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Peaky Blinders – Season 3, Episode 3

BBC Two’s Peaky Blinders
Season 3, Episode 3
Directed by Tim Mielants
Written by Steven Knight

* For a review of Episode 2, click here.
* For a review of Episode 4, click here.
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After the vicious events of last episode’s finale, Tommy Shelby (Cillian Murphy) is most certainly ready for vengeance. His wife is dead now. Grace is gone. Or is he deciding on something else instead of revenge?
Everybody’s worried about him, as he’s been leaving all day on horseback and doing his own thing alone. Things are touchy, of course. No one wants to push him any further over the edge than he seems to be headed. Polly (Helen McCrory) clearly cares, but he wants none of it. Arthur and John (Paul Anderson/Joe Cole) are a bit pissed they weren’t all called in.
However, brothers is brothers. It all gets along. Well the Italians are getting locked down and the score’s ready to be settled. Tommy’s taken to writing up lists for everybody, so like Polly and Michael Gray (Finn Cole), the brothers likewise get their slip. John’s not happy that Michael was brought in before him. This eventually prompts Tommy to yell at his younger brother. He’s most concerned with “legitimate business” now after the death of his wife.


A little later Arthur gets up in Michael’s face after egging him on. Although nothing comes of it. They eventually sit back down for a few more drinks. For her part, Polly wants them all to start acting more appropriate to people with a big house, money, et cetera. And to unite with Tommy.
Only Tommy’s off with his little boy and Johnny Dogs (Packy Lee) headed for Wales. To see a woman, he says. Back in 3 days he tells them via note. A journey is needed. On a little stop, Tommy tells his child about his mother, what happened, and how things will be ahead of them. Though, he expresses: “Im not much good, Charlie. Youre gonna find that out soon enough.”


Teaching Michael how to shoot turns out wild for John and Arthur, as he puts the gun to both of them being led on by their taunts. Seems like there’s going to be actual fallout between these three. After all, Arthur continually pushes at Michael for being a ‘boss’ even though the latter doesn’t have any ambition to jump over them. Yet the insecurities of the oldest Shelby are abound. Either way, they try and teach Michael about their “side of the business” until Polly breaks it up. Michael makes clear he ain’t no little boy. GREAT SONG included here as “Burn the Witch” by Queens of the Stone Age plays and the Shelby brothers fire away on their guns. Nice little scene. Maybe Michael’s going to start getting his hands dirty and into the shit. We’ll see how it plays.
Down at the factory, the Shelby brothers meet with Connor Nutley (Ralph Ineson). They hand him a list of people involved with the Communist Party. He’s got six weeks to “sack them” or else, y’know… but Connor isn’t so easily convinced. The man is clearly just a working bloke and the Shelby clan are forcing his hand.
At the same time, Polly’s getting painted by Ruben Oliver (Alexander Siddig). She plays coy, but does have interest in him. I get the idea Polly is used to things going poorly, or downright awful. She’s seen hardship galore. So that’s perhaps a reason why she stands back at a distance. Here, she breaks down a bit in front of Ruben. He seems a sweet man. A bit eccentric, not weird just a painter type. For a moment she believes he’s into the fact she’s a “gangster” but he is more so into her, as subject, and a hopeful lover.


Tommy’s out on the marshlands and meeting a gypsy woman named Bethany Boswell (Frances Tomelty). He brings her the sapphire that’s supposedly cursed, the one his wife wore while getting shot. He believes in the curse, it seems. Although, Ms. Boswell doesn’t appear to get any bad vibes off the piece. Mainly, he hopes the curse is real so that is absolves him of guilt in his wife’s death. “All I have is you,” he tells the gypsy. No religion, none of that. She believes it’s cursed, saying it nearly burns her flesh. Then he heads out: “All religion is a foolish answer to a foolish question,” he explains to Dogs.
Vicente Changretta (Kenneth Colley) is headed to get on a ship in the midst of a massive crowd. His look increasingly nervous. Soon, he sees a suspicious man heading for him. He flags down a polcie officer and feels safe escorted onto the boat. Little does he know, the law is bought and paid by Shelby money. It’s all worse because Changretta’s wife taught the Shelby boys, she pushes them to let him go, reminding them of their youth under her tutelage: “I gave you sweets and cakes!” she cries. They disobey Tommy by letting his wife go, though. There may be hell to pay for this decision. Now, Mrs. Changretta is off to America on her own. You can see it definitely bothers John, so underneath the rough exterior of a gangster still lies the heart of a boy.
Some nice Nick Cave in this sequence with “Tupelo” jamming. The Shelby clan is busy in this episode, man. They don’t stop with the aggression. Certainly after the death of Grace, this is expected. Tommy is there now to do what he will with Changretta. The gig is up. Only Arthur steps in to finish Changretta off quick, as John also reveals they didn’t kill his wife. They don’t want to be that sort of gangster. Like a distinction can be made.


Tommy (to Changretta): “I forget who I am. Im a Blinder, Ill take your fuckin eyes first.”
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So Tom goes home with his boy and he tries getting back to business. He and Lizzie have a chat about her place in the Shelby Company. All sorts of legal stuff, selling perfumes and all that proper stuff; in Boston no less. Maybe things aren’t so bad for her after all.
In a jail cell, Tommy meets a gentleman who has information he needs. Wants. Badly. About Section D, or whatever they want to be called. The man warns the people he’s after are “dangerous“, but Tommy isn’t deterred. The Blinders are pretty fucking dangerous.
Arthur’s back on the booze. Although I doubt his wife is aware. She’s more happy about the baby they’re going to have. Wow! Papa Arthur. That sounds like a god damn mess all around. He seems happy as hell, but I’m not so sure he’s cut out for the family life like a normal chap. Or could it be the thing which turns him around? Maybe he’s not as ruthless any more after having spared Mrs. Changretta. There’s possibly a turnaround.
Anyway, Arthur reveals the big news to everybody. The boys are all impressed. Tommy is a bit heavy hearted to see his brother happy with a family, yet he obviously loves his brother. “Proud of ya,” he tells Arthur before heading off to a meeting.


At a swanky dinner, Tommy meets Father Hughes (Paddy Considine), Grand Duke and Duchess Petrovna (Jan Bijvoet/Dina Korzun), the whole lot. They chat together, Tommy answering questions about his family, so forth. The shady priest leads everyone in a nice grace. But Tom wants to get down to business. He lays out the update on their mission, all the stuff with the Communist Party and the plan for the robbery. Big event. Tom has it all under control and answers any question they lob at him. Something about Hughes strikes me as odd. He keeps interrupting all over the place, which doesn’t really please Tommy. Nevertheless, Tom slips a note to the Grand Duchess without anyone else getting to see what it says, pretending it’s a price for fuel and vehicles. Then he insults Hughes before leaving them all to their dinner.


The Duchess sends her daughter Tatiana (Gaite Jansen) out to talk with Tommy. He tells her about Hughes passing information over that’s going back to the Soviet embassy. He offers to kill him. Tatiana mouths off a bit about his wife, to which Tommy responds saying Grace is always with him. A strong moment, great writing.
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Loved this fucking episode. What a whopper, and unexpected. Really subverted what I thought was going to go typically like other mob-styled shows. Never underestimate the power of Steven Knight as a writer. Great chapter, looking forward to next week’s episode now so bad.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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