She’s glad to have him. Examining him a little, finding his temperature to be very low, things are definitely in a lull before terror strikes. Holden tells mommy he’s thirsty, but is it juice he wants? Alex pours her son a big glass. I’m pretty sure he’d rather have a nice drink of blood, though. When she goes back in with the orange juice, he’s sinking teeth into the family dog and having a snack. He wants his other mommy, not Alex.
Poor John. Man, oh, man. He is being put through the ringer. His mental state keeps slipping, as he goes back to bring up the police files on Miss Evers’ story, only to discover it happened 85 years prior. I’m just waiting for something harsh to happen with him. I don’t want it to, just have the sneaking suspicion Lowe will fall further down the rabbit hole.
Alex goes back to the Cortez, where Holden giddily climbs into his coffin. The Countess (Lady Gaga) slips in unnoticed, only to invite Alex upstairs for a chat. We get a flashback to Holden’s disappearance – The Countess was standing nearby, watching them. Terrifying moment where we see her walking away with Holden and John screams out for his son. Even more terrifying is a subtle moment: Alex pulls a gun and holds it at the Countess, who only leans back in her chair, without words saying “Fuck you and your gun”. Just a real solid moment.
Love, love, love more Liz Taylor (Denis O’Hare)! She serves Lowe a bit of soda, as John decides: “Ill have a double martini.

Control is an illusion
Tonight I surrender to the illusion

But glory glory hallelujah, Lily Rabe is back at the bar – literally – as Aileen Wuornos. She’s on her thirteenth year at the Cortez, dead since 2002. MY GOD, Rabe is a constantly amazing piece of work! Here, Wuornos sits down with Lowe for a drink. They have a bit of casual chit chat. Rabe is fucking incredible, she doesn’t copy Charlize Theron’s performance, but absolutely embodies Wuornos. For anyone who has ever seen the two documentaries about Eileen by filmmaker Nick Broomfield, you just can’t deny Lily Rabe rocks this role out of the park. The body movements, the look, the inflections in her speech and tiny idiosyncrasies about the way she performs… it’s perfect for this episode! Ruivivar did well with Ramirez, I dug that too. But Rabe is worth the price of admission this week. So great she’s back on American Horror Story. Weird, though, how Lowe ends up heading back to a room with her.
What follows is a bit of intensity that I won’t ruin with any more. See it, dig it.
Loved seeing the Zodiac Killer, dressed in the supposed getup the living victim saw him wearing all those years ago, stroll past Lowe through the lobby. Amazing episode, cramming all these infamous serial killers into the hotel. Perfect addition for the week in which Halloween falls! I’ve got a great t-shirt with this version of the Zodiac on it, very creepy. Such a nice brief shot of him going past Dt. Lowe, the costume design worked so well.
Naturally, John is weirded out by it all. Downstairs he gets an invitation from Liz Taylor for the big Devil’s Night Ball. Should be a grand time, no?


Oh my, the hits just keep on coming! John Wayne Gacy (John Carroll Lynch) talks about doing good sub-flooring with Ramirez – such an incredibly subtle way to introduce the story of Gacy, instead of having him immediately dressed as a clown or something. At the dinner table, March introduces the night with a bit of absinthe. Everyone drinks it back excitedly. Although Lowe is certainly confused. Then there’s Jeffrey Dahmer (Seth Gabel), too. Zodiac strolls in late, silent, being heckled by the other killers. JUST AN OUTRAGEOUSLY AWESOME FUCKING SCENE! Yes, there’s exposition to give us a bit of the newly introduced serial killers, but I think it comes in proper doses. Plus, Lowe eventually breaks in and starts ragging on everyone, still believing it’s all a Halloween costume party of some sort. I couldn’t get enough of this whole sequence, such a well written episode.

Hes a genius— like Galileo, or Peter Frampton.”

I won’t ruin more of the big dinner scene. There’s an excellently disturbing, grotesque sequence within it after “Sweet Jane” by Cowboy Junkies starts to play, and all the murderers get their toys out, start really enjoying themselves. So terrifying! Detective Lowe has to sit there, handcuffed due to Gacy’s saucy tricks, and watch it all go down right in front of them. Love how March gives short little explanations about how all the serial killers came to him at various periods in their lives; it gives us great context, however, it also shows us how wonderful Evan Peters is as March, he gets time to show off a bit and be “the master.” Loved this sequence with every macabre and morbid bone in my body.

John Wayne Gacy: “Johnny Depp likes my paintings!”

With a little under 10 minutes left to the episode, we see Hypodermic Sally (Sarah Paulson) having a smoke outside the hotel. Some Wall Street-looking guy wanders up to her and talks shit for a little. Turns out, he wants “whatever you’re selling“, so he says to Sally. Will this poor fella end up in one of those mattresses like the creepy skin and bones dude from “Checking In” and Gabriel (Max Greenfield), too? We’ll see how things go for this one.
Oh my, we didn’t need to wait long. Sally buys off being left alone at the hotel by bringing up a fresh carcass for the killers’ dessert. Everyone selects a knife, Gacy even gets his makeup on (nice to see Lynch as another clown; this time an arguably more sickening one), and then the fresh bloodletting begins!
Then out of nowhere, Sally seems to wake John up. He’s alone. No killers, nobody else except him in a dusty old room. What is real? What is not? He’ll never know, though, we’ve got a great idea ourselves: scary enough, it’s all too real. Once Sally has the detective out of the room, March and the others go back to business.


“Devil’s Night” finishes off with Countess bringing Alex into the fold – she’ll now be one of those carrying this “ancient virus.” With a sweet kiss, the Countess tells her to allow herself “to be ripped apart” before letting Alex feed on some of her blood. All in the name of being reunited with Holden “for all of eternity.” Or at least that’s the bullshit this particular vampire is selling. Notice how Countess weeps sort of, as we cut out on Alex’s newly opened eyes, the virus no doubt taking hold; interesting to see where this heads.
screen-shot-2016-11-17-at-1-01-42-amStay tuned for next week’s “Room Service.” Cannot wait to watch it, this episode was incredible! See you then, fellow horror fans.

Fargo – Season 2, Episode 1: “Waiting for Dutch”

FX’s Fargo
Season 2, Episode 1:
 “Waiting for Dutch”
Directed by Randall Einhorn & Michael Uppendahl
Written by Noah Hawley * For a review of the Season 1 finale, “Morton’s Fork” – click here
* For a review of the next episode, “Before the Law” – click hereScreen Shot 2015-10-19 at 7.20.45 PM Screen Shot 2015-10-19 at 7.21.07 PMAnother show I loved in its first season, I’ve decided to review Fargo going forward (I’ll retroactively go back and do Season 1 soon). All new characters – some of them, anyways. All new situations, locations, and more!
Season 2 opens with the old school MGM lion and logo. Furthermore, there’s a black-and-white clip from Massacre at Sioux Falls, and an awkward exchange between actor and director of the picture. Awesome beginning – “Look I’m a Jew, so believe me, I know tribulation.” – I was laughing so god damn hard. Plus mentions of Reagan (his nickname = Dutch), as well. Dig it, and I’m super curious where this Reagan stuff is going to head. Perhaps we’re going to see some parallels with Reaganism and crime, some kind of other similar comparison, I don’t know. Either way, the writing is pulling me in right from the start.
Now we move into an old clip of President Jimmy Carter giving a speech from the Oval Office, mixed with cuts of some new characters and even other news pieces on John Wayne Gacy and Jim Jones. There’s not only great selection of news pieces and shots of a few new characters – including those played by Kieran Culkin, Jeffrey Donova, Bokeem Woodbine and more – the editing here is downright stellar. Gives things a chaotic tone from the start.
Heading off from there, Dodd Gerhardt (Jeffrey Donovan) and his associate Hanzee Dent (Zahn McClarnon) meet in an alley with Rye Gerhardt (Kieran Culkin), putting the fear of violence in him. Rye is under the thumb of his brother meant to be collecting money. Obviously the Gerhardt clan is into nefarious shit, though, poor little Rye feels left out of the race for the throne. They’ve got another brother, Bear (Angus Sampson), but I guess Rye is the one wearing “the short pants” until he proves he’s a man and can handle the family’s business properly. Seems like the young brother might be an underachiever, in terms of organized crime.
Back at the Gerhardt house, mama Floyd (Jean Smart) alerts papa Otto (Michael Hogan) there’s a little money short at the moment. But during their talk, Otto has what looks to be a stroke, gripping the table before falling to the floor.
Out on a run for collections, Rye obviously has things going on the side. Apparently he’s going in on IBM electric typewriters with a business partner. All it involves is forgetting debt owed to Rye’s family and tailing a judge (Ann Cusack).
Screen Shot 2015-10-19 at 7.21.31 PMThere’s a great use of the split-screen in this episode with lots of nice cuts between Rye and his family, all doing their own thing. Over that Billy Thorpe’s “Children of the Sun” plays. Then we’re right back with Rye alone, he’s followed the judge into a diner after taking a bump of coke in his car. Slick, Rye. He slides into the table across from her. He tries convincing her to change her mind about a case, to which she reels off a big story about Satan and the Biblical Job. Bit ridiculous, but no in terms of writing – I think it shows how cocky a woman this judge is. Then she sprays bug spray in Rye’s eyes, so he blasts her away. Whoa. He kills a cook and a waitress afterwards simply out of fear and surprise. The judge isn’t all dead yet, she stabs him in the back before getting another bullet. I’ve ruined enough, so I won’t fully spoil the rest… this sequence is a rough doozy.
Safe to say there’ll be a bit of nasty trouble gearing up for the Gerhardt family?
Game changer comes quick when Rye wanders into the snow packed road looking at lights in the sky and gets smashed by it car. It only drives away with him adorning the hood like an ornament.
Screen Shot 2015-10-19 at 7.21.52 PM Screen Shot 2015-10-19 at 7.22.09 PM Screen Shot 2015-10-19 at 7.22.14 PMNow we’re back with a young Lou Solverson (Patrick Wilson) – previously played in Season 1 by Keith Carradine – and his wife Betsy Solverson (Cristin Milioti) tucking their child into bed. Lou gets called into work, naturally because of the shooting at the small diner. This is one of the immediate things – aside from this series’ amazing overall aesthetic – I love starting into Season 2, how we’re getting a link to the first with Solverson and this crime. Not just that, Patrick Wilson is a solid actor in my book, so it’ll be interesting to see what he does with this character.
Added to Wilson, he gets to play off Ted Danson who features as another police officer, from the state, Hank Larsson. They each do great Minnesota accents and their chemistry is actually incredible. Would never have imagined these two together. Their relationship actually, for whatever reason, reminds me of the cops from the Fargo film. Such non-chalance and oddly humorous chemistry.
Screen Shot 2015-10-19 at 7.22.39 PMHank: “That’s a shoe, all right.”
Screen Shot 2015-10-19 at 7.22.55 PMLou heads down to Bingo with a couple of his buddies, including Karl Weathers (Nick Offerman). I loved this bit because Offerman is usually a certain type of character, here he’s a sort of anti-government conspiracy theorist yet not totally mad or anything just super serious really. Lou’s wife Betsy recently started chemotherapy, so it’s even worse now with this recent shooting – guaranteed he’ll be away a bit working while she’s trying to deal with her illness. Or is Lou the solid type he seems? Will he put aside work and be there as much as she needs? We’ll see, it’s a tough situation for them both, a devastating disease for Betsy to fight.
Meanwhile we’re also introduced to Ed Blomquist (Jesse Plemons) and his wife Peggy Blomquist (Kirsten Dunst) who have a fairly regular life. Ed works down at a butcher shop, bringing home some meat that was paid for but not picked up. Peggy cooks up a nice meal in their cute little kitchen, then they sit down together for a bite. Only there’s a little tension between husband and wife – babies, sex, all that stuff.
The kicker being Peggy was the one driving the car that hit Rye after his shooting. She tries to explain it away the accident by saying it was a deer. Except it might’ve worked if Rye weren’t still alive in the garage, barely, and trying to stab Ed. Luckily, Ed fends him off but ends up stabbing him to death. His wife really did him bad on this one. A nasty chain of events is about to start unfolding and I can only imagine all its repercussions. The Gerhardt family, regardless of their disappointment with Rye, are going to be pretty torn up about this when it comes to light, which obviously means Ed and Peggy Blomquist are going to find themselves in a sticky situation. In addition, the cops make this a vicious triangle. So many things that can, and no doubt will, go terribly wrong.
Screen Shot 2015-10-19 at 7.23.20 PM Screen Shot 2015-10-19 at 7.23.53 PM Screen Shot 2015-10-19 at 7.24.28 PMEnd of the episode was good with a cut from the Gerhardts all surrounding Otto, now lying quite still in bed and the sounds of when he first stroked, to a shot of Ed and Peggy tossing Rye into their deep freeze.
Screen Shot 2015-10-19 at 7.24.42 PM Screen Shot 2015-10-19 at 7.24.59 PMNice quick intro to Joe Bulo (Brad Garrett) who briefs a team of people on the Gerhardt family’s business. Apparently the family is poised to be absorbed by a larger corporation. This whole thing is pretty shady and ominous in ways, love the very last couple shots and the music kicking in, solid finisher.
Screen Shot 2015-10-19 at 7.25.15 PM Screen Shot 2015-10-19 at 7.25.37 PM Screen Shot 2015-10-19 at 7.25.49 PMStay tuned for the next episode with me – “Before the Law”. Loving this season already, I hope many of you are, as well!