Tagged Black Maps and Motel Rooms

True Detective – Season 2, Episode 7: “Black Maps and Motel Rooms”

HBO’s True Detective
Season 2, Episode 7: “Black Maps and Motel Rooms”
Directed by Daniel Attias (Ray DonovanBloodlineMasters of SexHomelandThe Killing)
Written by Nic Pizzolatto

* For a review of the next episode, “Omega Station” – click here
* For a review of the previous episode, “Church in Ruins” – click here

DISCLAIMER: THIS IS SPOILER FILLED! BIG TIME! HUGE EVENTS GET SPOILED AT THE END SO IF YOU HAVE NOT SEEN THIS DON’T READ IT ALL OR ELSE YOU’LL BE RUINED!
IMG_0254 IMG_0255In the penultimate episode True Detective‘s polarizing second season, Ani Bezzerides (Rachel McAdams) is coming down off the Molly she was given at the weird sex party last episode. She’s in a motel room with Ray Velcoro (Colin Farrell), as Detective Woodrugh (Taylor Kitsch) is in another with the missing girl they retrieved from the fucked up white rich guy orgy.
Ray: “Want me to roll a joint?
Ani says she might have even went looking for it – killing that man with her knife – that she’d been waiting her whole life for something like that.
While trying to shake the buzz off, Ani relapses back to the trauma when she was young. She mentions that ‘they’ found her as she came out of the woods. Ray is confused. Then Ani gets in his lap and starts kissing him, rubbing him up, but Ray tries to be a big man.
Ray: “You’re too far out of my league anyway
I love it because even in the most serious of moments, Ray tries to tone things down with humour. Juxtaposed with the scenes between him and Ani later, this is Ray making a good decision not to pursue things any further; not only is it a bad idea, to make matters worse Ani is still under the influence of the drugs.
IMG_0257 IMG_0258 IMG_0260Things get going pretty damn quick. No letting up from the last episode and its tense action sequence at the end.
Now Woodrugh is receiving texts with pictures of him and his old army buddy, the one he’s sort of sweet on but won’t admit. He’s clearly shaken out of the blue, Ray knows there’s something not quite right. I’ve been waiting for pictures of Paul’s extracurricular denial to start coming out – ever since Detective Teague Dixon (W. Earl Brown) was snapping with his camera when the whole subplot with Paul/his friend began.

Paul’s pregnant, soon-to-be wife Emily (Adria Arjona) received a call saying “Ask Paul about the pictures“.
Emily: “Why did you get with me? Why did you ask me out?
All Paul can muster up to say is: “I was just tryin’ to be a good man
Emily: “Well you don’t try right
IMG_0263He’s got his mother and his pregnant fiancee in a motel room, pretending that it’s all got to do with beef over an undercover job he’d been working. There is a scary feeling to all of this with Paul. He is frenzied, cracking up like the masks he keeps putting on, so many of them, are all getting bound up, twisted, and ready to fall to pieces.
IMG_0261 IMG_0262All the while, Frank Semyon (Vince Vaughn) is playing cards with himself. Of course he’s the dealer, all the invisible people being dealt hands are just being controlled by him. It’s a perfect metaphor for how Frank’s life is, or at least how he would like it to be/seem. His wife Jordan (Kelly Reilly) makes an obvious poker assertion that pertains to their life: “We could just walk away from the table“. The two of them are still rocky, but she is always there for him; loyal as ever, though, every bit stern.
Then Ray shows up: “I, uh… had a bit of a strange night.
IMG_0264Of course, Ani used her sister Athena’s (Leven Rambin) name at the party, so the people there might possibly come for her. I knew this would happen as soon as Ani gave the name Athena before she got on the bus last episode.
Ani: “Maybe – and this is just a thought – maybe you were put on this Earth for more than fucking
Vera: “Everything is fucking
Though Ani wants to help her, the previously missing girl that she found at the party Vera (Miranda Rae Mayo) seems to not want any help at all. She says she has a good life, and doesn’t need anybody talking to her condescending-like, acting as if she needs to be saved. Ani struggles against it, but yet there seems to be a glimmer in her eyes, or a dulling more like it, that believes what Vera says.
IMG_0266Frank and his once main man Blake Churchman (Christopher James Baker) – the one Ray followed to find he was helping Dr. Pitlor (Rick Springfield) pimp girls out over to Osip Agronov (Timothy V. Murphy) – have a real rough confrontation. It’s clear, though, that Frank is a much tougher piece of work than meek little Blake. A bit of blood and skin later, Frank has a few answers. Only a few, though. Frank needs, wants, answers about Caspere, but nobody seems to know who did him. Outside of that, Frank discovers that people are trying to take everything away from him essentially. He’s just about been a lone wolf the whole time, outside of a couple helping hands; those are few and far between.
IMG_0267 IMG_0265At first, Blake is allowed to live for the time being at the mention of money. That doesn’t last long: Frank gives Blake the ole Reservoir Dogs gutshot and lets him bleed out on the carpet. Pretty vicious on his part, but as he said he wanted to watch Blake’s lights go out.

Modern medicine man, or 1960s Encino Man, Eliot Bezzerides (David Morse) shows up again.
He and Ani have a serious chat about who took her away – Eliot says he wandered the forest four days after what happened to her. We get some tiny bits of background about Eliot, little pieces. Nice to fill in at least small cracks here. We don’t need a huge amount of exposition. I think Nic Pizzolatto really does well with these sorts of things; wet the beak, don’t give us too much but enough we can chew on.
Eliot: “God damn everything
Ani: “That’s what I say
IMG_0269 IMG_0270Because of the last episode and the events at the party – as well as Ray finding the contact for their little off the books investigation District Attorney Katherine Davis (Michael Hyatt) murdered in her car – Ani and the rest are going into protective mode. Everyone in Ani’s family is going into hiding. There’s an epic sense to things, as if the air is electric, and the tension has really started to mount. I predict the last episode will be highly explosive and thoroughly satisfying. That’s just me, who knows.
She, Ray, and Paul close in more on the diamonds in the pictures they found, from the pawn shop, the ones tied with Dixon somehow. They start to sew up some things involving Ben Caspere and Mayor Chessani, the whole lot.
IMG_0272 IMG_0273 IMG_0274Paul meets his friend from the army Miguel (Gabriel Luna), the one from those torrid night(s) together, and it turns out things with Black Mountain, or a bigger group, are the reason they’ve run into one another again and gotten back in touch. He leads Woodrugh to a stairwell, down into the darkness, then they’re gone for the moment. The tension gets thick.
Once Paul is brought downstairs, out comes Police Chief Holloway (Afemo Omilami) who explains they found pictures in Dixon’s apartment after he died, and they know Paul has documents they need. Incredibly sinister moment, I found. Perfectly executed. I didn’t see this scene coming, though, loved every last second.
Paul begins to try and get himself out, giving up Ani and Ray saying he couldn’t give a shit about them. That’s disappointing to say the least. Only he grabs Holloway, wrestles away his gun and puts it to the man’s head. Woodrugh manages to get away through the underground tunnels, darkness covering all in sight. The military men that were with Holloway and Miguel follow him, trying to make sure he does not escape.

Frank: “Here we are – under the bright lights
There’s no doubt, after this scene between Frank and Jordan as she witnesses the dead body of Blake on the floor in her husband’s office, that the two of them are as close as they can possibly get. She affirms “I love you” and asks what she can do. Frank, like Ani, is sending those he loves into hiding.
He is preparing himself – for fight, or flight?
IMG_0271Frank – apparently – is setting fire to the casino. Because why not? he’s got some ideas about what to do now that he knows everyone is out to get him. He looks calm, collected as he walks away from the smoking building. Slick, badass stuff from Frank.
Turns out, he’s setting fire to it all. Everything. As far as Frank is concerned, his whole life is going up in smoke anyways. Might as well set fire to the lot of it.
IMG_0277 IMG_0280My favourite scene of this episode is just about at ten minutes left, when Ray and Ani are talking with one another at the motel. They’re both trying to talk anyways, but not every little thing comes out. Though, Ray does acknowledge he knows that something happened to Ani, somewhere along the line, whatever it was – she replies that she doesn’t like to talk about it. He tells her it’s what he admires most about her. There’s just such an incredible exchange between two gifted actors. So much ability going on that it blows my mind. Such subtly passionate, quiet moments without any real physical contact outside of the touch of their hands; I was just WOW’d by the scene. Powerful stuff, in my opinion. Both Farrell and McAdams have been doing spot-on jobs this season with their characters. I hope, regardless of how others feel about the story/plot, people recognize how great the acting has been all around.
These are two broken souls trying to find someone as broken as themselves to whom they can reach out.

Ray: “Do you miss it?
Ani: “What?
Ray: “Anything?
IMG_0281 IMG_0282SPOILER ALERT! HERE THERE BY SPOILERS!
Paul ends up blasting his way out of the tunnels, his friend and gay lover Miguel is shot in the process. This was an awesome action scene, with a lot of suspense. Finally, we get to see Woodrugh climb up out of the tunnel and away from the gunfire, back to some semblance of safety. For awhile there I honestly did not see him coming out of that sticky situation. He has some true guts. I was sure, even when I first saw Miguel waiting for him, there was about to be something nasty happen to Detective Woodrugh. Glad that I was wrong on that part.
IMG_0283A great piece of music from the score in Season One comes back here, as we see brief images of Ray and Ani together (nothing gratuitous – tasteful stuff I must say), Paul running away from the scene behind him.

Then the kicker….

MORE SPOILERS! HUGE HUGE SPOILERS AHEAD!
Heroic Paul Woodrugh is gunned down, from behind no less, then shot dead by Lieutenant Kevin Burris (James Frain) who runs off into a car, speeding away.
IMG_0284 IMG_0285 IMG_0287 IMG_0288 IMG_0289 IMG_0292 IMG_0291 IMG_0295Unlike Ray Velcoro’s apparent death at the end of “Night Finds You”, this one is not like that at all. Paul is completely finished. Done for. Goodbye, Woodrugh. Even though he was so knotted up as a person, I cannot say I wanted to see him go. Especially not like that. It’s so sad that he was on the phone with Ray before Miguel brought him down to that basement. Right on the cusp of telling Velcoro everything, maybe to get some help with it all. True tragedy.

Not only that, we glimpse how deep the law enforcement rabbit hole truly goes with the murder of Paul Woodrugh.

What a hard hitting episode. Solid writing, lots of tragedy, heart, and just tons of movement in the plot. Dig it – hard.
Next week, we’re going to see “Omega Station”, and this will truly be the beginning of the end.
I can’t wait to see what will happen after the fallout from Detective Woodrugh’s death, where Ani and Ray will go as professionals after their night together plus how they’ll punish themselves no doubt for not being there for Paul, and how Frank is going to react/what he’ll do to those who have been taking his lifeblood away from him.
Stay tuned and we’ll see how everything goes down in the finale of True Detective Season 2!

True Detective – Season 2, Episode 5: “Other Lives”

HBO’s True Detective
Season 2, Episode 5: “Other Lives
Directed by John Crowley (Boy A, Closed Circuit)
Written by Nic Pizzolatto

* For a review of the next episode, “Church in Ruins” – click here
* For a review of the previous episode, “Down Will Come” – click here
Screen Shot 2015-07-20 at 2.57.30 AM
The aftermath of the shooting at the end of Episode Four has begun to fall over everyone like the ashy snow of an atomic blast.
Ray’s had enough of being a cop, or at least he thought so anyways. Ani is stuck in departmentally mandated therapy and thrown in the basement looking after evidence. Paul faces scrutiny about the Vinci shootout and his time in Afghanistan due to the microscope over him concerning his trouble from the First Episode: the actress who accused him of soliciting oral sex in order to forego a moving vehicle citation. So, the shooting has spread out, touching them all in different ways, even Frank is affected.
Screen Shot 2015-07-20 at 2.58.08 AMThis week’s episode begins a little ways down the road after the climactic shootout during the final minutes of “Down Will Come“. In the first scene, Frank Semyon (Vince Vaughn) looks jaded, frustrated, as if he doesn’t have the words anymore; not for himself, not for his wife Jordan (Kelly Reilly).
Frank is beginning to be severely disrespected by Mayor Chessani (Ritchie Coster). Great scene where Frank leaves the Mayor’s office while the charismatic comedy of Vaugh comes out of Frank’s personality.
One good thing for Frank is that it seems he and Jordan do have things under control. For now. They’re almost as much like competitors, adversaries, as they are lovers, husband and wife. Either way, they seem to be on level ground for the time being. It’s clear they’re in love, but the stress of Frank’s old life keeps pressing on the new one they want to have, the new life they want to give. Though, Jordan is settled for now with the idea of maybe not being parents.
There are a couple real good Frank lines this week:
“The enemy won’t reveal itself, Raymond[…] it’s like, blue balls in your heart.”
(to his wife Jordan) “I was born on the wrong side of a class war, so fuck that gangster shit.”
Screen Shot 2015-07-20 at 3.02.47 AMMeanwhile, Ray Velcoro (Colin Farrell) has quit the Vinci Police Department; he’s working security for Frank full-time now. He looks clean cut, shaved, and even sober – though the last, not so much. Unfortunately, he’s getting booted out of the house he lives in because it’s reserved for municipal employees, which Ray is no longer.
Turns out Ray’s doing more than just “security” – he’s collecting money from slum apartment complexes for Frank. So, though he finds himself out of the grip of his masters in the P.D, Ray is clearly under the thumb of Frank; forever, and ever. Or is he?
Frank is peeling back the layers of the onion which is Ben Caspere’s murder. He asks Ray specifically if the Mexicans did Caspere, to which Ray replies in a wishy-washy way that there’s all kinds of wrong about what had happened, a messy situation.
Ray tails one of Frank’s men to try and tie up loose ends. He watches as there are some girls picked up from who looks like Dr. Irving Pitlor (Rick Springfield), they are then delivered to Osip Agronov (Timothy V. Murphy).
Screen Shot 2015-07-20 at 2.58.20 AMAni Bezzerides (Rachel McAdams) is being forced to undergo sexual harassment therapy, or some other such program. She clearly has no time for it, making a mockery of the group meeting talking about how she loves big dicks: not simply length but the girth, and says “I really wanna have trouble handcuffin’ the thing”.
But it’s also bullshit why she’s there – and clearly it shows how much of a male problem the harassment is within those few moments (not to mention the fact Ani is being blackballed by the whole department in the first place). We see more of Ani and her sister, which is good because it feels like they’re coming together. Perhaps it’s Ani’s own current life situation that makes her feel more sympathy for her sister than we saw in Episode One.
I just love Ani Bezzerides. Nic Pizzolatto writes her well – she’s tough and takes no shit, but also has her flaws. In closing: she is a human being. She’s allowed to cover the entire spectrum of humanity, from good to bad, not relegated to the land of character stereotypes. This episode went well for Ani in terms of character because I found her more interesting; keeps me on my toes, never knowing what type of attitude she will bring into a scene. Good stuff on the part of Rachel McAdams, she’s a great talent.
Screen Shot 2015-07-20 at 3.00.31 AMDetective, formerly Officer, Paul Woodrugh (Taylor Kitsch) is in the legal hotseat over the woman from the First Episode who tried bribing her way out of a ticket by offering him a blow job. Her lawyers bring up Woodrugh’s past: the days in Black Mountain Security, how many people he did/did not kill in the big Vinci shootout awhile ago from the previous episode. I can just feel Paul fraying at the edges in almost each scene.
We see more of Paul and his mother, clearly a dysfunctional relationship. There’s no telling what the history truly is between mama and Paul. Although, it’s clear she has her own issues, aside from those which plague Paul, but I’m not exactly positive what those might be.
Screen Shot 2015-07-20 at 3.01.04 AMAt his mother’s place, Paul looks for $20,000 he brought back from Afghanistan. His mom tells him “I thought it was something you left for me.” Paul is torn apart that it’s gone. But money is the least of Paul’s worries in life. It’s not hard to see she resents him; she tells Paul he ruined her life. Furthermore, she knows that Paul is gay and is denying it – she talks about all his “good friends”, “the boys”, she says “I know about you, Pauly!” So there’s tension galore.
I’m starting to wonder if maybe Paul does have some sort of history of violence towards women, judging by the torn relationship with his mother and how aggressive they both are with one another, verbally and physically. But who knows, he could just hate her guts for the way she has obviously treated him, like a burden. Another reason I find Paul Woodrugh so interesting. I think Pizzolatto does a fantastic job at juggling so many characters. Last season, there was so much centred focus on the two main detectives – this time with three, plus the addition of Frank and his wife, there is a ton going on. Yet Pizzolatto does well, I think, in fleshing them all out. Just so happens, for me Woodrugh is one of the most interesting. Hard to choose, though, when they’re all rich characters.
Screen Shot 2015-07-20 at 3.01.49 AMRay meets with Ani in the little bar where he usually met with Frank. They’re both damaged from the shootout. Ani clearly knows there’s more to the Ben Caspere case than the P.D determined; she says “a bunch of people got shot to shit and nobody cares.” Obviously, Ray knows what the deal is, at least partly, and he was forced to keep with a certain version of events. His best advice to Ani is: “I try to limit the people I can disappoint and I make sure to know the difference between my obligations and somebody else’s”.
Screen Shot 2015-07-20 at 3.03.11 AM
Bezzerides, Velcoro, and Woodrugh are being recruited to go deep and figure out what really went on behind the Ben Caspere case, what truly happened. Essentially, they want Velcoro to be a man on the outside, as he is now no longer a member of Vinci P.D. yet he knows how the greasy guys at the top operate.
District Attorney Katherine Davis (Michael Hyatt) offers Velcoro a deal – help her to uncover everything, she makes sure Ray is able to keep his son around. Also, she reveals that the man who raped Ray’s wife is not dead, he was recently picked up on a string of unsolved rapes – this leads Ray into a frenzy, looking for answers. Not only did Ray’s relationship with his ex-wife become a ruin due to her believing Ray had the man killed, he was also lead to believe the man was dead – now we know, Frank had him kill an innocent man just to keep Ray in his service. This ignites a fire in him that flames high; all directed towards Frank.
Screen Shot 2015-07-20 at 3.03.28 AMA couple awesome scenes happen in this week’s “Other Lives”.

– We watch Ray devolve a little after initially it seems he might be turning over (some kind of) a new leaf. He falls into that fugue of anger he began in at the start of the season. Ray goes back to see Dr. Pitlor and beats some information out of the man, donning leather gloves and a heavy blackjack with which to menace the doctor, and while it’s thrilling, you can see how quickly Ray slips between the two men existing within him: the man he wishes to be and the man who he is, the one he cannot escape.
Screen Shot 2015-07-20 at 3.04.26 AM– The scene with Paul and his mother worked excellently and Kitsch was fantastic. I’ll keep saying it, over and over, I think he is a great actor when given the right material. Plays the character of Woodrugh very well.

– Ani and Paul find a creepy little shack in the woods with a chair at the middle and arterial blood spray across one of the inner walls. Brief, not too much, but added some tension. Plus, I really like how Ani and Paul are together. Good dynamic. Then again, I also think Ani and Ray are a good team. Mainly I think that’s because the character of Ani is such a no bullshit, no nonsense type of woman, she basically calls the men in her life out on their shit whenever she can, quick as possible. So she almost corrals these male detectives, not in a motherly way just simply the way a leader needs to in order to get the job done.
Screen Shot 2015-07-20 at 3.05.15 AM– Finally…
My favourite scene of this episode is at the end when Ray goes to see Frank. It is just – WOW! There’s not much to it at all. A banging on the door, again, again – Frank gets pissed and tells them to shut the fuck up. He looks through the peephole and relaxes: it’s Ray. But it’s the look on Ray’s face, the eyes gently quivering, a subtle force bottled up inside him – just blew me away. He tells Frank they’ve got to talk and then… cut to black.
Screen Shot 2015-07-20 at 3.05.51 AMSo again, I keep telling people: Teague Dixon. We already have a scene in this episode, a couple actually, referring to Dixon. Woodrugh goes to a pawn shop for some information, only to find Teague had been there weeks before. In fact, he’d been there before the others had officially know about evidence which would’ve brought them there.

I guarantee there’s more to Dixon’s character, and I still know there will be some sort of plot involving those pictures he took of Woodrugh a couple episodes ago.
Screen Shot 2015-07-20 at 3.04.51 AMThe biggest thing going is that Frank knows there’s something not right about the official word on Caspere’s murder, he needs Ray to fill in the blanks. But now Ray knows that Frank set him up from the get-go. Ray’s life is in absolute shambles and Frank is responsible for so much of that. That ending really promises a confrontation between Frank and Ray that could lead to tremendous consequences.
Next week we’ll see what happens. I think there are going to be some big revelations in the next episode. This was a great one, in my opinion. They’ve all been a lot of fun. The small time jump from the last episode to this one worked, and it also helps to add a little depth to the story. Only about six or eight weeks, but just enough time. It seemed like everything was starting to smooth out, except now the chaos is creeping back further into Ray’s life, Paul too, and Ani has never been free of it for a second. With Ray at his door, I think Frank is about to understand the meaning of chaotic.
Screen Shot 2015-07-20 at 3.05.59 AMNext episode is titled “Church in Ruins”. After that, only two episodes left: “Black Maps and Motel Rooms” & “Omega Station”.
The detractors, I’m sure, will still compare this second season of True Detective to the first season. They are highly different. I do prefer the first, absolutely. However, I’m still a big fan of this second season. Can’t wait to see how these last three episodes play out! Stay tuned. I’ll see you next Sunday.