From The Raid: Redemption

The Raid 2: Because Somehow It Gets Better

The Raid 2: Berandal. 2014. Directed & Written by Gareth Evans.
Starring Iko Uwais, Arifin Putra, Yayan Ruhian, Oka Antara, Tio Pakusodewo, Alex Abbad, Julie Estelle, Ryuhei Matsuda, Kenichi Endo, and Kazuki Kitamura. Entertainment One Films Canada.
Rated 18A. 150 minutes.
Action/Crime/Thriller

★★★★★ (Film)
★★★★★ (Blu ray release)

Even the trailer just absolutely melts my face off. I couldn’t wait for this movie to come out. And boy, was I ever not disappointed in the least. In fact, this is one of those few sequels where it surpasses its predecessor joining the ranks of The Godfather Part IIStar Trek II: The Wrath of KhanStars Wars V: The Empire Strikes Back, and The Dark Knight. This addition to what will hopefully be a trilogy is an incredible action film, and most certainly one of the best I’ve ever seen.

The plot of The Raid 2: Berandal begins only a few hours after the previous events of the first film. Now, Rama is forced to go undercover in a ruthless prison to protect his family, as well as infiltrate the criminal organization which stretches even into the police. He must become a mob enforce in order to break through and gain the information needed. This is easier said than done. Once again, Rama has to fight through criminal after criminal to succeed in his objective.
So get ready for an all-out brawl with so much balls you’ll feel the kicks and punches in your gut with every bone smashing scene.

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O
ne of the things I immediately loved about The Raid 2 is that it gives us another chance to engage the character of Rama. In the first film, Evans gave us a look at tough yet nervous rookie, who was navigating a world completely unfamiliar to him. Even more so this time around, Rama is in a dangerous and unpredictable environment. But this time, Rama is also more experienced.
Right off the bat we’re treated to amazing fight choreography just in the first 25 minutes or so. First, we get to see an enclosed space brawl where Rama fights off numerous prisoners, as they kick and punch their way to him. Then, later, Rama must fight for his very life, as a gigantic brawl begins in the prison yard. Arms and legs are broken. Heads are smashed in with fists, rocks, and whatever else these men can grasp their fingers around. Some inmates are kicked to death in the muddy yard by groups of other prisoners. It’s just an absolutely incredible scene.  ‘m not sure how many actual edits are in there, but Evans makes it all look like one long, fierce take just following fight after fight, death after death. It’s one of those powerhouse sequences where it feels unbroken for a nice long time. You see a lot of these types of shots in other films, but action films it’s not exactly commonplace to see these extended takes because that takes a lot of work. Evans, however, pulls out several of these throughout the film.

A really amazing sequence, among many, is the crowded fight in the car. Watching how Evans actually accomplished that entire fight including some very unique and tricky camerawork, it’s just a breath of fresh air in the action world. Not only does Evans care about the fights themselves looking great and natural at the same time, he still pays close attention to the details of the actual camerawork for such fights. I know there are other stylized action films out there. Nevertheless, Evans and his two Raid films really takes the cake on visionary action-thriller filmmakers. Seeing the camera operators passing the camera around through the car, as well as discovering there’s one of them actually dressed as a seat (I never would have guessed that on my own – not in a million years), it is spectacular movie making. There aren’t enough minds like Evans, especially in the action genre.

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Love the role of Uco played by Arifin Putra. He did a great job. It was good to see another strong role in The Raid series aside from the main role of Rama (Uwais). This guy did a nice job with a character who could be typical. In certain respects, he is, quite typical. Yet there’s a savage, brutish nature to the way Putra plays Uco I really enjoyed. I sort of felt bad for him in a way, even though he’s really just a spoiled little psychopath.
Regardless, Putra gave a good performance, which worked well opposite Iko Uwais, who was just as excellent (if not more) in this film as he was in the first. Uwais had more to work with here, as the treacherous waters Rama must wade through become deeper and darker, murkier than before. In particular, there’s a fight later in the film where Rama scalds a man’s face terribly (a man he discovers afterwards is a police officer like himself). Following the fight, Rama is absolutely devastated with what he has become in order to fight criminals – essentially, a criminal himself. Uwais does a terrific job with this role and I felt for his character, which we rightfully should. Then of course his fighting has only gotten better, it seems. Not long after the previous scenes, the aforementioned car fight goes down; it’s one of the more wildly choreographed and executed scenes in the entire movie.

Action films are always better served by good performances (stupid thing to say – any film is served well by a proper performance), so having both Putra and Uwais play their roles with skill only makes things better. When you get good action with fun, interesting characters it isn’t hard to enjoy. The Raid 2 really improved in a lot of ways from the first, as much as it could seeing as how that one was incredible. The main way in which this film is better comes down to the performances. Though there is plenty of action, even more than the first (or at least on a bigger scale than its predecessor), this sequel really gets into the performances more.
There are some really unique characters in here. One in particular sees Yayan Ruhian (who also apparently choreographed bits of this film – not sure exactly how much but that is excellent) back in action; here, he plays a different character than his insane Mad Dog character from The Raid: Redemption.The character he played was weird, which is awesome.  Not only that, he fights a bunch of dudes in the street, while holding a machete, and yet doesn’t actually use it on any of them – not until the final person he fights. This also includes a great blood effect that I cannot get enough of! Evans does a shot of a body sliding down a wall after being ran through with the machete’s blade, except it’s from the rear, and so we get a nice view of the bloody hole from his gut to his back, as it slides down the wall leaving only Ruhian visible through the hole in the wall. Maybe that sounds like a mouthful, but believe me – it is an awesome little, almost throwaway, practical effect. It looks really gnarly, and I totally dug it to the fullest.

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Two other honourable mentions must be noted when it comes to characters: Hammer Girl (seen above in mid-kick assery) & her equally demented sibling Baseball Bat Man. Great additions to the film. Not only was it sort of fun and a kind of homage to less serious/more silly martial arts flicks, it really kicked up the madness of the entire Raid series another notch. In the first movie, we get that real crazy vibe from the machete gang. I was really wondering what Evans would do in this film; if there would be that sort of vibe I got from them.  This is where Hammer Girl and Baseball Bat Man came in. Their fight with Rama was just absolutely intense. One of those great sequences where you’re actually not sure for a few moments here and there if the hero would come out on top. I like that, when a filmmaker isn’t afraid to tease us a little with the true fear of a character’s death. But of course Rama is the man; I mean, do you really doubt that? This fight is one of the more balls-to-the-wall sequences out of either of the Raid movies, and I couldn’t rewind enough to watch it over and over.
Not to take away too much from the final fight Rama endures – it is a dam fine fight both in the camerawork used and the fight choreography of the actual scene. I just particularly wanted to mention those characters. The last fight, regardless of how much I enjoyed Hammer Girl and Baseball Bat Man, was near perfection. Incredible, the score really amped things up with a sort of John Carpenter feel to it, and it was just really beautiful and brutal all at once. Plus it comes to a bloody conclusion.
Also, it’s worth mentioning the locations Evans chose to shoot were really interesting to look out, so while there’s great fight choreography and bone crunching hits happening, there’s also a beautiful visual style to the whole film overall in the form of interesting locations, as opposed to a ton of set pieces (I’m not positive whether there were specifically built sets used in this film or not – to me most of the locations look natural). Always a plus for an action film.

As a film, The Raid 2: Berandal is easily a 5 star experience. It stands on its own as a really great crime thriller with extraordinary action sequences and fight choreography. In regards to its status as a sequel, this definitely improves on the first for me – there were no characters here I felt weren’t portrayed well. The acting really did it for me here, and took The Raid series to a higher level. The fight choreography stepped it up, too. The prison yard fight alone is enough to raise this up over the first movie. Put all those things together and you’ve got one hell of an action film. There isn’t the same music as the first, but I think the score here really works for the movie, and the fact it doesn’t sound the same is not a drawback. Yet there was a wonderful use of my favourite artist Nine Inch Nails both in the very last moments of the film and over the credits, as well. Really awesome music from Trent’s work on his Ghosts collection of albums. Excellent experience overall, from action to character to plot to sound. You won’t find too many films, particularly action-thrillers, better than this one.

The Blu ray release, again, is a god damn treasure. Getting a look behind the scenes of these Raid films is a treat for me. Like I said before, the fight in the car and watching it broken down kept me busy forever. Not to mention the entire featurette included called “A Violent Ballet”, which is focused solely on the choreography involved in the production of the film. Of course there’s also some director commentary (really worthwhile to listen – a lot of insight from a great filmmaker), and another featurette about shooting a sequel to the first film. These are all really wonderful extras. Highly suggest checking them out if you pick up this release.
Also thrown in is a four and a half minute deleted sequence entitled “Gang War” – this shows a group of thugs getting ready for what promises to be a massive battle, putting guns and grenades and ammo in bags, marching together down the street, and finally they meet another gang. This climaxes in a ridiculously wild and gory shootout between the gangs. I loved every last second of this. There are some great effects in the 4-minute span of this scene. Although, I can understand why Evans opted not to include this sequence in the finished film, it’s really fun to watch. An action packed deleted scene if there ever was one!
The Blu ray release is beyond worth the purchase. 5 out of 5 star ratings times five. I’ve spent hours watching the extras. The picture itself is worth seeing because it’s as close to seeing it in theatre as you can get. Really great experience. The fight sequences look incredible here. Evans’ work as a director shines when you can watch his film in such gorgeous definition. Recommended to the fullest – go pick this up and you will not be let down in the least by either the film or the Blu ray.

One Ass Kicker Cop v. A Building Full of Psychotics in The Raid: Redemption

The Raid: Redemption. 2011.  Dir. Gareth Evans.  Starring. Iko Uwais, Joe Taslim, Donny Alamsyah, Yayan Ruhian, Pierre Gruno, Tegar Satrya, and Ray Sahetapy. XYZ Films.
Rated 18A. 100 minutes.
Action/Crime/Thriller

★★★★1/2 (Film)
★★★★★ (Blu ray release)

There are not a lot of action films I truly love, in the sense I don’t particularly favour the genre over others. Whereas I’m a bigger fan of horror and thriller films, action movies really need to be a big deal for me to get hooked in, and for me to walk away thinking it’s a great piece of film. That being said, there are a few I absolutely love. For instance, The Terminator to me is the best action-thriller ever conceived; it’s not only thrilling and full of great action sequences, a great plot to boot, it has the sci-fi element thrown in, which really helps it. However, there are action films that come along from time to time which really surprise me. Not only are they jam packed with some really impressive fighting and choreography, they’ve often got one or two solid performances alongside a decently entertaining plot and story.

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The Raid is one such film. At the beginning I sort of expected something derivative of a typical ‘good cop gets in over his head’ scenario. I soon changed my mind. Quickly.
The story follows a rookie member of an elite special-forces quad named Rama (Uwais) who is allowed to go along as the team attempts to extract a savage crime boss called Tama (Sahetapy) who runs a dilapidated apartment complex.
But when a spotter blows the team’s cover, Tama offers up a great incentive for anyone on any floor of the building who brings him the heads of the intruding police. Rama ends up having to take charge when a big load hits the fan.
From there it’s basically a massively entertaining and brutal action film. Yet it isn’t just an action film. It really is thrilling. I really can’t get over a few of the fight sequences. The choreography is some of the best I’ve ever seen, in any action movie. While there’s a beautiful rhythmic way the camera follows these fights, it is all very real. The punches and kicks are hard and crushing. You can almost feel every bit of it. There are so many action movies where the fight scenes are either outrageous, or consist of people fake fighting. Instead, The Raid is like a giant sparring session.
One thing I really love is that this film doesn’t at all go for the ‘one man versus ten’, as they all go at the one man individually, single file, and he fights them off. In particular, one scene in the hallway where Rama is basically forced to fend off several men at one time by himself really does away with this tired trope. But what I love isn’t necessarily that it bucks the norm, it’s the fact that we get to see the fighters really showcase their talents. After this film, as well as its sequel The Raid 2: Berandal, I suspect Iko Uwais’ name will only get bigger and bigger.

Another little scene I love is when Rama and Officer Bowo (Satrya) are forced to hide in one of the building tenants apartments. They’re hiding behind a wall, as a gang of thugs lead by a machete wielding maniac (when in fact they’ve all got machetes) search the place for the two cops. The maniac puts his blade in through the wall, one place after another, until it slides in and slices open Rama’s face. At that instant, the owner of the apartment urges them to get out. The maniac leaves his machete in the wall and yells at the man. Evans really pulls out a great gem of a moment here – Rama holds the blade, and as the man hauls the machete back out, he wipes the blood off it, so nobody is the wiser. We’ve all watched those scenes where someone is hiding, just about to be caught, and yet something prevents it; this moment really subverted those typical scenes into something new. I dig that. Not usual many action films really screw with the tropes of the genre, and The Raid does a great job with this at times.

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There’s really something to be said about action films being violent. I mean, isn’t that the point of certain action really? When I go to see action movies, I don’t particularly look for a great performance. What I do focus on while I’m watching them is what the fights look like, how they’re paced. I don’t want to go and watch an action film that’s got too much drama. Although I like some; there’s a mix that can be attained. There’s just enough here in The Raid to satisfy the drama quotient. Just a little. Sort of like adding flavour. What really sets this apart as a great action film is the fact it isn’t rated PG-13. Evans pulls out some perfect gory kills here. Even some vicious kills that weren’t gory, just really nasty. One I thought was unique happened when Rama just tosses this guy running at him over the ledge of one floor, and the guy lands on the opposite side, one floor down, right on his back; I actually said “ouch” aloud. Delightfully awful. Another is after a savage brawl with the machete gang when Rama jumps back through a doorway hauling one of his opponents’ heads down with him, putting a jagged piece of broken door through a guy’s neck and throat. I just didn’t see it coming, and it was one of those martial arts moments where you realize this guy Rama is so aware of his surroundings; he’s a god damn excellent candidate for law enforcement.

Iko Uwais is a really talented guy. Of course there wasn’t really a massive amount of drama here as I said, he still pulled off his character convincingly – in between kicking ass, dodging bullets, and generally saving the day. The beginning, as well as a few points in the latter half of the film, show him with his wife, and he did a nice job. Certainly things also get dramatically tense once we find out more about the plot, as the film goes on. He gets more chances to showcase his acting abilities over his fighting prowess, and gave a nice performance. I won’t give away exactly what happens or who he meets, just for those who’ve yet to see it, but one other moment I love is when Rama comes in contact with somebody he did not expect to see in the apartment complex. Both him and the other actor did great. I loved their scenes together. It adds more complexity to Rama’s character, as well as the entire film.
The rest of the cast was great. Although I honestly did not enjoy Ray Sahtapy as Tama, the crime boss. It never clicked with me. Also, I wasn’t really a huge fan of Pierre Gruno here. I didn’t like his portrayal of the character. I felt he was flat compared to everyone else.
But aside from those two, the rest of performances were good. The brief bits we get with Yayan Ruhian as Mad Dog were spectacular, and he was one of the real shining points in the supporting cast. Even in a smaller role he blew me away. Not only with his fight scenes, which were outrageously awesome, but his acting was surprisingly nice (I only say surprisingly because I’ve never seen him anywhere else but here – that I know of anyways). I hope to see more of him outside The Raid movies.

Another aspect of this film worth mentioning is the excellent music. The dubstep-style songs in certain parts really fit, as well as the rest of the suspenseful, intense scoring during other moments. Everything really piece together well. The music helped with the film’s tight pacing. One of my favourite moments concerning the music is when Rama is trying to bust a hole through the floor with an axe; there’s just something so gritty and kick ass about the music there, it really sets the tone. Action films need more music like this. When it wasn’t the dubstep-style music, we got some great, low-key electronic scoring, and at other times it sounded beautifully dark and intricate. Amazing.

I’m absolutely in love with this movie. One of the best action films I’ve ever seen. Certainly one of the best in the last 10-15 years, if not the best action film of those years period. I give this a 4.5 star rating. It’s almost a perfect film. I cannot recommend it enough. Especially if you’re having one of those movie nights where you can’t decide on something. If you’re looking for an action-thriller of the highest quality, look no further.

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The Blu ray release is also pretty damn fantastic. First of all, Claycat’s version of The Raid was so funny and so awesome. Put it on and you will most definitely have a blast. I cracked up.
The featurettes on this release are beyond incredible. Listening to Gareth Evans break down scenes as he shot them is inspirational, honestly. Some of the takes here were insanity. They broke down the ‘Hole Drop’ scene, as Rama busts a hole in the floor for the team to escape through. While one of the actors jumped down through the hole, a camera operator was sort of lowered partly down into the hole, and another operator took the camera from him continuing on to shoot as he follows the actor. Watching it while Evans talks is so cool. I always love seeing these types of things on a Blu ray or DVD release because, as someone who eventually wants to make films (short films at the least) it’s interesting to watch certain scenes broken down because it gives me ideas, and also exposes people to the intricate process of filmmaking most movie watchers often don’t pay attention to, or are even aware of in a lot of cases.
Evans talks further about the stunts, and how many scenes were actually stitched together to make them look how they did in the final film; particularly, the kill I mentioned with the broken back. Very cool. Most of the stunts, of course, were natural in the fighting process. There weren’t many shots here that needed any wire work. Not as far as I can tell, anyways. Regardless, watching the filmmaking in all its forms is amazing. The featurettes go through everything from soundtrack and themes to stunts to production. Mike Shinoda and Gareth Evans sit down and talk through a lot of it, which was definitely an interesting watch. The Blu ray is hands down a 5 out of 5 stars. Nothing wrong with this release. There is beautiful sound design, the picture is magnificent, and the special features really do the release justice.

If you haven’t seen The Raid: Redemption, go see it now. If you love it – get a copy of the Blu ray, and sit back to some amazing visuals, balls-out fights, plus a pack of extra features to keep you busy.