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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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Found one of my quotes on a UK release for Mickey Keating's film Darling, which is a fantastic, mind-bending, disturbing film. It's like Roman Polanski's Repulsion, except, y'know, not made by a rapist. #InstaHorror #MickeyKeating #HorrorIsHealthy #DVD #Film

Absolutely LOVED the first episode. Gimme more slasher homage! Now! 💀🔪 #Horror #AHS1984 #AmericanHorrorStory #Slasher

1st time I've picked up a guitar in 6 years. Feels good.🖤

mental health struggles be like

it me #InstaHorror #AveSatanas

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Tagged Airbnb

Fear of a Rental Economy in 14 CAMERAS

14 CAMERAS will leave you making sure you pay your rent on time this month— or else!!!

Published: 07/27/2018

Words: Father Gore

Amber Midthunder
Film
Horror
Neville Archambault
Thriller

14 Cameras
Airbnb
Capitalism
Interior v. Exterior
Landlord
Privacy
Rental Economy
Sequel
Slumlord
Spy Cameras
Surveillance State
Technology

Seek & Ye Shall Find

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The Juiciest Gore

The Twisted Parallels of Cinema— A Series
Father Son Holy Gore’s Interview with Larry Fessenden
[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
SUSPIRIA Bathes in (Blood &) the Power of Women
“No more pain, no more death”: Fatalism, Free Will, & Fighting the Past in THE RITUAL
Destructive Legacies of Fatherhood in Larry Fessenden’s DEPRAVED
Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
BLOOD RAGE’s Gory Freudian Nightmare
Make a Case #2— Wes Craven’s SHOCKER (1989)
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
STARFISH’s Apocalyptic Grief and Unexplored Spaces
An Interview with STARFISH Director Al White
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
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[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
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PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
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Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
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Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
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“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

$5.00

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a PhD candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory. He wrote for Film Inquiry frequently during 2016-17, and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic. He has covered major film festivals such as Fantasia Festival and Fantastic Fest. During September 2019, Father Son Holy Gore will be one of several media outlets helping to present Randfilmfest in Germany.

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