Freeform’s Dead of Summer
Season 1, Episode 4: “Modern Love”
Directed by Tara Nicole Weyr
Written by Edward Kitsis & Adam Horowitz
* For a review of the previous episode, “Mix Tape” – click here
* For a review of the next episode, “How to Stave Alive in the Woods” – click here
After the terrifying events of the previous episode, we open on Chicago in 1978. A little girl named Andrea draws a picture of herself. As a boy. When her mother reinforces the gender obvious to her, Andrea replies: “I am a boy.” This is most certainly Drew Reeves (Zelda Williams) as a young girl. Before Andrea became Andrew. “You can‘t hide what you are,” her mother tells her. In Summer of ’89, Drew does his best to conceal the gender given to him at birth.
Jessie (Paulina Singer) acts like a bitch, as usual, questioning Drew why he doesn’t shower where everyone else does. But quickly that gives way to normal, everyday stuff. Alex (Ronen Rubinstein) acts like a dick, too. Cricket (Amber Coney) brings the mail around, Joel (Eli Goree) reels of movie references (Friday the 13th Part VI this time), and so on. Everyone is concerned about Amy (Elizabeth Lail) seeing as how she was hit by lightning. Just like Jason Voorhees. Then up shows Deb Carpenter (Elizabeth Mitchell) to assure everyone the girl is fine.
At the diner, Deputy Garret Sykes (Alberto Frezza) tries his best to take care of the post-lightning strike Amy, bringing her chocolate shakes and trying to make sense of everything. She talks about seeing a face in the water, in the redness, that looks just like the stag’s skull on the map Sykes is carrying around obsessing over. He, of course, doesn’t reveal that he is much more interested in all the occult stuff floating around than he lets on. Probably just to try keeping Amy from freaking out.
Drew sees a creepy vision of a little girl holding a red balloon. He slips into the water, soaked to the bone. He gets a towel from Jessie, who knows Drew is Andrea. Though he has a secret on her, as well. But there’s a rivalry now. One that’s definitely going to get worse. There’s plenty other madness happening. Cricket starts to worry more about her supposed dreams of the masked people; she finds out from Joel that Camp Stillwater has a bit of history with those types of things, the fact Deb has one in her closet. Everybody’s got something darker plaguing them. Mostly, poor Drew finds himself flashing back to being forced to be a girl by his mother, not wanting to try on dresses and lamenting the boys allowed to be themselves. In a dressing room Andrea, still young, receives her first period. “This isn‘t supposed to happen to me, I‘m a boy,” she pleads with her terribly reluctant mother. In ’89, Drew can’t stop seeing the girl and the red balloon. Everywhere.
The whole crew is beginning to question their collective sanity. Amy talks a bit about the history of the land, though she gets shut up quickly. Until a kid runs out with Cricket’s boots from the lake. More to make Cricket wonder.
Flashbacks let us in on Drew going to therapy with his mother. She continually tells her “My name is Drew” and only wants her acceptance. “As long as you‘re in my house you will be Andrea,” her mother replies. A divide that may never, ever close, a wound that likely won’t ever heal.
Alex decides to use Joel’s camera to figure out more about Deb. They find the videos he takes of her. They also notice the box she seems to hold so tight. After Joel comes back he isn’t happy. However, when they let him on her suspicious behaviour he only becomes more divided from the group. As usual, a typical slasher-style trope has the group dividing. Meanwhile, Drew and Blair (Mark Indelicato) talk together. He gives Drew a tape of David Bowie, as well as talks about meeting a friend at camp who just immediately got him, his sexuality, his choices – Cricket. The Bowie tape helped him come out and gave him confidence. Now he tries to give that Drew, too. I love Blair. He’s an awesome dude. I hope that the devil worshipping cult doesn’t kill him.
Furthermore, Jessie is blackmailing Drew by taking video of him showering. Nasty.
We flashback once more to Andrea, forced into wearing the clothes she’s mean to, as designated by her gender. Alone in his room Drew wears the clothes in which he feels comfortable, then sneaks out of the house to live a little. Heading for a Sonic Youth show it seems.
Cricket and Alex are going to Deb’s cabin. They find the closet and the box, but speak of the devil, Deb comes back and interrupts things. Then Joel arrives, as the other two hide. He’s there to see the box, after which he and Deb leave. Damn. The mystery is thick.
Leaving camp, Drew finds Jessie coming to catch him. She reveals there was never any tape. Likewise, Drew says he was never going to tell anyone about Jessie and her court dates. They actually have a human conversation. About being scared, about “trusting the wrong people” and other things. Jessie does the right thing and tries talking Drew into coming back. A nice moment that makes Jessie a lot less shitty than she seems initially. The typically pretty, stuck up girl who acts like she hates everyone just to hide how she feels about herself.
The possibility of a demon being awakened is real. This is Deputy Sykes’ thought. Although he’s more concerned with tracking down the crazies making the attempts to do so. And we can’t forget there’s at least a bit of craziness in Deb. She brings Joel to the forest and takes a book from the box she keeps. You can tell there’s a sinister element lurking beneath the surface. For the time being they embrace in the night, out in their secret little place.
At the masquerade dance, Drew kisses Blair. They share a passionate moment, as Drew takes charge for once in his life. Then we get another flashback to Drew dealing with his mother. She’s willing to accept everything. “I saw you, Drew,” her mother agrees in an emotional moment of acceptance. So emotional it almost cripples Drew at the start. Wow. That absolutely killed me. Such a great moment to cut back and forth with the kiss at the masquerade. And so while they share their passion, as do Joel and Deb privately share themselves. Love is in the air. Or steamy sex, I don’t know.
Amy’s not getting any loving tonight. She and Sykes are both on their own in the forest respectively. He’s got the most trouble, as he sees Amy wander out to the lake where she holds the hand of a horrible monster from under the water. Now, she gets herself a bit of loving, too. Some presence came over her. She doesn’t even remember the past few moments. Eerie.
When Drew takes a moment, not wanting to reveal himself quite yet to Blair, he finds a ton of red balloons piling up in the bathroom. This is also cut with a flashback to Drew finding out his mom isn’t so accepting after all. She’s left a picture of the daughter of long ago, Andrea, and her red balloon. With a note saying see you later. Mom can accept, but can’t accept. And this continues to torture Drew. He goes to Blair revealing he – Andrea – was the one to give him the tape years ago. Yet even Blair doesn’t quite accept it all. That’s a fucking heart breaker right there. By the fire Jessie consoles her new friend Drew and they find solace, if only for a moment.
This was a nice episode. Held back on the horror to provide us more with character development. There was a bit of psychological horror, as well. Reminiscent of Stephen King’s It. Next episode’s title is “How to Stay Alive in the Woods” and I’m looking forward to a dose of blood. We need it. Still, a great episode that worked wonders for me. The character of Drew is beyond fascinating. Zelda Williams does so well with the role. Give me more!