Netflix’s Black Mirror
Season 3, Episode 1: “Nosedive”
Directed by Joe Wright
Written by Rashida Jones & Michael Schur
* For a review of Episode 2, “Playtest” – click here
“Nosedive” opens on an idyllic neighbourhood. Lacie Pound (Bryce Dallas Howard) goes for a run, though she can’t stop looking at her phone at all. Neither can anybody else. Lacie runs, stretches, all while peering into the screen, taking selfies, mindlessly flipping through social media. At home in the mirror, she practices faces and various laughs. In the living room, Ryan (James Norton), her brother, plays a reality game and doesn’t do much other than that.
Everybody’s rated, every interaction has a value. You meet somebody and you give them a rating. Not far off from where we are in social media, but the way this episode brings that to life is terribly sad. From how Lacie doesn’t even really enjoy her cookie or her drink, though she makes sure to post a picture. Her only real happiness is being rated approvingly by others. People only know things about each other through the social media site they’re linked to constantly. Lacie has an awkward conversation with a woman in the elevator which illustrates that so awkwardly, yet perfect.
On the drive in her rental car Lacie has to stop and charge. At the station she gets a bad rating from the douche attendant. Worse is the fact the station doesn’t have a fixture that fits her car, nobody there has an adaptor. Being in the 3s ain’t easy, girl.
She starts walking her way now. One Anonymous user even rates her down simply driving by, not even meeting her. When a 1.4 lady driving an eighteen-wheeler stops, Lacie gets a ride at least. She finds the other half are nicer than the higher numbers. Right now she’s sitting at 2.8, shockingly low. What she gains from knowing this sweet truck driver is that it’s all an addiction to a lifestyle, shackles to something idiotic and fake, and when you start living real life again it’s freedom: “Sheddin‘ those fuckers, it was like takin‘ off tight shoes.”
The inevitable happens as Lacie ends up hitching another ride with a group of sci-fi lovers – Naomi calls and doesn’t want her there anymore. She’s down in the 2s now. Despite it only being temporary Naomi doesn’t care. Still, in a sad last ditch effort Lacie says she’s going anyway.
She gets there, after being thrown from the sci-fi bus. In an absolute mess. And she gets up to make that speech, to the terror of everyone in attendance. Lacie starts dropping f-bombs galore, 1 ratings all over the place, as she tells everybody about Naomi helping her overcome and eating disorder and gets crazy real on the crowd.
Until her arrest. They take her in, process her. A little chip is implanted in her eye, and she’s put in a cell. But funny that, how she’s imprisoned, literally boxed in, yet still she is free. In her mind. She gestures to a man in the cell opposite to her with a motion of rating. Just with no phone. Then they really engage, for the first time. No ratings. They use speech. They talk and interact and the only thing they hide behind is their force confinement. More than that, they only say negative things. They pour out all the anger from the fake positive manners screaming at one another: “Fuck you!”
Loved this episode. A great return with some spectacular writing and an amazing Bryce Dallas Howard performance. How did you feel about it? Too close to home?
I'm a Bachelor of Arts (Hons.) graduate and a Master's student with a concentration in early modern literature and print culture. Although I've studied everything from Medieval literature onward, also spending an extensive time studying post-modern critical theory; I have a large interest in both Marshall McLuhan and Jean Baudrillard. I completed my Honours thesis on John Milton's Paradise Lost + the communal aspects of its conception, writing, and its later printing/publication. This thesis will serve as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day). My Master's program involves a Creative Thesis, which will be a full-length, semi-autobiographical novel. Author Lisa Moore is supervising the writing of this thesis. I'm already looking towards doing a dissertation for a PhD in 2019, focusing on early modern print culture in Europe and the constructions of gender identities. - I'm a film writer, author, and a freelance editor. My short stories have been printed in Canada and the U.S. I edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into post-production during early 2018. I was part of a pilot episode for "The Ship" on CBC; I told a non-fiction story of mine about my own addiction/alcoholism live for an audience with nine other storytellers. - Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17. I'm currently contributing to a new website launching in May 2018, Scriptophobic; my column is titled Serial Killer Celluloid. Contact me at firstname.lastname@example.org or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!