Walt is trying to make a go of the meth business all on his own this time. Will it work? Probably not without help.
Walt and Skyler grow further apart on his birthday
Walt and Skyler have to come together to sell their lies to Hank, when Walt finds out his brother-in-law is helping on a new case.
AMC’s Breaking Bad
Season 3, Episode 1: “No Más”
Directed by Bryan Cranston
Written by Vince Gilligan
* For a review of the Season 2 finale, “ABQ” – click here
* For a review of the next episode, “Caballo sin Nombre” – click here
In a Mexican village people crawl along the ground, as others walk and some drive.
Then two twin brothers, scary and intimidating, exit their nice Mercedes Benz. They too start crawling along the desert ground. It’s clear they’re cartel, as they wear boots with little silver skulls on them.
Seems this crawling is a type of ritual. Everybody reaches a small shack where inside people leave blessings around a Grim Reaper-esque statue. The brothers place a picture of none other than Heisenberg a.k.a Walter White (Bryan Cranston) drawn on paper next to the statue. A death curse of some sort? Likely. Either way it spells intent for the cartel. They’re hunting him down.
Now we’re back to the double plane crash in mid-air caused by Donald Margolis (John de Lancie) after his daughter Jane’s death. I love how they led up to that in Season 2. Kept lots of suspense going right up until that finale. Crafty, excellent writing.
So this season is dealing with that aftermath. The trail of destruction Walt leaves in his wake is extraordinary. Plus, Walt and Skyler (Anna Gunn) are also separated. He’s busy at home deciding on whether to burn his money. He does, and then decides against it. A hilarious, sort of sad moment. At the same time Skyler is beginning the divorce proceedings wanting it all to be over. Well there’s gonna be some issues with all that. A messy one, indeed.
Hank (Dean Norris) heads over to help Walt with his stuff. An excellent bit comes when Hank tries to take the bag with the money for him, and they have this brief little stand-off before Hank asks what he has in there: “Half million in cash,” he replies to an ironic laugh. If only Schrader knew.
Jesse (Aaron Paul) is taking to rehab, for the most part. He gets to plant some flowers, relax in a quiet space. He goes to group discussions with others. Except the lies he’s been fed have him hating himself. There’s no telling how he’ll get through that, being deceived consistently and constantly by Walt. That’s one toxic relationship.
Walt Jr (RJ Mitte) isn’t taking well to the separation. Naturally, his mother does her best, but he has no clue as to the extent of his parents problems. Already life is tough, now it gets tougher for Walt. He’s left caring for himself, and that’s not something he knows how to do – not in the sense for himself, more so in the way that he’s used to having FAMILY to care for and not just being on his own. However, he gets a message to head over to Los Pollos Hermanos. More business is on the rise. Also, of interest is how Walt cuts his sandwich – he slowly whittles away at it, until it’s a little square: exactly like the sandwich he once made for Krazy-8. Maybe nothing, but maybe it’s that lingering memory of his that keeps those type of things in the back of his mind.
At school when there’s an assembly about the plane crashes, Walt ends up giving an awkward speech. It partly speaks to his emotional and personal troubles, clouding his thought and judgement. It also is partly him trying to rationalize the entire thing, knowing that Jane’s death – one he did nothing to help prevent – is what precipitated the disaster. Essentially, Walt knows he’s at fault for Donald and his mental state. And so the awkward speech makes sense, though is no less awful.
The two cartel brothers head elsewhere in their Benz. They arrive at a small farm where they trade their nice suits for some clothes off the line. How rude! At least they stole no underwear. Everyone recognizes there’s something evil about these two, not daring to interrupt them. Of course, those boots are significant. People know about those boots, what the skulls signify. And with that the Brothers Grim head out into the desert, leaving behind the key to their car. The family at the farm is glad to see them go, just about relieved for their very lives.
Marie (Betsy Brandt) ends up seeing Walt Jr flip on his mother, so the whole White-Schrader family is just off balance. For her part, Marie tries to get things out of her sister. She has no idea what’s been happening. Nobody does, only Skyler and Walt.
At the rehab retreat, whatever you wanna call it, Jesse talks to his group, goaded into it by the one leading things (Jere Burns). When Jesse asks if he’s ever really hurt another person, the man tells him about how he killed his own daughter by accident, drunk as hell and high on cocaine. Whoa. A powerful little speech from him illuminates things for Jesse, showing him there is a way out of grief. Somehow. Some way. Got to say, Burns being in the show as a character briefly is a solid appearance on his part, he’s a good actor but man does he ever show it in this episode particularly.
Over at Walt’s place Skyler arrives with divorce papers. This blind sides him. He expected to work things out. He confesses his love, laying it all on the table. She still doesn’t know the full extent of things, and it’s probably better off because it’d only be worse if she did. Is Walt going to concoct another lie? Will he manage to scam his way back into their marriage and their family? She believes it’s all marijuana, that he’s been selling weed to get all kinds of cash for cancer treatments.
Then he comes clean about the meth, manufacturing and the like. It’s clearly too much for her to understand. It doesn’t make sense other than economically, not morally. Skyler is terrified. She promises not to say a word, as long as he divorces her. Yowzahs. Not at all how Walt envisioned that one going. He claims there’s a lot of “angles” to his side of the story – a.k.a bullshit.
Later, Jesse gets a lift out of rehab from Walt. Thus begins his transition into the real world again. He says he’s done using. Walt claims it’s a wake up call for them, but I know that’s bullshit, too. This brings about one of the saddest moments of Jesse Pinkman yet. Kills me to think Walt lets him go on believing so many lies.
Jesse: “It‘s all about accepting who you really are. I accept who I am.”
Walt: “And who are you?”
Jesse: “I‘m the bad guy”
Walt goes to Los Pollos Hermanos to tell Gustavo Fring (Giancarlo Esposito) he’s out of the game. That’s it. No more, after his family has started tearing apart. However, an offer too sweet might change all that: $3-million for 90 days work. Walt refuses, though I’m sure he’s going to backslide.
In a truck crossing in Texas, the two cartel brothers get closer and closer to Heisenberg by the second. A young man talking to them eventually goes quiet after he notices the skull-headed boots; a sign of the cartel, the death squad. And then everybody has to die. This scene already shows us that the two brothers – Marco and Leonel Salamanca (Luis & Daniel Moncada), cousins of Tuco mentioned back in Season 2 – are not to be fucked with, not now, not ever. They burn the truck and let the bodies go with it.
Further, to Heisenberg.
This was a proper season opener. Can’t wait to watch the next episode, “Caballo sin Nombre” again.
AMC’s Breaking Bad
Season 2, Episode 13: “ABQ”
Directed by Adam Bernstein
Written by Vince Gilligan
* For a review of the previous episode, “Phoenix” – click here
* For a review of the Season 3 premier, “No Más” – click here
Again, the black-and-white, the eyeball, the pink teddy bear in the pool missing one eye. The ominous openings will give us their meaning here in the Season 2 finale. The familiar images work towards colour, now we see helicopters in the air, police everywhere. Smoke and fire in the distance.
What’s gone on around the White residence?
Jesse Pinkman (Aaron Paul) wakes to find Jane (Krysten Ritter) dead in bed next to him. Frantically he pumps her chest to try and revive her. But no such luck. Heartbreaking to watch this scene. Now, he’s got to figure out what to do next. You know who he calls: Walter White (Bryan Cranston). As one young girl dies, he cradles his newborn daughter. Jesse frantically tells Walt what’s gone on, as if the latter didn’t already know. So they set about cleaning things up. Walt says he knows who to call.
At Jesse’s place, Mike Ehrmantraut (Jonathan Banks) arrives on request of Saul Goodman (Bob Odenkirk). He’s a fixer. Inside, he starts getting things organized. All the drugs and the paraphernalia get tossed in a bag. Mike is clearly an ex-cop, he knows all the rights things to do. Or a career criminal. We’ll figure that out as things go on. Either way, he irons Pinkman’s house out. He also tells Jesse only to say a couple brief things. He sets the story straight.
Living a supposedly normal life, Walt, Skyler (Anna Gunn) and Junior (RJ Mitte) – I mean, Flynn – sit and eat breakfast together. Like a happy family. However, the obvious strain of letting someone’s daughter die is wearing on him. The SaveWalterWhite.com funds are rolling in now. It doesn’t do much to assuage Walter’s feelings of emptying manhood, unable to be given credit for his money, the funds he raised illegally to support his own cancer treatment. Instead the cash and his fate are seemingly attributed to the kindness of strangers. Does not sit well with Walt, amongst all the other things that don’t sit right in his gut.
Worst of all, Donald Margolis (John de Lancie) shows up to find Jane dead. This is so unbelievably devastating. He doesn’t even have to go inside. He knows what’s happened. And this is an event that will have further reaching consequences than anybody could ever imagine.
At the DEA office, Hank Schrader (Dean Norris) puts out a collection jar for his brother-in-law. Meanwhile, he’s on the case of Combo being murdered. This leads into the Heisenberg meth, though – “blue sky,” Steve Gomez (Steven Michael Quezada) calls it. Of course Hank doesn’t buy Jimmy being pinched as being Heisenberg. He thinks the man himself is actually upping his distribution. The blue stuff’s been moving outside of New Mexico, everywhere around it specifically. So now Hank thinks there’s a bigger operation happening behind the scenes. And boy is he right, just nobody else knows it yet.
Mike has tracked down Jesse after Walt’s been looking for him. He finds the poor young dude in a drug house in a rough neighbourhood. So Walt has Mike bring him down there, he wants to go inside and find his partner. He is responsible for it all, not helping Jane as she choked on her vomit. Now this is part of his delusional redemption, in his eyes anyway. Going in Walt finds all kinds of characters skulking in the shadowy, run down corners of the building. He tracks Jesse down and eventually manages to pull him out of that hideous place. After Jesse weeps in his arms a moment. It’s more tragic for the fact of Walt having stood by and watched Jane die, especially since Jesse weeps: “I killed her.”
In this scene, Aaron Paul broke my heart to pieces. I genuinely cried a bit. Some detractors have said he isn’t as good as people say. To me, that’s bullshit. In this and his latest series, The Path, Paul proves his chops for dramatic roles. He’s got raw, emotional talent.
Sadder still is when father Donald has to pick out the clothes for his dead daughter, which is impressively juxtaposed with a follow-up cut to Walter, changing his newborn daughter’s diaper. This is a wonderful moment of editing and writing together, which shows off Vince Gilligan and his abilities. Subtle, brief moment that means so much.
I love that Hank still has the little statuette on his desk that he was given while on the Juarez task force. It was something he almost mocked when first seeing it there. But most importantly at the DEA arrive a few businessmen who raise funds for community programs, et cetera. One of whom is Gustavo Fring (Giancarlo Esposito). Ironic, funny moment when Hank mentions the scourge of meth, which Fring says is “terrible” while shaking his head. Most intense is when Gus notices the donation jar for Walter White. Now he knows the relation between Hank and Walt, as well as Walt’s cancerous affliction. This could mean a number of awful things. Let’s watch this unfold dramatically, shall we?
At the same time, Walt is dropping Jesse off at a very beautiful, New Age-looking spa where the younger of the two will receive rehab treatments. Poor Jesse, even physically he looks depressed and drained of any proper emotion. “I deserve this,” he repeats to Walt; the same thing Walt said in the desert. Yet really, Walt did deserve that, or more. Jesse deserves none of this. He deserves someone better than Walt.
Back at his place Walt finds the camera crew from a local news station there to do a story on his philanthropic son raising money for his treatment. Joy and splendour! Mr. White is non too pleased, though he placates his wife and son by going along. You can just see his pride and ego being battered by the second, merely from the look on his face. Worst of all his son is praising him as being an amazing person, a “good man” and everything. Deep down, Walt knows the difference. All too well.
Walt Jr (re: his father): “And he always does the right thing”
As Walt prepares now to go under the knife for surgery, something happens he didn’t expect. The drugs he’s given loosen him up. Too much. After Skyler asks about his cellphone, he druggily replies: “Which one?” And in that moment, she realizes his lies never end. What a potent moment of writing again, Mr. Gilligan. Love how these little plot pieces come apart and come together and fit into puzzle pieces. Testament to the quality of this series.
When Walt comes out, he’s doing well. Except for his relationship with his wife. That may be fractured completely. She and the baby are going to Hank and Marie’s for the weekend, after which she expects Walt to move. They’re separating. To Walt and his oblivious surprise. She tells him about the loopy, drugged confession, and now things are about to get very messy. Turns out Skyler also talked with Gretchen, and she found out there’s been no money coming from them at all. Uh oh, Walter. Things are falling apart QUITE fast. Skyler also figured out Walt never went to see his mother. So where did he go? Man. It all unravelled in one hard tug.
Donald Margolis isn’t doing so well. He’s back at work, but life is not the same that his daughter is gone. He prefers to get back into the routine again. However, that might be a little too early. His job as an air traffic controller is stressful. Finally the black-and-white flashes at the beginning of several episodes this season begin making sense. The grief and horror of losing his daughter has melted into the exterior world, affecting all kinds of horror on two planes that crash into one another mid-air.
Sitting alone at home in his backyard, Walter wears a shirt the same colour as the pink teddy bear from those flash forwards. In the sky, the planes crash and explode, debris falling to the ground all around Walt’s neighbourhood. This is the symbolic destruction of Walt and his actions. They have far reaching consequences, which spread out and infect everything and everyone around him. This is the metaphorical chaos he exerts over the lives of others.
An amazing, terrifying finale that has a ton of development. I loved Season 2, perhaps one of my favourites in a series that’s marked by high quality. Continue on with me soon as I dive deep into Season 3 for another watch.
AMC’s Breaking Bad
Season 2, Episode 12: “Phoenix”
Directed by Colin Bucksey
Written by John Shiban
* For a review of the previous episode, “Mandala” – click here
* For a review of the finale, “ABQ” – click here
With Skyler (Anna Gunn) in labour, Walt (Bryan Cranston) found himself saddled with making a big deal with the new prospective distributor, the low key Mr. Gustavo Fring (Giancarlo Esposito). Only problem was Jesse (Aaron Paul) and Jane (Krysten Ritter) shot up heroin, so Walt was left holding the bag for getting everything together.
Now, he’s missed the birth of his daughter. Too busy dropping of 38 pounds of meth at a drop spot. But then off he rushes to be with his wife and newborn daughter. Luckily, Skyler is fine, so is the baby. So she isn’t worried. Of course Walt is a little surprised, and unhappy, that Ted Beneke (Christopher Cousins) got to be there while he did not. The only thing is that while Skyler isn’t mad at Walt, there’s just the fact Walt is pissed at Jesse for having facilitated his missing the birth via the irresponsibility of shooting up heroin.
However, can we really blame Jesse?
While it’s a bonehead thing, to get on heroin, I don’t think it’s a fair thing for Walt to hold that against him. Not as if he knew there was a big deal going down. Walt went out and did all that himself, never once consulting Jesse afterwards. No way he could’ve imagined they’d need to make a massive drop like that for Fring. Still, there’s no stopping Walt. Even if he’s got a massive satchel of cash, a healthy baby girl and a wife that for once is not raging with him (for good reason), he can never pass up an opportunity to lecture Jesse.
And then there’s Jane whose own problems are big enough. She and her father Donald (John de Lancie) attend Narcotics Anonymous meetings together. While she’s high on heroin, he calls up to go to one. She lies and then prepares to leave. Before freaking Jesse out about a break-in. This sends him into a spin, not knowing Walt collected their meth. So now he believes they’ve lost every last bit of their product.
When Jane and her father hit their meeting, he can clearly tell there’s something off about her. She looks sickly, fumbling her 18 Month chip nervously. It’s so obvious, and Donald isn’t stupid either. I have to mention – John de Lancie is a fantastic actor and I’m thrilled he was given this part, I fondly know him from his brief yet thoroughly memorable part as Q in Star Trek: The Next Generation, so to see him here is a lot of fun in a beefier, highly emotional role that only gets more important in the coming episodes.
At home, Walt gets a call from Jesse about the missing meth. He only hangs up on his partner. Later, a remarkable moment during dinner – Hank brings over some Los Pollos Hermanos, and Walt is struck by the whole dirty irony of it all. But further we see the emptying manhood Walt perceives in himself, as Skyler wants to jet back to work so they have money when he gets his surgery, even Walt Jr (RJ Mitte) is thinking of getting a job to pitch in. The look on Walt Sr’s face says it all.
So later, he takes the only person in his life that won’t say a word about his business in to see all the money he’s made: little baby Holly. This is such a perfect writing moment. I absolutely adore this, even if it’s sort of twisted. Yet Walt beams when he tells Holly: “That‘s right. Daddy did that. Daddy did that for you.”
Jesse goes to Walt in his classroom, confronting him after figuring out he took the meth. Either way, Walt is pissed, but I can’t help there’s also disappointment in there. He sometimes treats his partner like he’s still a student in his class, often like a son whom he’s way too hard on. Now it gets worse: Walt refuses to give Jesse his money, assuming he’ll shoot it up his arm with his new found predilections. Except Jesse says he’s not into heroin, he didn’t like it. But Mr. White is not so keen. He wants a drug test. Well, this is beginning to drive a huge wedge between the two partners. One that’s going to have far reaching repercussions.
Now that emptying manhood over which Walt is obsessing starts to empty quicker. In his wonderful goodness, Walt Jr set up what essentially now would be a GoFundMe page: SaveWalterWhite.com, all in order to help solicit donations to help with Walt’s cancer treatments. That’s a beautiful thing for his son to do. The pride of the father is bursting through. At the same time, I kind of understand. Though I despise Walt on a certain level for his behaviour, he’s putting himself on the line cooking and selling meth while not getting any credit. As if credit is deserved. But it’s just the fact he’s risking his life, his freedom, and getting no reward whatsoever. So he goes to Saul Goodman (Bob Odenkirk), the man who always has the plan. And he doesn’t disappoint – they’ll have Walt’s money shovelled into Junior’s website via “zombies” that are essentially fake donors giving real cash from all over the world.
And as it turns out, Jesse ain’t done with the skag. He and Jane are shooting up once more. She figures out how much money her new boyfriend is worth, then it’s clear she’s very interested in this new situation. Meanwhile, at the next NA meeting, Donald finds his little girl nowhere to be found. He discovers that Jesse is a bad influence in her life, he goes on inside to find needles on the bedside table and so on. Jane’s father wants her back in rehab, so she spins a great big story about her and Jesse discussing rehab every single night, yadda yadda yadda. The loving dad in Donald breaks down and agrees to let her go for rehab in the morning. Perhaps a bad move to skimp on the tough love here. In reality, Jane is only concerned with the $480K Jesse is owed. Again, Jesse is being manipulated. Just by someone new this time.
Then comes the blackmail. Jane calls Walt, with Jesse nervous in the background, and starts demanding the cash. Or else. “Do right by Jesse – tonight – or I will burn you to the ground,” Jane tells him. We can see Jesse isn’t happy about this, or at least he isn’t comfortable. They’re still partners. Despite being angry at one another, Jesse doesn’t want to cause all this trouble. But Jane is planting herself firmly in his life, however she sees fit. To get whatever she can.
When Walt needs to go on a diaper run he takes the cash with him for Jesse. He takes the cash over there. Then things turn dark, as Jane basically wants to start spending that cash immediately. They talk of travel, of going places and doing all types of things. But first, before getting clean, they’ve got to get themselves nice and fucking high.
At a nearby bar, Walt ends up sitting next to none other than Donald Margolis. They have a chat about children, so on. Vaguely, Walt talks about Jesse, as Donald relates his own troubles with his daughter’s troubles. Love this because we’re seeing another side of things, as we’re already privy to the other. Just another example of wonderful writing.
One of the most devastating moments in Breaking Bad comes after Walt goes back to Jesse’s place. Inside, he finds him and Jane in bed together, strung out on heroin. Then Jane begins to overdose. And standing there over them Walt simply watches on while she chokes on her own vomit. This is one of the second (or third) moments in the series where I truly felt Walt has lost his humanity. Despite not wanting to get on the cops’ radar or have Jesse end up in custody, Walt has let a human being die terribly and did nothing in the way of helping. Stone cold heart. He feels the guilt and horror of his decision, but it’s contained. In a vacuum. Walt will go on, and it isn’t until the very last season he ever reveals any of this to anybody.
The next episode, “ABQ”, is the Season 2 finale.
It has much to give us.
AMC’s Breaking Bad
Season 2, Episode 11: “Mandala”
Directed by Adam Bernstein
Written by George Mastras
* For a review of the previous episode, “Over” – click here
* For a review of the next episode, “Phoenix” – click here
Combo (Rodney Rush) is out on the streets getting mad dogged by a couple dudes in a car nearby. They look sketchy as hell, not looking to buy any meth. Doesn’t look good. When they stay on him he decides to call up Skinny Pete (Charles Baker). A little kid rides his bike around Combo constantly.
Then he hears the guys in the car honk followed by a click behind him. The boy shoots him down in the street. Hardcore. That is vicious.
Walter (Bryan Cranston) and Skyler White (Anna Gunn) are at the doctor hearing what a surgeon has to say. Appears surgery is now on the table for Walt due to the reduction in size in his tumour. The married couple are reluctant to go ahead at first, at least Skyler is in her position. The surgeon sells a good game about going for it to prevent any further spreading. Cost is always on the table: from $170-200K. Yowzahs, that is one big price tag. Not to mention death is possible. Walt doesn’t feel like talking, he opts to go for the surgery without consulting Skyler immediately. A couple weeks and the whole thing is a go. Of course working around Skyler’s pregnancy.
Jesse (Aaron Paul) has news for Walter about Combo. Although, Mr. White isn’t exactly a peach about that. Nearly soulless. At the same time, Skinny Pete and Jesse are talking everything over, the former not happy about them encroaching on other territories without the muscle to back it. The meth enterprise of Pinkman-White is falling apart, bit by bit. ‘Cause Pete is out, too. Not to mention Jesse’s street cred is gone after Spooge’s woman confessed to the murder.
Saul Goodman (Bob Odenkirk) is doing his thing to help his newest clients. Walt brings the distribution issue in the fallout from Combo’s violent death to their lawyer. And the shady Saul’s got just the sort of guy that might be good for them to meet. Naturally, they don’t want to deal with anybody like Tuco, or even a Krazy-8. This time around Saul has somebody rock solid in mind. Very “low profile“, secretive type.
In the meantime, Jesse is crumbling to pieces. He needs Jane (Krysten Ritter) to leave him alone for a while. So he can smoke away the pain of Combo getting brutally gunned down. He feels all the guilt, heavily. She prefers to stay, maybe she can help.
Here’s our first introduction to Los Pollas Hermanos. Manager Gustavo Fring (Giancarlo Esposito) runs things, as the day goes by hectic. People are eating, drinking their sodas. Walt waits, looking around for the guy they’re supposed to be meeting. As usual, Jesse arrives late. High as fuck. Eventually he leaves, unimpressed with the entire deal. But Walt waits. And waits. And continues to wait. Nobody ever comes.
This makes him late for an ultrasound with Skyler (Anna Gunn). Good one, Walt. Anyway, Skyler has to rush off back to the office because there’s a birthday party for Ted Beneke (Christopher Cousins). Creepiest is when they throw the little shindig with a cake, he request that Skyler sing him a Marilyn Monroe-esque Happy Birthday. It’s just awkwardly sexual and especially because of the fact she’s currently pregnant.
When Jesse gets home he finds the place in disarray how he left it, as well as a sleeping Jane in bed. His bad influence perpetuates itself and now has threatened her sobriety. He’s only becoming more of what he hates, dragging other people into his web. First Combo, now Jane. It only gets worse from here.
So it seems as if Saul’s connection doesn’t want to do business with Walt. Finito. Done. There is only the “one shot” according to Goodman. However, Walt is not satisfied with this result. He goes back to Los Pollos Hermanos intent on figuring out some way forward. Soon, he figures out that it’s manager Gustavo Fring behind the secretive business dealing. The two men sit down for a chat together. Things slowly come out after Walt pushes a bit. Fring is keen on being careful. Though he makes clear: “I don‘t think we‘re alike at all, Mr. White. You are not a cautious man at all. Your partner was late, and he was high.” So already, Gus has Jesse figured out. He also has Walt figured out, as well. Because let’s face it – Walt does suffer from poor judgement, no matter how book smart he happens to be. But Walt manages to plead Jesse’s case, saying he can essentially control him. Gus happens to disagree. A deal may go ahead all the same.
In other business, Skyler is bringing some accounting problems to Ted about the account she’d previously mentioned in an earlier episode. She’s turning up under reported revenue, also a bit of fudging numbers and such. Tsk, tsk, Ted. Not good, buddy. Also this foreshadows a bit of trouble down the road with Skyler working with Beneke.
Jesse is consistently falling apart. Combo’s funeral went by without him there, even Badger (Matt Jones) came in from out of state. Jesse and Jane have become one of those junkie couples that just get high together and burn out. Worse, Jane’s gotten back to old habits: heroin. They’ve really become junkies with this move. She shoots him up and it’s as if heaven comes down to touch Jesse. He spins out in bed after a good hit, then falls in a deep stupor. “I‘ll meet you there,” Jane tells him.
Well things start to get tense this time around. Worst time for Jesse to be in a heroin induced trance. Walt hears his cellphone vibrating in the ceiling of his classroom, obviously making his students wonder what’s going on. Afterwards, he checks it only to realize the deal is set with Gus. A guy named Victor (Jeremiah Bitsui) tells him he has to get the required 38 pounds of meth, in one hour, to the appropriate location. If he doesn’t make it apparently that’s it. Never again.
And at the very same time, Skyler goes into labour at the office. Man, the utterly awful fate of Breaking Bad showers down on Walt at the craziest times. Now with Jesse on heroin and the Gus deal going down, Walt is faced with missing the birth of his daughter. That is one whopper of a fucking disappointment. All because of meth.
Let’s see what happens in the penultimate Season 2 episode “Phoenix” up next with a recap and review soon.