BE MY CAT: A FILM FOR ANNE is One Blurry Line Between Movies & Murder

Be My Cat: A Film for Anne. 2016. Directed & Written by Adrian Tofei.
Starring Adrian Tofei, Sonia Teodoriu, Florentina Hariton, & Alexandra Stroe.
Produced by Tofei. 87 minutes.
Not Rated.
Horror/Thriller

★★★★posterFound footage annoys certain people. Me, I’m always willing to give it a chance. There’s a lot of good stuff out there – unique, innovative stuff. No shortage of it, but now and then you’ve got to dig through a heap of trash to find the diamonds. Be My Cat: A Film for Anne uses its found footage premise well, driving the main theme of the film: obsession.
Director and writer Adrian Tofei blurs the line between fiction and reality so well that at times it’s easy to forget you’re watching a film. Using the idea of trying to get the attention of Anne Hathaway in Hollywood, Tofei puts himself in the lead role of a director badly wanting to make a movie with her. This isn’t exactly a totally original premise. It’s the way Tofei enacts his plot, the dread which follows and everything in between that makes this slice of found footage different.
As is the case with most of the sub-genre, this entry doesn’t have much style to it. That matters not. Tofei’s acting, his eerie presence, and the raw qualities of the filming, these are elements which make this a worthwhile watch for any fans of the found footage style.
img_4032There are plenty films involving stalkers in this sub-genre, but they’re so often masked, or unseen behind the camera’s lens. Tofei is upfront and centre the entire time. This allows us a way into his mind, giving the audience a passenger side seat to the psychosis that overtakes him gradually; or maybe it’s been with him the whole time. Either way, it’s ugly. Not in a way which detracts from the story. There’s a compelling feel to watching this guy unravel.
Obsession is the theme driving everything. Underneath, this film is about the blur between fiction and reality. Philosopher Jean Baudrillard talked about the simulacra and how the world’s become hyperreal, in that everything real has more so become just a form of something fictional we all recognise (that’s a very liberal take on his extensive concept). In a way, this is how Be My Cat is structured. Tofei dives deeper and deeper with each scene into that psychosis I mentioned, along with the audience. The further he gets into the movie he’s making to send Anne, the more he feels justified in the things he’s doing. “This is the sacrifice Im making,” he tells the camera, as if urging us to believe in him. What happens is a process of dissociation. Tofei dissociates from the self, becoming his character – Adrian, himself – far too literally. Reminding us that he is in fact this character Adrian and not the real Adrian, he says: “I would never do something like this.” Real murder becomes mere character action, the progression of his psychosis is then development in his dangerous metafiction view of the world, through his film. It’s like method acting gone past the point of normal psychology.
img_4029The story’s trajectory is relatively obvious. Early on we understand there’s something not quite right with Adrian. Doesn’t take long. It’s how he takes us there that makes the plan uniquely terrifying. Adrian’s kinda crazy, kinda nonchalant attitude is unsettling, at the same time not wholly without charm either. His character, gradually flipping from fiction to reality to metafiction, engages the audience even in the slower scenes. You can’t help wondering what he’ll do or say next, which keeps you off balance, and never quite capable of pinning him down with any understanding.
A pivotal moment for his character comes when he says that “boys and dogs are bullies” when he talks about girls and cats. We hear a bit about why he likes cats, or why the character likes them. And this is one major point of division between Adrian and his fictional character Adrian. There’s a clear line you can follow, watching the dissociation get worse.
This movie isn’t built on shock value, either. You expect it to be, but what the story focuses on most is Adrian’s descent into fiction that becomes brutally real. Along the way there’s obviously blood. Rather than go for a gory mess constantly, the blood is at times partly off-screen and the full nastiness is hidden. What’s worse is one scene where a victim comes upon a slow realisation that Adrian is actually preparing to do a homemade dissection on her. Too creepy. He fully dissociates from reality at this point, the ultimate separation, and doesn’t for a single second come to grips with the real murder he’s committing.
img_4031I remember hearing of Be My Cat and just the short description, the Twitter account, caught my attention. There’s an edgy psychological aspect that sinks its teeth in and never lets go. Admittedly, I know that some may not find it as compelling. Not everyone wants to do a slow burn into madness in found footage format. And that’s fine, I understand. I suggest giving it a chance. Tofei has done something here that’s on the verge of greatness.
There are times you might feel the acting isn’t up to par. I disagree. Tofei’s uncomfortable moments are used to good effect, and that also plays into the worrisome metafiction of the film overall. The performances of the actresses are equally as impressive. When you fall down the rabbit hole of despair alongside the fictional Adrian Tofei and his unsuspecting victims it’s all the more troubling that the performances on either side of the murder-victim aisle pull you into a space where fiction gets questionable.
Can’t recommend this film enough. I’ve seen it described as revolutionary for the found footage sub-genre, as dangerous, many other things. They’re pretty much all right, as far as I’m concerned. Looking forward to whatever this guy takes on next. If Be My Cat is any indication, Tofei has an intriguing perspective on the horror genre.

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INTERSTELLAR Takes Us on an Existential Ride Through Space & Time

Interstellar. 2014.  Directed by Christopher Nolan.  Starring Matthew McConaughey, Anne Hathaway, Michael Caine, Wes Bentley, Jessica Chastain, Jon Lithgow, Mackenzie Foy, David Gyasi, Casey Affleck, William Devane, David Oyelowo, Casey Affleck, Matt Damon, Topher Grace, and Leah Cairns.  Paramount Pictures.  Rated PG.  169 minutes.  Adventure/Drama/Sci-Fi

★★★★1/2

interstellar3I was excited to see Christopher Nolan’s Interstellar for a number of different reasons. One of those being I have really enjoyed Nolan and his films since first seeing Memento, and then going on to explore the other films he would continue to make, as well as going back to his excellent feature length debut Following. Second, I’ve also always liked Matthew McConaughey.  Dazed and Confused was a staple of my first years at university, and no matter how many terrible rom-coms, et cetera, he went on to do before coming into his real own as an actor I could never get enough of his sly charm. On top of all that I’m a big fan of science fiction, so Interstellar looked from the beginning of its announcement to be something worth getting excited over in the genre.

The story of the film is similar to others, in that Earth has been devastated in the future, so scientists and great minds alike have been trying to figure out ways to either sustain the planet or find somewhere new to colonize and continue on with mankind’s ultimate fate. Ex-NASA test pilot Cooper (Matthew McConaughey), along with his daughter Murph (Mackenzie Foy), end up stumbling upon a top secret facility out amongst the desolate cornrows and dust storms of the now desert-like conditions near their home. When they do, it comes to their surprise scientists have been working on finding another planet so as to get human beings away from Earth, in order to try and avoid extinction. Cooper is recruited to go into space along with several others, and tasked with finding a planet suitable for sustaining human life.
interstellar-01I’ve really got to say, I was pretty bored for the first hour or so. However, once the mission sort of kicks into gear things got interesting. I’m not one of these people who needs constant action, of any sort, to keep me occupied. This is not my style. I just couldn’t get into the beginning of the film, honestly. Though, I enjoyed the characters, especially Cooper and his family; the dynamic between McConaughey and Foy as father-daughter was great, plus John Lithgow is always a damn treat for me.
interstellar01I like the character development in the family, particularly McConaughey – throughout the rest of the film after all the initial setup falls into place, his struggle is some of the most interesting stuff that’s going on. Nolan has stated this is very much a human film about families, in a sense, and I do not disagree with that whatsoever. Cooper goes through a great struggle, especially in the early part of Interstellar. It’s incredible, and heartbreaking, to imagine what things would have to be like for astronauts who will eventually have to deal with time shifts and other such problems – going into areas of space where one hour there equals a year or more on Earth. Of course, McConaughey does a fabulous job with the character of Cooper. He’s turned into one enormous, powerhouse of an actor.
o-jessica-chastain-interstellar-facebookThere are a couple other notable performances I did enjoy other than McConaughey. I usually love Jessica Chastain – here, no different. She provided just enough of what I hoped the character Murph would come to be, and once again proves she has real talent – some of the moments with her came off extremely emotional, very genuine. Aside from their physical resemblance, Mackenzie Foy and Chastain worked well as the same character, younger and older versions respectively; each of them carry the same adventurous and rebel charm.

A few of the smaller roles were done well. David Gyasi did a great job as one of the astronauts along with McConaughey’s Cooper – he kept me interested every time his character was in a scene; one scene I have to mention is after two of the other astronauts return after quite a length of time away, and the way Gyasi played this just felt perfect.
I was particularly surprised, in a great way, to see both Casey Affleck (as the older version of Cooper’s son) and Matt Damon as Dr. Mann. In particular, I really enjoyed Affleck. His voice has something about it which consistently strikes me as interesting, and in this role really fit well with that – though, his role is not exactly major I really liked the scenes he appeared in, especially the videos sent from Earth to his father in space. Excellent choice to include both Affleck and Damon as minor characters because they lend a lot of their excellent talent towards filling out an already pretty damn good cast.
interstellar-03What truly does Interstellar justice overall is the gorgeous cinematography, courtesy of Hoyte Van Hoytema whose work includes Let the Right One InThe Fighter, and Her. This is just truly beautiful stuff. Not only is the cinematography remarkably beautiful to look at, Nolan actually had some set pieces built; for instance, the interior of the space shuttle and such locations. I think this really worked well. Granted, right from the start of any science fiction film, for the most part, you know there’ll be at least a certain degree of computer generated imagery. However, Nolan helps make things a little more real by using these built locations. I loved the spaceship itself. The inside is really wonderful. There will be plenty of comparisons to some of the most famous science fiction films of all-time, and I’m sure Nolan included a couple bits in homage to those, but with the look and feel of the film Interstellar stands on its own. It is most certainly a modern science fiction movie, in terms of views (mostly scientific) presented, and the aesthetic look/feel reinforce this fact.
Interstellar-Matthew-McConaughey-850x560-600x357Added to all this is another fantastic score by Hans Zimmer. Lots of people like to say his composing sounds similar from film to film, and they do, but that’s part of a technique I believe he readily employs; he likes to work with patterns, repetitions, similar cycles. Regardless of that, I love his work, all the time.  He does a lot of great composing for Nolan’s films in recent years. This sounds so much different from those other works, and I love that it does because that aspect really sets it apart from Nolan’s other movies – especially his recent work on the Dark Knight trilogy. Zimmer is one hell of a composer. His music lifts so many moments above and beyond what they already were, and kept me so entranced at times it is wild. I really, really could not get enough of the final hour in regards to Zimmer’s score – there was this real fugue-esque sound he achieved, which not only brought the intensity to a higher level but also really made scenes feel incredibly ominous. Great music.
interstellar-1920Overall, I’ve got to say this an amazing movie. A definite 4.5 out of 5 stars. The only thing that holds me back from giving Nolan’s film a full 5-star rating is the beginning; I really found it lagged, hard. While it did keep me interested enough to stick with things, and it did not affect my overall opinion of the film too negatively, I still believe Nolan dragged his feet a little out of the gate. Mostly, there was just a bit more talk than I feel was necessary. I love scripts with a lot of dialogue. Here, I just felt as if there was almost too much an emphasis on worrying about explaining things – as if the Nolan brothers were anticipating the usual hordes of people looking to debunk every single sentence and bit and piece of a science fiction film. In lieu of including a lot of scientific talk about space travel, et cetera, I think the film could’ve cut out at least 15-20 minutes and not been hurt in any way. Despite that, Interstellar is a truly wonderful movie full of all the things I love about science fiction. It does have its own message, but I think one of the great things is the fact the movie addresses human intervention/the advances & mistakes of humans themselves into the whole concept of interstellar travel better than I could have imagined – especially once Cooper meets Dr. Mann, and the events that follow on to the end of the film. Nolan really has great ideas; very human, very existential. Not only the way he makes films, the way he writes and thinks of/explores themes is also pretty excellent. See this movie, enjoy it. There are great performances, a very nice script full of adventure, spectacular sound design and score, plus great imagery. This is one wild science fiction epic by a continually innovative filmmaker.