Fear the Walking Dead – Season 3, Episode 11: “La Serpiente”

AMC’s Fear the Walking Dead
Season 3, Episode 11: “La Serpiente”
Directed by Josef Kubota Wladyka
Written by Lauren Signorino & Mark Richard

* For a recap & review of the previous episode, “The Diviner” – click here
* For a recap & review of the next episode, “Brother’s Keeper” – click here
Screen Shot 2017-09-18 at 2.33.53 AMMadison (Kim Dickens), Qaletqa Walker (Michael Greyeyes), and Strand (Colman Domingo) are now on the road together, heading for the dam. Before that Over the highway, they come across a group of walkers and overturned cars in the way, a jam nearly the whole way up, far as the eye can see.
So, what’s Strand’s plan? “Jesus saves.” He tosses an electronic device out the window, letting it beep and draw the zombies out. This gives Walker room to use the eighteen-wheeler to push some of the wreckage out of the way. Then they’re through, they pass a large gate into a junkyard. Safe, if only for a while.
Strand is searching for a car, which he’s found. A beat up old Bug. Madison and Walker aren’t sure why he’s concerned with a shitty little vehicle. It’s because it hides a tunnel underground. When the Native leader worries for the truck, Victor reminds him: “The dead dont drive.” And so it’s down into the shitty sewers of America’s southern reaches for the trio, the best way forward.
Hold you breath.
Screen Shot 2017-09-18 at 2.44.25 AMThe further they go, the less Qaletqa trusts this man Madison used all his gold to free. He believes Strand is lost. Certainly, it isn’t altogether out of the realm of possibility. The dark stretches of tunnel go on for what feels like forever; walkers overhead occasionally, some in the tunnels themselves. Danger at every blind turn.
Soon, Strand admits to Madison he’s lost. He was searching for a symbol, the Proctor’s Eye(s). But he can’t find it. He also tells her about Daniel (Rubén Blades), his lie concerning Ofelia (Mercedes Mason). Although he’s pleasantly surprised when Madison tells him she’s at the ranch. They’ve got bigger worries, though. Walkers are coming.
Victor: “Ah, hope springs from darkness.”
This claustrophobic scene puts the trio in a tight pipe where they run into a stuck, bloated, rotting zombie. Madison puts a hatchet in its brain, then they’ve got to take the thing apart in pieces, passing it back, getting rid of the limbs, so on. A truly yuck task they share in all its gut sick glory.
Meanwhile, Daniel deals with fallout after firing on people when they riot over the water. Afterwards he finds Madison, Strand, and Walker coming out of a drainpipe. He finally discovers his daughter’s alive. Madison tells him about their water troubles at the ranch. However, this man is dangerous, this post-apocalypse zombie landscape has done nothing for mental state. No telling what he’ll do, what he’s thinking. He speaks with Lola (Lisandra Tena), just as Madison and Walker clash over how to handle the negotiations. Then they all meet, chat. Yet the answer is, no water for the ranch. No trading. Lola don’t play that shit.
Screen Shot 2017-09-18 at 2.53.18 AMWill the former relationship Daniel and Madison had, before the split of the group help? Will Daniel’s desire to see his daughter again aid the ranch in getting what they need? Lola clearly knows he’s a dangerous man, but he’s helped her a great deal, she has a sort of respect or care for him. Simultaneously, Walker isn’t happy with Strand, telling him that if Madison can’t make this deal for the water, the ranchers will suffer. Because the tribe comes first, and there ain’t enough water for everybody!
There are those who want chaos, but violence begets violence.”
Strand starts uncovering the fact people don’t trust Daniel, that the man is also paranoid. There’s a scratch in the armour, and Efrain (Jesse Borrego) wishes that Lola would simply be done with the dam, “open the flood gates, let the river flow to the people.” He sees the power corrupting everybody in its own way.
Together, Walker and Daniel speak of Ofelia, the former telling of her bravery. The father hears about what she did at the ranch, poisoning people to supposedly save lives. This does nothing for the old man, knowing that his own violent genes have infected his daughter. Suddenly, he isn’t as happy to know where she is, knowing that when they come back together neither of them will be the same person they were before.
Now, Lola and Daniel are at odds, too. She isn’t sure about him anymore, knowing he’s a killer. She doesn’t like ruling through fear, she isn’t prepared to give up that “part of herself,” as Madison said. Then, she gives Daniel an ultimatum: do what she wants, or leave. He’s prepared to stay, right now.
And why? He also has an ultimatum, of sorts, for Victor – whatever the guy’s planning, it’s got to help them both, or else things are gonna get real fucking bad.
Screen Shot 2017-09-18 at 3.16.15 AMWalker’s already done. He’s kicking himself for listening to Madison, he’s leaving. Also says the ranchers must leave. Not enough water, no deal on the horizon. It’s over. This is putting Madison in a hard corner. She pushes Daniel, telling him Ofelia needs him. But that doesn’t work, not on a guy with a blackened, bitter soul.
Only the two of them left, Victor and Madison are going to head out. Well, after they watch a bomb blow up the water truck, busting the gates wide. After that the two of them, as well as Daniel, put down the walkers trying to enter the dam. “Down with the Water Queen” chants come from outside, people are also coming to make their way inside. Perhaps Daniel wasn’t so paranoid after all. Or, y’know, Strand made it happen.
Lola’s prepared to deal for guns, ammo, even with Efrain cautioning against violence. She wants to make the deal. Madison and Walker are headed to set things in motion, hopefully heading off any further nastiness. In five days, the pair must be back with the goods, plus Ofelia. They find Walker on the way, to his happy surprise. A rare happy end to an episode. Calm before the storm.
Screen Shot 2017-09-18 at 3.24.44 AMAnother solid chapter in Season 3, pushing forward several plots, giving us more character development, and much more. Just great writing. Truly love some of these characters, especially Strand, Madison, and Walker, all of whom are getting lots of time. Daniel is interesting, too. In a dark way.
“Brother’s Keeper” comes next. Wonder if we’ll see more of Troy. Hmm.

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Fear the Walking Dead – Season 3, Episode 10: “The Diviner”

AMC’s Fear the Walking Dead
Season 3, Episode 10: “The Diviner”
Directed by Paco Cabezas
Written by Ryan Scott

* For a recap & review of the previous episode, “Minotaur” – click here
* For a recap & review of the next episode, “La Serpiente” – click here
Pic 1Nick (Frank Dillane) is being punished for his role in helping Troy (Daniel Sharman), even if he did talk the guy out of some crazy shit. He’s being kept out in a can, a little slot to see outside; the hot box torture. Where he sees Troy talking to him, taunting. Afterwards he’s let out.
Or is he? No, it’s all a vision. No Troy, no getting out of his punishment.
Elsewhere, Qaletqa (Michael Greyeyes) and Madison (Kim Dickens) talk about things. What’s next for their shared group going forward. First thing to think about is collecting water, the survival elements. Walker’s taking care of the weaponry just fine, now that Troy is out of the picture.
At the same time, Alicia (Alycia Debnam-Carey) keeps an eye on her brother, on Jake (Sam Underwood), and her mother trusts her to keep the secret that they only have “6 weeks worth of water left.” Oh, damn. That’ll turn things bad. Nobody knows currently, except Madison, her daughter, and Walker.
Pic 1AMom goes off with Walker, while her kids stay at the ranch. Nick is out of his little tin can, a bit of water, cut free. The kids head home and Alicia tries keeping her secret, even from her brother. Upstairs, Jake is dealing with unhappy people concerning the rationing of the water. We see Alicia doing her best to speak strongly, convincing them to trust in the remaining Otto, that he has their best interests at heart.
On the road, Madison is dealing with her own shit. Like Walker mansplaining how to deal with children when he only has dogs of his own. Bless her heart, she gives him that biting sarcasm to shut it down.
Meanwhile, Nick receives a visit from the militia men still kicking. They’re happy he stepped up, even if it isn’t exactly what he was doing at the time. Right now, they’re looking to him for guidance. Leadership, even. Without guns he feels nothing is worth doing. So the lads have brought him “a gift.” A gun not under lock and key, controlled by the tribe. Fuck. I love Nick, but lord, is his judgement ever suspect at even the best of times. I’m afraid what might happen if he becomes the militia’s leading man, and more so if he’s unable to control them.
Along the street, Madison and Walker come across a large outpost, the Bazaar. They have to hand over weapons. They can trade items for time inside, which prompts Madison to reluctantly use her walkie as credit. No contact with her daughter, sort of a scary thing for any parent in this post-zombie apocalypse. Inside the Bazaar, they find every sort of item for sale and for trade, from basic threads, handbags, to motorcycles and tattoos. Just as it was once upon a time in America.
Screen Shot 2017-09-11 at 11.15.25 PMAlicia’s discussing with Ofelia (Mercedes Mason), Crazy Dog, the issue of people possibly taking twice their ration of water. Something a militia man claims. Things are uneasy, getting worse by the day. “Control your own people first,” says Ofelia; maybe bargaining with the woman who tried poisoning everyone on that land ain’t such a hot idea.
In secret, Nick and militia are talking over a possible attack to take back the land. He advises waiting, though everyone else is hot to trot. At least he’s got a brain, despite whatever course of action he’ll decide on eventually. Worse, Alicia’s found his gun, not happy. He tells her it’s mostly just to keep the militia in line, they listen to what he says. But there’s a divide between even family members, as the little sister clearly has problems with her older, former junkie brother being the favourite. Moreover, she feels that mom is “broken” and that they’re only following after her mad plans to make her love them, to be the good kids she expects.
Sad to see this scene juxtaposed with Alicia then calling over the radio, not realising her mother’s intentionally sold off the radio. She fucks up later, too. Telling everyone about the truth of the water situation. Yikes.
Nobody is happy, then a slight riot breaks out before Crazy Dog fires a gun, forcibly taking over the well. That doesn’t work – Nick stands his ground, others stand with him. Getting tense as hell up in HERE!
Alicia: “There is no them and us.”
At the Bazaar, Madison and Walker are angling to get a massive amount of water to keep the ranch going as long as they can. While the Native leader tries bargaining, Madison runs into none other than Victor Strand (Colman Domingo). He’s in a bit of trouble, as usual. She winds up helping, as does Walker, to get him out of a jam. Also sacrificing the possible water deal. Best thing is they’ve got Strand, who knows a place for water. When they get away and hide, he talks to the pair about the dam briefly.
Screen Shot 2017-09-11 at 11.25.01 PMScreen Shot 2017-09-11 at 11.28.29 PMThings aren’t so great for Strand, he has a debt that needs paying to the proctor of the Bazaar. He’s in chains until the debt’s paid off. Madison doesn’t want anything bad to happen to her friend. “The whole world is lost,” Victor tells her, pleading that she just leaves and goes back to her kids again. So nonchalant in the face of danger, always.
And in the meantime Walker’s fixed the water deal.
My mother named me Victor because she knew Id always win
Victor and other debtors are put out in the streets, where they’ve either got to clear out walkers, or perish. But someone’s paid his debt, leaving Walker vicious when he discovers what he was using to pay for the deal. Madison has plans, though. She wants to use her old buddy’s connections to find a more permanent solution to their water woes.
Nick and the militia have been gathering whatever weapons they can, from bow and arrows to hatchets and everything else in between. They’ve sneaked onto the tribe’s portion of the land. Alicia’s working with the Natives, having seen a diviner that sparked her interest. Simultaneously, Crazy Dog and Co. are about ready to start firing.
Will this spark violence?
No. Nick goes to see Alicia, the tribespeople working to save the land, to find a better water source. And this gives even Crazy Dog, the militia, the boost to perhaps come together. Maybe all they ALL need is to see there’s another way; a path to survival, for everybody.
Screen Shot 2017-09-11 at 11.44.16 PMExcellent first two episodes after the mid-season break. The whole Native storyline mixed in with the post-zombie wasteland is very interesting, as is the idea of the border, the whole concept of the water supply (a genuinely real world concern if the apocalypse of any kind does ever come). Love the writing.
“La Serpiente” is next. Can’t wait to see more of Daniel, Strand, and more of Madison being an ass kicker.

Fear the Walking Dead – Season 3, Episode 4: “100”

AMC’s Fear the Walking Dead
Season 3, Episode 4: “100”
Directed by Alex Garcia Lopez
Written by Alan Page

* For a recap & review of the previous episode, TEOTWAWKI”” – click here
* For a recap & review of the next episode, “Burning in Water, Drowning in Flame” – click here
Pic 1We see the journey of Daniel Salazar (Rubén Blades), after escaping from the massive fire where he and the group were staying awhile back. So glad to see him back. Although not without struggle and pain. He didn’t simply escape the fire, he barely made it out. His hands and neck and legs burned. Walking through the streets, he winds up stalked by one of the dead. He barely makes it away from it when a dog draws the thing away.
One thing I fail to mention each episode is how much I love the low-key, subdued opening. I also dig the original series’ opening sequence, the music. But something about this series is more unsettling, very creepy, an ominous sound leading us into every episode.
Pic 1ADaniel comes across a man named Efrain (Jesse Borrego), he seems like a bit of a religious man. He kills the dead like an old school vampire hunter, only putting his version of the stake – a long nail – through the zombies’ heads. Either way, it’s another human to help Daniel, at least for now. He aids the old man in getting someplace safe; our friend isn’t well, and definitely parched. They get a bit of water from a nearby fountain, it looks like it only comes on at certain times a day. Each Tuesday, 5 PM. Ah, the water wars we saw last episode, a situation into which Strand (Colman Domingo) has put himself. Looks like Daniel may wind up there, too.
Daniel: “What are you?”
Efrain: “Me? Im the fifth Beatle. You?”
Efrain is a wild dude. He bottles water when he can, then heads out on a bicycle cart with a speaker shouting AGUA in the streets to alert the thirsty people. At the same time men patrol the streets in vehicles with guns, not wanting a black market on water to crop up.
Our water dealer takes Daniel to a woman named Lola Guerrero (Lisandra Tena). She assess his leg, that it’s starting to rot. Either scrape away the pants burned into the wound, or it’s possible he’ll lose it. Poor old lad, he’s got to take the pain in order not to draw out the dead too much. He and Lola sing a song together in Spanish, as she goes about scraping out the wound. Lucky for him it works, and he’s only relegated to a crutch for awhile until it heals.
Pic 2Something is rotting in you far worse than your leg
When Efrain and Daniel bond, the former learns more about the latter. Mainly the fact Daniel has killed “ninetysix” people, that he feels he isn’t a good man and has to pay a debt, to redeem himself for his sins. He tells Efrain about leaving El Salvador, coming to Los Angeles to become a barber. He also cuts his new friend’s hair; an intimate and powerful gesture in its own right.
Now the old guy’s biggest worry is for his daughter Ofelia (Mercedes Mason), wondering where she is, how she is, if she’s safe, or what is the case. Even after nearly burning alive he’s still hard on himself. Because he believes he possibly burned his own daughter to death in that fire. He seeks forgiveness, but Efrain isn’t the one to give it to him.
I only hope Daniel doesn’t push himself too far. He’s determined to find redemption. So he prays. And out from the sky comes a lightning bolt, crashing into the head of a walker that nearly chomps down on him. A sign, if there ever were one. Still, Daniel ends up washing away in flood waters with the zombie. He winds up at the Gonzalez Dam, and by a stroke of luck he’s located by Lola. Dante Esquivel (Jason Manuel Olazabal) runs the operation, “distributing water” in his own fashion. A man named J.C. (Ricardo Chacon) confronts Lola when she brings the old guy around, though they cover, saying he was desperate for work. They put him out around the drainage area, hauling bodies. Where he’s able to get a good look at the dam’s entrance, where Strand soon winds up.
Daniel starts to see what daily life is like there, a far cry from where he once was and yet troubling. Everyone stands for Dante as he walks into the lunch hall, except for our man. It’s like a cult, ruled by authoritarian hand. This guy J.C. has got it in for Daniel, too. A fight breaks out when he tries acting like an asshole a bit too much. This gets the boss’ attention. Turns out, Dante knows a bit about Daniel, at least what he can gather from knowing the old man lived in El Salvador, the capital in fact.
He’s got a lip tattoo which reads SN, prompting the boss to speak the words “Sombra Negra“; in reference to the Black Shadow, a death squad in Salvador that targeted criminals and gang-bangers for execution in a form of government-backed vigilante justice. Now we see more of why Officer Salazar feels how he does about himself, why he’s in a sort of moral prison in his mind. He’s done some seriously bad fucking shit.
Pic 3With this revelation, Daniel’s ingratiated himself into the inner circle of the dam. Dante wants him on their team. Although our guy is mostly just concerned with finding a way to search for his daughter. So he’s out on patrols with the boss’ boys, they’re looking for sneaky people stealing water where they shouldn’t be. Daniel watches the clock, worried Efrain will show himself at 5 PM. Afterwards he leads them right to his new friend. What a cold move. He tries telling Lola that it was to protect her, that they’d find out sooner than later. Same kind of bullshit he used to convince himself while working on a Salvadoran death squad years earlier.
Lola: “This place is perfect for you. You are a thug. Go get your prize, thug.”
Finally, Daniel watches Strand stroll past the gates. Taken to see the boss. And later when Victor is placed in a cell, Daniel goes to see him with water. A meeting after so long apart. He hears that Ofelia made it out, she’s alive. This gives him hope, for the first time in forever. However, the old guy won’t believe him, believing this is all lies. Oh, christ. He’s going off the deep end. This is not good, at all.
Not to mention Daniel’s called int to torture information out of Efrain. This is ugly. Maybe some of the ugliest stuff we’ve seen so far on Fear the Walking Dead. As if he didn’t have any farther down to fall, after the death squad reveal. He’s being pulled back into that old, hideous life he fled in Salvador. If he even does make it back to Ofelia, he’ll never be the same person. And redemption can’t ever really come.
For Efrain’s sake, Lola throws herself on him. Before Daniel can kill him. Just a tragic situation altogether. You know where they’re being taken, too. Out to the damn, to face a fall. Strand, Lola, Efrain, and more are faced with execution for their crimes against Dante. Instead of tossing them all over, Daniel turns on Dante, pulling a gun and putting a bullet in his head. Saving the remainder of the people from a nasty fate. This is a start to redeeming what he’s done. He offers Lola a gun, a chance to do him in; he begs forgiveness. And it’s that she gives him.
Pic 4WOW, this is a stunner of an episode! One of my absolute favourites. Because Daniel Salazar was always interesting to me, this only upped the stakes. His backstory, his history is vile, and with the fall of society, the fall of civilised men comes another moment where he must face the ugliness of his past.
“Burning in Water, Drowning in Flame” is next week. Haven’t been this excited for a new episode in awhile.

Fear the Walking Dead – Season 3, Episode 2: “The New Frontier”

AMC’s Fear the Walking Dead
Season 3, Episode 2: “The New Frontier”
Directed by Stefan Schwartz
Written by Mark Richard

* For a recap & review of the Season 3 premiere, “Eye of the Beholder” – click here
* For a recap & review of the next episode, “Teotwawki” – click here
Pic 1Fleeing in helicopter, Travis (Cliff Curtis), Alicia (Alycia Debnam-Carey), Luciana (Danay Garcia), and Jake (Sam Underwood) head for the Otto family ranch. Travis is, naturally, worried. He just reunited the family and quick as that, they’re torn apart. Their trip gets nasty when bullets fly through the window, someone below firing on them. Then Travis takes a bullet through the side of his neck. He goes into shock, opening the vehicle’s door. When Alicia tries helping she sees he also has a wound in his stomach.
He lets go and plummets from the side, into the air below. Lost. Gone.
Is this for real? No. He will survive, though I’m not sure in what shape.
Pic 1ABack to the hotel by the beach where the group fled in Mexico. The gates are teeming with people trying to get in, to see the doctor inside. The people remaining include Victor Strand (Colman Domingo), who calms the near rioting crowd. He claims to be the doctor, asking that the people be let in and given rooms. What’s he up to? You can bet he’s scheming, he’s always the planner.
When Jake manages to get their crew on the ground again, Alicia’s distraught by the loss of Travis. I still don’t believe he’s gone, not totally. She worries about having let him go. She’s already felt guilty over other things, I fear how badly she’ll take this latest blow.
Meanwhile, stuck in a car with one-eyed Troy (Daniel Sharman), Madison (Kim Dickens) and her son Nick (Frank Dillane) are totally unaware of the tragedy, headed to the ranch. The place is definitely impressive, with cows and land sprawling over the hills, armed guards and a gate. But they arrive and find Jake, the others, they aren’t there. This makes brother Troy worry.
For a guy who’s not actually a doctor, Strand does a nice job. He’ll do anything he can to keep himself in good graces, wherever he goes. But not in a bad way, we’ve seen the extent of his humanity. The makeshift doctor’s then faced with a pregnant woman, her broken water. This is fucking do-or-die time.
Nick: “I dont trust these people.”
Madison: “Dont trust them. Trust me.”
At the ranch, Madison and Nick try remaining calm. It isn’t easy, worrying for their separated family unit all over again. She assures him one good thing: she got hold of a gun for them. You can always count on mom taking care of them, in every which way. Nick doesn’t like these people. Nor does she, but she figures they’ll use them for their own gains. She then meets Jeremiah Otto (Dayton Callie), he brings a coffee and has a chat. He wonders if Travis hijacked the helicopter, and she doesn’t take kindly. However, he’s only concerned for his son and goddaughter on board.
Pic 2So the Otto family, they’re “building a new nation” on the new frontier. Trying to make sense of a mad world. He acts like the Clark family are ungrateful. He doesn’t want to believe his son Troy is a fucking psycho, and y’know, I don’t fully trust either of the Ottos; except for Jake, who’s seemingly still a human being. But I do not like Troy, neither do I like anything about Jeremiah just yet. Nick’s got the idea, he doesn’t dig any of this stuff. Moreover, he’s blaming himself – he took Luciana to the base, Travis and Madison they went looking for him there. Poor guy, I hope he doesn’t let his old addictive habits crowd his mind again.
Across a fire in the wilderness, Alicia asks Jake about his brother, his… issues. They bond over “allowances” they give their loved ones; him with a psychopath for a brother, she with a former junkie. An interesting parallel. Yet things get tense, as whistles in the woods alert them to somebody else out there. Jake arms Alicia, then heads off to scope the situation out. He stumbles upon a walker in the dark, nearly getting chomped before Alicia saves him. Still, there’s never tragedy far from any of the people in this series. Jeremiah’s goddaughter is one of the latest casualties. Not good.
Strand is successful in delivering the baby. Only problem is the people at the hotel aren’t happy with his lie; it involves them, they’re at stake just as much as him. So, they kick him out. It’s on the road again for the now former Dr. Strand. And one last person to tend to, a woman who’s refused to eat and is barred in her room. It’s the mother of the bride from last season, Eileen, the one who stabbed him; she’s been in there ages. Not looking well. They talk and he reveals he’s got a place in mind to head after leaving the hotel. She then offers him what was meant as a gift for the wedding, a piece of jewellery.
Before plunging off the hotel balcony to her death.
Pic 3The helicopter crew ready themselves to walk for the ranch. “Its a terrible world, isnt it?” Jake quips to Alicia, who even without response probably agrees wholehearted. They soon get to the ranch carrying Luciana, barely conscious in their arms. Then, daughter is forced to explain to mother where her husband has gone, why he hasn’t come back. A devastating moment.
Even worse is the fact Luciana is ready for death, so says Troy. Can’t be helped. They don’t want her turning. Nick offers to take care of it himself. Rather than doing that, he turns the gun on Troy, as the other armed men raise their weapons.
I said let her in.” He is not going to listen to mom, and not with Troy condescending. A Mexican stand-off, if there ever were. Jeremiah steps in, assuring Luciana will not die if he turns over the gun. He does, on good faith. The Otto patriarch orders her taken inside and treated, though safely.
More than ever, Madison’s had her world turned upside down. She faces this new frontier without her beloved husband. Jeremiah tries comforting her, more concerned if she’ll be a danger, if she wants to commit suicide, the like. He’s missing a Beretta, the one she took. Doesn’t make a big deal, only wants it signed out officially in their records, which she obliges.
How will the family move on? Can they? Well, they have to; there’s no choice. Each of them deal with things in their own way. Madison now says they’re staying at the ranch. They’ll make it home. Even if they have to take the place themselves. Her children don’t agree, and thus starts more struggle.
Madison: “Its our fate. We suffered to get here.”
Pic 5Intense episode, all around. Wow. I cannot wait for the next episode “TEOTWAWKI” because I just know… Travis can’t be dead. He survived too much in that pit to simply die this way; by law of the TV gods!

Fear the Walking Dead – Season 2, Episode 15: “North”

AMC’s Fear the Walking Dead
Season 2, Episode 15: “North”
Directed by Andrew Bernstein
Written by Dave Erickson

* For a recap & review of the penultimate Season 2 episode, “Wrath” – click here
* For a recap & review of the Season 3 premiere, “Eye of the Beholder” – click here
screen-shot-2016-10-03-at-1-55-51-am The finale is upon us! Who will survive, and WHAT WILL BE LEFT OF THEM?
After the head crushing finish of the penultimate finisher, “North” starts out on Travis (Cliff Curtis) having unleashed fury on the two young men who put Chris (Lorenzo James Henrie) down after being injured in their car wreck. In the process, he hurt Oscar (Andres Londono) real bad. This isn’t going to sit well with anyone in the hotel. Elena (Karen Bethzabe) has him taken away, locked up somewhere. Everything is getting pretty rough at this point. Madison (Kim Dickens) tries her best to keep a cool head, at the request of Strand (Colman Domingo). She then takes Alicia’s (Alycia Debnam-Carey) knife to go put walkers Brandon and Derek out of their misery. Feels like Madison is starting to rage in her own way, too. Ain’t just Travis anymore. Strand, he looks worried.
screen-shot-2016-10-03-at-1-58-37-am At the colonia, Luciana (Danay Garcia) patches up Alejandro (Paul Calderon), whose bite is fierce. He’s getting sick, and fast. She wants to try making him look “presentable,” but he sees the end coming now. It doesn’t look pretty. She stays with him to help, although Luciana’s not impressed. “This is ending,” Alejandro says. But she thinks there’s still a future there for the rest of them.
Strand wants Madison to calm down. Technically, Travis has gone against the rules they’ve set out. “Weve lost our place,” Alicia says about their situation in the hotel. Going against them, Strand believes Travis can’t stay there. And Alicia wants to leave, take him, set out on their own once more. She’s sick of losing people and wants to not become hardened people, willing to give up the lives of others for a safe space to lay their head. At this point, Strand is set apart from them. Not sure if they’ll come back together, or if Strand will stay at the hotel for good. The agreement is to let Travis out of his lockup until dawn when the group heads for the hills.
Nick’s packed and ready to leave the colonia, with or without Luciana. She stubbornly won’t go anywhere. Marcos (Alejandro Edda) is coming, at some point or another. “Do what you do, Nickrun,” Luciana taunts.
With Oscar unconscious things are awful for the people at the hotel. Alicia tries to help. Nobody really wants it, though. They’ve got their hands full trying to do homemade surgery on Oscar.screen-shot-2016-10-03-at-2-17-52-am In front of everybody, Alejandro limps sickly to his people and confronts them with the truth about Marcos. He does his best to inspire them. Simultaneously, Nick heads for the wall of zombies. He smears himself well with blood, then ventures into the vast unknown past their wall. While Alejandro spins a fairy tale of bullshit to the colonia, Nick spies a helicopter touching down in the distance.
Oscar’s surgery goes on as Madison and Travis spend their last night in the hotel upstairs. “Whoever you think I am, whatever part of me you think is the same, its not,” Travis tells her. She agrees those two guys deserved to die after what happened, after all that happened with them on the road. Madison believes herself worse than him. They’ve bonded closely over this brutality, and that’s how it goes in the new world post-zombie apocalypse. A beautiful little moment between these two; and boy, did they need it! Downstairs, Oscar lies dead on the table. So now, will there be war? Oh, it seems that way. The men go for Travis in the middle of the night. Andrés (Raul Casso) puts a gun to Travis for killing his brother. When Alicia stabs him, all bets are off. Strand winds up getting his hands on the gun flicking across the floor, and states the obvious: “We need to get out now.” If only for the fact Strand won’t leave with them. No, please! I love Strand, I hate to see the group separate. He’s awesome and I don’t want him to die. So as long as he sticks around on the show, that’s fine. Just don’t kill him AMC, you bastards.
The road ahead for Madison, Alicia, and Travis doesn’t look great. But better than getting torn apart by everyone back at the hotel.screen-shot-2016-10-03-at-2-31-31-am Alejandro gets a surprise visit from Nick. He’s come back after seeing the helicopter, finding Alejandro incredibly sick. They have a frank chat about dying. About whether to leave. Nick believes actually caring about the people in the colonia would mean doing the right thing; getting them out. To be a good man, Alejandro must “let them go.” That helicopter, it landed across the border in a camp. Nick sees hope out there.
In the big supermarket, now empty, Alicia, Madison, and Travis search for information about the colonia. They also see hope – that maybe they can find Nick again. Well, they stumble across that death room where Marco had a bunch of dead bodies. Not a nice place. Although they may be able to figure out how to get to colonia if there’s anything left on the corpses. And there just may be some clues.
In the daytime, Marco and his crew roll out to the colonia. There, they first come across the wall of undead. Heading into the bus they find it’s “too easy.” After they’re all the way inside Marco discovers a veritable ghost town. Nobody visible, anywhere. Not from far away, anyways. Alejandro’s still lurking, looking to die a “beautiful death” as Nick predicted. He’s well enough to get to the bus, put it in drive, and let the walkers crawl on in. Colonia no longer secure.
Along a city road Nick and Luciana lead the good colonia citizens elsewhere, out towards the border in a bid to maybe find that camp, maybe a helicopter. Anything’s better than being slaughtered by drug dealers.


On their own way, Madison and Travis head into the colonia. Fuck, shit, FUCK! Always one step behind Nick. Outside, Alicia waits by herself, but then decides to go in towards the bus. The tension is killing me. Of course the inner sanctum is covered in walkers, dropped guns. Even Marco is a zombie. Every last person is dead. Alicia finds Alejandro at the bus and makes him comfortable. He tells them about Nick and the plan to head towards the border. At least they know which direction he’s going. Someday they may cross paths again.
The border is littered with cars, a scattered zombie here or there. Nick and Luciana take the group through the gates. He looks out towards the horizon spotting a helicopter through binoculars, a refugee camp not too far off. Then from nowhere a man with a gun. Luciana takes a bullet. Reynaldo, as well. Armed militia-style men take the group over. Nick and Luciana are cornered.
With Madison, Alicia, and Travis seeing Alejandro out of life once and for all, Nick is beaten down by the armed men. Nobody’s future is certain, as we always know a little too well. How will the next season begin? Where will they all be?
screen-shot-2016-10-03-at-2-45-54-am A tragic and exciting end to this season. I dig it! Very ominous. Lots could happen.
Let’s await Season 3 with a new season of The Walking Dead in a few weeks.

Fear the Walking Dead – Season 2, Episode 14: “Wrath”

AMC’s Fear the Walking Dead
Season 2, Episode 14: “Wrath”
Directed by Stefan Schwartz
Written by Kate Barnow

* For a review of the previous episode, “Date of Death” – click here
* For a review of the Season 2 finale, “North” – click here
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Here we are at the penultimate episode of Season 2! Can’t believe it’s here so quick, honestly.
Ofelia (Mercedes Mason) is off on her own still, only the truck she’s driving breaks down on the road. As she takes care of it a couple walkers sneak up on her. She manages to get out of a jam, but now she finds herself on foot, walking down across a long wall in the middle of the desert. Is she headed back into the U.S. or what is the plan? I only hope she doesn’t get eaten alive.
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Nick (Frank Dillane) and Luciana (Danay Garcia) lay in bed together, having gotten closer with each episode as of late. Except he and his buddy Reynaldo (Cuauhtli Jiménez) are sneaking around under the nose of Alejandro (Paul Calderon) trying to make sure things go smoothly for the colonia.
At the hotel, Madison (Kim Dickens) watches over her newly returned husband Travis (Cliff Curtis) sleeping. They’re not doing well since his fateful last moments with Chris (Lorenzo James Henrie) before he callously left his father behind. “Hes safer with people who understand him,” Madison tries to explain. Not going to fly right now. It’s hard, no matter how shitty of a person they are, to let go of someone you love, especially a child.
At the overtaken supermarket, Nick and Reynaldo head in with the oxy. Not only that, they want to see Marco (Alejandro Edda). They offer him oxy, every week, for a promise to be left alone to their own devices. Turns out Marco doesn’t need them any longer, and that spells trouble for their little colonia. ‘Cause this Marco, he’s fucking ruthless.
Serving up a bit of breakfast, Alicia (Alycia Debnam-Carey) tries to bond a bit with Travis. She feels as if she pushed his son away because of his behaviour. Rightfully so, which he readily admits, too. “Hes sick,” Travis tells her. He knows, it’s just a damn hard thing to accept as a father. He further apologises not for protecting her when Chris went haywire on them.
Worse than anything is the fact Brandon (Kelly Blatz) and Derek (Kenny Wormald) have wound up in the hotel. And when Madison asks about how they got there, they make it sound like their friend driving, who we assume is Chris, didn’t make it. Shit. That’s going to devastate Travis if and when he finds out. Madison goes to tell Strand (Colman Domingo) about what she’s discovered. He thinks they’ve got to try and keep it from Travis, at least until they can figure out what to do from here. He worries that if Travis finds out Chris is gone for good, it may do terrible and irreparable harm. “Hes already broken, thatll kill him,” confirms Madison.

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Back at the colonia, Nick lets Luciana know about their new predicament, advising they tell Alejandro. The head honcho isn’t pleased; not about the whole thing, nor about Nick going out on his own. There’s a bit of zombie trouble first, though. A walker stumbles in, about to bite Nick, and Alejandro takes a CHOMP right in his forearm. Nick tumbles over a railing with the living corpse, and this puts it right in the hospital bed of unsuspecting patient – whose nose gets bits off – then a nurse gets her fingers eaten. All before Nick puts an end to the zombie by pushing his fingers into its eyeballs until POP! What a god damn mess, every bit. Tragic, yet an awesome scene of chaos.
Along the border fence, Ofelia finds a hole cut, and starts in through the desert on the other side. At the same time in the colonia, those bitten – excluding Alejandro – head through the bus, into the wall of undead. Now Nick is worried that soon the “shooting starts” and he knows “faith is not gonna protect us.” He wants Luciana to go, although she isn’t as willing. Until Alejandro reveals to her he isn’t immune, that he was bitten by an addict, then the story went wild. She won’t leave with Nick, no matter the lie.
The hotel turns into chaos, as well. Refugees there in the parking garage aren’t happy that Brandon and Derek are being treated first. Little do they know this is a ploy for Madison to get them out of there without Travis knowing. Only he sees this from upstairs, spying the men who were with Chris. He manages to get down there before they’re tossed out.
Out of nowhere Ofelia gets bullets fired near her feet. She takes off to find what little cover she can. A man (Dayton Callie) with a rifle stalks her down, removing her knife: “Welcome to America.”

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Travis has Brandon and Derek taken back inside. He wants to know about Chris. Things get very, very tense. They tell him how it all went on the road. When Chris volunteered to drive, he dozed off and flipped their truck. Instant death through the windshield. Or is it really how things went down? Travis starts noticing their stories don’t add up. Little slips of the tongue. So he locks everyone outside, then starts in on beating the two young men. He kicks the living shit out of them before Brandon confesses: “We killed him.” His injuries were too bad and they decided to put him down. No surprise there. And that’s all Travis needed to hear. He cranks Brandon’s arm back out of its socket. Derek tries to fight him off, but Travis lets the beast out and demolishes what’s left of them both. Even stomps Brandon’s head in leaving him dead like Chris was on the road. Savage.

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What a whopper of a penultimate episode. Can’t wait for “North” up next.

Fear the Walking Dead – Season 2, Episode 13: “Date of Death”

AMC’s Fear the Walking Dead
Season 2, Episode 13: “Date of Death”
Directed by Christoph Schrewe
Written by Brian Buckner

* For a review of the previous episode, “Pillar of Salt” – click here
* For a review of the next episode, “Wrath” – click here
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Swarms of bodies are at the gates of the hotel. But not walkers: people. They’re refugees trying to find safe haven. Madison (Kim Dickens), Alicia (Alycia Debnam-Carey), Elena (Karen Bethzabe), they all stand there not knowing how to turn people away, yet having to do just that.
Then in the crowd Madison sees a face – it’s Travis (Cliff Curtis). He’s finally come back to her.
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We switch back to some time before with Chris (Lorenzo James Henrie) standing over the dead man he shot. This is the moment which ultimately devastates his father. For the time being, Travis sticks around to try helping James (Israel Broussard) got shot in the process, doing a bit of stitching to the best of his ability. The humanity of Travis is still there; he digs a grave for the man who owned the farm, even makes a cross to go on top: “I dont even know your name,” he laments over the closed up grave afterwards. Later that night everyone sits by the fire and eats chicken, enjoying the farm’s commodities, except Travis. He has no time for the way his son’s acting after having murdered a man in cold blood. I genuinely don’t like Chris. He is a “savage” just like his father says.
Cut to Travis at the gates of the hotel. Alicia asks him outright where Chris is, and the look on his face certainly does nothing to assuage any fears she might have in her heart. But again, I can’t stand Chris. He deserves whatever he gets.
Madison and Travis talk about Nick (Frank Dillane) a little. Inevitably, Chris comes up. Travis tells her “I had no choice.” And so we’re back to the farm again. The chicken is gone, then the crew are ready to move out after a week; heading to San Diego. Feeling it isn’t the right choice, Travis does his own thing around the farm a while. He searches the house to try and find the owner’s name. After finding a wallet, he’s able to carve out the name in his cross: Elias Suarez. Soon they all board the truck and leave. Not long and they have to stop because James isn’t healed enough to travel. And you know what that means – Travis is at odds with the group again, as they’re ready to leave James behind to die.

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Guns are drawn and shit gets serious. Travis waits it out with James to try protecting him from the group. Chris ends up coming in and tricking his father, they hold him down and then James is murdered in mid sentence. “Your way doesn’t work,” Chris tells his father before leaving with the other two men: “Im better off without you.” He believes that who he’s becoming is right. He has actually become a sociopath. Much as I hate him, seeing Travis have to watch him drive off is heartbreaking.
At the hotel, Travis at least feels lucky to be at the hotel with Madison. He still feels guilt for what’s happened to his son. “I left him,” he tells Madison. She tries to reassure him things will be okay, but sadly too much has happened and right now Travis is profoundly wounded. His morality is all mixed up for having lost his boy.
Meanwhile, there’s all the refugees. They were let in because the people at the hotel haven’t become hardened, they still want to help others as much as they can. Alicia is checking people out in a makeshift medical tent, although her mother comes to get her – Madison reveals the truth about her father’s death not being an accident, and in fact a suicide. His note simply stated: I LOVE YOU ALL BUT ENOUGH’S ENOUGH. This, of course, rocks Alicia. The honest openness of Madison is enough to keep mother and daughter from any hurt feelings, even if it’s tough to digest. Alicia is strong, though, and together these women can get through anything. At the same time I can see there’ll likely be fallout from this decision of Madison’s because Alicia still feels upset deep down. And who wouldn’t be?

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They’ve got worse things to worry about right now. Because at the gates, up turn the group Travis left behind. You know he can’t be in the same place as them. Will Chris pull Travis back in and will they be let past the gates? Or will someone let them through unknowingly? Is Chris even with them??
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Can’t wait for next episode – “Wrath” – and I’m hoping for a big, angry confrontation! This was a nice episode. I’ve seen reviews already saying it was boring, nothing happened, same old stuff. This is the episode I’ve waited for, to see a rift open up between father and son. Again, that’s also paralleled in the troubles Madison has with her own kids, albeit less intense than Travis and Chris.
Either way, pumped for the next chapter in Season 2.

Fear the Walking Dead – Season 2, Episode 12: “Pillar of Salt”

AMC’s Fear the Walking Dead
Season 2, Episode 12: “Pillar of Salt”
Directed by Gerardo Naranjo
Written by Carla Ching

* For a review of the previous episode, “Pablo & Jessica” – click here
* For a review of the next episode, “Date of Death” – click here
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In the villa, a family of three – mother, father, daughter – looks to be escaping. They quietly make their way through, past the empty streets and sleeping people, to try getting through the wall of zombies. Papa cuts open a walker and they all paint themselves, trying to make it through the wall like that. This opening sequence is chilling. An aerial shot craning upwards, wide on the ground, shows us how many of the zombies stumble around in the fenced off area. The family, luckily, gets out alive.
Then out of nowhere comes a vehicle. Some men confront the father. Marco Rodriguez (Alejandro Edda) pulls his gun on them, eventually forcing them into the vehicle, too. And off they go.
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Ofelia Salazar (Mercedes Mason) is off on her own. She’s doing fine. Killing zombies, taking care of business. A lot easier just to watch one person’s back. But then again, there’s nobody to watch yours except you. That isn’t always easy. For now, Ofelia finds herself near the ocean on the beach in a little house. She remembers life, before the fall and the zombie apocalypse. Her fiancee, their plans. All that’s long gone, painful memories at this point.
Back at the hotel everybody does their part to get things going. They’re locking the gates, making sure the electrical systems and generators are running to the best of their abilities. A garden’s being planted. Madison (Kim Dickens), Strand (Colman Domingo), Alicia (Alycia Debnam-Carey), they’re actually enjoying themselves for the first time in so long. Although Alicia worries for her brother, Nick (Frank Dillane). Speaking of Nick, he’s spent the night with Luciana (Danay Garcia). They’ve found about the family taking off in the night; the father was the one who helped get water for the villa. So Nick and Luciana have to take charge.
Tragedy strikes when the mother of the bride stabs Strand for having dispatched her daughter. Some of the hotel survivors try helping Victor, as do Madison and Alicia. One of the survivors studied in med school. He works to keep Strand alive.
When Alejandro (Paul Calderon) discovers the family missing from their villa, he isn’t happy. Mostly he feels slighted, so it seems. There’s something more here. Something boiling. I feel like Alejandro is wearing a mask, or at the very least hiding something.
Problem at the hotel is Ilene (Brenda Strong), the grieving bride’s mother. Madison lays down the law: “If anyone raises a hand to another, theyre out. Any of us; gone. Thats how it has to be. Thats the only way this works.” And such is the grounds for a new, primitive society in the hotel.
Nick is starting to wonder about Alejandro, who, for his part, doesn’t exactly appear calm and collected like he did once. He and Luciana want to head out to take care of their business. Except now Alejandro says nobody leaves their villa, for as long as he says. Hmm. That’s definitely sketchy.

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Elena (Karen Bethzabe) and Madison are on the road to seek out medication and supplies to help Strand. They bond a bit, as Elena tells her own personal story, more than we’ve heard yet. And just so happens it involves drug addiction, or someone of hers addicted to them. Something Madison knows too well. Her own son was lost in the drugs. At the same time, he’s lost in Mexico. Stuck in Alejandro’s little “colonia” (a creepy word if you think of this) – the villa he’s ruling over.
But the villa and the hotel are connected. Madison and Elena head to that big supermarket the gang controls, that’s where they go for the medical supplies necessary to treat Strand. Will this soon bring Nick and his mother together? Alejandro’s kept Nick from going anywhere today, so the reunion will have to wait. While Madison and Elena do their shopping, Marco is upstairs questioning the escapee father about the colonia from which he ran in the night. When Madison gets wind, via Elena, that an American came with Luciana about the drugs, things get tense. She flips, wanting to find her boy. Before Elena has to get them out fast.
Well, Nick is worrying more by the minute. Alejandro is gone paranoid, to the extreme. Acting like he’s been burdened with everything. He requires faith. “So you want me to just follow you blindly?” Nick finally outright inquires. However, it’s only more control Alejandro wants. That’s how it seems to me. Either way Nick doesn’t want to be under anybody’s thumb. He’s worried most about people going without water, and that Alejandro keeps pressing people not to leave, under any circumstances. You know the former junkie won’t have that. His philanthropist side has emerged larger with every episode he’s in. Simultaneously, he softens the hardened exterior of Luciana slowly.

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Everything’s slipping. On the rooftops, Nick spies Marco and his henchmen with binoculars: looks like they’ve found Alejandro’s colonia. Uh oh.
Back to Ofelia – she flashes to memories of her mother Griselda (Patricia Reyes Spíndola), talking about men and how you find the right one, et cetera. All those things she’d be thinking on the edge of a marriage. Her mother also talks about the violence of where they lived, and that leaving their original home wasn’t a struggle; they had to leave. They did not want to “live in fear” everyday. Griselda says she’d do anything on Earth for her family: “That is love.” On her own in the zombie apocalypse, heading back towards the USA, Ofelia understands her parents more than ever.
At the hotel, everybody’s going a little crazy. Elena isn’t pleased with the way Madison is acting after possibly hearing of Nick. She turns on the hotel lights, she’s made everything difficult with Marco and their crew. Madison is letting her head get clouded and Alicia doesn’t see things the way her mother does; not about the new world, not about Nick and what he did or where he’s been. Lot of tension between these two.
Although, out in the darkness Travis (Cliff Curtis) can see the hotel lights. When they shut off, he walks in their direction; alone. His son is nowhere to be seen.
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This was a stellar episode! Loved the twisting  bits wondering if Madison will finally find Nick, the intrigue about Alejandro and his paranoia. And now Travis is on his way back to his wife, hopefully having either put his son down or left him with those crazy dudes.
Next episode is titled “Date of Death” and I have a feeling we may see a cast member depart. Will it be Strand? I hope not. Someone else, please. I dig Victor. We’ll just have to wait and see.

Fear the Walking Dead – Season 2, Episode 11: “Pablo & Jessica”

AMC’s Fear the Walking Dead
Season 2, Episode 11: “Pablo & Jessica”
Directed by Uta Briesewitz
Written by Kate Erickson

* For a review of the previous episode, “Do Not Disturb” – click here
* For a review of the next episode, “Pillar of Salt” – click here
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Victor (Colman Domingo) and Madison (Kim Dickens) are trapped in the hotel bar. Surrounded by a wall of walkers. They do their best to start taking out zombies, one by one, when Madison can hear Alicia (Alycia Debnam-Carey) calling out from somewhere. Bad ass mom starts taking charge, as she and Victor cover themselves in dead blood to mask their scent. Slowly, they push through the throngs of living dead to get out of the bar. The pair climb up to a balcony, at least away from the walkers a moment. Certain areas of the building are just – pardon the pun – dead quiet. Not a soul around. Strand believes maybe, if it came down to it, Alicia would leave: “To survive.” And for a second Madison almost believes that.
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They keep hydrated, stay vigilant, as outside the zombies ramble around. From a way off they hear living people banging on a door. It’s Alicia and Elena. Reunited again. Strand’s not exactly happy to see strangers, though.
Back in the protected Mexican villa, Nick (Frank Dillane) is adjusting to some kind of new life. He’s trying to make up for his recent mess, offering his services to Alejandro (Paul Calderon). He wants to use his junkie experience to make things right. Out comes that old side of Nick he left behind him. Alejandro watches on as Nick shows off a little drug magic to “2020” by Suuns. Nice, fun little sequence to add in amongst the horror of it all.
Madison doesn’t want to leave Ofelia (Mercedes Mason) behind, not without knowing for sure where she’s gone. Strand and Alicia don’t think it’s worth it, as Ofelia didn’t think they’d make it anyways. She probably left on her own. At the same time, Elena lets the group know about some supplies still kicking around the hotel. Victor and Madison go to try talking with a man named Oscar (Andres Londono), although that’s not exactly easy at first. After dropping their weapons, Madison takes charge: “Im tired of runnin‘, Victor.”
She tries to convince Oscar and his people they need each other. First, they need to clear out all the zombies. Only they don’t want Elena to stay because of what she did. Kinda understandable. But then again, I might’ve locked people inside that room too if I were here. You can’t be sure. Barbaric? Sort of. Smart? You betcha. Either way, Oscar’s willing to give up some keys for the hotel. That’s a start. As for Strand, he isn’t convinced with Madison believing they can make a home out of the hotel.
The story of Alejandro’s bite comes out, as he was “beaten by the living” he was simultaneously “bitten by the dead.” Luciana (Danay Garcia) brought him away from it all, to their villa. And death never came for him somehow. All because Alejandro tried saving a poor junkie that was mistaken for a walker. Ah, emotional intrigue between these two. I like their chemistry as characters together. A new relationship and connection for this season to feed off.
Then words comes to the villa: they’ve found Pablo dead, Luciana’s brother.

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At the hotel, Alicia, Strand, everybody pitches in to clear the hallways and rooms. Madison leads everybody in doing what needs to get done. Alicia says it’ll “take weeks” for them to get everything cleared, every floor, each building. Mother and daughter get a bit of time together, Madison apologises for her perceived failures as a mom. I really enjoy Fear the Walking Dead because of the amount of smart, tough female characters so far. These two, of course, being some of the best.
Nick now has his own trailer in the villa, a place of his own. Semblance of a normal life. He doesn’t necessarily want it. Alejandro insists. First thing Nick does? Touch the ceiling. Not because he’s too tall. Because it’s a room, four walls. For the first time in a long time.
The hotel clearing takes on new form, as Alicia’s come up with a plan to use the high riptides in order to get rid of some walkers. Alicia and Hector start luring them outside. Inside, Strand and Elena open up doors, Madison gets zombies piling through the halls. They draw hordes of the undead out the doors and onto the pier. Madison is the one to take the long walk alone, locked on the pier with the zombies, pushing further and further. The others plan to get her on a small boat at the end. Madison jumps off and the zombies, like lemmings, go toppling after her into the water. Luckily, Hector and Alicia are there to scoop her up.
Later, everybody celebrates with a nice dinner together, candle light, wine. Strand goes off and winds up talking with the former groom, the one who lost his bride. “I wont let you touch her,” he tells Victor. She’s not lost, but she certainly isn’t herself anymore. Eventually you just have to let go. That goes for Victor, as well.
Oh, and the bride’s name was Jessica – hence the Pablo (Luciana’s brother) and Jessica of the episode’s title.

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Again, I enjoyed this episode. A few inconsistencies, though nothing major for me. People complain about the cell phone? There’s no guarantee that was Alicia’s cell. She could have easily found it in the hotel, so chill, nitpickers.
Most of all I enjoyed Madison and Alicia this week. They are a great mother-daughter combo: smart, fierce, determined, flawed. Awesome stuff. Excited for “Pillar of Salt” because I can’t wait to see a few of these threads develop further, and maybe we’ll see more of Chris and Travis, too. They’re at a crossroads, which I’m dying to see resolve, or explode.

Fear the Walking Dead – Season 2, Episode 10: “Do Not Disturb”

AMC’s Fear the Walking Dead
Season 2, Episode 10: “Do Not Disturb”
Directed by Michael McDonough
Written by Lauren Signorino

* For a review of the previous episode, “Los Muertos” – click here
* For a review of the next episode, “Pablo & Jessica” – click here
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This episode starts with a wedding reception. Might look familiar, as it’s likely the one that happened right before the zombie apocalypse broke out. Everyone is happy, having a good time. Or at least most people are, anyway. Such is life. The world went on turning while the infection came on strong. And some guests start to get wary of sticking around too long, no matter if it’s a wedding. When the bride’s father collapses mid dance with his daughter, the phone lines go dead, nothing’s looking too good for any of the guests. Dear ole dad comes back to life from the dead, and then one of the women from the hotel locks everybody inside the reception hall to let things take effect. Nasty, creepy opener.
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We’re finally back with Travis Manawa (Cliff Curtis) and his son Chris (Lorenzo James Henrie). They’re not exactly bonding, as you can tell Travis has trouble relating to his boy. Nevertheless, he lets Chris head off on his own to check out a nearby building. Voices and walkers send him into survival mode. Several men inside are shocked to see Chris, who takes off with his father quickly, not waiting to find out what the men were up to, or what they were like. With a new-to-them car they’ve stolen, Travis takes his son “away,” he says, wherever they can manage. He lets Chris take the wheel to learn to drive.  They have a normal moment for once.
After their car runs out of gas, Travis and Chris start a fire, camping along the highway. They start to figure out what’s next. At least Travis tries to make it seem positive. “It might not be perfect, but itll be ours,” he tells his son. “And then what?” Chris replies hopelessly. Soon, a truck comes by; the men who Chris ran into earlier. They don’t seem dangerous, although they do feel sketchy. For the time being they all relax.
Back with Alicia (Alycia Debnam-Carey) in the hotel, she watches zombies stumble through the hall. Waiting for her time, counting how many of them there are nearby. When she feels ready Alicia walks out into the dark hallway, undead lurking not far. Ofelia (Mercedes Mason) is nowhere to be found. So Alicia goes it alone, down an elevator shaft. Narrowly missing being eaten. The hotel employee from the wedding helps her up, then questions Alicia frantically: “Where is he?”
Where is who?

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Chris and Travis get to chatting with the trio. Lots of tragic stuff, as they recount to the men about how California’s basically been decimated. They roast Spam over the fire, talk about killing the “wasted” – what their group calls the zombies. But Travis doesn’t like having his boy around people like them, eager to trade tales about murder and mayhem in this new world. More and more, the father-son duo bump horns.
The hotel employee, Elena, let zombies into the halls. To contain the problem, so she says. She’s searching for a man named Hector. Only Alicia wants to get to her mother, Madison (Kim Dickens), who’s trapped with Strand (Colman Domingo) in the bar. Trouble is this woman seems pretty dead set on keeping Alicia right where she is, and until Hector comes back she isn’t totally thrilled about going anywhere else.
Father and son can’t get on the same page. Travis wants to keep his son non-violent, he doesn’t want him swept away in the carnage of their new existence. “I want to take care of you,” he tells Chris. But the kid doesn’t care. He wants to be with who he sees as strong people. However, Travis finds them too dangerous. And they are, you can just tell.
Alicia and Elena take their chances together. They lure walkers into a room then trap them inside. What I dig in this episode is how Alicia is becoming a big time bad ass. She’s stabbing walkers, dangling from hotel room balconies, she’s just owning it. This is how things are now, and she doesn’t hesitate anymore. Well, Elena and Alicia get downstairs, first to the reception hall. Elena’s no slouch, either. She “contained” that problem and she will continue to contain them all until she’s dead or there are no more problems left to worry about (like that’ll ever happen). “Ive seen worseWeve done worse,” Alicia assures her.

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Meanwhile, Travis is still highly unsure about being with these new men they’ve met. Chris is right at home laughing and talking with them. His father’s uneasy. “The end times made us gods,” one of them says to Travis. They’re somehow pleased with the evening effect of the apocalypse. Seriously? Fucking idiots. Coming across a farm, Travis suggests they stay there, but Chris thinks they need to be with a group.
Things at the hotel get tense. Other survivors have a hold on Hector and they want Elena out, along with Alicia if she’s on her side. But the sly women make their way out of the situation, down into the bowels of the hotel. There, they find Strand and Madison hiding behind a locked door; reunited and it feels so good!
At the same time, Travis realises someone owns that farm and he’s still around. He has a shotgun, too. Now the men they’ve met want to take the farm. Travis can’t let that slide, even if his son isn’t too bothered. And then Chris shoots the guy, killing him. He and his father have officially been separated, this act made sure of that. There’s no telling what happens next for them.

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What a great episode. I often say that, but this one really put the screws to us, emotionally and viscerally. A couple nice zombie kills, plus lots of intrigue. The drama between Travis and Chris is what interested me most, and of course the unstoppable Alicia.
Next episode is “Pablo & Jessica” and I can only imagine what we’ll have in store for us.