Netflix’s Slasher
Season 2, Episode 8: “The Past is Never Dead”
Directed by Felipe Rodriguez
Written by Aaron Martin

* For a recap & review of the penultimate Season 2 episode, “Dawn of the Dead” – click here
Screen Shot 2017-10-18 at 10.40.55 PMFive years ago. Dawn (Paula Brancati), Peter (Lovell Adams-Gray) and the rest of the friends are carefully enacting their calculated plan to get revenge on Talvinder (Melinda Shankar). The poor soon-to-be dead girl is none the wiser, either. The rest of them with their cold, evil faces lying just beneath the exterior. They take her out to that spot in the woods with the lit torches. They’ve got her “on trial.”
She’s made to stand in the middle of a circle. They all call her out, starting with Andi (Rebecca Liddiard). Conveniently, Andi doesn’t blame Peter, which Tal uses against her. Susan (Kaitlyn Leeb) calls her “nothing.” Eventually Dawn has her say, feeling utterly betrayed; she’s the one who really has the most genuine reason. Peter doesn’t bash her, instead apologising to his girlfriend for what he’s done.
Cut to a little later, when Noah (Jim Watson) almost rapes her on the truck. Then she’s rushing off into the woods, the others worried for her. But Tal won’t turn back. She winds up tripping and smashing her head. They find her in a ditch. She seems dead, so they all react with horror. They drag her off, she’s still alive. Andi smashes her head, she still won’t die.
And Dawn takes the rock, smashing her once more. Noah takes his turn, as well. Laying the killing blow, it seems.
Screen Shot 2017-10-18 at 10.45.18 PMWren (Sebastian Pigott) is heading back to the cabin, after killing Mark, and Judith (Leslie Hope) is pleading with him not to do anything else terrible. He’s bent on revenge. They let him take the fall for Talvinder’s disappearance. All she asks is that Keira is left alive. Other than that she tells him: “Theyre all yours.”
Back at the cabins, Judith reels off a lie about Mark, that he was going to kill her. And she says she shot him. Taking the blame. Lulling Dawn in. Except the young woman doesn’t believe it, she knows it’s lies. Everybody’s too paranoid now, anyway. So many things happening right below the surface.
Five years ago. The friends are reeling in the aftermath of what they’ve done, people are asking where Tal has gone. They’re trying to figure out the next course of action. Their lives changed for the worse, and they had to either deal or go to prison for the rest of their lives.
Present day, the gang at the retreat hear a snowmobile. A woman named Janice arrives looking for her boyfriend, Gene. A bit late, y’know. He’s in pieces out in the shed. She thinks We Live As One are a “cult,” but Peter tries explaining, asking for help. Janice has room for one on her machine; Judith tries desperately to send Keira, only Keira won’t have it, wanting it to be Dawn, so she might get medical attention.
But Wren, he’s intent on killing more. He wants Judith to help and she won’t, he starts getting worse. He’s a sad, lonely, murderous man. He says she’ll “die alone” and she grabs him, throwing him at the mirror. Except nobody’s there. Just her. Ohhhh, man. That’s creepy. Soon, Peter and Keira find her, bloodied, unconscious. They put her to bed, then decide they’ve got to find Mark’s corpse, confirm he’s dead. Peter heads out while she stays to look after Judith.
Screen Shot 2017-10-18 at 11.03.04 PMJudith has worse problems. She continually hears Wren in her head, commanding her: “Kill them!” She speaks to herself as herself, and also as him. We jump back five years. Wren a.k.a Owen leaves his cabin at Camp Motega, and in slips Dawn to drop a piece of Tal’s jewellery into his things. A frame job. That’s nasty.
Present day, Peter comes across Mark’s dead body. Nearby he sees the footprints, he tries re-imagining the crime. He knows something’s not right. Elsewhere, Dawn and Janice try getting out of the forest, but they stop a moment across the way from the parka killer, who fires on both women, bleeding Janice out. Dawn makes it away, though she’s soon shot in the river. Who’s behind the mask? Judith.
At the cabin, Peter finds Keira unconscious, propane filling the house. Then he sees a bunch of letters in Judith’s room. They’re from Wren, in jail. To his mother, Judith. WHOOOOOOOOA. That’s a seriously twisted relationship, on more than just one level, too.
Peter does the only thing he can, carrying Keira through the woods. Only to run into Judith. She says one lives, the other dies. A tough choice. We’re finally seeing the full extent of things now after a flashback, why the noose was in that shrine Peter found – Judith has hallucinated Owen, the entire time. He hanged himself in jail.
Screen Shot 2017-10-18 at 11.07.35 PMScreen Shot 2017-10-18 at 11.13.10 PMScreen Shot 2017-10-18 at 11.15.34 PMWhat will Peter choose? Life? Death? He puts the noose around his neck and steps from the ledge over the shrine, hanging himself as Judith watches, flashing to images of her son slowly dying. But another surprise, as well – up the river, Dawn is still alive, on shore, and two hunters find her there bleeding profusely.
When Keira wakes up she sees Peter hanging. She also finds a letter Peter wrote to Talvinder’s parents, confessing to the crime, trying to give them closure. Admitting that Owen was innocent, they laid the crime on him.
Its time my friends and I paid for what we did
Skip ahead a bit. Keira is safe, back home. She meets with Dawn, who’s preparing to turn herself in to the police, to atone for her terrible sins. From a distance, Judith watches them, still followed by the haunting ghost of her son. Neither of them have forgotten Dawn, they’ll wait until she’s free. Then, well… you know.
Screen Shot 2017-10-18 at 11.29.51 PMFantastic season! God damn. I wish I didn’t fly through it, but such is the age of Netflix. Plus, it was even better than Season 1, which I was big time digging right from the get go. Honestly this season had even better writing. Not to mention the twists were even bigger, wilder. And the gore went up a big notch, from an already grim first season.
Truly hope Netflix will do another season. At least one more. C’mon! Please?!

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I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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