Gustav Möller's THE GUILTY walks an unsettling thin line to expose issues of police prejudice that are all too familiar in the 21st century
Hypocrite Cops & Psychological Set-Spaces in Gustav Möller’s THE GUILTY
From Thriller
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING
Nicolas Pesce's adaptation of PIERCING, by novelist Ryû Murakami, is a stunning, brutal look at the thin line between pain/pleasure.
Father Gore’s Favourite Films of 2018
2018 was a great year to love films— just like every year!
Father Gore’s Nasty New Year’s Eve List
It's been one hell of a year! Or, y'know, hell on Earth. Whatever.
Tell Me a Story – Chapter 1: “Hope”
Lives intertwine in tragedy across a city in a modern fairy tale
X-Rated Social Horror in Roberta Findlay’s TENEMENT
Roberta Findlay's 1985 shocker TENEMENT came along at the beginning of the crack epidemic. Hard not to see the commentary about a city crumbling around her.
BACKCOUNTRY: Woman v. Bear(/Man)
Bear v. one tough woman in the wilderness. Who'll emerge victorious?
THE HILLS HAVE EYES: America Deformed, America Divided
Alexandre Aja's remake of the 1970s Wes Craven original has big, scary, political balls.
Father Gore’s October Recommendations – Vol. 1: Home Invasions
A list of home invasion horror to rattle your bones while you're home alone on spooky October nights
CHILD’S PLAY 2: Capitalism Kills Families and People
Although it's too similar to the first movie and not as different as the third, CHILD'S PLAY 2 has its genuine slasher moments.
CURTAINS: Being an Actress is Murder (and Misogyny)
CURTAINS portrays the horrific industry in which actresses must fight against one another to get roles— to the point of bloody murder!
MUTE WITNESS— Or, The Realities (and Fictions) Women Endure
MUTE WITNESS is an expertly crafted '90s horror-thriller, and it never once lets go of its grip on the viewer.
