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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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Screening GIRL ON THE THIRD FLOOR— the feature debut of producer Travis Stevens, starring CM Punk & Trieste Kelly Dunn— which plays at the Brooklyn Horror Film Festival in a few days! One of my most anticipated films of the entire year. #GirlOnTheThirdFloor #InstaHorror #BrooklynHorrorFilmFestival

Tonight's entertainment #InstaHorror #SilentHill

Your man's covering a bunch of films from this year's Brooklyn Horror Film Festival! The program runs from the 17th to the 24th. Look out for articles on 1BR, Monument, Girl on the Third Floor, The Swerve, & more! 💀🔪 #InstaHorror #BrooklynHorrorFilmFestival #HorrorMovies

Tonight she's serving Blood on Satan's Claw REALNESS! #InstaHorror #FolkHorror #SpookySeason

Here come dat boi— C.H. Newell, BA, MA. I won't make you call me Master Newell. But you can, if you wish!

Saw this gloriously filthy addition to the cinematic serial killer canon during Fantastic Fest. Lord, what disturbing, rotten, wretched gem of a film! A must-see for aficionados of the macabre, specifically those who know of Fritz Honka already. #TheGoldenGlove #SerialKillers #FritzHonka #InstaHorror #Macabre

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From Kathryn Bigelow

NEAR DARK Makes Bigelow Queen of the Vamps

Vampires and love on the run.

Published: 10/09/2016

Words: Father Gore

1987
Adrian Pasdar
Film
Horror
Jenny Wright
Kathryn Bigelow
Vampires

Adrian Pasdar
Bill Paxton
Eric Red
Jenette Goldstein
Jenny Wright
Kathryn Bigelow
Lance Henriksen
Marcie Leeds
Near Dark
Practical Effects
Tangerine Dream
Vampires

Seek & Ye Shall Find

Search…

The Juiciest Gore

The Twisted Parallels of Cinema— A Series
Father Son Holy Gore’s Interview with Larry Fessenden
[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
SUSPIRIA Bathes in (Blood &) the Power of Women
“No more pain, no more death”: Fatalism, Free Will, & Fighting the Past in THE RITUAL
Destructive Legacies of Fatherhood in Larry Fessenden’s DEPRAVED
Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
BLOOD RAGE’s Gory Freudian Nightmare
Make a Case #2— Wes Craven’s SHOCKER (1989)
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
STARFISH’s Apocalyptic Grief and Unexplored Spaces
An Interview with STARFISH Director Al White
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
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[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
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PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

$5.00

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a PhD candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory. He wrote for Film Inquiry frequently during 2016-17, and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic. He has covered major film festivals such as Fantasia Festival and Fantastic Fest. During September 2019, Father Son Holy Gore will be one of several media outlets helping to present Randfilmfest in Germany.

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