Tagged Columbia Pictures

Goosebumps and My Childhood Nostalgia

Goosebumps. 2015. Directed by Rob Letterman. Screenplay by Darren Lemke from a story by Scott Alexander & Larry Karaszewski; based on the novels by R.L. Stine.
Starring Jack Black, Dylan Minnette, Odeya Rush, Ryan Lee, Amy Ryan, Jillian Bell, Ken Marino, Halston Sage, Steven Krueger, Keith Arthur Bolden, Amanda Lund, Timothy Simons, and Karan Soni. Columbia Pictures/Sony Pictures Entertainment. Rated PG. 103 minutes.
Action/Adventure/Comedy

★★★1/2
goosebumps-posterAs someone who grew up reading all of R.L. Stine’s Goosebumps series, I was more than happy to go to the theatre with my dad and my little stepbrother today and see the new Rob Letterman-directed adaptation; in 3D, no less. For many of you that have been around my site before, you’re aware I’m a big fan of horror movies. I attribute part of that love to Stine. There are way too many instances in his novels where I found myself creeped out. Even after getting into them, reading any one I could put my hands on, I’d always come across another story that would frighten the life out of me just as I thought I’d become accustomed to Stine’s scares. He was always a consistently imaginative and slightly scary type of author. A favourite of mine was always The Haunted Mask, which shows up briefly in the film.
While I’d actually love a more horror version of Stine, this adaptation of Goosebumps was still a lot of fun, as well as the fact it’s definitely something your entire family can enjoy. Predominantly a comedy, there are plenty of the Stine monsters here with several fan favourites, and Jack Black certainly plays the author himself with youthful vigour. One of the greatest parts of the film is the acting because the kids and adults seem to have a blast. And even as a horror fan, I still thought there were a few creepy moments calling back to Stine’s books. It really made the nostalgia inside me flare up remembering all those spooky nights laying in bed with one of his haunting stories.
MFBTFWhen Gale (Amy Ryan) and her son Zach (Dylan Minnette) move to the – fictional – town of Madison, Delaware, their life starts to get more exciting, or possibly more frightening than ever before. Settling in, Zach discovers the next door neighbours are a little odd. Well, Hannah (Odeya Rush) seems to be lots of fun. She and Zach bond almost immediately. But it’s Hannah’s father, Mr. Shivers (Jack Black), who is the rough and jagged personality in the house. After Zach believes Hannah is being kept captive against her will by her father, he calls the police. After they bumble around and do nothing, Zach – with the help of silly sidekick Champ (Ryan Lee) – sneaks into the house to try and rescue Hannah.
But what comes next is unexpected. Inside the house, Zach accidentally releases the monsters from a set of locked books…. belonging to none other than R.L. Stine. The supposed Mr. Shivers is really the Goosebumps author hiding out, trying to live a normal life. Because what is in the books has come alive, each and every monster Stine ever dreamed up in the course of his life now roaming the streets.
And nobody is safe.
goosebumps_trailer.jpg.CROP_.promo-xlarge2First and foremost, the acting is solid from start to finish. Jack Black does a great job playing R.L. Stine, not only adding mystery to the character, but as he usually does adds plenty excitement and charisma. While he’s not the wildly frenetic Black sometimes on the screen, there’s such an interesting quality to this fictional Stine and I’m not sure anybody else would’ve been as well suited to the role. There’s even a nice cameo near the end where Stine himself walks by, greeting the fictional version, to which the fictional author replies: “Mr. Black
Then there are the younger actors, each giving it their all in respectively fun roles. Dylan Minnette played Zach well and very believably, which played well off the skills of Odeya Rush. These two were good together, as well as apart. Mainly it’s the subplot of Hannah (Rush) which makes their dynamic work so well; they’re a real and genuine pair of teenagers embedded in a highly supernatural situation. On top of their talents, young Ryan Lee does a fantastic job with the Champ character. While there are all kinds of cheap jokes and real cheesy ones, as expected in a PG film especially, I found Lee made me laugh out loud. There are moments with him and Minnette where they had me cracking up, from big laughs to more subtle bits. These three actors added to the energy of Black as Stine are one of the major reasons Goosebumps is enjoyable, despite its flaws.
goosebumps goosebumps-(2015)All the monsters included were extraordinary. Keep in mind, I did see this in 3D, so a certain amount of why I loved the big flashy stuff is because of this reason. I’m not usually huge on CGI, much more a big fan of practical effects. But all the same, the way this film used the monsters it played out like a light-horror disaster movie – in undeniably exhilarating fashion.
The werewolf is one of my favourite creatures. Also, the ghouls are amazing! When they started to break through the cemetery ground, grabbing at the kids and Stine, I was creeped out and pumped at once. Really brought in a nice dose of horror. Again, while this isn’t exactly horror there’s still plenty of that aspect out of Stine’s novels here. It isn’t savage or anything, not by a long shot. Yet it’s spooky at certain times, and of course infused with action. The abominable snowman sequences, especially early on, were too fun and suspenseful. It’s almost like the larger the creatures/monsters get funneling off the page, the more wild and enjoyable the film gets. This isn’t always the case with monster movies, but the way all of Stine’s monsters converge on the tiny Delaware town is really well done and goes to show how the screenplay is written with a lot of thought given towards honouring Stine.
My only complaint about the monsters? Not enough Haunted Mask. A little shoutout, just wasn’t enough for me.
goosebumps-image07This is certainly a 3.5 out of 5 star film. I had a lot of fun in the theatre watching this; a huge film fan, I’m not particularly fond of seeing movies in theatre honestly because people bother me with their ignorant stuff. More than that, 3D usually makes me feel sick after an hour. But this Goosebumps film adaptation wrapped me up in its unbridled fun, almost right from the beginning, and the nostalgia it offered was almost enough to sell me on the whole thing. While I did find the script could’ve went for more creepiness and done away with some of the super cheesy portions, overall I found the screenplay really kept the heart of Stine, in many ways, and the characters were rich enough I forgot most of my gripes by the time the film ended.
If you’ve got some young ones around, I would totally suggest taking them out to see this before Halloween. Nice movie for the family and if you were an R.L. Stine fan/still are, you owe it to yourself to go see this fun flick.

30 Days of Night: Scary Vampires, Flawed Script

30 Days of Night. 2007. Directed by David Slade. Screenplay by Stuart Beattie/Brian Nelson/Steve Niles; based on the comic by Steve Niles & Ben Templesmith.
Starring Josh Hartnett, Melissa George, Danny Huston, Ben Foster, Mark Boone Junior, Mark Rendall, Amber Sainsbury, Manu Bennett, Megan Franich, Joel Tobeck, Elizabeth Hawthorne, Nathaniel Lees, and Peter Feeney. Columbia Pictures.
Rated 18A. 113 minutes.
Horror/Thriller

★★1/2
30-days-of-night-theatrical-posterTo start, while I don’t like that director David Slade did one of those junk Twilight movies, I’m a big fan of his work on Hard Candy, the episode “Open House” in the 4th season of Breaking Bad, and most of all I love his directorial efforts in the 5 episodes of Hannibal he directed (“Mizumono”, “Ko No Mono”, “Savoureux“, “Potage“, & “Apéritif“); he’s also produced nearly 30 episodes of the show, as well. One of the reasons I think he actually ended up involved with Hannibal might be due to his work here in 30 Days of Night because of the level of blood and how it looks, the visuals. I don’t think this is a spectacular movie, though, one of the things I do enjoy most about it is the overall aesthetic – from the atmosphere and tone to the actual look of the blood and the effects.
I have mixed feelings about 30 Days of Night. On one hand, I think there’s some decent acting along with incredible visuals and plenty of good ole blood and gore. But on the other, I do feel as if the script is pretty flawed in a few places where it ought to be much stronger.

Right off the bat, even though the tone of the movie is awesome and that aspect often takes time to build, I feel as if 30 Days of Night is a tad too long. I mean, I’m a person who loves both atmosphere and character development in horror. Really helps a movie sort of grab hold and not let go if you can fall into it those ways. Yet there’s a point where things go on too long. I think there could’ve been 15-20 minutes cut from and it wouldn’t have damaged the film, but that’s only my opinion; I’m not a director, I’m not a screenwriter. I just think that, while the concept of this movie is awesome, it isn’t particularly tough to grasp. There’s no need for this pushing two hours. And I get it – 30 days – but that’s the funny thing, even in that amount of time I still felt like those 30 days had passed quickly, so I find it all very strange.
CTF - 30 Days of Night - PairThat being said, I do really love the story. Funny enough, the comic series started as a film pitch. Ended up as a comic then began a movie; weird how the system works, as soon as it’s viewed as a commodity in the comic world THEN the execs want to use it because it has a base already. Sad, funny, weird.
Unfortunately, I have a few problems. Right off the bat, Barrow can be flown to almost every day of the year – like anywhere else conditions can vary, but it’s not inaccessible and especially not for 30 days at a time. Then, it’s as if Barrow is completely lit up one day then the next day there is complete darkness, stretching on for a month. Totally unrealistic. It’s a slight process until the darkness has sort of spread over the entire town. But, y’know, I guess if we’re talking vampires there’s a slight suspension of disbelief going on in the first place. Still it’s hard to get past blatant and upfront errors like that when the whole plot pretty much hinges on some of these facts. While it originates from the comic, it might’ve been better had the adapted screenplay tried to fix some of these mistakes. I don’t know how that whole adaptation process works, so I’ve no clue how much liberty the screenwriter would’ve had in terms of crafting a slightly fresh story. Either way, I don’t like how parts of the story’s logic works against the film, I don’t care if it went that way in the comic series or not. They would’ve been better off coming up with a fictional Alaskan town instead of using Barrow and so obviously distorting factual stuff.
30-days-of-nightThere are pieces of the film I do truly enjoy.
Love the music. Of course, it turns out Brian Reitzell – another Hannibal alumni – is the composer. Great score, honestly. Lots of strings and some brass, interesting percussion for which he seems to have a fondness.
As I mentioned earlier, I think part of why David Slade ended up on Hannibal himself as both director and producer is because of how he works visually. For all the crappy storytelling and logic in 30 Days of Night, Slade injects a ton of brutal and beautiful imagery. One of my favourite shots – and everyone’s I’m sure of it – is the aerial view as the vampires first really take hold of Barrow; it’s this amazing shot sort of floating above, all the creatures feeding, blood spurted everywhere in the snow. All that white against red, the music, everyone screaming and the vampires making hideous noises. The movie is overall nothing special to me, but I have to say that this particular shot is one of the best shots in a horror movie over the last decade. Too bad the entirety of the film couldn’t hold up to the aesthetic Slade tried to give it. Unfortunately for him, the story’s just not there.
arvin-30-days-of-night-32231674-3000-2000Big thing I did enjoy are the vampires themselves. It’s strange how Slade went from vampires like this to those of the Twilight persuasion; a conversation for another time. Here, though, the vamps are how they ought to be: cruel, Other-ish, savage. I thought the way the production of the film came up with a language for the vampires was interesting because it worked, as well as the fact it sounded pretty damn eerie to hear them communicating. Very mysterious and cool. I liked this aspect of the movie a lot. Naturally, a vampire movie’s main aspect needs to be the vampires – regardless of anything else, the plot, the subplots, the story, it’s all secondary to the vampires. Honestly, if you don’t have good vampires it won’t work no matter how fresh a story ends up.
At the same time, no matter how god damn scary your vampires are, no amount of savagery from them can save the lack of proper story and logic which is so evident in 30 Days of Night.
30-daysI don’t care how visually incredible I find this film, I can’t in all good conscience give this movie more than 3 out of 5 stars. To be honest, I want to give it 2.5 instead but I won’t simply because I think there’s a great all around look and feel to 30 Days of Night. There is a good story in there, however, I just cannot bring myself to get past glaring errors. Straight away, the whole inclusion of Barrow is a terrible decision; from the comic to the film, bad idea. Extreme weather would keep flights out maybe a day, possibly two, but there’s no way in hell Barrow would find itself cut off for longer than that. Certainly not for 30 days. Anybody with Google can figure out – from proper sources – all the information they need about Barrow, or any other god damn place on the map for that matter.
Okay, you know what? This gets 2.5 out of 5 stars. There’s too much bullshit nonsense happening for me to ignore and while I love the vampires, plus all the bloody, gory intensity which comes along with them, I can’t ignore enough for that to make this worth it.
30-Days-of-Night-horror-movies-8549739-2048-115730 Days of Night is good enough for the vampires. Come and see them, enjoy their bloodletting. Don’t come and expect to get a story and plot that’s ultimately going to make you think something fresh and innovative happened here. While the idea is great, using Barrow to accomplish it, trying to root this in reality, fails because REALITY WILL NOT LET IT WORK. There was a time I didn’t think too much about the logistics of this movie, I turned my brain off I suppose. I let the movie whisk me away with its aesthetically pleasing blood on snowy landscapes and the dripping gory faces of its vampires.
Now, I see you for what you are, 30 Days of Night: a farce and a letdown. You’re no better a movie than half of the crap getting churned out. This movie works for me only in the way any other mindless, nonsensical movie does, like that type of action or comedy or whatever you don’t need a brain for – switch off, tune out, enjoy. Took me a while to figure this out. If you want David Slade’s best work, go watch some Hannibal, or the excellent Hard Candy.